Alkoholembryopathie (German Edition)

German-English translation for Alkoholembryopathie

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Clin Exp Res 22 Prenatal exposure to alcohol and school problems in late childhood: A longitudinal prospective study. Dev Psychopathol 4 b Association of prenatal alcohol exposure with behavioral and learning problems in early adolescence. Dose-dependent effects of prenatal ethanol exposure in the guinea pig. Alcohol 10 Ontogeny of suckling behavior in rats prenatally exposed to alcohol.

Teratology 26 Hearing, speech, language, and vestibular disorders in the fetal alcohol syndrome: Alcohol Clin Exp Res 21 Central nervous system malformations in two offspring of alcoholic women. Birth Defects 13 Recognition of fetal alcohol syndrome. JAMA Neuropathology in Fetal Alcohol Syndrome. In West JR ed. J Pediatr 92 Physical anomalies and developmental delays in nonhuman primate infants exposed to weekly doses of ethanol during gestation.

Teratology 37 Neuroanatomic and neurochemical abnormalities in nonhuman primates exposed to weekly doses of alcohol during gestation. Alcohol Clin Exp Res 14 Cognitive and behavioral deficits in nonhuman primates associated with very early embryonic binge exposure to ethanol. Facial effects of fetal alcohol exposure: Assessment by photographs and morphometric analysis. Am J Med Genet 26 The fetal alcohol syndrome. N Eng J of Med Physical and cognitive development. A comparison of information processing in children with fetal alcohol effects and attention deficit disorder.

Alcohol Clin Exp Res 18 A neonatal marker for cognitive vulnerability to alcohol's teratogenic effects. Neonatal neurobehavioral characteristics as correlates of maternal alcohol use during gestation. Alcohol Clin Exp Res 9 Psychiatric symptomatology and characteristic behaviors in adults with fetal alcohol syndrome and fetal alcohol effects. Alcohol Clin Exp Res 22 60A.

Neuropsychological deficits in fetal alcohol syndrome and fetal alcohol effects. Fetal alcohol syndrome Eye malformations in a mouse model. Midline cerebral dysgenesis, dysfunction of the hypothalmic-pituitary axis, and fetal alcohol effects. Arch Neurol 50 Prenatal exposure to alcohol: Effect on infant growth and morphologic characteristics. Pediatrics 84 Effect of prenatal alcohol exposure on growth and dysmorphology of offspring at age three.

The effects of prenatal alcohol use on the growth of children at three years of age. Alcohol Clin Exp Res 15 Presses Universitaires de France Aspects epidemiologiques du syndrome d'alcoolisme foetal: La Nouvelle Presse Medicale 10 La Presse Medicale 20 Bull soc franc Alcool 6 La descendance des meres alcooliques chroniques: Rev Fr de Gynecol Obstet 72 Comparability of effects in humans and animal models.

Neurotoxicol Teratol 12 Effects of prenatal alcohol exposure on neurotransmitters, membranes, and proteins. Alcohol and Brain Development. Effects of maternal alcohol consumption on the developing nervous system. Brain development and Hormone Regulation. Auditory discrimination reversallearning and assessment of behavioral teratogenesis in rats. Behav Processes 37 Augmented memory loss in aging mice after one embryonic exposure to alcohol. Neurotoxic Teratol 16 Assessment and treatment of an adult with FAS: Neuropsychological and behavioral considerations.

Streissguth AP, Kanter J eds. Alcohol consumption by pregnant women in the United States during Obstet Gynecol 92 Alcohol policy and the public good. Oxford University Press, New York An animal model of the fetal alcohol syndrome in beagles. Alcohol Clin Exp Res 4 Neonatal diagnosis of fetal alcohol syndrome: Not necessarily a hopeless prognosis. Intervention with high-risk alcohol and drug-abusing mothers: J Community Psychol 27 Quantitation of craniofacial anomalies in utero: Fetal alcohol and Crouzon syndromes and thanatophoric dysplasia.

Am J Med Genet 45 Effects of alcohol and caffeine on cultured whole rat embryos. Acta Anat Mental illness in adult patients with fetal alcohol syndrome and fetal alcohol effects. Am J Psychiatry A comparison of the effects of prenatal exposure to tobacco, alcohol, cannabis, and caffeine on birth size and subsequent growth.

Neurotoxicol Terato 19 Cognitive and language assessment. J Dev Behav Pediatr 13 J Dev Behav Pediatr 11 Perinatal mortality, congenital defects and a1cohol consumption in the population of Barcelona Spain Proceedings of the International Workshop on Alcohol and Fetal Development Oct.

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A longitudinal analysis of the effect of prenatal alcohol exposure on growth. Alcohol Clin Exp Res 17 Bottoms S Maternal alcohol use and infant development. Pediatrics 70 An animal model of CNS dysfunction associated with prenatal alcohol exposure: Behavioral and neuroanatomical correlates.

Garmezano I, Wasserman EA eds. A single day of alcohol exposure during the brain growth spurt induces brain weight restriction and cerebellar Purkinje cell loss. Alcohol 7 Rat model of alcohol exposure during the brain growth spurt. Maternal substance abuse and the developing nervous system. Executive functioning in children exposed to alcohol prenatally. Alcohol Clin Exp Res 22 61A.

