Wie der Maulwurf lernte, was Spaß ist (Herbert und Fred 1) (German Edition)

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Extensive address list in the appendix enable the reader to contact directly the regional and supraregional agencies responsible for the needs of children and youth. Juli, der Finder Juli, the Finder Weinheim: He knows what he is supposed to do: But what to do when he finds something he should take to the police, for instance, a shoe old? For he has to turn it in because someone might be missing it? The policeman follows the rules. He accepts the lost article. He takes Juli with his "Peter-car" police car home. Surely that has not happened to anyone else in kindergarten!

A friendly text with an almost broodingly precise rendering of events and the elementary pleasure of little children over the experience of being independent, trustworthy and important. So he sets out and asks the animals. But they can only give him insufficient answers since they all keep themselves and their clan alive by searching for food and caring for their young. But Washable consists of fabric and sawdust, has no tasks and cannot do anything.

A little girl knows the answer: In this way, his Teddy Bear existence once again has a purpose. A story and a painted Teddy which uphold the wish to belong among younger children and help them to see their own usually also "unnecessary" little selves as valuable. The story has been set to music by Wilfried Hiller for theater performances. Germany German - - Engelmann, Reiner ed. Tomorrow May Be Too Late.

There are feelings of insecurity on both sides, but the greater burden is borne by the foreigners. Speechlessness which is not verbal, but rather psychological makes the situation worse. The authors hope to encourage, even request, their readers not to let themselves be overwhelmed by the general mood of pessimism, but rather to stay alert and active against perpetrators of violence.

A Tale from Tadzhikistan Ravensburg: A poor old fisher receives a large fish every morning from the bird Kachka because he cannot catch anything himself any longer. The fisher and his wife soon grow fatter and richer - until one day the Padisha places a high reward on the bird's head. Then the fisher betrays his benefactor. But nothing good can come of that. Bird Kachka abducts the phalanx of bloodhounds on his trail to never-ever land in the endless skies. Annegert Fuchshuber's re-telling of this Tadzhik lale is a tribute to a wonder she remembers from her childhood when at the end of the Second World War the Russian officer Nikolai brought bread and sugar and told fairy tales.

Everyone knows who his friends and enemies are, and in times of need there is a truce until the danger has passed. Franz Rat and his assistant Miss Pimpenelle, the grey mouse, hold strictly to this rule. It makes no difference whether Dr. Rat's patients, such as Cat Nelson, number among their mortal enemies - everyone receives treatment.

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With caution, of course. Barrels of poison in vast numbers are being dumped on the hill. Clever, tricky, and with believable citizen's courage Franz Rat and Miss Pimpernelle succeed in saving their world. The rights of handicapped children and the right of protection as a refugee are treated in a separate chapter. The situation of children from around the world is presented in short texts, usually illustrated with photos. Suggestions for activities in one's own country are given which make it possible, on a small or larger scale, to do something, preferably with the help of schools and educators.

One chapter reports on the widely unknown work of the children's parlaments in Germany and lists their addresses. Through their commitment these texts give hope to the idea that actions taken against the injustice which children experience throughout the whole world can be meaningful. The Story of Liselotte Herrmann Ravenshurg: She had been active in the Communist resistance. At the time of her death her son was three years old, she herself In , two years before the opening of the archives, Ditte Clemens, a citizen of the GDR, began to investigate the available sources - and after endless difficulties with the officials also the archival materials - about Liselotte Herrmann, who was considered a model case of a Communist resistance fighter.

Thus with this book an example of citizen's courage in the immediate present is unfolded for the reader. The desire and personal wish of the author to make history transparent, to set recognizable truth off from the declared cliches, gave her the courage to overstep them. In mutually complementary, alternating chapters, Ditte Clemens develops the archive material in question in a fascinating manner for the reader and at the same time reports on her own difficulties in the search for truth.

It becomes evident - this is the merit of this book - what kind of historical falsification is necessary in a dictatorship of any color and that only the resistance of individuals can remedy it. ISBN Divorce - Family - Argument Lena and Lars try in their own way to do something about the more and more frequent arguments between their parents.

Lena even climbs up onto the rooftop and threatens to jump off. Unfortunately, they have to accept the fact that neither their acts nor their sorrow change anything in this conflict, and that lawyers are not always the bad guys, but in some cases understanding people who are concerned as individuals and as lawyers about the "welfare of the children. Without glossing over the difficulties, the author indicates that it is possible to cope with unexpected and painful new situations with outside help.

The reader is spared a view of the future; instead the lively energy of the protagonists gives hope for a better one. He ran into this group of like- minded, in thought and deed violence-oriented gang at the age of twelve. The "solution" to the asylum seeker problem in Germany provides them with a goal and direction: When one member of the group stands up to the others and saves a foreigner child, he is beaten to death by the gang.

Full of catch words but still impressive, the author writing under a pseudonym portrays in the protagonist all the inner problems, brutality and lack of orientation seen among young people who have turned to violence, including the vicious circle of their isolated life's circumstances at school, in the family, and in the community, which condemns them to speechlessness.

Violence in the family is continued outside of it. Blamed is once again the generation of parents who, in turn, had not been able to free themselves of their past. In a political sense the boys are mostly fully ignorant, they seek to be part of a substitute family, they want to retreat into their den, which is stocked to the hilt with weapons hut also quite homey with refrigerator and bed. Right-wing ideas and ideology are disseminated and practiced by veterans of the Nazi dictatorship who want to raise the youth to be "right fellows", just as they once were.

In its word rhythm the text conveys the staccato of rap - the music and life- style of a generation fixed on speed and volume. The readability of the text carries the danger that its content will not be seen as the negative world which it seeks to portray. What do Girls Do? Whether the scene involves a snake with human children's features or a thoroughly plausible happening such as the wish to read undisturbed, closer inspection shows that each portrait involves the dark side of the dear little ones.

Irmgard sits reading in a stuffed wing chair on a carpet of racing rats, probably in order to disgust the adults. Patricia "keeps an eye on her brother" by twirling him like an airplane around her near solid iron posts. Yvonne wants to watch television and keeps a knife and cleaver ready, just in case. Boys and feeble adults fathers make a poor showing, serving as mere show or as objects of female aggression.

As in Heidelbach's past picture books, there is nothing child-like here. In so far this could be an alphabet which teaches the grown-ups to feel the creeps. Some early interpersonal, but not yet verbalized experiences are presented here visually with subversive irony. All True Animal Stories Recklinghausen: ISBN animal protection - animal shelters - man-animal -relationship - responsibility Animals of most varied types who have found shelter on an estate with animal lovers introduce themselves.

In spite of an often poeticized form, the texts tell of quite real and commonplace, happy and terrible animal fates which are taken seriously in these friendly surroundings - of grooming and comradeship, and of death and loss. The authors work full-time in creative professions and are actively committed to the cause of animals' rights to respect and protection. But today Ernst gets into a dispute with August. Ernst gets up and August slays in bed when the alarm goes off at 5 a. Thus everything goes wrong on this day.

Ernst falls off the bicycle, is bitten by a dog, and in his haste has forgotten to put on his uniform or anything else. For all of these mishaps he naturally blames his alter ego August, who is lying at home in a warm bed. As Ernst is ready to confront August, Ernst August wakes up with a start. For the first time in his mailman existence he has overslept! A simple and humorous fable about the inner sleepyhead everyone knows.

The illustrations; just as in the said morning rush, accidently smeared and corrected, but chrystal clear in their statement, with the necessary The mailman Ernst August is certified as the most punctual mailman in the world. Ernst gets up and August stays in bed when the alarm goes off at 5 a. The illustrations; just as in the said morning rush, accidently smeared and corrected, but chrystal clear in their statement, with the necessary pinch of wink-eye.

ISBN Banquet - Vanity - Trickery - Fable The peacock issues invitations to the wedding of the century and everyone comes, in fancy dress, to celebrate with him. There is singing and dancing on the tables. True to his tricky nature, the fox offers his bushy tail as a wedding table - and disappears with the food and drink into his foxhole as soon as it is served, where he lives it up for a full week "and gave no one a crumb.

