The Lyre Of Orpheus

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    CD: Nick Cave and the Bad Seeds, Abattoir Blues/ The Lyre of Orpheus | Music | The Guardian

    Bruce Springsteen - Springsteen on Broadway. Drowned in Sound's 15 Favourite Albums of DiS meets Joanna Gruesome: Cut Copy In Ghost Colours track-by-t His tense, ambivalent obsession with theology is pervasive; he mocks the Western perception of God in the heavens yet seeks the mystery of His nature.

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    That he does so while careening through a wall of noisy rock damage is simply stunning. It leaves the listener revved up and off-center for what comes next. The chorus -- members of the London Community Gospel Choir -- is prevalent on both records; the Bad Seeds ' arrangement utilizes them wisely as counterpoint and mirror for Cave 's own baritone. The single, "Nature Boy," finds itself on Scalvunos' big beat.

    Cave and his piano use love's irony in contrast with cheap innuendo as underlined by the choir in their best soul croon. The Western wrangle of "There She Goes, My Beautiful World" references Morricone 's desert cowboy groove against a swirling cacophony of drums, bashing piano, and the chorus swelling on the refrain, while Cave name drops Johnny Thunders and poet Philip Larkin.

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    Sexy Trippy All Moods. All tracks written by Nick Cave unless otherwise noted. Drawing on a wide range of musicians and musical genres, as well as a number of theoretical approaches from critical musicology, cultural theory, sociology, theology, and the study of religion, The Lyre of Orpheus reveals the significance and the progressive potential of popular music. Landscape with Orpheus and Eurydice. It is a double album with a total of seventeen songs—nine on Abattoir Blues and eight on The Lyre of Orpheus. A fascinating excursion through the musico-sacred worlds that surround us every time we put on headphones. By using this site, you agree to the Terms of Use and Privacy Policy.

    The pace is fantastic; its drama and musical dynamics are pitched taut, with lulls in all the right places. The Lyre of Orpheus , by contrast, is a much quieter, more elegant affair.

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    It is more consciously restrained, its attention to craft and theatrical flair more prevalent. But that doesn't make it any less satisfying. It is a bit of a shock after Abbatoir Blues , but it isn't meant for playing immediately afterward; it is a separate listening experience.

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    The Lyre of Orpheus may refer to: The lyre belonging to the legendary Greek figure Orpheus · The Lyre of Orpheus (novel), a novel by Robertson Davies. Abattoir Blues / The Lyre of Orpheus is the thirteenth studio album by the Australian alternative rock band Nick Cave and the Bad Seeds, released on

    The title track tells the myth's tale in Cave 's ironical fashion, where God eventually throws a hammer at the subject and Eurydyce threatens to shove his lyre up his nether orifice. Warren Ellis ' swampy bouzouki and Thomas Wydler 's more stylized drumming move the band in the tense, skeletal swirl where chorus and Cave meet the music in a loopy dance.

    But in "Breathless," the bard of the love song emerges unfettered at the top of his poetic gift.

    Nick Cave and the Bad Seeds, Abattoir Blues/ The Lyre of Orpheus

    On "Babe You Turn Me On," he wraps a bawdy yet tender love song in a country music waltz to great effect. But on this album, along with the gentleness, is experimentation with textures and wider dimensions. The sparser sound is freer, less structured; it lets time slip through the songs rather than govern them -- check the wall of Ellis ' strings married to a loping acoustic guitar on the moving "Carry Me" as an example. In an academic context in which studying the sacred dimensions of music often result in an exploration of a particular genre, Partridge offers us insights in the analysis of how music works and matters from an original perspective.

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    He demonstrates how the relationship between sacrality and music extends beyond the genre of sacred music. This approach would be worthwhile to extend into other musical fields, such as classical and non-western music.

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    It is about time to put everything perceived as irreplaceable about the musical sacred and move it to the left. Oxford University Press is a department of the University of Oxford.

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