Independent dysmorphology eva1uations at birth and 4 years of age for children exposed to varying amounts of alcohol in utero. Pediatrics 81 Intervention with high-risk a1cohol and drug-abusing mothers I. J Community Psychol 27, 1- Memory deficits and life adjustment in adults with tetal alcohol syndrome: A case control study. Alcoholism Clin Exp Res 14, Blood ethanol concentration from early postnata1 exposure: Effects on memory-based learning and hippocampal neuroanatomy in infant and adult rats. Behav Neurosci Prenatal alcohol exposure and cognitive development in the preschool years.

Prenatalalcohol exposure and language development. Effect of maternal ethanol intake on fetal rabbit gastrointestinal development. J Pediatr Surg 29 Effects of maternal social drinking and smoking on offspring at 13 months. Neurobeh Toxicol Teratol 6 Radial arm maze deficits in rats exposed to alcohol during midgestation. Psychobiol 22 The effects of the timing of ethanol exposure during the brain growth spurt on the number of cerebellar Purkinje and granule cell nuclear profiles.

Behavioral plasticity after teratogenic alcohol exposure as recovery of function. Learning, development, and response to brain insults: Environmental enrichment and the behavioral effects of prenatal exposure to alcohol in rats. Neurotoxicol Teratol 15 Behavioral pharmacology in animals exposed prenatally to alcohol.

Prenatal ethanol alters gait in rats. Alcohol 5 The effects of moderate alcohol consumption during pregnancy on fetal growth and morphogenesis. Economic implications of the fetal alcohol syndrome. Effects of maternal drinking and marijuana use on fetal growth and development.

Effects of short-term exposure to ethanol on mouse embryos in vitro. Toxicol In vitro Corpus callosum morphology in attention deficit-hyperactivity disorder: Morphometric analysis of MRI. J Learn Disabil 24 Institute of Medicine [IOM]: Diagnosis, Epidemiology, Prevention, and Treatment. National Acaderny Press, Washington D. Effects of prenatal exposure to alcohol, smoking, and illicit drugs on postparturn somatic growth.

Alcohol Clin Exp Res 18 a Teratogenic effects of alcohol on infant development. Alcohol Clin Exp Res 17 a Neonatal correlates of prenatal alcohol exposure to smoking, caffeine, and alcohol. Inf Behav Dev 7 Effects of fetal alcohol exposure on infant reaction time. Alcohol Clin Exp Res 18 b Preliminary evidence of working memory and attention deficits in 7-year-olds prenatally exposed to alcohol. Prenatal alcohol exposure and infant information processing ability.

Child Dev 64 b Neuropsychological eva1uation of preschoolers with fetal alcohol syndrome. Neurotoxicol Teratol 17 Frequency of agenesis of the corpus callosum in the developmentally disabled population as determined by computerized tomography. Pediatric Neuroscience 12 Craniofacia1 and central nervous system manifestations. Am J Med Genet 61 Recognition of the fetal a1cohol-syndrome in early infancy.

Lancet 2 a Outcome in offspring of chronic a1coholic women.

FOR OTHER PUBLICATIONS ON WILLIAM HOGARTH BY THE SAME AUTHOR, SEE:

Lancet 1 Pattern of malformation in offspring of chronic alcoholic mothers. Lancet 1 b Relation of findings to other studies. Alcohol consumption in pregnant women and the outcome of pregnancy. Alcohol Clin Exp Res 2 Cognitive deficits in nonretarded adults with fetal alcohol syndrome. J of Learning Disabilities 30 Magnetic resonance imaging in high-functioning children with fetal alcohol syndrome who exhibit specific neuropsychological deficits. Specific impairments in self-regulation in children exposed to alcohol prenatally.

Imnpairments of number processing induced by prenatal alcohol exposure. Neuropsychologia 34 Pathogenesis of ethanol-induced limb reduction defects in mice. Teratology 46 a Int J Dev Neurosci 10 b Maternal drinking behavior and decreased intrauterine growth. Alcohol Clin Exp Res 6 Growth and motor performance compared to matched controls. Clinical considerations pertaining to adolescents and adults with fetal alcohol syndrome. Research Findings and Clinical Implications.

Effects of prenatal alcohol exposure on serial pattern performance in the rat. Neurotoxicol Teratol 16 Behavioral correlates of prenatal alcohol exposure: A four-year follow-up study. Neurobeh Toxicol Teratol 3 Prenatal alcohol exposure and development at preschool age: Main results of a French study. Moderate prenatal alcohol exposure and psychomotor development at preschool age. Arner J Public Health 85 Effect of pre- and postnatal alcohol consumption on GABA levels of various brain regions in the rat off-spring.

Alcohol Clin Exp Res 23 Les enfants de parents alcooliques Anomolies observees a propos de cas. Ann Pediatr Paris 39 Rev Pediatr 24 Failure to recognize fetal alcohol syndrome in newborn infants. Am J Dis Child Moderate alcohol use during pregnancy and decreased infant birth weight. Am J Public Health 67 Effects of alcohol on the fetus: Can Med Assoc J Reducing fetal alcohol effects: The Seattle pregnancy and health program. Preventing fetal alcohol effects: Effectiveness of a demonstration protect. Gustav Fischer Verlag Type and frequency of cardiac defects in embryofetal alcohol syndrome.

Report of 16 cases.

Translation of «Alkoholembryopathie» into 25 languages

Br Heart J 39 EEG biofeedback - how it works. FAS Times, Winter, pp 4- 5. Nervenarzt 49 A1cohol embryopathy Some facts and speculations about pathogenesis. Neurobeh Toxicol Teratol 3: Experience in patients. Dev Brain Dysfunction 6 Zur Klinik und Pathogenese der Alkoholembryopathie: Zur Frage der Interruptio bei alkoholkranken Frauen. Dtsch Med Wochenschr Symptoms, auxological data, frequency among the offspring and pathogenesis.

