Essi erano tutti marinai ma si erano imbarcati sul Titanic come passeggeri di terza classe. Tutti, tranne Len Lam e Ling Lee, riuscirono a salvarsi.
Al loro ritorno a Hong Kong i sei superstiti vennero accolti come degli eroi [22]. Quattro erano invece i passeggeri greci che si'imbarcarono sul Titanic, tutti in terza classe: Katavelos, 19 anni, contadino proveniente dal Peloponneso e diretto nel Wisconsin , Panagiotis K. Lymperopoulus, 30 anni, operaio diretto nel Connecticut , e Apostolos M.
Chronopoulos, 26 anni, anch'egli operaio, in viaggio con il fratello minore Dimitrios, di 18 anni. Nessuno di loro sopravvisse. Solo i corpi di Katavelos e Lymperopoulus vennero recuperati e identificati con i numeri 58 e I nominativi segnati in celeste sono i passeggeri che si salvarono sulle scialuppe. Nella lista sono presenti anche i nove membri del "Gruppo di garanzia" e gli otto membri dell'orchestra.
I codici che seguono, posizionati nella colonna "corpo", indicano da quale nave fu recuperato il corpo del passeggero. La lista seguente riporta i nomi dei passeggeri che scesero prima della traversata dell'Atlantico a Cherbourg Francia [24] o a Queenstown Irlanda. Da Wikipedia, l'enciclopedia libera. Segui i suggerimenti del progetto di riferimento. Eaton e Charles Haas, Titanic: Il suo corpo fu ritrovato all'interno del canotto.
URL consultato il 9 febbraio Altri progetti Wikimedia Commons. Estratto da " https: Passeggeri del RMS Titanic. Template Webarchive - collegamenti all'Internet Archive Controllare - storia Controllare - luglio Menu di navigazione Strumenti personali Accesso non effettuato discussioni contributi registrati entra.
Visite Leggi Modifica Modifica wikitesto Cronologia. In altri progetti Wikimedia Commons. Vedi le condizioni d'uso per i dettagli. Thomas costruttore del Titanic. Madeleine Talmage nata Force. Margaret "Molly" nata Tobin. Duff Gordon, Sir Cosmo Edmund. Joseph Bruce amministratore delegato della White Star Line.
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Amazon Restaurants Food delivery from local restaurants. Gozzi inaugurated this choice of foreign masters as he was convinced that it was useless to refer to Italian writers, who had never cared for disseminating knowledge among their fellow citizens Romagnoli , xvi. On Gozzi and the Spectator see Colombo , — By contrast, the Ragionamento can. It is the translation of an English text by T.
According to Graf , a translation of Cadenus and Vanessa appeared in Venice in The Italian Reception of Swift 31 and taken residence in a friary near Florence;44 its original manuscript had never been, and would never be, printed, and it is likely that Barry wrote it expressly to have it translated into Italian, having an Italian readership in mind. This piece of information is contained in the Novelle Letterarie Pubblicate in Firenze , This is another piece of evidence that the Tale was widely read in Italy and was considered to be grossly irreligious.
However, Swift is not perfectly Horatian; according to Barry, he stands midway between Horace and Butler The plain and concrete way in which he expresses himself makes his serious works somewhat dry and austere, yet in his humorous and pleasant works this same plainness refines his elegant thoughts; his style flows freely, with no effort, no affectation, no redundancy, with spontaneous ease and fluency.
This did not necessarily mean direct knowledge of his works: This cannot be said of the following century, though. Ruberti on the monstrous head of a calf, and a satire on science, which imitates the description of the Academy of Lagado, and, as Jeanne K.
Welcher and George E. Charles I, nicely printed with parallel text There are various reasons for this decline in the Italian interest in Swift. According to Pagetti , , there was less room for satire in general, and for prose satire especially, in the literary taste of the early nineteenth century which found its vehicle mainly in dialect poetry. The first, Viaggi di Gulliver: Swift is the work of an unidentified D.
East Dane Designer Men's Fashion. Who decided Achille's fate? Viaggi del Capitano Lemuel Gulliver in diversi paesi lontani. This ejection is an act of repression, the same that reason performs on the body, the same that Gulliver would want to do to himself. As Marino Berengo says, reading whatever they liked was one of the few liberties that Venetians still kept Colombo , This cannot be said of the following century, though. Ruberti on the monstrous head of a calf, and a satire on science, which imitates the description of the Academy of Lagado, and, as Jeanne K.
