Peccato di seduzione (Italian Edition)

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  • Jenny Tamburi
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  • About the author
  • Andrea Mirabile
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    • My first book, Le strutture e la storia , deals with the evolution of theory from structuralism to semiotics, particularly in the works of Avalle, Corti, Eco, and Segre. I point out how these scholars have moved beyond the classic opposition between historicism and semiotics, by mediating between the historical, the philological, and the theoretical.

    Jenny Tamburi

    In this book, I use the same approach in order to reveal both the achievements and the contradictions of several protagonists of contemporary critical discourse. Aporias such as those found in my articles on Barthes, Benjamin, and De Man underlie my fascination with literary theory, whose contradictory tensions open fertile intellectual paths. Theory strives to challenge the accepted borders between national traditions and question the classificatory boundaries between academic fields. As an Italianist, I decided to engage these issues by studying the interrelations between the textual and the visual in a series of articles on Calvino, Celati, Chiara, and Palandri.

    Furthermore, I found that the parallels between visual and verbal arts were summarized by the greatest Italian art historian of the 20 th century, Longhi.

    Several of my articles are related to Longhi and his disciples Arbasino, Banti, Pasolini, and Testori: My archival research in Italy uncovered several unpublished letters exchanged by the art historian and his followers, some of which I included in my second book, Scrivere la pittura After Scrivere la pittura , I wanted to expand my research by looking for other connections among modern Italian and French authors who were inspired by the visual arts. While I was writing Multimedia Archaeologies , I realized that the interanimation between the verbal and the visual is more complex than I previously thought.

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    In particular, I noticed a recurrent paradox: Ironically, the reduction of vision strengthens both the awareness of its limitations and the exchanges between words and images. Luca Barattoni, Clemson U: The French and Italian Avant-Garde.

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    Amsterdam — New York, La critica italiana dallo strutturalismo alla semiotic a. Edited Books Segre, Cesare. A cura di Alberto Conte e Andrea Mirabile.

    About the author

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    Andrea Mirabile

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