Exerpta Medica International Conference Series Neurological findings in Fetal Alcohol Syndrome. Neuropediatrics 18 Sucking frequency and amplitude in newborns as a function of maternal drinking and smoking. Currents in alcoho1ism, biomedical issues and clinical effects of alcoho1ism. Global-local processing in children prenatally exposed to alcohol, Child Neuropsychol 2 a MRI and prenatal exposure: Includes a list of museums and galleries exhibiting paintings by Hogarth and bibliographical references. Shows that Hogarth's depictions of violent details, which have often been interpreted as heartfelt didactic warnings of moral value, can equally be understood as platforms of sadistic delight and rapture instilling in beholders frissons of harm, torment or sexual abuse, as the many participants in violent action, enjoyment of horror films and brutal computer gaming do today.

Detailed new interpretation of the Marriage A-la-Mode series from a sexual point of view. Shows that it was primarily the freely lived paedophilia of Viscount Squanderfield that gave the impetus for the infidelity of his wife and led to the failure of the arranged marriage. Suggests that the Viscount must have infected his wife's child, whose malformations seem to be the result of Down's syndrome, with syphilis by sexual abuse.

Text in German and English. Shows that none of the extant portraits of Frederick the Great depict the true appearance of the Prussian king and that it was Hogarth who produced the only accurate contemporary representation of the monarch. Suggests that in scene 4 of Marriage A-la-Mode Frederick II is depicted as a gay flautist, with a prominent aquiline nose, accompanying a homosexual castrato on his German flute and mocking a paedophilic lord.

It is even more astonishing that Hogarth outed the Prussian king as gay as early as , earlier than any other published document or picture. See also the review by Giles MacDonogh. William Hogarth's Depiction of Violence" see above. Includes more and better illustrations than the English version. Explanation of the six prints of A Harlot's Progress for German readers.

Includes many illustrations not to be found elsewhere and extensive bibliographical references. Now you can scroll down and read on, or click on the area you are interested in: Yale University Press, Contains "Select Bibliography" pp. The catalogue also discusses many other prints from Hogarth's picture series. Foreword by James Cuno; Introduction, pp. This page catalogue throws new light upon Hogarth's Sigismunda , considering the painting in the context of contemporary debates about female sexual desire, luxury consumption, and the modernity of English art.

Princeton University Press; London: Tate Gallery Publishing Ltd , The author in desiring not to write a chronological life-story of Hogarth has chosen a series of thematic essays "each devoted to an aspect of the social and cultural history of the period". The book reveals Hogarth as an English nationalist and as a figure who reinvented the very idea of what it is to be an artist. It also sees him as a humourist who brilliantly invented a means of reproducing wit for wider public consumption.

The study shows that Hogarth's works were aimed at fostering self-improvement, whereby vice can ruin the aristocrat as swiftly as the harlot, but does so with great humour. We meet an artist emblematic of his time but also ultimately innovative and long-sighted. The Freedom of the Times pp.

The Ideals and Realities of Self-Improvement pp. Liberty and Libertinism pp. Hogarth's Sympathy for, and Affinity with, the 'Nobodies' of Society pp. Phaidon Press Limited, This well illustrated survey of the artist's life and work shows that Hogarth's art celebrates the benefits of commerce, politeness and patriotism, while simultaneously focusing on the corruption, hypocricy and prejudice they brought in their wake.

It provides an account of the full range of his work - from aristocratic portraits, to satiric prints commenting on the darker side of contemporary society. His work is situated within the context of the times, from the contrasing lifestyles of the rich and poor, to crime, fashion, scandal, politics and economics. Carving out a Career pp. Sex, Disease and Pity: A Harlot's Progress pp. Satire and the City: The Painter of Modern London pp. A Tale of Two Cities pp. The Analysis of Beauty pp. Art, Politics and Propaganda pp.

The Final Years pp. Aesthetics of Difference , Princeton: Princeton University Press, Trendy collection of fifteen essays by international art historians and cultural theorists who investigate an overlooked dimension of Hogarth's art and aesthetics: It shows that, whether Hogarth depicts a harlot; a wealthy patroness; a gouty earl; a dissolute rake; a black servant; an "effeminate parasite"; issues of class; gender ; and race, reverberate throughout his paintings and prints and deeply inform his unique innovation, the "modern moral subject". Solkin "The Fetish Over the Fireplace: A Postcolonial Hogarthian "Dumbshow".

Representing nature's machines , Manchester and New York: Manchester University Press, A collection of twelve tercentenary papers by some of the leading authorities on Hogarth. Reveals the artist to have been remarkably aware of the important intellectual issues of his time, for instance, eighteenth-century philosophy and science. The essays are thematically arranged according to three parts: Hogarth and Christian Typology". William Hogarth and the emergence of a visual culture in eighteenth-century England"; "Je-sais-quoi: William Hogarth and the representation of the forms of life" ; Peter Wagner "Hogarthian frames: The 'new' eighteenth-century aesthetics'"; "Representations of time in Hogarth's paintings and engravings" ; John Bender "Matters of fact: William Hogarth and the visual culture of eighteenth-century London" ; Diana Donald "This truly natural and faithful painter': Artists at the Hustings , ed.