Ensikat's graphic design for the text corresponds to the intent of the tale. Each illustration of this charmingly bestial show-off wedding party tempts the reader to enjoyable perusal thanks to the artist's mastership. The book's design enables all of the vain comrades of the wedding's host to be properly shown in the picture book world. Both girls learn from and about each other - the customs and rules of their respective cultures. And yet Steffi unknowingly offends her foreign friend seriously by inviting her to a birthday party without her brother as escort. And Steffi cannot understand why Aischa expected such an invitation or is injured.

Because of the ignorance of both children, the friendship is nearly at a breaking point. Only when Aischa is about to return to Lebanon with her family because their temporary quarters are threatened by attacks and her brother is insulted and mistreated in Germany, just as in his homeland, does a reconciliation take place. Simple imagery in and for the text. This book could be used in classrooms to help examine the situation of children from abroad. Germany German - - Merten, C.

Catastrophe threatens, the German reunification is endangered. Only with the help of a magic ring, which had once decided the order of succession in the House of the Hohenzol lern, could a solution perhaps be found. The ring is looked for. Political leisure reading about the state of the nation, for children and adults. Galileo ISBN Nuclear Acchlent - Survival - Community - Nature An unexplainable catastrophe has turned the whole earth into a death zone, with the exception of only a few elevated areas.

The survivors must try to secure their living with the natural means at their disposal. Using the example of a village community, the author describes spellbindingly what is possible in this situation and how life can continue to function. The conciliatory conclusion is the discovery that in the seas living nature - at the micro-level - is developing anew and the dead areas becoming overgrown.

A warning for everyone, and a thrilling book as well. ISBN Transformation - Body Size - Observation Grandfather Karl-Gustav is given the surprising opportunity through a fantastic natural happening, lo be transformed into a mini- grandfather. When the twins Jenny and Johan pop in on him in the holidays, they have problems with their absent-minded or - seemingly - fully absent host, until they discover him in his disguise. And there are still more discoveries to be made by all children and adults who let themselves be transformed. How enormous a straaw is, or wonder of flight the living dragon-fly is!

The author's intent stems from natural-ethical and religious ideas and aims at the abolition of structural violence. Fantasy, joie de vie, and the power of imagination on the part of the by chance large beings people for the little world all around them could help people to observe more closely and to respect and protect what is living. To let one's self be transformed from big to small could occur without any physical tricks of fantasy and help a person to empathize with the little ones.

The particular merit of this text is its humor, which pokes fun at of the category body size. Therefore she is pleased with the sudden appearance of Rudiger, her mother's old boy friend, and all of his desirable alternative life-style - communal living in the country, athletic, chum. Isabel's mother also feels comfortable around Rudiger.

Finally when the parent's marriage threatens to fall apart, Isabel experiences her usually cool-headed father for the first time in despair. She recognizes that she doesn't want to be without him. The decision which Isabel's mother must make remains open in the book. The emotional conflict felt by the young girl is portrayed with an agreeable matter-of- course, without any noticeable pedagogic- psychological linguistic mannerisms.

Everyday literature in the best sense of the word. And yet Salim - son of an Arab who is a Swiss citizen - must often defend himself against violent, stronger boys. On one such day he discovers a strange, bewildered girl who has hidden herself in the cellar of his apartment house. He would prefer to overlook his discovery, to forget it, repress it, because he senses that he will get into even more trouble on her account.

His parents, however, demand that he take care of the little Muslim girl, who speaks no German. Soheila went into hiding after witnessing how her father was tortured and killed in the Yugoslavian war; seemingly minor incidents cause her to panic and she becomes unreachable for adults. Salim succeeds in reaching her through toys and animals. In the end They go to school together — until her petition for asylum is turned down and Soheila is picked up by the police in the middle of the schoolday. She flees and cannot be found.

The portrayal of the tragic fate of a child, hurt by war and violence, forced to live in strange surroundings, is emotionally convincing. The Story of Milan and Nicki Luzern: The unloved father is killed in the civil war in Yugoslavia. But even in the midst of peace, there is no end to violence for Milan. Now the older, stronger brother wants to step into the place of the brutal father; at school Milan is discriminated against by fellow pupils and teachers. When his mother enters hospital, Milan goes off on his own. He finds an older person who accepts him and understands him, but this friend, who had become a substitute father to him, dies.

Only his friendship with a girl named Nicki and the support of her parents finally help him to overcome all his difficulties.

A view from the inside of a difficult daily life in multilingual Switzer land, which the native and the foreign children experience vividly - and the reader with them. Of course, Little Florin herself sees all of her large and small experiences as highly important and exciting. And so even an adult will read with pleasure about Teddy Max. Dachshound Oscar, how Flora loses a baby tooth bill doesn't throw it away, how she gives Mia, the parakeet, a burial and how she learns a judo chop so that the other children won't dare to laugh at her anymore on account of her speech problem, A cheery little book which shows with out much ado a family as a cooperative clan and even fights among siblings as solvable.

Now she must raise the little animal since its mother refuses to care for it any longer. Much resourcefulness and care are called for during their 15 days together. At last the little hare grows big and strong enough to be released into freedom. Austria German - - 67 Egli, Werner J. The American girl, Angie, a visitor in the village, involuntarily joins up with them. The hunt goes badly and two of the men die in the drift ice, the third one can be rescued but is seriously injured.

While the young white girl successfully battles against death with all her remaining strength, the Eskimo men give themselves up to fate with a certain resignation. The dramatic events of this novel are thrilling up to the last page. The reader gets a glimpse into the ethnological aspects of Eskimo life and learns the differences between white and Eskimo culture in terms of their attitudes to life and death for man and animal.

Okino und die Wale Okino and the Whales Wien: One day she tells her little son Takomi the ancient legend of a girl who once lived in the royal palace of the whales and was rescued by her mother and returned to earth. This interesting matriarchal variation of the tale of initiation has been illustrated with pictures of nighttime and water in a wide palette of blue tones which flow and circle around the text. The vast underwater world, the mysterious of the deep sea are opened up to the reader, vacillating between the world of nature and fairy tale. Hence inquisitive children are encouraged here by penguins to ask as many dumb questions as possible without the usual scruples imposed by adults.

And the children get their answers - first in a radio show, and now in a two-volume work on various topics. The editors, working through the penguins, ensure that in spite of all the sensible and nonsensical wordplay the significance of the questions is clear and the desired answers given - in one form or another, whether fable, fairy tale or factual report.

To what extent the stories are appropriate, that is something the reader must reflect upon him or herself. And that may be done with the greatest of pleasure. The story of a Bosnian refugee family Wien: In this book she relates her experiences of war in the former Yugoslavia, her childhood in her hometown of Zvornik on the Drina River - which is not lost to her - and her escape, the confusion. Her contacts to her friends in Bosnia with whom she went to school - whether Serb or Muslim children - are not broken off. This book deserves particular attention not only because of its current relevance - about which the media is full of necessarily one-sided and short journalistic reports.

Here is a report of the personal experiences of younger and older people, completely lacking in sensationalism. They try to understand and survive their involuntary entanglement in the catastrophe of war. There is no mention of the gruesome acts which happened and are still happening, only of the wish of the civil population to live in peace in their homeland. The editor and co-author has included notes of history-making dates and geographical names. Wolfsaga The wolf saga Wien: ISBN Wolf- Dictatorship - Utopia The great black wolf Schogar Kan, stronger than all the other wolf leaders, wants to create heaven on earth for his pack.

He wants there to be only one great pack of wolves whose lives and survival is to be ensured with force against the rest of nature and other animals. He tolerates no opposition. Fighting and war crop up in Arcadia. Nonetheless or precisely because of it, the dictatorship must fall.

