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Soon after Margery's birth, the family left London for Essex , where they lived in an old house in Layer Breton , a village near Colchester. She attended a local school and then the Perse School for Girls in Cambridge , all the while writing stories and plays; she earned her first fee at the age of eight, for a story printed in her aunt's magazine. Upon returning to London in , she studied drama and speech training at Regent Street Polytechnic , which cured a stammer from which she had suffered since childhood.
At this time she first met her future husband, Philip Youngman Carter, whom she married in He collaborated with her and designed the jackets for many of her books. Her first novel, Blackkerchief Dick , was published in when she was Nevertheless, Allingham continued to include occult themes in many novels. Blackkerchief Dick was well received, but was not a financial success. She wrote several plays in this period, and attempted to write a serious novel, but finding her themes clashed with her natural light-heartedness, she decided instead to try the mystery genre.
She wrote steadily through her school days. While enrolled at the Regent Street Polytechnic, she wrote the verse play Dido and Aeneas , which was performed at St.
George's Hall and the Cripplegate Theatre. Allingham played the role of Dido; the scenery was designed by Philip Youngman Carter. Her breakthrough occurred in with the publication of The Crime at Black Dudley. This introduced Albert Campion , albeit originally as a minor character. He returned in Mystery Mile , thanks in part to pressure from her American publishers, much taken with the character.
By now, with three novels behind her, Allingham's skills were improving, and with a strong central character and format to work from, she began to produce a series of popular Campion novels. I read my way through Margery Allingham's Campion novels and stories; enjoyed them all even the "lesser" ones. This one, completed by her husband P. Youngman-Carter after her death stands up well its own. My expectations were modest but I found the writing style appealing with plot and characters both entertaining and well drawn.
The fact that Campion is aging and Lugg does not appear doesn't detract in any way. I quickly stopped comparing this story to authentic Allingham work and found it engaging for its own qualities. If you like vintage English mysteries, you may find this just your 'cuppa.
I have enjoyed many of Margery Allingham's books. This one was finished by her husband after her death and is still the same excellent mystery quality. It is suspenseful throughout and has a great cast of characters. Many of the characters' actions and dialogue are reminiscent of the Cold War tensions and bring to mind the stories that have come out of that era.
Get to Know Us. Amazon Web Services Goodreads Shopbop. Not Enabled Word Wise: Enabled Average Customer Review: Recent changes have removed several Kindle editions, this page will be updated as new editions become available! Available in paperback and audible editions. A house-party with a glittering guest-list.
An imposing country estate with endless shadowy staircases and unused rooms. The breathless period between the two world wars. More on The Crime at Black Dudley. Available in paperback, ebook, and audible editions. The notoriously deadly Simister gang is after judge Crowdy Lobbett. Lobbett managed to escape death several times already but the fear for his life is never worse than when some of his close friends begin to disappear mysteriously. In a moment of utter desperation the judge turns for help to the enigmatic and unassuming amateur sleuth, Albert Campion.
Will Albert Campion manage to win the race against time and save Lobbett? Mystery Mile, first published in , is second of the Margery Allingham novels starring eccentric amateur sleuth, Albert Campion, and his indispensible butler and bodyguard, Magersfontein Lugg. More on Mystery Mile. A priceless chalice is targeted by thieves.
Some objects just cry out to be stolen, and an obliging ring of international thieves stands ready to heed the cry. Their current target is the Gyrth Chalice, a priceless goblet that the Gyrth family has for centuries held in trust for the British Crown. Kept in a windowless chapel, and protected by a fearsome curse, the Chalice should be impervious to thievery.
But looks can be deceptive. More on Look to The Lady. Police at the Funeral Furniture and meals are heavy and elaborate, motorcars and morning tea are forbidden on account of vulgarity. The Faraday children, now well into middle age, chafe at the restrictions, but with no money of their own, they respond primarily by quarreling amongst themselves.
Their endless squabbling is tedious but nothing more until one of them turns up dead, followed shortly by his petulant, whining sister. Though neither will be much missed, decency demands that Caroline Faraday hire the nearly respectable Albert Campion to investigate their untimely ends. More on Police at The Funeral. Kingdom of Death;The Fear Sign. Way back during the crusades Richard I presented the Huntingforest family with the tiny Balkan state of Averna.
Since that time the kingdom has been forgotten, until circumstances in Europe suddenly render it extremely strategically important to the British Government. Unconventional detective Albert Campion is thus hired to recover the long-missing proofs of ownership — the deeds, a crown, and a receipt — which are apparently hidden in the village of Pontisbright. In Pontisbright, Campion and his friends meet the eccentric, young, flame-haired Amanda Fitton and her family who claim to be the rightful heirs to Averna and join in the hunt.
Unfortunately, criminal financier Brett Savanake is also interested in finding the evidence for his own ends. More on Sweet Danger. Death of a Ghost John Sebastian Lafcadio, R. But his influence is not. He wanted lasting fame and he left instructions to his wife, Belle, for one painting to be exhibited every year after his death.
Eight years later, in Little Venice, a select group of friends and family gather to view the eighth painting.
They are treated instead to a murder. The lights go down, and a young man is stabbed to death. Albert Campion is one of the guests, and in his deceptively calm way he gets to work on the baffling case, with its long — suspiciously long — line-up of possible killers. More on Death of a Ghost. Legacy in Blood US. Trouble at The Sign of the Golden Quiver.
Yet the discovery of one of the Barnabas cousins, dead for some days inside a locked strong room, throws the entire clan in disarray. As police suspicions settle on a member of the family, the Barnabas cousins have no choice but to ask Albert Campion to step in and salvage their reputation. But everywhere he turns, Campion finds more questions than answers. Just what was the deceased Barnabas doing in that strong room in his evening clothes and bowler hat?
And the original disappearing nephew, where, exactly, did he disappear to? More on Flowers for the Judge. Someone has taken to playing increasingly nasty pranks.
Albert Campion offers to poke around, but what he finds chez Sutane nearly overwhelms him. The far-from traditional household features a clutch of explosive egos, including a brooding genius musician, and a melodramatic young actress who seems to delight in drawing others into her web of carefully groomed tragedy.
More on Dancers in Mourning. Still, he does attend the funeral. Not because he much regrets the passing of the Pig, but because he got an intriguingly anonymous invitation and Campion never can resist a mystery. On arrival in Sussex, Campion is presented with a dead body that, in life, most definitely belonged to the late-and-not-much-lamented Pig. So who, exactly, was buried six months earlier?
The Fashion in Shrouds First, there is a skeleton in a dinner jacket. Then a corpse in a golden aeroplane.