Johns Hopkins University Press, November Includes a detailed examination of the parameters of blasphemy in eighteenth-century England and the changing attitudes toward the central tenets of the Christian Church among artists in this period. The Sacrament of the Eucharist ; I. The Atonement ; II. Mediation ; and V. See also the review by Alvan Bregman. Edizioni Culturali Internazionale Genova, Considers significant but hitherto unpublished thematic, rhetorical, technical, intentional and effective aspects of Hogarth's thinking which has had some influence that persists up to the present.

The author has also written a study on Geometrie del tempo: Il romanzo inglese del Settecento Published version of the author's German PhD thesis. Shows that Hogarth's Analysis of Beauty and his print Tail Piece, or The Bathos had a wider influence on debates about aesthetics in eighteenth-century German literature than hitherto assumed. Hogarth's Musical Imagery , Aldershot, Hampshire: Ashgate Publishing Ltd, December The author, a specialist in seventeenth and eighteenth-century English popular music, has written a reference tool for art historians seeking music related information on Hogarth.

The book contains information on Hogarth and London's musical scene, the contexts for his musical imagery, his musical accuracy, including a detailed analysis of his representations of particular instruments and a discussion of his realistic and symbolic uses of musical imagery. Later chapters deal with the skimmington or 'rough music' procession in Hogarth's prints for Samuel Butler's Hudibras and the influence this had on his subsequent satirical use of musical imagery; eighteenth-century uses of burlesque music to mock the act of music-making; Hogarth's eight afflicted and humiliated solo fiddlers from Hudibras to The Bruiser ; his abject ballad sellers; and The Beggar's Opera as a satire of Italian opera on the one hand and society on the other.

The final chapter, on Hogarth's The Enraged Musician print itself, draws together the uses of musical imagery discussed in previous chapters. An exploration of commentary on the print since its publication is followed by an analysis from a musical perspective. In addition, the book contains five appendices: Catalogue of one of the most comprehensive exhibitions of Hogarth's paintings and prints ever held, examining the whole of his life and work, showing nearly every aspect of Hogarth's multi-faceted career and highlighting his unique contribution to the development of modern British art.

The exhibition includes a large number of major loans from private and public collections around the world. The catalogue text discusses "Hogarth's variety", his modernity, the "Pictorial Theatre" of the s, Hogarth's conversation pieces, his moral series, his portraiture, his patriotism and politics, and his depiction of crime and punishment. There are also French and Spanish editions of this catalogue. The rise of the arts in eighteenth-century Britain , London: This book is certainly one of the best art historical studies ever written on Hogarth.

It is argued that Hogarth's effective invention of British art was founded upon a profound knowledge of contemporary French art and theory, as British culture in Hogarth's time habitually defined itself in relation to the art and aesthetic theories of France.

Therefore, the author conjures up the French and wider European context within which Hogarth's art was formed. The study examines the ways in which Hogarth interacted with and influenced his contemporaries not only in painting and print-making, but also in sculpture, poetry, the novel, the theatre, public life, art education, copyright law, music and opera. See also the review by Douglas Fordham. Brief history of British art from the times of post-Reformation to the birth of the modern era, written by international experts who interpret the art of the period with a focus on social history and from wider European and multicultural perspectives, together with some grains of post-structuralism.

Some chapters and sections include scattered information on Hogarth, for instance, William Vaughan's chapter on "Britain and Europe, c. See also the review by Brian Lukacher. Jahrhunderts von Hogarth bis Romney Berlin and Munich: Collection of excellent German essays dealing with English art of the eighteenth century. Cracking the Hogarth Code Cambridge: The Lutterworth Press, According to the author, the well-known classical and Biblical references gain coherence and unity when they are analysed in the symbolic framework of freemasonry and alchemy Hogarth was busy both using and concealing in his prints.

See also the online version of the Introduction and the review by Andrew Pink. German study on Chodowiecki, Shaftesbury and Hogarth, placing the works in the context of Enlightenment philosophy and aesthetics. Includes the following chapters: Hogarth und Lichtenberg pp. All of these chapters are divided into many different subsections. See the review by Franz Siepe.

Cheetham , Artwriting, Nation, and Cosmopolitanism in Britain: Arguing in favour of renewed critical attention to the "nation" as a category in art history, this study examines the intertwining of art theory, national identity and art production in Britain from the early eighteenth century to the present day. Detecting "imperial empiricism" among English artists and critics, the author presents new readings of the art theories of such central figures as Hogarth and Reynolds.

Ein kommentierter Auswahlkatalog Trier: German catalogue of Hogarth's most important engravings.

ALKOHOLEMBRYOPATHIE by Jennifer Huber (2008, Paperback)

Introduction and commentaries by Hans-Peter Wagner, who reads the works from a post-structuralist point of view. Palgrave Macmillan Pivot, Deals with Hogarth's representations of animals as hybrids, edibles, companions, emblems of satire and objects of cruelty. Focusing on The Four Stages of Cruelty , often wrongly identified as a milestone in the development of animal rights, the author analyzes how Hogarth's various audiences would have reacted to his gruesome images, and ultimately what they and he likely understood by the term "cruelty".

Canaletto, Hogarth and Patriotism , exh. Paul Holberton publishing, Britain, Hogarth and the Jacobite Rebellion. Social history of British art of the so-called long eighteenth century, looking at the major developments in painting, drawing, and printmaking during this period.

Works by Hogarth are briefly discussed in subchapters such as "Hogarth in the s"; "Manners and Morals: On the artist's afterlife in Britain and internationally. Comprehensive catalogue of Hogarth's paintings by the well-known senior research fellow at the Paul Mellon Centre for Studies in British Art, London, and former curator at Tate Britain.