His negative utopia of life, based on despotism, stands in contrast to the traditional, nature-given rules and to Waka, the eternal laws of creation. Schogar Kan is not conquered by counterforce, but rather loses his power through the gentle art of persuasion of a weaker one. In this narrative the author portrays the laws which nature herself has created. The animals decide for or against anti-nature and violence in the form of the great wolf and bear the consequences of their decision. Kathe Recheis impressively presents a mighty question here.

With her protagonists of her saga of the natural world she dreams of an ideal, and above all of an achievable ideal world. Wir leben gern bei euch zuhaus We would like to live at your house Wien: If the proper minimal prerequisites and attitudes are present and proper care is given - as demonstrated here for twelve of the most common and beloved European house pets in text and pictures - both children and adults can have pleasure in a lively and healthy pet without pangs of conscience. This is set out in an informative and detailed manner in this picture book which is suitable even for smaller children.

Hence the stories her grandmother tells about life years ago seems like a fairy tale. Their tribe had been affluent, there were camels, goats and chickens for them all. And although the children didn't go to school, when they grew up they knew how to get along in life, This was the way it was until the civil engineers watered the wasteland around the village, spreading artificial fertilizer and claiming ever greater portions of the harvest for themselves.

Tribal disputes broke out among the neighbors, and the survivors were finally forced to move to the cities. That was how their impoverishment began. For all their greed, the members of the tribe had not listened to the warnings of the wise elders, but instead destroyed nature and hence their own life by the misguided use of technology. With tangible sadness, but without bitterness, the author tells a realistic story as a piece of fiction.

The text also represents the possibility for acquainting children with socio-cultural aspects of life without writing a "problem book. Alles hat einen Namen. Ein Wort-Schatz- Buch Everything has a name. A treasury of words Ravensburg: The chapters begin with the smallest place a box and end with the universe, showing in each case what is contained therein: A short verse characterizes each new dimension, pictures show the items, words describe the picture in German, English, and French.

The result is a play-like, but very informative dictionary even suited for very small children, who are able to explore their immediate and not-so-immediate surroundings and find out the names and labels of things. ISBN Creation - Butterfly - Imagination For the "maker of all things" there exists from the creative point of view certain limitations: There is no place for a "tree that sings like a bird And yet, young people in particular have their dreams. Rodolfo wants to invent a creature which "is like a bird and like a flower at once. He calls it Butterfly and invents butterflies for all regions of the world.

Even the Wise Old One, a mother figure like those in the creation myths of primitive peoples, impressively appearing in a huge scarlet gown, is enchanted by this unexpected beauty. The young inventor is given permission to summon together a jury of all creators to decide about the necessity of a separate workshop for the butterflies.

The story is fully of fantasy and intelligence, the text which is not available in this form in Spanish holds an exotic type of brilliance; and Eribruch's pictures are as fascinating as ever. Seriousness and caricatural humor intersect with one another also at the formal artistic level. Inspite of the naturalistic portrayal of figures and objects on the page, the artist sensitively and accurately conveys the atmosphere of the both tedious and pleasurably creative task of designing.

The large-sized, prize-winning book deserves all the attention it will receive. Germany German - - 76 Boie, Kirsten Erwachsene reden. Marco hat etwas getan Adults talk.

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Marco has taken action Hamburg: Their comments range from "no comment" to wordy statements, more or less precise, more or less burdened with self-reflection and the question of adult guilt in regard to Marco's behavior. Marco killed two people, Turkish children. Even Marco had spoken aloud about the possibility of a similar deed, but no one paid attention to him - as had been the case throughout his childhood. To achieve just that, namely to achieve recognition, he took action. But when the asylum seekers arrive, problems between the local residents and the foreigners arise.

Using a very adept narrative technique the author brings in all the usual arguments and pseudo-arguments about the issue of enmity toward foreigners. Based on an isolated incident, the social setting for the potential origins of misanthropic and xenophobic acts become better understandable. Die Dachsreise Momme in Sweden. The badger's journey Hamburg: There he finds Bellmann, the old horse with a hundred faces, just one cow in the barn and mysteriously feuding neighbors, with whom however a reconciliation is possible.

An elk calf is separated from its mother and Momme decides he will never to shoot elk, but instead become a farmer. A badger gets caught in a trap and is rescued from a sure death. This sympathetic story presents a not quite ideal world - but also not a problem world - and its inhabitants.

Much is only alluded to, much remains part of an undefined background, but the protagonists are clearly drawn. The imaginative fantasy of children and the real world of adults are united in a pleasant relationship which all of them can accept. The publisher of this original paperback is to be congratulated for including the illustrations by Klaus Ensikat, which effortlessly include these widely differing worlds in his drawings. He suddenly realizes that he knows nothing about the people whose names he is cleaning daily. At first he goes to concerts to hear their music, then to the public library to read their books.

Soon he is singing and reciting while he works. An audience gathers around him and he is given a show on television. To make a long story short: Two dimensional colors and distorted proportion, often out of perspective, correspond in a formal way to the substance of this sympathetic, but unfortunately hardly imaginable story about a happy person.

The dynamicism of the scenes is captured in the borders of each spread, which for the most part contains both text and illustration. Italic font and scattered motifs of musical instruments form a harmonious unity, as is also true of the brown-green tones. This fairy tale picture book has no expiration date. Die wahre Geschichte von allen Farben The true story of all colors Oldenburg: This is the beginning of the true story of all colors. White lets all the other colors glow and shine, and each individual color - red, blue, yellow - want to capture its place on white.

In doing so, they come together and even mix with one another. To their great dismay they must accept that new members of the family thus arrive: Each color has its own idiosyncrasies: Finally white, the sum of all colors, establishes order amidst all the fights over rank order and position. It invents the chromatic circle. Each is appointed an acceptable place between its neighboring relations. By giving the colours their own willfulness and character, the author creates a dynamic and structured tale for children who like to draw. The life of Robert Louis Stevenson Ravensburg: In this fictive biography he confesses his remedy against the disease to his stepson, the narrator: In fact Stevenson did succeed in drawing out the deadly course of his illness until his 44th year through many changes of climate and location.

In this biography Hetmann combines fictitious passages with original texts by Stevenson, including those from the lesser known homo politicus. The reader experiences the birth of the novel "Treasure Island" as a joint idea of Stevenson and his stepson. Both enjoyed combining their fantasies of adventure and observations of unusual contemporaries into a story which the adult writes while the youth spurs it onwards when it begins to slacken.

Precise biographical research and detailed portrayals of Stevenson's places of residence endow the book with a convincing atmosphere. Her aunt Lou would be glad to adopt her, but isn't allowed to as long as she is unmarried. Halinka lives with her thoughts and dreams more outside than inside the children's home where it finds everything and everyone antagonistic.

In her loneliness, she takes emotional comfort from writing in her secret book of thoughts but no feelings, in case a stranger were to find it , where important sentences such as that of the title of this book. There are many little tricks used for survival in the everyday life of the children's home, including the art of not falling for the mean tricks of the other girls. But still there are positive moments, even with some adults, such as when a teacher silently ignores Halinka's misdeeds. Mirjam Pressler succeeds in letting the reader experience the child narrator's desperation, anger and maliciousness, her joy and happiness.

Das ist kein Papagei! The parrot that Lina's parents thought was a he-bird is a she-bird.

And she-birds never repeat what they are told to say. They fall asleep while you are talking. One could even consider them dumb or untalented. She got the picture right from the very beginning, but for all their fighting, her parents didn't hear her for a long time. After being unmasked and giving proof of her diligence - she claims to speak thirteen language fluently and understand twenty others - the she-bird is allowed to stay in the family. The text and illustrations of this lovely, caricatural story of a secret matriarchy fit together in ideal harmony.

The illustrator fulfills all the subversive visual desires of the beholder. Innenansichten aus dem Jugendknast Youth behind bars. Inside a juvenile detention center Recklinghausen: With this program she hoped to give even the functional illiterates there a sphere in which young criminals would be able to name and deal with their own difficulties.

