Read e-book Four Minutes to Die

Elderly couple married for 70 years die just four minutes apart

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Every FOUR minutes someone dies of a snakebite!

The whole session included tracks, and further mixing was done on Pro Tools. In the case of '4 Minutes', Tim had a vision from the beginning of how things should go, especially sonically When I opened up the session of '4 Minutes', there was so much going on that I knew right away that the hard part would be to make sure that the vocals would cut through and were right in the pocket.

Beginning with working on the vocals was the only way to achieve this.

After that I formed all the other parts around the vocals. The other challenge was to make sure that everything in the track sounded clear and that you could hear every instrument, every syllable, every breath. Also, I do almost always work linear in time on a track.

It's easier, because when you're done, you're done. So I keep working on section after section, until I get to the end of the track and then I know the whole mix is pretty close. Castellon said that he did not want the SSL's internal automation to interfere with his blending of the music, instead used Pro Tools, with automatic levels. According to him, he "then ran everything through the SSL, on which [he] did EQ, compression and panning. Considering the quantity of recorded backing tracks, Castellon's challenge was to make sure that the music did not overpower the vocals.

4 Minutes (feat. Justin Timberlake and Timbaland)

He accomplished this by first mixing the vocals, then adding the music and the drums, which was an unusual method for him. Minimal digital plug-ins were employed for the mix as Castellon preferred the sound of outboard gear. After the mixes were done, Castellon began working on Timbaland's introduction , and continued with Madonna and Timberlake's vocals.

On Timbaland's vocals, he utilized the SSL's EQ to reduce "some bottom end", and he set input levels to avoid clipping. Castellon applied Waves Audio "Renaissance Compressor" plug-in to control the level of kick drum. He recalled that "there was one particular kick sound there that clashed with the other tracks, so Tim replaced it with another kick that had a very different note and sound.

Once the drums and percussion were added, the recording and mixing of "4 Minutes" was finished. According to the sheet music published at Musicnotes. Madonna and Timberlake's vocal range spans two octaves, from F 3 to Bb 5. Instead it was her question to herself: Because you could have the best intentions but not have enough information and make huge mistakes.

Caryn Ganz called it "a loud, busy, energetic track", and commented that Timberlake did "his best Michael Jackson impression".

The Snakebite Crisis

According to Sal Cinquemani of Slant Magazine , the song is an "advertisement for the rest of the album. He noted that "the Mardi Gras marching-band bumping rambunctiously along", is one of the album's "most ambitious offerings. Joan Anderman of The Boston Globe believed that the song is "chart-topper for its sheer star power as well as instant musical allure, and on the eve of Madonna's 50th birthday [ In the United States, "4 Minutes" debuted at number 68 on the Billboard Hot chart for the issue dated April 5, , based solely on airplay.

This leap was spurred by first-week digital sales of ,, enabling the song to enter Billboard ' s Digital chart at number two, behind Mariah Carey 's single " Touch My Body ". The song became Madonna's first top-ten single since " Hung Up " , and was her 37th Hot top-ten hit, breaking the record previously held by Elvis Presley.

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Bloons Tower Defense 2. Gerhard von Loeben Nadja Uhl Retrieved March 16, The women's prison in Germany in which this film is set is a place of bullying and beatings, of despair and suicide, of boredom, football and ping-pong. The other challenge was to make sure that everything in the track sounded clear and that you could hear every instrument, every syllable, every breath. Archived from the original on November 7,

For Timberlake, "4 Minutes" became his ninth top-ten hit. The song debuted at number three on the Australian ARIA Singles Chart , and ascended to the number-one position two weeks later, where it stayed for three consecutive weeks. The song became Madonna's 60th UK top-ten single. It remained at the top for four weeks. She explained that the video was shot like a march past ; "It's a movement, and we want to take everybody with us.

None of us did [understand the concept of the black screen]. It was just, you know, it's very conceptual.

Every FOUR minutes someone dies of a snakebite!

I just liked that as a concept. The video used soft focus , gentle lighting and airbrushing looks on Madonna. As he sings, a black geometric patterned screen comes from behind and engulfs all of the musical devices present. Madonna and Timberlake enter a house but run away from it after finding the screen there, which starts eating the hands and legs of the inhabitants of the house, thus showing their insides. After a number of shots showing Madonna and Timberlake jumping on and over cars to escape from the screen, they finally move into a supermarket.

The screen follows them, consuming the long lines of stalls and the people present there. After choreographed dancing, Madonna performs a back arch as the timer reaches zero time. The video ends with both of them kissing, and the black screen devouring them. Timberlake's bones and ribs, and Madonna's cheeks are seen in the last shot. Regarding the video, Madonna said it was like "[g]oody goody gum drops", referring to the candy-oriented theme of the album.

Madonna responded to it in her own video and said, "All you people out there who are making videos to my new single, '4 Minutes,' keep up the good work, nice job. At the promotional tour, "4 Minutes" was performed as the third song of the setlist. The four side-stage video screens began to glide across the stage, and swiveled around to reveal Timberlake behind one and Madonna behind the other. They performed the song in a similar choreography from the music video.

She coupled it with metallic plates on her shoulder and a wig with long curled hair. An apparent duet between Madonna and Timberlake ensues, with Timberlake singing and dancing his part from the screens. In the episode, the song is performed during a routine by the high-school cheering squad, accompanied by the school band. The Music, The Power of Madonna.

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The "4 Minutes" cover charted on the Hot Digital Songs of Billboard at number 55 on May 8, , while reaching number 89 and number 70 on the Billboard Hot and Canadian Hot , respectively. Credits and personnel adapted from Hard Candy album liner notes. From Wikipedia, the free encyclopedia. For other uses, see 4 Minutes disambiguation. We'd sit down and we'd start talking about situations. And then we'd start talking about issues or problems or relationships with people. That was the only way, because you know, writing together with somebody is very intimate. So we had to find a place to start talking about something we cared about, so we could get into writing about something we cared about.

A second sample of Madonna's "4 Minutes" song where the chorus is played. Madonna and Justin Timberlake trade the verses. List of cover versions of Madonna songs and List of Madonna tribute albums. List of number-one singles of Australia List of number-one singles of Belgium Flanders List of number-one singles of Belgium Wallonia List of number-one singles of Canada List of number-one singles of Denmark List of number-one singles of Europe List of number-one singles of Finland List of number-one singles of Germany List of number-one singles of Ireland List of best-selling singles in Finland List of number-one singles of Italy List of number-one singles of Netherlands List of number-one singles of Norway List of number-one singles of Spain List of number-one singles of Switzerland List of number-one singles of UK List of number-one dance airplay singles of US List of number-one dance singles of US List of number-one digital songs of US List of Romanian Top number ones of the s.

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