La poesia francese 1814-1914 (Manuali Laterza) (Italian Edition)

Traduzione

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The mind of the artist — such as it was the case with the Romantics, or with Hendrix and his contemporaries — may have stemmed from a feeling of psychological unrest, as the consequence of an intuitive sense of estrangement from mainstream society, or an inability to fit within traditional cultural moulds. These unachieved aspirations and this rejection by the world around them lead the Romantics to unexpected and unusual deeds, as an attempt to defy traditional societal values and to manifest their own ego. Coleridge, for instance, who always had recurrent attacks of illness during his lifetime and was regularly prescribed with opium, soon turned his medicine into an addiction.

Moreover, when he did not feel at ease in England anymore, he started travelling around Germany and Italy as a wanderer looking for new philosophical answers. Coleridge and the other romantic poets, in particular Lord Byron, John Keats and Percy Bysshe Shelley who all left England, embodied that figure of the outcast that would be typical of the first rockers as well. Bob Dylan has constantly attempted at being an independent artist, almost alienated from society, but capable of giving an adequate response to his audience. His aim was provocative, he intended to stir up the American society and to express his sense of psychological discomfort.

This may explain why many of the great poets, painters, musicians, and writers of their time, have quite often tried to challenge tradition and always longed for innovation. Jimi Hendrix may be considered as a modern Byronic hero as well, [34] and one of the most memorable events of his career took place when he played at Woodstock. It was the apogee of the rebellious spirit of those years, maybe the apex of music concerts ever, and a watershed in live performances.

The importance of Woodstock in the history of Rock and Roll can be compared to the publication of Lyrical Ballads by Wordsworth and Coleridge in , as far as English romantic poetry is concerned. Another similarity between Rock music and Romanticism can be found in the fact that three of the major icons of Rock, that is to say, Jimi Hendrix, Jim Morrison and Janis Joplin , [38] all died at the age of 27 because of their excesses with drug and alcohol, as the three greatest English poets of the second generation, George Gordon Byron, John Keats and Percy Bysshe Shelley came to a vey early end.

After Woodstock, England became the place where Rock and Roll and its spirit evolved most, even thanks to new bands and their innovations. Among them, three came into being in For example, Robert Plant b. Such an accusation against musicians was not uncommon in those years; in fact Rock music was believed to be the music of Hell. Many could be the examples: Their lyrics as well are highly allusive: The choice of Satan as an inspirational hero establishes another connection between Rock music and the Romantic spirit: He was himself a source of the Sublime. The Friendship , London, Harper Perennial, , pp.

Tavella, Lit and Lab Volume two, cit. Montini, The World Wide Reader vol.

Sisman, Wordsworth and Coleridge: The Friendship , cit. Wordsworth, Preface to the Lyrical Ballads , qt. Il nostro tempo nella musica , cit. Wordsworth, Preface to the Lyrical Ballads , quoted in G. Castaldo, La terra promessa , cit. Buffoni a cura di , Poeti romantici inglesi , cit.

I classici , Milano, Giunti, , pp. I classici , cit.

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