Some of those interviewed were even prepared to participate in the newly founded reading club in the center. Some, such as the co- author Wagner, a young gypsy, recognized writing as an opportunity to develop a feeling of inner freedom even in a non-free situation. In general the work with the inmates took place on a friendly level. The author contributes her own texts in this volume; the inmates began to interest themselves for their own life only after they had begun to write about their feelings and thoughts. Als die Welt noch jung war When the world was still young Weinheim: Extraordinary both for their often sly, and even sassy content, and equally so for their eccentric illustrations which are scattered throughout the book either on full-sized pages in strong, but not glaring colors, or inserted as vignettes at the beginning of the chapter, or in black-white-and-ochre tones as a preface to some texts.

The overall design paper quality, typeface, binding, and dustjacket is pleasing in its harmony. The 43 stories invite the reader to this or that discovery: At least that is how it used to be. The word "education" is not part of the Tuvinian language. Children learn the rules of behavior for specific situations as part of a group; everything else is learned by listening, observing, imitating and helping.

The most important beings in the life and surroundings of the young narrator are his "grandmother," an unknown older woman who came once upon a time into the tent village. Ail, and stayed on because the child "chose" her and they no longer wanted to part, and the dog Arsylang, leader of the pack and their faithful companion, "my brother-instead-of- a-brother" as the author calls him. The climax and end of this narrator's childhood is a long hard winter which the little family barely manages to survive along with a very few of their herd.

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For the dog Arsylang the new period, with its technical possibilities, brings a fateful danger when he eats the poison that the father sets out for the maraurading predators. The enormous force of the text lies in its long "inner wind," which challenges the imagination and con- veys the rhythm of tension and restfulness in the life of the Ail. The author of this autobiographical memoir, Galsan Tschinag, was born into a Tuvinian family of nomadic animal-herders in the Mongolian People's Repubulic in He studied German in East Germany between and , and wrote this novel in German.

In he was awarded the Adalbert von Chamisso Prize in Munich. Betrayed by his physical appearance, he is beaten up, teased, and finally taken away and sterilized by doctors. His parents are able to save him just before deportation and hide him for many long months in a lonely garden house. Only at the end of the war does he learn that he was a child of gypsies and had been taken in by a foster family. Muscha's story is told from the perspective of another school boy and the reader, as Muscha himself, is kept in the dark about the real grounds for his suffering until the end of the novel.

Only in an epilogue does it become clear that the story of Muscha is absolutely authentic. They are hindered only by the chains which bind them to Happy Juran's caravan wagon.

Though Zadek feels chained up, Mischa has forgotten what freedom is. Only as a bear cub could he run over meadows and rob beehives of honey, before Juran made him into a dancing bear. The two runaways make their dreams come true; now and then one sees them roaming happily through the woods.

The text is pleasing on the one hand for its unsenti- mental portrayal of the sad lot of captive animals and still it offers the most splendid situational comedies which arise from man and animal trying to live together but having only a limited amount of mutual tolerance. Full-sized black-and-white pictures by Reinhard Michi contribute to this reading pleasure. Switzerland German - - 90 Ebet-Schifferer, Sybille ed.

Thorbecke, Jan Peter et al. Five silent witnesses study a clay pig: ISBN Art museum This exceptional information book doesn't intend to be a museum guide but rather a stimulus for the reader to discover art. To this end the book is designed using a series of graphic techniques such as pieces of art in various sizes or excerpts and in unexpec- ted places on the page.

In the descriptive texts, in the comparisons between different epochs using individual works as examples, as well as in the fold-out chronological tables an instructive survey is created with- out any recognizable pedagogical impetus. At the same time various possibilities and techniques of artistic book design are shown in the layout of the catalog itself. In all these aspects the curiosity and pleasure in discovery in both children and adults are offered. The guide is an exemplary escort. It includes illustrations of pieces held in the Hessian State Museum in Darmstadt. In the tale of Caliph of Bagdad and his Great Vizir present themselves her in a new form.

The illustrator gives them the unmistakable features of storks and men; he does the same for the magicians who give the impetus for the whole plot and are punished for their evilness in the end. Full-page illustrations reflect the splendor of the Orient and the expanse of its landscape. The generous type-setting is pleasing to the eye, delicate initial vignettes grace the beginning of each chapter. The large-sized book represents, without being designed at an unusual expense. Not only in content but also in its imagery, an imaginable Oriental world which is by tradition dedicated to leisure and pleasure.

The splendor of the pictures upholds the childlike joy of reading and telling stories. The traditional figura- tiveness of the Orient appears at times cari- catural, surpassing the textual content of the story. In this way the frames obtain their own authenticity, which at once interprets and depicts the Hauff tale.

Hanna Johansen has made use of this fact to create a poetic case for the individualists of this world, wherever they may be hiding. Mother Mole loves her little children, her "closest to her heart little silk worms" as much as any other concerned mother. The little moles get along together, fight and battle with one another, become independent. They dig their own tunnels. The little girl mole, much to her own surprise, even tolerates a guest in her wing of the tunnel once.

And soon she builds a nest of her own and has her own little "closes to her heart silk worms" to take care of, at least for a while. But the story in this book is not quite so thin. There are the most marvelous odors in the mole tunnels, they are crawling with little bugs and insects, "friends" of the moles.

That is how the life of a mole is - friends are those you can eat, enemies are those who can eat you. The art of storytelling needs few words, just the right ones. Hanna Johansen uses this art to create new worlds which provide adults and children unexpected, funny and ironical insights into their own world.

Mia, was ist ein Trip? Mia, What is a trip? Mia is a junkie and one day she cannot conceal it from Matthias any longer. His parents forbid him to see her any longer. When he meets her, her condition is already incura- ble. The boy takes on a big project: Al- though it is quite clearly a problem-centered picture book, conceived in cooperation with the Swiss Central Agency for Addic- tion Prevention, the text and illustrations convey an atmosphere of security in Mat- thias's home as well as the vulnerability of: This book provides an opportunity for discussion and lets even younger children know how dangerous drugs are, but also that in certain cases addicts can be cured.

He learns about a region where one can acquire as much land one is able to mark off by walking from sun-up to sundown. He decides to take up this good bargain but overtaxes himself with his march around his future land and dies. The German version of this Russian has been shortened and adapted for children. The illustrations contain the traditional Russian folk art motifs in richly detailed and yet grandly playful, humorous and brightly colored variations. Interspersed with ironic jabs at the religious practices and everyday life in grand old Russia, there is a new picture world of men, women, angels and animals on each page.

Countryside and cities are boxed inside of one another, make-believe maps with cyrillic writing draw attention to themselves. The illustrator Elena Abesinova lives and works today in Kiev. ISBN Sleep - Dream - Toad - Fantasy - Orderliness While taking an adventurous journey, Mary Caroline and the dreamtime toad meet the Sudel a German term for sloven , little friendly creatures whose disconcern for orderliness - especially at the table - immediately wins the full sympathy of the child. But while the Sudel are able to simply shake off their messes, all of Caroline's messes are still to be seen on her clothing the next day.

And yet it is clear - dreams can help. Suddenly he realizes that as a professional cook he must kill the fish. But when the queen of the fish promises to marry him, he changes his cuisine from fish specialities to sweet dishes. The illustrations are on the one hand notably reminiscent of the old masters.

A touch of children's painting, on the other hand, may be seen in the fish and their surroundings. The resulting tension matches that between dream and real-life. In the course of one day he conquers seven threatening lions. They cross his path while he was defending himself against the other children. At home in the evening he tells all about it and it becomes clear that he can fight crocodiles, too they are sitting at the dinner table with him. It needn't only be lions.

This is an eyewinking book of encouragement that children will immediately respond to. He encounters the great Mother Earth who has tried to heal the wounds to the earth which men have caused. Finally she announces the Great Flood and the chief 's son survives in the Ark. When the flood recedes, the earth begins to bloom again. A dolphin becomes a young woman and she stays with him.

This Indian legend unites Christian biblical and naturalist myths. The topic of war and peace is expanded upon by the illustrator by focussing on Nature and the idea of creation. A lion comes to her rescue and the black king's son chooses the lovely Cinderella to be his wife. Thereupon the stepmother and her daughters, filled with jealousy and anger, turn into large and angry buzzing flies.

Ever since then all large flies buzz. This variation of the widely known fairy tale motif, in which a lion turns into a braid-making hairdresser for the African Cinderella, gives the story a fully new touch. The pictures are based on African art. ISBN Cyberspace - Future - Media - Crime - Detective In the year it may be possible for a virtual talkmaster to have eternal youth, while his human original is dying of boredom in a retirement home.

The reader will find himself confronted with baffling new forms of cohabitation, interpersonal communication and justice. Using the current usage of electronic media as a starting point, the author takes it virtually and pleasurably ironically a step further. ISBN Bear - Runaway - Mischief - Return home Nurmi is the most curious, most hungry, most sassy, most brave but also the loneliest and saddest bear around. As long as he enjoys his roaming, he plays one trick after the other on people. But when winter comes, he withdraws into the family cave.

And now he is the most-in-love bear of all. This light-hearted story presents interesting possibilities of how bear children can really pester, though not without some risk, the adults. But a happy ending is possible anyway. But the whole touchy matter only gets off the ground when the Moll family takes their holiday at home. This is a cheerful and slightly ironic story about the apparently so very taken-for-granted living conditions and expectations of people in West Europe. Argument - Neighbor - Wall - Reconciliation It is the wish of the combative shadow-monsters, Morgler and Abenil, to let the wall of the soul between Ferdinand and Fridolin and the stone wall between their gardens grow higher and higher.

When the hobo, Wall-flower, decides to take a nap on the little wall, he is able to take the role of a nonpartisan mediator. With the support of Wittkamp's illustrations, the author successfully portrays the wrongs of a groundless enmity and the satisfying reconciliation of the opposing parties.

Frau Meier, die Amsel Mrs. Meier, the Blackbird Wuppertal: Meier live a quiet and fairly uncomplicated life - until a blind baby blackbird lands in their pumpkin patch. Meier raises it, feeding it worms and flies all day and night. The crowning moment of her efforts comes when the little bird learns to fly. Meier must herself take to flight before the blackbird dares to try. Meier has never seen his wife so happy. Since Erlbruch's stories are not necessarily limited to earthly matters, the theme, tone and pictures of this book fit together exquisitely.

In this version everything is possible and in the end they are ten again. This small-sized book, designed to be carried about anywhere by children and adults, to be told and looked at again and again, is pleasing in both word and picture. Here a girl tries to get her glass ball back out of the fox's yard. Only by breaking a number of rules can she find her ball again.

When she flees, the animals whom she meets during her flight promise not to betray her, but do so anyway as soon as the fox makes inquiries about her. The fox, the girl and the glass ball were never seen again. The repetitive style of this fairy-tale plot finds its visual counterpart in the regular spatial design of the pages. Thus the dynamics of the plot and the statics of the symbolism balance each other out. The animals are being tormented, their food is running out.

Full text of "German American annals"

The she-wolf, Aischa, the little pig, Ludwig, and the raven Kolja succeed in breaking out of their cages and finding a way to the mountains. Tonio, the son of the animal trainer, successfully pursues them in order to save them from being killed. The author describes the ordeal of the captive animals and their longing for freedom with considerable sympathy.

The satirical manner of the artist, as he supplements and interprets the content of the tales, occasionally offers new ways of looking at familar tales. Numerous full-paged illustration plates give this attractively designed, voluminous edition the character of a home treasury, ever ready to be leafed through, looked at and read aloud.

Thus she is pleased to have the friendship of two older gentlemen in the bookstore across the street who in turn encourage her love for literature. When the suspi- cion is raised that Jette is being sexually molested there, her magical fairy tale world is destroyed. She feels humiliated by suspicious adults who think they know everything. Full of insight, but avoiding sensationalism, the author writes about this volatile issue from an unusual point of view. ISBN Italy - Germany - Cat - Psychology - Leadership Tomcat Nero, six weeks old, is the self-appointed boss of an Italian farmyard thanks to his lion-like bravery which verges on brazenness.

He manages to travel to Germany with a family of animal-loving German tourists, to a cat's paradise, and even brings his little naive, blue-eyed, cross-eyed sister Rosa along, too. With unsentimental, laconic humor the author writes this glorious story of the macho-mafioso Nero the Lionhearted for all cat fans, young and old alike. ISBN Carribean - Everyday life - Outsider - Brother - Color of skin The inhabitants of the Carribean took the proud traditions of their peoples seriously as long as their own daily life was intact.

For instance, evil spirits were made responsible for the light complexion of a baby's skin when an albino was born. The reader discovers in an entertaining but stirring way through one Carribean family many essential facts about this people, whose values have not been able to survive within the Western civilization. ISBN Ecology - Water - Mussels - Pearls - Folktale A folktale, the ecological problems of today's world and the story of one girl's growing up are united in this novel by a fascinating plot.

Margarete feels especially drawn toward the brook and its meadowlands. When the waste water of the new factory cause disease among the clams in the brook, she risks her life to prevent an ecological disaster. The author succeeds in portraying contemporary issues in their social and historical context in conjunction with the developments in the life of a young protagonist. Patiently and with much fantasy he tries to get to know the stone age men's a way of life, though it is very strange to him. In particular their language is incompatible with his own rich, modern-day vocabulary.

Hence he turns to creating words by using somewhat linguistic techniques of onomatopieia to explain the advantages of cooking and the possibilities of modern technology to the cave men. This is a charming story full of wit and subtle connotations told in an easy-going, unconventional narrative style.

Germany German - - 86 Brum, Alexa ed. Heuberger, Rachel et al. Ignatz, Bubis preface Ich bin, was ich bin, ein Jude. But their approach to life is marked above all by the wish to live an absolutely normal life within German society. Books of this type can be the beginning of a necessary opening of the general interest in Jewish matters. In an appendix further information about Jewish culture and history are included. He counts his friends, but not his enemies for it is an honor to be included in Tiger's count , and everything that creeps and flees.

The reader can practice too, in memory of the nice days of counting with little Tiger. This is probably what Dodo thinks, after her birthday wish for such a fish was fulfilled. It can turn red and blue and multi-colors when it wants to. It can run around the table with Dodo and Dodo can swim with it in the aquarium. They want to find out which is better, running or swimming. Naturally they do all this only in private, without any family audience. The text and illustrations hit the bull's-eye of the secret world of children and fyshes, just as one would expect from this author-illustrator team.

Who Has Seen the Bear? So he looks for the forest while his keeper looks for him. In general it is merely known that the bear possesses the ability to stand on his hands and on his head and to wiggle his ears. However, the author admits that he made up this bear.

Uwe Kant gives younger children a funny story and quite incidentally a first introduction into the method and purpose of literary story-telling. ISBN Easter Egg - Nonsense This unusual picture book is an incentive for an entertaining egg hunt and riddle solving at Eastertime and anytime, where ever eggs can be searched for and found: The painter from Lithuania, who did this book especially for the German publisher, lets richly detailed, brilliantly colored pages tell his story. Each of them has had to deal with death. Seada's brother and her father died in the Yugoslavian civil war.

Corinna's twin sister died as a baby. The author succeeds in vividly portraying the considerable differences in experience between the two children. Minor features of everyday life become important due to the different associations each makes. The reader learns how the two girls together succeed in getting over the catastrophic experiences of their childhoods. Germany German - - 92 Merten, C. But soon they make an unexpected discovery while trying to help an indisposed Mary and find themselves on the trail of a crime.

With much humor, the author pokes fun at television reality, where virtual and genuine reality can hardly be distinguished from one another anymore. ISBN House-sharing - Family - Friendship - Role-switch Jonas has two moms, two dads, five grannys and three grandpas, as well as several half-brothers and half-sisters because his parents are divorced and remarried. His friend Pablo and his mother, who is also separated from her husband, shares a flat with others.

Jonas and Pablo decide to switch families on a trial basis, but this doesn't work out. Jonas comes to the realization that to get a divorce one must be an adult. Togo Collection Papillon -Aventure, no. The Tub Grandfather by Pam Conrad. Die Geschichte von Milan und Niki. Searching for the Gypsies by Yale Strom. Der unsichtbare Kanzler by C. Vacances pagades by Joan Oliver. Veronica ovvero "I gatti sono talmente imprebedibili! Vinterviken by Mats Wahl. Volshebnye skazki by K. Where the Girls Are by Nikolaus Heidelbach. Where's Isabella by Dorothy Butler.

A True Story by Cherie Mason. O zbiriguidofilo e outras historias by Pitum Keil do, Amaral. Giornale di bordo del capitano Beppe Barbaspina by Pinin Carpi. Aller simple pour Saguenal by Jean-Louis Trudel. Arthur Rimbaud, le voleur de feu by Sarah Cohen-Scali. As uvas do Marengo by Paulo Rangel. Atlante di mitologia by Giorgio P. The Blue Sky by Galsan Tschinag. Booze by Bernt Danielsson.

Reader Macmillan Children's Books S. The Butterfly Workshop by Gioconda Belli. Chwileczke walerio by Krystyna Siesicka. Delfinen mellan mussla och moln by Gunilla Linn Persson. Diana, Cupido e il commendatore by Bianca Pitzorno. El camello de hojalata by Ghazi Abdel-Qadir. Marco hat was getan. Europe est une femme by Chaillot Nicole. Falling by Anne Provoost. Il fantasma che aveva paura dei fantasmi: La femme-jardin et autres contes extravagants by Muriel Bloch.

Fire on the Mountain by Jane Kurtz. Flip-Flop Girl by Katherine Paterson. The Frog Princess by J. Das geheime Wissen der Pinguine, Bd. Guests by Michael Dorris. Halinka by Mirjam Pressler. Heimat ist nicht nur ein Land. Hvor ble det av Hansemann? Das ist kein Papagei! Je m'appelle Adolphe by Pef. Kaassassuk by Miki Jacobsen. Kalapani by Ratnabali Mitra. Kalif Storch by Wilhelm Hauff. Kezzie by Theresa Breslin. Kiko - den syngende hund by Morti Vizki. Kinderdike by Leonard Everett Fisher. Le loup est revenu! Manolito Four-Eyes by Elvira Lindo. Mellow Yellow by Jenny Robson.

Mia, was ist ein Trip? Mig og Manet by Peter Gjellerup Koch. Mijn vader by Toon Tellegen. Mille et un Nil by Isabelle Courmont. Mississippi Chariot by Harriette Gillem Robinet. Muscha by Anja Tuckermann. No Peace for Amelia by Siobhan Parkinson. Une nuit, un chat-- by Yvan Pommaux. The Paper Princess by Elisa Kleven. Parkland by Victor Kelleher. Pohistsenije damy, ili, Tsetvero idut po sledu by Nikolaj V. Power and Glory by Emily Rodda. Quand on est mort, c'est pour toute la vie by Azouz Begag. Racconti dal Camerun by Rossella Alberti.

Die Reise zu den Brumm- Bell- Bergen. Rosie Backstage by Tim Wynne-Jones. Rue de Paris by Claude Gutman. La rusignole de Cretelungje: Secrets of the rainforest by Dailan Pugh. The serpentine belt by Joanne Horniman. De soldatenmaker by Paul Biegel. Spis din burger, Musa! Step by Wicked Step by Anne Fine. Stories from Ladakh by Kusum Kapur. Povestiri scrise de dragul celor mici by George Mihail Zamfirescu. New Zealand stories for children by Rosalyn Barnett. Svet v naprstniku by Ervin Fritz. Thike pas shpine-- by Odhise K Grillo.

Triantaphyllena by Kypros Chrysantes. Troubling a Star by Madeleine L'Engle. Veren by Veronica Hazelhoff. Innenansichten aus einem Jugendknast by Marie-Therese Schins. Die wahre Geschichte von allen Farben: Way home by Libby Hathorn. Who's for the Zoo? Wir leben gern bei euch zuhaus by Susanne Riha. Yakouba by Thierry Dedieu. Zampe di gallina by Guido Quarzo. Zapiski institutki by Lidija A. Die Zeit ist kaputt by Klaus Kordon. Ptolemeu, el cuinetes by Estrella Ramon. Agali, pastore del deserto by Odile Weulersse. Ali Baba en de veertig tekenaars by Willem Wilmink.

Als het leven knaagt by Sonia Sarfati. De andre by Carsten Overskov. Au Lit, Princesse Emilie! Bare Hands by Bart Moeyaert. Blabla pesmi in igre za male in velike tigre by Boris N. Blaeberry Sunday by Elizabeth O'Hara. The boy who counted to a million by Lawrence Bransby. The car with three wheels by Gillian Leggat. Le castor by Michel Villeneuve.

Cat and dog by Peta Coplans. Ce n'est pas de ma faute! Il cerchio magico by Susanna Tamaro. Chandra by Frances Hendry. Cuentos completos de Wilhelm Hauff by Wilhelm Hauff. Cuentos de Andersen by Hans Christian Andersen. Dagbok forsvunnet by Fam Ekman. Denis del pane by Roberto Piumini. Dinner at Magritte's by Michael Garland. Dog Friday by Hilary McKay. Dona bruxa gorducha by Anabela, Mimoso.

Dragon bleu, dragon jaune by Philippe Soupault. The drover's dog by David Cox. E de yomu Hiroshima no genbaku by Masamoto Nasu. Elvtyven by Tor Halstvedt. Englepels by Iben Sandemose. Etosha Experience by Anna Louise Marais. Eventyrprinsesser by Karen Bertelsen. Floh Dickbauch by Lutz Rathenow. Flugten fra Kaos by Ken Jacobsen. Gandhi, the man of peace by Manorama Jafa. Gato encerrado by Mireya Tabuas. Un gato muy poco gato by Elena O'Callaghan i Duch. Das geht doch nicht! Il girotondo degli spiriti allegri: Der Glasball by Sabine Friedrichson.

Gluskabe and the Four Wishes by Joseph Bruchac. Hanasakajii by Toshio Ozawa. Hannah or Pink Balloons by Mary Beckett. Herr Balders hemlighet by Jakob Wegelius. Die Hexe zieht den Schlafsack enger by Hanna Johansen. Home run by Paula Boock. Huevos de pascua Spanish Edition by Kestutis Kasparavicius. Ich bin, was ich bin, ein Jude. Ilden by Lotte Nyholm. Into the Deep Forest: Jackson Pollock by Mike Venezia. Kak rabotaet kompjuter How a computer works by Vladimir Buslenko.

Kensani's kite by Alanna Deall. Kornetten, et rop om hjelp: L'arbre aux corbeaux by Stibane. Lights for Gita by Rachna Gilmore. Links neben Cori by Christa Ludwig. Bilder von Nikolaus Heidelbach. La maison des trains by Nadine Brun-Cosme. Malana by A K Srikumar. Les masques by Claude Ponti.

Math Curse by Jon Scieszka. Meyer, the Bird by Wolf Erlbruch. Musejagten by Pia Thaulov. A Cat's Story by Elke Heidenreich. Neuzen in je oksel by Midas Dekkers. Nezumi-no-mochitsuki by Toshio Ozawa. Nikodemus by Marita Lindquist. No Bahamas by Dagmar Chidolue. Nowhere in Africa by Stefanie Zweig. Nurmi, der bar by Stefan Slupetzky. Gl'istrici Italian Edition by Silvana Gandolfi. Oliver Tambo by Chris Van Wyk. On the Wings of Peace: Orphan of the universe ISBN: The Other Side by Alejandro Aura. Il pentolino magico by Massimo Montanari. Personlig tog jeg ikke skade af at vokse op by Roald Als.