The Preface fails to mention the Venetian version, whether out of ignorance or calculation is impossible to say, and also avoids acknowledging Desfontaines as its own source. For instance, the passage in the first book in which Gulliver puts out the fire in the Lilliputian imperial palace I, v, 9 is taken verbatim from Desfontaines: Eventually, Italy too had its version of an unacknowledged Desfontaines.
At least, the translation acknowledges Swift as the author of the Travels and does not further the confusion between the author and the narrator. Barbieri wanted to be as faithful as possible to his original and respectful towards the equivalence of the two languages.
Other editions of I viaggi di Gulliver appeared eleven between and , it is true, but all of them were abridged most editions contained the first two voyages, one only the Voyage to Brobdingnag: All these abridged translations catered for a new readership, of course: The Scapigliati writers adopted the former view, particularly Carlo Dossi, who in his Note azzurre Blue Notes shows his admiration for Swift, especially for the Tale of a Tub and the Tritical Essay, but also his resolute preference for Sterne Pagetti , — Also to him, though, Sterne was the greatest humorist of all.
The Italian Reception of Swift 39 a modern pessimist in a tradition inaugurated by La Rochefoucauld, and as a precursor of Schopenhauer. III The twentieth century The beginning of the twentieth-century Italian reception was marked by the gradual dismissal of psychological and phrenological explanations to make room for a more comprehensive interpretation of Swift and his works.
Furthermore, the renewed interest of Italian literature in satiric forms paved the way for the study and the translation of a wider variety of works. In , however, a new translation of the full text by Aldo Valori appeared I viaggi di Gulliver. Prima versione integrale italiana. Having destroyed the claims of science the pride of the Age of Reason in the third voyage, Valori observes, Swift could have finished his pessimistic work; instead, in the fourth book, Swift launches an attack against the ultimate myth of the eighteenth century, that of the natural man ante litteram: The Italian Reception of Swift 41 becomes, in his tale, the most sordid and filthiest creature.
Like Gulliver, Swift underwent complex vicissitudes. Elsewhere, however, Desfontaines is fortunately far from sight; the Brobdingnagian episode involving the maids of honour is translated in full, as are the long parts of that and the previous chapters that Desfontaines so wretchedly cut out. The year after, Giovanni Rabizzani, the outstanding student of Sterne, devoted an article to Swift that reversed the favourable views of Prezzolini, Valori, and Papini.
He had the bad luck of giving birth to the immortal figure of Captain Gulliver. On the day of his death, he left this note: Questa il tiranno spegne per prima. This the tyrant banishes first. I do not think so. Dobbiamo concludere che Swift fosse un uomo mancato e spiegare certo suo livore con tale insufficienza sessuale? Likewise, the earlier abridgements by Fanciulli and De Marchi were reprinted several times.
Formichi shows an excellent command of the language, although he tends to mitigate the harshest passages and to soften the diction in order to strip the text of its satiric sting. Of course, more difficult passages, such as the nautical description at the beginning of Book Two, usually disappear; and the ironies and other complex rhetorical strategies are played down. Surprisingly, critics showed less interest in Swift than publishing houses.
Buy Viaggi di Versi 64 (Italian Edition): Read Kindle Store Reviews - Amazon. com. Viaggi di Versi 64 (Italian Edition) eBook: Lucia Bacci, Eleonora Carola, Adelaide Guglielmi, Matilda Hatjia, Vica Ivanova, Linda Lelli, Luca Littarru, Azzurra.
Esther Martini Martini produced an unimpressive monograph, advocating a moralistic, almost prudish, interpretation. Egotism is the key word of the anthology, edited with a long introductory essay by the philosopher Mario Manlio Rossi and published during World War Two In , Rossi had written, together with J. Hone, a monograph in English, entitled Swift, or the Egotist, which, as Rossi himself admits, provoked a heated debate.
According to Rossi, his idea of Swift was innovative because it focused on a concept hitherto neglected: Through Gulliver, Swift disclosed his soul: The Italian Reception of Swift 47 him, perhaps in a more melodramatic way. What is new is the religious overtone: