Contents:
Sacrifice, Douglas Hedley Nature, Gordon Graham The Sublime and the Beautiful, Ross Wilson Time and History, Arne Gron Technology, David Lewin Part V: Ways of Knowing Wissenschaft, Johannes Zachhuber Hermeneutics, Jim Fodor Phenomenology, Merold Westphal The Bible, Nicholas Adams Incarnation, David Law Sacramentality, David Brown Atonement, Simeon Zahl Clear and informed, the articles lay out the terrain of contemporary thought Oxford University Press is a department of the University of Oxford.
Anonymous Theology and Pseudonymous Christology. Acknowledging a Hidden God: Heythrop Journal , Vol. Religion and Politics in Processes of Modernisation. Totalitarian Movements and Political Religions , Vol. Eschatology and Theatricality in The Tempest. Theology and Literature , Vol. Review of Heidegger's Confessions. Philosophical Review , Vol. Review of Sartre and Theology. Scottish Journal of Theology , Vol. Review of Reading C.
Review of Karl Rahner's Theological Aesthetics. Philosophy and Theology , Vol. The Poetry of Joy Davidman. The Tablet , Review of The Face of God. Review of Out of My Bone: The Letters of Joy Davidman.
Lewis Chronicle , , p. Reviews in Religion and Theology , Vol.
Yet for all the breadth and complexity of modern European thought and, in particular, its relations to theology, a distinct body of themes and approaches recurred. Oxford Handbooks. Innovative coverage of the relationship between theology and modern European thought in one comprehensive volume.
Review of Tales from Another Byzantium: Literary Form and Polemical Response Voice, speaking, silence in Leopardi's verse Leopardi as a writer of prose Russian Literature Between Classicism and Romanticism: Poetry, Feeling, Subjectivity Alexander Pushkin as a Romantic The Geography of Russian Romantic Prose: Bestuzhev, Lermontov, Gogol and Early Dostoevsky The Romantic construction of Greece Geographies of Historical Discourse Histories of Geography Romantic Political Thought Science and the Scientific Disciplines Life and Death in Paris: Medical and Life Sciences in the Romantic Era Theatre, Drama and Vision in the Romantic Age: Stages of the New Theories of Language Europe's Discourse of Britain.
It brings together leading scholars in the field to examine the intellectual, literary, philosophical, and political elements of European Romanticism.
The volume begins with a series of chapters examining key texts written by major writers in languages including French, German, Italian, Spanish, Russian, Hungarian, Greek, and Polish amongst others. Then follows a second section based on the naturally inter-disciplinary quality of Romanticism, encapsulated by the different discourses with which writers of the time, set up an internal comparative dynamic.
These chapters highlight the sense a discourse gives of being written knowledgeably against other pretenders to completeness or comprehensiveness of understanding, and the Enlightenment encyclopaedic project. Discourses typically push their individual claims to resume European culture, collaborating and trying to assimilate each other in the process. The main examples featuring here are history, geography, drama, theology, language, geography, philosophy, political theory, the sciences, and the media.
Each chapter offers original and individual interpretation of individual aspects of an inherently comparative world of individual writers and the discursive idioms to which they are historically subject. Together the forty-one chapters provide a comprehensive and unique overview of European Romanticism.
The Oxford handbook of modern Irish theatre []. Oxford University Press, [] Description Book — xxix, pages: Nielsen Book Data The Oxford Handbook of Modern Irish Theatre provides the single most comprehensive survey of the field to be found in a single volume. Drawing on more than forty contributors from around the world, the book addresses a full range of topics relating to modern Irish theatre from the late nineteenth-century theatre to the most recent works of postdramatic devised theatre.
Ireland has long had an importance in the world of theatre out of all proportion to the size of the country, and has been home to four Nobel Laureates Yeats, Shaw, and Beckett; Seamus Heaney, while primarily a poet, also wrote for the stage. This collection begins with the influence of melodrama, looks at arguably the first modern Irish playwright, Oscar Wilde, before moving into a series of considerations of the Abbey Theatre, and Irish modernism.
Arranged chronologically, it explores areas such as women in theatre, Irish-language theatre, and alternative theatres, before reaching the major writers of more recent Irish theatre, including Brian Friel and Tom Murphy, and their successors. There are also individual chapters focusing on Beckett and Shaw, as well as a series of chapters looking at design, acting and theatre architecture. The book concludes with an extended survey of the critical literature on the field.