Pipo et Sifflet sont des cobayes Pobre corintiano careca by Ricardo Azevedo. Pour faire un ours bleu, choisir un beau lion Prikljutsenija sdobnoi lizy povest-skazka by Viktor Lunin. Les quatre-chemins by Jean-Pascal Dubost. En que se diferencian el blanco y el negro? Ramons Bruder by Henky Hentschel. Re-Zoom by Istvan Banyai. Real Vampires by Daniel Cohen. Die Reise in den Norden by Karla Schneider. Reise zwischen Nacht und Morgen by Rafik Schami. Sarukani-kassen by Toshio Ozawa.

Der Schnabelsteher by Rafik Schami. Shitakiri-suzume by Toshio Ozawa. Sho and the Demons of the Deep by Annouchka Galouchko. Shola and the Lions by Bernardo Atxaga. Theseus and the Minotaur by Jules Cashford. Traitor by Gudrun Pausewang. Tschipo in der Steinzeit by Franz Hohler. The Vasa Sets Sail: Een verboden kind by Trude de Jong. Beaumont by Terrance Dicks. Wally the Wiz Kid by Margaret Clark. Waste not your tears by Violet Kala. Weather Eye by Lesley Howarth. Wilfried by Christian Waluszek. Zolani Goes to Yeoville by Georgiana King. Zoom by Istvan Banyai.

Das Abenteuer by Rotraut Susanne Berner. Die Abenteuer der kleinen Wolke by Marianne Koch. Abracadabra by Ingrid Schubert. Ach by Gregie De Maeyer. After January by Nick Earls. After the Darkness Adlib by Michael Smith. Alla signorina Elle con tanto affetto by Marcello Argilli. Another Kind of Monday by William E. Ashima di hui sheng: Asturias by Brian Caswell. Bad Girls by Cynthia Voigt. The Barefoot Book of Heroes: The battle of Pook Island by Jack Lasenby. Die Besucher-Sucher by Wolfgang Slawski. Betty and Bala and the proper big pumpkin by Lorraine Berolah. The blue man and other stories from Wales by Christine Evans.

Der Buchstabenfresser by Paul Maar. The Byzantium Bazaar by Stephen Elboz. Cai hui ben Zhongguo min jian gu shi. Da-wo-er zu by Wen Ruo. Hasake zu by Zhun Gu. Yao zu by Chuan Yi. Cando petan na porta pola noite by Xabier P. A casa das bengalas by Antonio Mota. La chaise bleue by Claude Boujon. Chumba la Cachumba by Carlos Cotte. Cinema segreto by Domenica Luciani. Un coniglio nel cappello by Donatella Bindi Mondaini.

Un crime est-il facile? The Cuckoo's Child by Suzanne Freeman. Cybermama by Alexandre Jardin. Dalle caverne ai grattacieli: Dich habe ich in die Mitte der Welt gestellt by Andrea Hensgen. Disteltage by Renate Welsh. Grimm by Xavier Carrasco. El Terror de Sexto B: Kohtaaminen by Mats Wahl. Fables by Jean de La Fontaine. A Faraway Island by Annika Thor. Ferkel Ferdinand by John A. Fred hat Zeit by Franz-Joseph Huainigg. The Gift of the Sun: Guidone Mangiaterra e gli sporcaccioni by Sebastiano R. Hai jiao tian ya chi zi qing: Hamburguesa de mamut by Ruth Fraile Huertas.

Heroes and lionhearts by Louise van der Merwe. Historias de soles by Davi. How Thopo became a great n'anga by Stephen Alumenda. Hrestain mii kralj by E. Ibo by Hans Jaeckel. Une image de Lou by Nicole Schneegans. In einer anderen Welt Roman by Wolfgang Rudelius. Jan en het gras by Harrie Geelen. His Story by Katherine Paterson. Johan uten frykt by Lars Natvig. Juul by Gregie De Maeyer. Karolines dyrejeg by Vagn Lundbye.

Kleines Boot auf grosser Reise by Gerhard Gepp. Kleuterwoordenboek by Nannie Kuiper. Knapphuset by Arild Nyquist. Knappt lovlig by Katarina von Bredow. Kurt blir grusom by Erlend Loe. L'arbre noir by Michel Lamontagne. Le long silence by Sylvie Desrosiers. Magic Drum by Bridget King. Mais-Barne-Barna by Wera Saether. Mama im Knast by Maja Gerber-Hess. Manuale del cacciatore di fantasmi by Francesca Lazzarato. Marmellata di basilico by Guido Quarzo. Meester Jaap by Jacques Vriens. Mijn vingers zijn niet lang genoeg by Heide Boonen.

Mistero sull'isola by Angela Nanetti. Monday's Troll by Jack Prelutsky. Mrs Windyflax and the Pungapeople by Barry Crump. Lumbago by Gilles Tibo. Namibian detective stories by David Jaspar Utley. The Orphan Calf and the Magical Cheetah: Piepheini by Peter Abraham. Rabbit Spring by Tilde Michels. Rage of the sea wind by M. Ranocchi a merenda by Guido Quarzo. Rappatakk sjalusiens svarte sanger by Susanne Marko. Ready or Not by Mark Macleod. La reine des fourmis a disparu by Fred Bernard.

De reizen fan Tsjam by Luuk Klazenga. A right royal pain: Rumpelstiltskin - the true story by Aislinn O'Loughlin. Predanija Romanskich narodov srednevekovoj Evropy The knights of the Round table. Safran by Bodil Bredsdorff. Samotne wyspy i storczyk by Anna Onichimowska. Secret Letters from by Susie Morgenstern. Shirin by Nasrin Siege. Som et lille himmerige by Jacob Clausen. The Spring Tone by Kazumi Yumoto. Svansboken by Ragnar Olsson. Tententen yukiakari by Isao Uji. This is Our House by Michael Rosen. Tick-Tock by Lena Anderson. Tipi's, totems en tomahawks: Tvillingbror by Liv Marie Austrem.

Verflixte Fliegen by Heidrun Boddin. A Voyage of Discovery: W krainie kota by Dorota Terakowska. Wenn Jakob unterm Kirschbaum sitzt. Worlds apart by Vivienne Joseph. Das Wunderei by Ludwig Askenazy. Il y a le monde by Alain Serres. Yakkinn the swamp tortoise: The Eagle Calls by Carlos Carvalho. Adam der Gaukler by Edda Reinl. Anansi tussen god en duivel by Noni Lichtveld. Animal Smarts by Sylvia Funston. Bilder ur hans liv by Mona Larsson. Le bambine non le sopporto by Donatella Ziliotto. Beethoven in Paradise by Barbara O'Connor. Ben by Benjamin Simard. Bennys Hut by Dirk Walbrecker.

Bis zum Showdown by Mats Wahl. Blauwe ogen by Iny Driessen. Bloody Scotland by Terry Deary. Blueback by Tim Winton. Boku wa chiisana shiroi fune by Shigeru Minamimoto. Branwen by Jenny Nimmo. L'invenzione della Tavola Rotonda by Teresa Buongiorno. Il cane che ebbe tre nomi by Cecco Mariniello. Celebrating Families by Rosmarie Hausherr. Choupette et son petit papa by Gilles Tibo. Clara nella nebbia by Simone Frasca. La coda degli autosauri by Guido Quarzo. Contact chan ISBN: Cowboy on the Steppes by Song Nan Zhang.

Cuentecillos y otras alteraciones by Jorge Timossi. Da bin ich by Friedrich K. La dama blanca by Rosa Maria Colom. Damien mort ou vif by Francine Pelletier. Dammi un whisky, Samanta! Dancing Through the Shadows by Theresa Tomlinson. Dare Truth or Promise by Paula Boock. Daughter of the Sea by Berlie Doherty. Dierentuin by Betty Sluyzer. Dit is het huis bij de kromme boom by Imme Dros. Docura amarga by Ana Saldanha. Donkey dust by Jane Buxton. Donne-moi la main, Arthur by Corine Jamar. The dream machine by Subir Ghosh.

