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Evidence suggests that the poem was sent sometime around , when Cummings was embarking on his career as a poet and artist. At this time the two men had known each other for about three years. Their friendship, which would last until Thayer succumbed to paranoid schizophrenia a decade later, was based largely on a shared passion for art and literature.
Zombie poems written by famous poets. Browse through to read poems for zombie. This page has the widest range of zombie love and quotes. Our culture's current obsession with zombies and vampires is only the latest form of a Monster Verse: Poems Human and Inhuman (Everyman's Library Pocket.
Cummings benefited most from the relationship, as the wealthy Thayer gave Cummings money to write and paint, launched his career with publication in The Dial , and blithely assented to Cummings romancing, bedding and, as it happened, impregnating his beautiful wife. The friendship had begun when, a century ago this year, a young Edward Estlin Cummings entered Harvard. There he met Thayer, fabulously wealthy and an influential figure on campus. Today, Cummings is widely read and anthologized, and Thayer all but forgotten.
But at the time, Cummings looked upon Thayer as a mentor. The first piece of correspondence between the two is a polite fan letter from Cummings regarding a poem Thayer had published in the Harvard Monthly. I shall feel better when I have made trial of expressing, to you, my admiration of your poem.
The two also explored the seedier side of the nightlife of Boston and Cambridge. In his personal notes, Cummings described one adventure in which the pair hit it off with a couple of young women. Thayer, by contrast and by any measure, was rich. His father, who owned textile manufacturing mills in his hometown of Worcester, Massachusetts, had died when Scofield was 17, leaving his son and only child the majority of his fortune. There he again spent time with T.
Eliot, who was also studying at the university. Thayer left England in when it became obvious that the Great War would lumber bloodily on for many years to come. He returned with Elaine Orr. Many were struck by her loveliness. Erect, exquisitely turned-out, commanding, his face had both a severity and a softness, with a bowed lip that women described as Byronic. Cummings was the most heavily stricken by the lovely Elaine: She replied three weeks later, saying she admired the elephant, was grateful for a compliment he had paid her, and hoped to take drawing lessons from him someday.
This was patronage, of course, a way of giving Cummings money to support himself while he wrote, drew and painted. It was the first of many gifts and gestures of support Thayer would make to his friend and to others. The poem opens with an image of infidelity that would turn out to be prophetic:. The couple stayed at the palatial Potter Hotel in Santa Barbara and eventually moved into a rented house.
Almost Zombie , Richard Wlodarski The poet and critic Robert Hillyer wrote to a friend: Yeats Were you but lying cold and dead, And lights were paling out of the West, You would come hither, and bend your head, And I would lay my head on your breast; And you would murmur tender words, Forgiving me, because you were dead: She mumbled some words and cackled, "You'll be a zombie for a week. In his notes, Thayer described what seems like a moment of horror and desperation experienced by his bride: Zombie , Marea Johnson Zombie Chickens , Juan Olivarez 4.
They swam, rode, read and traveled around the state. All in all, this young, good-looking, wealthy couple seemed to be living an idyllic existence, but behind closed doors the marriage was unraveling at a calamitous rate.
In his notes, Thayer described what seems like a moment of horror and desperation experienced by his bride: But that was not all. Another note suggests that, while still on their honeymoon, Thayer told his wife he wanted nothing more to do with the marriage and that they were to live separately: Elaine remained fond of Thayer, however, for many years, and even admired him for the choices he made. When the couple returned to the East in June , just a year after their wedding, friends saw that the relationship was undoubtedly over.
Thayer set up his wife in a Greenwich Village apartment and himself moved into the Benedick, an apartment building that catered to bachelors. Cummings, however, was not so detached in his philosophy of love as Thayer, and was fated to be utterly obsessed with Elaine. Unfortunately, this union was even more short lived than the one with her first husband.
Her new love was Frank MacDermot, a senior partner in a firm of merchant bankers. Nancy, the daughter of Cummings and Elaine, would grow up in Europe believing that her father was Thayer, and only when she herself was a mother would she find out, from Cummings himself, that Cummings was in fact her biological father. The magazine, despite some progressive stances on political issues, had a reputation for staidness. Thayer, by introducing to its pages Modernist and avant-garde work from Europe to America, much of it aimed at shocking the bourgeois, quickly made the world of art and culture pay attention to what he was doing.
This post was originally published in October If I should die, And you should live, And time should gurgle on, And morn should beam, And noon should burn, As it has usual done; If birds should build as early, And bees as bustling go,— One might depart at option From enterprise below!
It make the parting tranquil And keeps the soul serene, That gentlemen so sprightly Conduct the pleasing scene! How wonderful is Death, Death, and his brother Sleep! There are cemeteries that are lonely, graves full of bones that do not make a sound, the heart moving through a tunnel, in it darkness, darkness, darkness, like a shipwreck we die going into ourselves, as though we were drowning inside our hearts, as though we lived falling out of the skin into the soul.
And there are corpses, feet made of cold and sticky clay, death is inside the bones, like a barking where there are no dogs, coming out from bells somewhere, from graves somewhere, growing in the damp air like tears of rain. Sometimes I see alone coffins under sail, embarking with the pale dead, with women that have dead hair, with bakers who are as white as angels, and pensive young girls married to notary publics, caskets sailing up the vertical river of the dead, the river of dark purple, moving upstream with sails filled out by the sound of death, filled by the sound of death which is silence.
Death arrives among all that sound like a shoe with no foot in it, like a suit with no man in it, comes and knocks, using a ring with no stone in it, with no finger in it, comes and shouts with no mouth, with no tongue, with no throat. Nevertheless its steps can be heard and its clothing makes a hushed sound, like a tree.
But death also goes through the world dressed as a broom, lapping the floor, looking for dead bodies, death is inside the broom, the broom is the tongue of death looking for corpses, it is the needle of death looking for thread. Death is inside the folding cots: The cloud, the stillness that must part The darling of my life from me; And then to thank God from my heart, To thank Him well and fervently;.
Although I knew that we had lost The hope and glory of our life; And now, benighted, tempest-tossed, Must bear alone the weary strife. Nor shall my love avail you in your hour. It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of Annabel Lee; And this maiden she lived with no other thought Than to love and be loved by me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsmen came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea.
The angels, not half so happy in Heaven, Went envying her and me— Yes!