Brings together over twenty years of scholarly research and expertise on the artist. Has reproductions of all portraits, history paintings, theatre pictures, and genre pieces and detailed entries on each painting, including much previously unpublished material that will be very useful for a generation or longer. Discusses conversation pieces by Hogarth and other artists and explores how these group portraits served a wide array of interests and concerns among familial networks and larger social groups.

Ronald Paulson , Hogarth: His Life, Art, and Times , 2 vols. Revised edition in three volumes: Ronald Paulson, Hogarth , Volume 1: High Art and Low, ; Hogarth , Volume 3: Art and Poltics, , New Brunswick: Rutgers University Press; Cambridge: This is the definitive work on Hogarth's life, based on archival research, which uses almost all the hitherto published and unpublished sources, e. Hogarth's manuscripts, baptismal and burial registers, rate books, records of banks and insurance companies, memoirs and letters of contemporaries, and notices in periodicals, including Hogarth's own advertisements.

The study sets out, in addition, to show "how Hogarth's background, milieu, personal life, and aesthetic ideas contributed to produce and define his unique kind of art". The author realises, in the context of Augustan literature, that Hogarth's art is based on parodic allusions to specific images as a vehicle of satire. The first edition also contains important appendices in volume 2, not to be found in the revised version of On the other hand, the new edition deals with several new aspects of Hogarth and his art, e.

A Life and a World , London: Faber and Faber Limited, Another modern comprehensive, well written and well reviewed page biography in one volume. The book links Hogarth's achievement to his times, placing his fierce nationalism and his philanthropic interests within the competitive world of the artists and the profound eighteenth-century re-thinking of culture and 'politeness'.

Well-known catalogue of Hogarth's paintings, including a page Introduction; a catalogue divided into: Miscellaneous; an Index of Collections; and black-and-white plates. Rizzoli Editore, [Classici dell'arte, 15]. A comprehensive catalogue of Hogarth's paintings, including many good colour illustrations, but, as it is not written in English, often ignored by Anglo-American scholars. The apparatus criticus is divided into a "Bibliografia essenziale" p. The volume closes with two indices: The catalogue, however, includes some mistakes, e.

Joseph Porter is wrongly named "Forter". Updates and upgrades the older catalogues. Third, Revised Edition in one volume, London: The Print Room, The extensive commentary gives circumstances of the various states of the prints, their publication and contemporary references, and informs the modern reader of their meaning. All prints are reproduced from the originals. The Complete Engravings , London: Thames and Hudson, Alpine Fine Arts Collection U. Contains a good introduction to Hogarth in general and brief commentaries on the engravings with, however, captionless reproductions of all prints.

The text on the prints is an abridged catalogue based on Paulson's Hogarth's Graphic Works. There are also French and German translations of this catalogue. Selection of all the major engravings with an introduction on Hogarth's "world" plus commentaries of variable length that stress social class in the prints. Includes, however, among the many good large-size reproductions after the Hogarth originals, a few after plates re-tooled in the nineteenth century. German catalogue containing detailed commentaries on the engravings, often paraphrasing the English comments by Ronald Paulson.

However, includes some new research. Verlag Gerd Hatje, Does not include, however, the minor prints. Serious Comedy , exh. Catalogue of an exhibition of Hogarth's engravings, published to mark the tercentenary of Hogarth's birth. It looks at the varied reactions to Hogarth's prints and the different identities imposed upon the artist over the centuries: Includes many illustrations also of other contemporary satirical prints. The exhibition was also shown in the USA. See the review by Thomas W.

Detailed page catalogue of Hogarth's engravings in Spanish, also including essays on Hogarth's "edifying comic histories" and his aesthetics. To date, the best critical appreciation of Hogarth's drawings. Contains, in the introduction, a good account of Hogarth's artistic character, which is bound up with his private character. Reproduces 80 drawings, some of which are obviously not by Hogarth. Pioneering, perceptive and well illustrated, critical study, posthumously published, which places Hogarth for the first time firmly in the mainstream of European art. Discusses, from a sociological, and liberal Marxist, point of view, "Hogarth's relationship both with English and foreign art, past and contemporary, his premises and parallels, his similarities and even his borrowings".

The Early Comic Strip: University of California Press, Collects, and comments upon, a vast amount of traditional picture stories taken from different countries and periods, including Hogarth's narrative series. Though not widely known among Anglo-American scholars, this is an illuminating German study on Hogarth's borrowings in the context of eighteenth-century theories of art.

Contains many new insights. Scholarly edition of the Analysis of Beauty Also incorporates important Hogarth manuscripts: A new edition of the complete text of the Analysis of Beauty with Paulson's notes and introduction, supplying a good deal more annotation than Burke. Has also an appendix with illuminating manuscript passages that Hogarth omitted from the final version.

Does not, however, include Hogarth's "Autobiographical Notes". The introduction places the Analysis of Beauty in the British empiricist and aesthetic traditions of Locke , Addison and Shaftesbury and concludes with a useful account of the reception of Hogarth's book. The German edition includes an interesting postscript by Peter Bexte.

Sertoli's review of the modern Italian translation by C. Modern critical and well-annotated edition of an important Hogarth manuscript of c. Includes an excellent introduction. For some corrections of, and additions to, Kitson's reading of Hogarth's handwritten notes, see Bernd W. Krysmanski , Hogarth's 'Enthusiasm Delineated': Georg Olms, , I: The University of Minnesota Press; London: Key study showing the links between literary and visual satire in Hogarth's work. The book is devoted largely to Hogarth's influence upon Tobias Smollett and particularly Henry Fielding.