Der dreckige Prinz by Martin Auer. Echoes of the Elders: El abrigo by Angeles Jimenez. Emile og naturens orden by Thomas Winding. Emma Pippifilippi by Maria Blazejovsky. L'Ordinatueur by Christian Grenier. Eroi, re, regine e altre rime by Nicola Cinquetti. Es gibt hier keine Kinder by Thomas Geve. Evig flugt by Fahmy Almajid. Il fantasma di Trastevere e altri racconti by Marcello Argilli. Freedom Beyond the Sea by Waldtraut Lewin. Fuffy und Max by Gerd Fuchs. Green Air by Jill Morris. Greylands by Isobelle Carmody. Harlem by Walter Dean Myers.

Freundschaft auf acht Pfoten by Rotraut Susanne Berner. Hector by Henry Thiel. Une idee de chien by Roberto Prual-Reavis. IJsberen en andere draaikonten in de dierentuin by Ditte Merle. Ilustrowane dzieje Polski by Dariusz Banaszak. The Iron Ring by Lloyd Alexander. Is Grandpa Wearing a Suit? Jag, mamma och Socka Musen by Anna Toss.

Jakey by Lesley Beake. The Battle for Mombasa by Dan Fulani. Je me souviens by Georges Perec. Jessicah the mountain slayer by Patricia Farrell. De kat en de adelaar by Hans Hagen. Kloakkturen - med Svein og rotta by Marit Nicolaysen. L'isola del tempo perso by Silvana Gandolfi. Lausige Zeiten by Josef Holub. Leaves for Mr Walter by Janeen Brian. A Lenda da lua cheia by Terezinha Eboli. Leo Z by Jukka Lemmetty. Leonardo by Nelson Cruz. Lesezauber, neue Rechtschreibung, Fibel by Heidemarie Dammenhayn. Let's Be Gorillas by Barbro Lindgren. The Letters by Kazumi Yumoto. Leyendas bajo la cruz del Sur by Alicia Morel.

The little wing giver by Jacques Taravant. La maison des voyages by Alain Wagneur. Manden og katten by Anne Mette Edeltoft. Maria Teresa by Roger Mello. Marieke, Marieke by Jaak Dreesen. Mariken by Peter van Gestel. Marita goes to school by Stephen Alumenda. Matilda and Meggie by Nola Turkington.

My Life With the Indians: My Life with the Wave by Catherine Cowan. La Mysterieuse Bibliothecaire by Dominique Demers. Next Please by Ernst Jandl. Niks gehoord, niks gezien by Veronica Hazelhoff. Noah's Ark by Heinz Janisch. Nora ist mal so, mal so by Mirjam Pressler. Nul en pub by Michel Piquemal. O, sagt der Ohrwurm. Only the Heart by Brian Caswell. En onsdag i Karl Grans liv by Jan Ollars. Pikku sammakkoprinssi by Hellevi Salminen. Pojken och staden by Nina Lekander. Le premier homme sur la lune: La Princesse de Neige by Pascal Nottet.

Un problema de narices by Jaume Ribera. Que le diable l'emporte! The Roman Record by Paul Dowswell. Sarah und der Wundervogel by Heinz Janisch. Living history through poetry by Patricia Schonstein Pinnock. Seven Brave Women by Betsy Hearne. The Seven Magpies by Monica Hughes. En splint af korset by Anders Johansen. The sunhouse, and other stories by Corinne Renshaw. Der Tag, an dem ich Papa war by Hera Lind. La terribile storia di Nerone by Andrea Giardina. The toy horse by Deepa Agarwal. Treasure deep by David Hill. Tren de paraules by Josep Maria Sala-Valldaura.

Trucas by Juan Gedovius. Ulaluna by Jesus Ferrero. Undici gatti paracadutisti by Matteo Terzaghi. Vacation in the Village by Pierre Yves Njeng. De verborgen prins by Sofie Mileau. Ab 5 Jahre by Rudolf Herfurtner. Was wollt ihr machen, wenn der schwarze Mann kommt? Water van zout by Bettie Elias. White Lies by Mark O'Sullivan.

Willy the Dreamer by Anthony Browne. Wo bian cheng yi zhi pen huo long le! O Agosto que nunca esqueci by Antonio Mota. Alex non ha paura di niente by Anna Lavatelli. Alwena's Garden by Mary Oldham. Angela by James Moloney. Arven etter onkel Rin-tin-tei by Ingvar Ambjn. Au cinema lux by Janine Teisson.

Un bambino di nome Giotto by Paolo Guarnieri. Bat Summer by Sarah Withrow. Les Berceuses des grands musiciens 1 livre 1 CD audio. Bernardo y Canelo by Fernando Krahn. The Best of Lola Basyang: Beware of the Bears! The Birth of the Moon by Coby Hol. Bist du schon wach? Von der Kunst, erwachsen zu werden. Bumface by Morris Gleitzman. C'est corbeau by Jean-Pascal Dubost. The chair king by Karen Flores. Choki choki chokkin by Michiko Higuchi. Ciliege e bombe by Emanuela Nava. City by Numbers by Stephen T. Le doudou de tiloulou by Elisabeth Brami.

Dream Invader by Gerard Whelan. Dream on by Steve Barlow. Duizend madeliefjes voor Saar by Katrien Vandewoude. E quando cupa mezzanotte scocca by Ermanno Detti. El cerdito que amaba el ballet by Chely Lima. El mar de las maravillas by Jacqueline Balcells. El sobreviviente by Ruth Mehl.

La estrella Peregrina by Rodolfo G. The World Reacts by Paul Bennett. Fang lang di hai zi by Yanli Liu. Fuggo da tutto by Matilde Lucchini. Gesaer wang chuan qi: Gondwanan lapset by Alexis Kouros. Hairy Tuesday by Uri Orlev. Henrietta and the Golden Eggs by Hanna Johansen. Das Hexeneinmaleins by Johann Wolfgang von Goethe.

Himmelkua by Peter Svalheim. Hoe Sjoerd in een hond veranderde by Koos Meinderts. Hombre con un tenedor en una tierra de sopas, un by Jordi Sierra i Fabra. Le hun le tou A-fu cooks honey by Huizhu Zhou. Der Hund mit dem gelben Herzen: Hva er det for noe: Hva med meg, da? Ingqaka kaMaQhudeni by Raymun F. Islands in My Garden by Jim Howes. It's a Jungle Out There! Juksch Jonas und der Sommer in Holundria: Roman by Josef Holub.

Karnaval van die diere by Philip de Vos. Krisensommer mit Ur-Otto by Kirsten Boie. Liselotje gaat kamperen by Marianne Busser.

Little Zizi by Thierry Lenain. Livewire by Martina Murphy. Lost Boys of Natinga: Lost in Time by Hans Magnus Enzensberger. Lulama's magic blanket by Mari Grobler. Lussing eller sveder by Bent B Nielsen. Madame Butterflys Klavierstunde by Susanne Janssen. Malanbarra by Romayne Weare. Malmok by Annemarie van Haeringen. Maman-dlo by Alex Godard. The Mats by Francisco Arcellana.

Le meilleur papa du monde by Marc Cantin. Mein Esel by Erik Zimen. Minnie and Moo go to the moon by Denys Cazet. Mio nonno era un ciliegio by Angela Nanetti. Mummo ja Viivi vanhassa Tallinnassa by Taru Hurme. La musique des choses by Maryse Pelletier. My Girragundji by Meme McDonald. My Grandfather Is a Magician: Norton's Hut by John Marsden. Nykytaide suurin piirtein by Marjatta Levanto.

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• Standing in the Intersection: Feminist Voices, Feminist Practices in Communication Studies
• Seven And A Tent: Stumbling Through Europe and North America
• Make Up Your Mind: A Decision Making Guide to Thinking Clearly and Choosing Wisely
• Gender Swap Office Revenge (Gender Transformation Erotica)
• 1816 Candles (A Time After Time Novella)
• Lifes Paces: Lessons Of Life In Poetry