In each chapter, the author does not simply rehearse accepted wisdom; all of the authors push the boundaries of their respective fields, so that each chapter is a significant contribution to scholarship in its own right. The Oxford handbook of screendance studies [].
Oxford ; New York: Oxford University Press, [] Description Book — xxiv, pages: Summary The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation.
Each chapter discusses and reframe current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines.
The Oxford Handbook of Screendance Studies features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field. The Oxford handbook of the eighteenth-century novel []. Oxford University Press, [] Description Book — xxiv, pages ; 26 cm.
Nielsen Book Data Although the emergence of the English novel is generally regarded as an eighteenth-century phenomenon, this is the first book to be published professing to cover the 'eighteenth-century English novel' in its entirety. This Handbook surveys the development of the English novel during the 'long' eighteenth century-in other words, from the later seventeenth century right through to the first three decades of the nineteenth century when, with the publication of the novels of Jane Austen and Walter Scott, 'the novel' finally gained critical acceptance and assumed the position of cultural hegemony it enjoyed for over a century.
By situating the novels of the period which are still read today against the background of the hundreds published between and , this Handbook not only covers those 'masters and mistresses' of early prose fiction-such as Defoe, Richardson, Fielding, Sterne, Burney, Scott and Austen-who are still acknowledged to be seminal figures in the emergence and development of the English novel, but also the significant number of recently-rediscovered novelists who were popular in their own day. At the same time, its comprehensive coverage of cultural contexts not considered by any existing study, but which are central to the emergence of the novel, such as the book trade and the mechanics of book production, copyright and censorship, the growth of the reading public, the economics of culture both in London and in the provinces, and the re-printing of popular fiction after , offers unique insight into the making of the English novel.
The Oxford handbook of the theory of international law []. Description Book — xxxi, pages ; 25 cm. Nielsen Book Data The Oxford Handbook of International Legal Theory provides an accessible and authoritative guide to the major thinkers, concepts, approaches, and debates that have shaped contemporary international legal theory. The Handbook features 48 original essays by leading international scholars from a wide range of traditions, nationalities, and perspectives, reflecting the richness and diversity of this dynamic field.
The collection explores key questions and debates in international legal theory, offers new intellectual histories for the discipline, and provides fresh interpretations of significant historical figures, texts, and theoretical approaches. It provides a much-needed map of the field of international legal theory, and a guide to the main themes and debates that have driven theoretical work in international law.
The Handbook will be an indispensable reference work for students, scholars, and practitioners seeking to gain an overview of current theoretical debates about the nature, function, foundations, and future role of international law. The Oxford handbook of early modern European history, []. Description Book — 2 volumes: The Early Modern Emergence of 'Europe'? Weather, Climate, and the Environment 4. Disease and Medicine 5. Travel and Communications 8. Print and Printedness 9.
Languages and Literacy A Revolution in Information? Economic and Social Trends The Social Order Families and Households Sexual Identity and the Family Consumption and Material Life The Agrarian West The Agrarian East Country and Town in Mediterranean Europe Towns and Urbanisation The Christian Church, Protestantism and Its Adherents Early Modern Catholicism The World of Orthodoxy The Transformations of Judaism Islam within Europe The Culture of Peoples Belief and its Limits.
Nielsen Book Data 1. A Return to the Ancient World? A Revolution in Natural Philosophy 4. Art and Architecture 5. Navigation and Discovery 8. Northern European Empires The Role of the Religious Orders Trade and the 'Global Economy' The Unconquered East Western European Monarchies Northern and Eastern Monarchies Authority and Popular Resistance Rulers and Courts Taxation and Finance Republics and Republicanism Warfare on Land Warfare at Sea The Ottoman Empire and Europe Europe's Shifting Balance of Power, c.
The Growth of Diplomacy, c. Nielsen Book Data This Handbook re-examines the concept of early modern history in a European and global context. The term 'early modern' has been familiar, especially in Anglophone scholarship, for four decades and is securely established in teaching, research, and scholarly publishing. More recently, however, the unity implied in the notion has fragmented, while the usefulness and even the validity of the term, and the historical periodisation which it incorporates, have been questioned.
The Oxford Handbook of Early Modern European History, provides an account of the development of the subject during the past half-century, but primarily offers an integrated and comprehensive survey of present knowledge, together with some suggestions as to how the field is developing. It aims both to interrogate the notion of 'early modernity' itself and to survey early modern Europe as an established field of study.