The Correspondences of the Arts , Amsterdam: Rodopi, [Costerus, new ser. A study of the parallel careers of Hogarth and Fielding, which analyses the extent to which the work of each influenced the other. Maria Laudando , Parody, Paratext, Palimpsest: Interesting study on Laurence Sterne 's writings, overlooked by most scholars. University of Georgia Press, Views Tobias Smollett 's novels as exercises of a visual imagination and seeks to demonstrate intersections between the graphic and verbal arts. Like Hogarth, Smollett was both chronicler and interpreter of what he saw.

A Critical Biography , Oxford: New critical biography demonstrating how Fielding 's life and writings evolved according to his experiments with different professions playwright and theater-manager; journalist; barrister; magistrate. The study also situates Fielding's writings within contemporary political, aesthetic, and philosophical controversies. Chapter 2 "Playwright, " includes, pp. The English artist is a recurrent point of reference in most other chapters.

Good brief and well illustrated study of Hogarth the artist. Farrar Straus Giroux, Focusing on Johnson and Boswell , Reynolds , Garrick , Handel and some lesser-known figures of the eighteenth century, this page study sets out to show how literature, painting, music, and the theatre related to an increased public interest; how artists used, or were used by, publishers, plagiarists, impresarios, managers, art dealers and connoisseurs; and how contemporary ideas on taste combined with patriotic fervour and shrewdly managed commerce to create a vibrant, dynamic culture.

Several sections deal with Hogarth. Die Krise der Kunst im Jahrhundert und die Geburt der Moderne , Munich: Through a discussion of many examples of history, genre and landscape painting, as well as work of portraiture and caricature, this important German study shows that eighteenth-century artists' views of the world were no longer bound to traditional art theories, but were equally individual, sentimental and subjective. Chapter two, on "Genre", deals with Hogarth's "modern moral subjects" and offers a new and a surprising interpretation of Beer Street and Gin Lane.

University of Pennsylvania Press, Survey of the great period of English verbal and pictorial satire from to , including an extended discussion of Hogarth's Emblematical Print of the South Sea Scheme and its sources. The author further sees Hogarth's political prints from the s on as representative of the development of caricature. Discusses the part played by Hogarth's satires during the s on the opponents of George III and the contemporary debate over the role of the monarchy in the British constitution.

Also makes reference to the possible influences Hogarth's images had on later satirists, including William Blake and James Gillray. Cornell University Press, Doubtless one of the best monographs on Hogarth, and, to date, the most comprehensive study of the content and formal structure of the six Marriage A-la-Mode pictures.

Manchester, , and Athens, Georgia, Study on Hogarth's representations of black people: Hansib Publishing Limited, Additionally traces South Sea motifs in other early works by Hogarth. William Hogarth regresa a Bilbao", pp. Hogarth and His Age. Though often disregarded by Anglo-American scholars, these four very large volumes include, to date, the best and most comprehensive compilation of, and comment on, aesthetic theories and literature on art in eighteenth and early nineteenth-century Britain.

Contains, in volume II, an extensive chapter on Hogarth's writings and detailed bibliographical references. Gerstenberg Verlag, [Schriften zur Karikatur und kritischen Grafik, ed. Thorough and well-illustrated study placing Hogarth and his prints in the context of the life and work of other pictorial satirists of the period. Includes excellent sections on caricature as an art form and on the print trade in London. Well-illustrated scene-by-scene account of the Marriage A-la-Mode paintings "whose colour is continually inventive and subtle".

Describes the "innumerable details which contribute to the story's meaning" and which "are to be found not only in the faces, gestures and manners of the characters See also the review by Richard Dorment. Charts the emergence of a British School of painting from its exclusive and foreign-dominated status in the reign of Queen Anne, up to the establishment of a true native school by the end of the reign of George II. Hogarth is shown in the context of his fore-runners, rivals and contemporaries such as Kneller , Thornhill , Highmore and Hayman , as well as of the "new men" like Ramsay , Gainsborough , Romney and Reynolds.

Excellent survey of Hogarth's art, covering the full range of his paintings, drawings and engravings. Well-illustrated page exhibition catalogue examining "William Hogarth's relationship with the Foundling Hospital in terms of what Edmund Burke called 'Enlightened Self Interest': Liverpool University Press, Comprehensive study, placing "the art of medicine" of the eighteenth century in its social, medical, historical and political context. Considers in detail medical images in Hogarth's satires. See the review by J. Baron in the British Medical Journal , 22 March , Fischer Taschenbuch Verlag, Handy page monograph on Beer Street and Gin Lane.

Popular account of Hogarth's career in its historical and political context, based on Hogarth's unpublished manuscript, the "Autobiographical Notes", and Ronald Paulson's Hogarth: His Life, Art, and Times. Occasionally offers new information and correctives to Paulson 's scholarship. Von Lichtenberg bis Hrdlicka , exh. His Art and His World , London: Good page study on Hogarth, which intends to bring out what the author feels "to be the significance of the 'Analysis' in relation to Hogarth's own work, the art of his world, and art in general".

General introduction to the work of Hogarth, focusing on the paintings and organised thematically rather than as a biographical narrative. Includes good colour reproductions of the paintings. Well illustrated page catalogue including, apart from a German translation of Judy Egerton's account of Hogarth's Marriage A-la-Mode , contributions by several German scholars, among them articles by Werner Busch and Karl Arndt. Ten Essays and a Bibliography , Marburg: Presents American, British and German essays by prominent Hogarthian scholars who hold different literary and art historical perspectives, thereby demonstrating that Hogarth's work is not solely the province of the visual arts, but is at a borderline between "sister arts".

