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Harp Music Sacchi Show recording details. December Originally recorded in Select your download format.
Zabel, Albert ( - ) On cover: Compositions pour la harpe de Albert Zabel. › Follow Zabel, Albert (composer). Buy La Source Op - Harp: Read Kindle Store Reviews - www.farmersmarketmusic.com
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Please read our Privacy Policy to find out more. Tournier , Berceuse Russe M. At fourteen he was appointed solo harpist to the Berlin Opera and in he moved to St Petersburg to become solo harpist with the Imperial Ballet, remaining there for the rest of his life. Glinka, Variations on a theme by Mozart G. Visit my eBay shop. The modern harpist, like the organist, now needs agile feet as well as hands, since the body of the instrument hides a complicated mechanism of levers, operated by pedals, which enables the player to alter the pitch of the strings and thereby play and modulate in a variety of keys previously inaccessible to it. If you use and like Free-scores.
Your selections total more than the whole disc price. See all condition definitions - opens in a new window or tab. Visit my eBay shop. Albert Zabel La Source: Am Springbrunnen, Op23, for solo Harp. Take a look at our Returning an item help page for more details.
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Am Springbrunnen, or La Source as it is often called, is probably his most famous composition for the harp. Franz Liszt considered Wilhelm Posse the greatest harpist after Parish-Alvars, and consulted him on the harp parts of his later orchestral works. He was born in Bromberg in and, after early musical training from his father, taught himself to play the harp. He died in Berlin in He taught himself the harp and came to England at the age of sixteen to improve his technique.
He lost all his money and possessions on the way. Whilst his ship was in harbour he dived overboard to rescue a sailor who had fallen into the water; the ship went on without him, taking all his belongings. Unable to speak English, and penniless, he somehow found his way to the London home of the famed maker of pianos and harps, Sebastian Erard.
This led to an introduction to Clementi who, recognising his talent, helped him to establish himself. Before long he was regarded as the most renowned harpist in England, a reputation which he maintained for thirty years. Among his many pupils was Parish-Alvars. Dizi left London in to join the firm of Pleyel in Paris with the intention of founding an establishment for the manufacture of harps. But this came to nothing.
He died in Paris some time around Of his various compositions for the harp, the 48 studies are considered the most important, being melodious and technically valuable. One of these, number 21, is included here. Perhaps looking slightly out of place among these prominent harp musicians of the nineteenth century is Claude Debussy, since he is acknowledged to be among the most original and influential composers of the twentieth. He was, however, born long before the new century, in , and wrote much music before La fille aux cheveux de lin The girl with the flaxen hair , though, is very much of the twentieth century, coming as it does from the first book of Preludes for piano, written in But it is a charming and endearing piece, and again transfers well and without alteration to the harp.
Perhaps one can excuse its inclusion in a programme of nineteenth-century harp music on the grounds that without the championship of the harp by the other composers on the record, and their influence on harp construction and playing technique, it could not be heard in this very attractive form. Sell a similar item Add to favorites Add to Wish List.
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