Behrendt , Robert L. The volume includes a remarkable bibliography on Hogarth. Image and society in the works of William Hogarth , Oxford: Voltaire Foundation, [ Studies on Voltaire and the Eighteenth Century , ] Extended English edition of some papers delivered on the occasion of a French conference on Hogarth in Brief catalogue, putting together a selected number of prints by Hogarth that show the influence of the theatre on his art. A thoroughly illustrated volume and an attempt to deal primarily with the paintings, being "a general critical introduction to the enjoyment of Hogarth's art" emphasising the "difference in the reading of a Hogarth print and the seeing of a Hogarth painting".

Refers to alphabet books, decks of cards, signboards, engravings and novels. Aesthetics and Heterodoxy , Baltimore and London: The Johns Hopkins University Press, Includes a revisionist interpretation of Hogarth's aesthetics, building on his deist-Freemason connections first explored in Hogarth , Volume 2 and 3. The Aesthetics of Laughter , Baltimore and London: Johns Hopkins University Press, This study of the reception of Cervantes' comic novel in England includes a discussion of Hogarth's Don Quixote illustrations.

For more details, see the reviews by Laura J. Bulletin of the Cervantes Society of America , 19, no. Though there is little on Hogarth in this book, it deals with the contemporary art market; the London artists' societies; the tastes, habits, and patronage of the eighteenth-century aristocracy and bourgeoisie. Includes, however, some misdatings. Yale University Press, ; paperback edition: Hogarth is a recurrent point of reference in this book, which includes, for instance, interesting readings of some of Hogarth's conversation pieces.

According to his own statement in the preface, the author has tried "to draw a portrait of the artist, and to relate an account of his works to the description of the period in which he lived". Provides a brief survey of what we can discover about Hogarth's art by looking closely at his pictures. The book is divided into two parts: This page booklet tells the story of the Rake's Progress and Election paintings in the Soane's Museum and discusses their narrative and content.

A major study demonstrating how Hogarth transforms an important graphic theme, the points du jour of sixteenth and seventeenth-century Dutch and Flemish art, in his own Morning , Noon , Evening , and Night. Deals also with the Strolling Actresses Dressing in a Barn. From Hogarth to Hockney , exh. Well illustrated page catalogue of an exhibition focusing on the precedents and influence of Hogarth's Rake's Progress series. Smith and Verena Bertmaring. Solkin , Painting for Money: In focusing on portraiture; the English conversation piece ; and an examination of the spaces of public life, this study concentrates "on those artists and writers about art who embraced the realities of a burgeoning market economy, instead of bemoaning its arrival as a sign of social and spiritual degeneration", attempting to show "how a visual culture came to be shaped by and for the purposes of commerce".

Explores the close relationship between Hogarth's prints and the various shows that he and his audiences would have had access to in London.

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Survey of the years of British painting that divide Hogarth's early works around from the death of Turner in The four parts of this book are devoted to: There is also an introduction, "Painting and the Hanoverian Era" pp. From Swift to the French Revolution , London: Provocative study presenting a modern intertextual, post-structuralist view of Hogarth's art, influenced by French theory.

Promotes new strategies for decoding the ambiguous sign systems that create "iconotexts", i. Das graphische Werk , exh. The introduction discusses traditional Hogarth scholarship from a poststructuralist's point of view. Solid and well-illustrated account of Hogarth's life and work, focusing on the paintings. Dipinti, disegni, incisioni , exh. Neri Pozza Editore, Catalogue of an important Italian exhibition on Hogarth organised by Mary Webster. Includes a biographical essay , many illustrations and detailed Italian commentaries on Hogarth's works.

Nationalism, Mass Media and the Artist , exh. Contains two articles, the main one by Ilaria Bignamini. Hogarth and the Politics of His Time , exh. Interpretation of Hogarth's main graphic works in the context of political themes of the time. The short introduction stresses Hogarth's politics.

Looks "at the two apprentices' story by studying the different graphic references and codes that the artist has slyly inserted within the plates". See the online version of this MA dissertation: Printed for Henry Washbourne, Best, though incomplete, critical nineteenth-century edition of Trusler's book which was first published in Nichols , 2 vols. Printed by and for John Nichols, First comprehensive life of Hogarth, based on contemporary memories, manuscripts, and collections. Includes some interesting anecdotes on Hogarth, his work, his time, and his contemporaries plus illustrations of, and notes on, Hogarth's earliest and little known works.

However, these are not always reliable, as among the "scarce prints" are some obvious forgeries. A second volume of Ireland's Graphic Illustrations was published in Printed for Longman, Hurst, Rees, and Orme, Definitive revision of Nichols's eighteenth-century editions of his Anecdotes of William Hogarth , and , fairly summarising all that was known about Hogarth's life and art up to that time. Includes many quotations from contemporary sources and a detailed Index. A third volume of the Genuine Works with additional material appeared in Nichols and Son, Facsimile reprint with a short introduction by R[onald] W.

This book contains, apart from the many quotations from John Ireland and others, the then most complete catalogues of Hogarth's work, particularly, a "Chronological Catalogue of Hogarth's Prints; with an Account of the Variations and Principal Copies". For the Author, Mr. There are also late nineteenth-century editions of these three volumes. They contain accurate descriptions of Hogarth's prints, which are still useful to the modern reader. The supplement volume includes Ireland's transcription of Hogarth's manuscript notes, which disclose a great deal about the artist's life and thought.

Certainly the most brilliant of the early commentators.

1 499,49 RUB

Considers almost every detail in Hogarth's engravings. Distinguishes between a prosaic and a poetic method of interpretation. Though often wandering from the subject, the verbal and semantic ambiguity in the commentaries corresponds well to the ambiguity in Hogarth's prints.

The modern English translations, which appeared in and , are not as good as the German original. From the 14 Lieferungen only the first four are by Lichtenberg himself. For modern German editions of Lichtenberg's commentaries, see Wolfgang Promies ed. Carl Hanser, , ; Wolfgang Promies ed. Ulrike Helmer Verlag, Printed for Baldwin, Cradock, and Joy by J.

Online version of The Works of William Hogarth , including all illustrations and the accompanying commentaries by John Nichols. For these commentaries, see also The Hogarth Project. Contains, however, some errors produced by the author himself. Hogarth is seen as an Englishman of a "healthful, sanguine constitution, and British Museum, Printed by Order of the Trustees, , , and Though not so well known as they deserve to be, these volumes contain, to date, the most important and thorough descriptions of Hogarth's satirical prints, written by the art critic and former Pre-Raphaelite painter, Frederic George Stephens The detailed commentaries offer the reader further background information on Hogarth and his motifs, the vast amount of other related contemporary satirical prints and the literature of the time.

There are also late-nineteenth-century editions of this book, which was first published in This volume is one of the series of the Illustrated Biographies of the Great Artists. It contains an annotated "Bibliography of the Principal Books, Pamphlets, etc. Baldwin Brown, William Hogarth London: The Walter Scott Publishing Co. Pictures of the Manners of the Eighteenth Century London: Constable and Company Ltd. Easily readable volume not only on eighteenth-century London, but also on Hogarth's life, works and contemporaries, based on the then most important sources on Hogarth, which are often quoted in the text.

New York and London: Notable study which exploits George Vertue 's manuscript notebooks and throws new light on the English artists of the eighteenth century and their contemporaries. See also volume 2. The Cockney's Mirror London: This study on Hogarth "is divided into four parts; the first part gives the background of William Hogarth's life and pictures, the second recounts his career and character and his attitude to his own genius, the third gives the stories, actors real or imagined of the principal pictures and prints, and the fourth describes and analyses the work from the point of view of aesthetics.

Article paying tribute to Ronald Paulson 's pioneering work on Hogarth. At the same time an easily readable introduction to Hogarth's life and art. Comprehensive biography written by David Bindman. The March to Finchley and the Election series -- Reflecting on art: The Analysis of Beauty -- Hogarth under attack: Sandby and Reynolds -- The artist embattled: Hogarth on the defensive -- A feeling mind: Austin Dobson 's contribution to volume 27 of the Dictionary of National Biography Dobson was the leading Hogarth biographer of his time.

Online version of Austin Dobson's article on Hogarth in the edition of the Encyclopedia Britannica , with additional hyperlinks. From the Seventeenth through the Nineteenth Century , First part of the online version of a biographical essay first published in The Works of William Hogarth, from the Original Plates restored by James Heath London, Second part of the online version of a biographical essay first published in The Works of William Hogarth, from the Original Plates restored by James Heath London, Extensive biographical essay, written in Italian. Excerpt from the Italian exhibition catalogue, William Hogarth: Dipinti, Disegni, Incisioni Biography with special attention to the historical background, however containing some questionable assessments, for instance, as far as Hogarth's borrowings from other masters are concerned.

See also this online version of Anstruther's book. Biography of some length. Part of a Humanities Web site on William Hogarth.

Comprehensive chronology from the birth of the artist's father, Richard Hogarth, in or , to the death of William Hogarth in Detailed chronology, chiefly borrowed from Shaun Wourm. Formerly part of a commercial project management consultants' Web site. French biography dealing with the artistic and cultural contexts and Hogarth's francophobia.

Essay on Hogarth from Wikipedia , the free Internet encyclopedia, gathering paragraphs written by many different contributors. Born on 10 November Survey of Hogarth's life and work, including several hyperlinks. Sees Hogarth "as the first prototypical British comics artist". Peintre et graveur anglais. French discussion of Hogarth's careers as an engraver, painter, satirist, and author of The Analysis of Beauty. National Gallery of Art, Washington, D. William Hogarth, British, Encyclopedia of World Biography: William Hogarth William Hogarth. Der englische Maler William Hogarth.

William Hogarth Lodace, Histoire: Online presentation of the typewritten manuscript of an outstanding M. Online version of Cowley's excellent Ph. Pdf version of the author's thesis. See also this abstract. Online version of the author's M. Offers an in-depth interpretation of the twelve prints of Hogarth's Industry and Idleness series. The study is divided into two parts: While people in previous centuries based their observation about life and human nature on religious beliefs, the eighteenth century began to explain life and human nature more critically in terms of science and reason.

The study deals with prostitution, alcoholism, physical and sexual atrocities, ignorance of the wealthy and powerful, and issues related to marriage and family life. Excellent website created by Anne Wilne and a class of third-year undergraduate students at the University of Toronto Scarborough during the winter semester of Gives an in-depth analysis of Hogarth's A Harlot's Progress. Each of the six plates has been annotated, providing context to scholarly sources. The engravings can be enlarged for highly detailed viewing. Additionally, each theme can be explored individually through the sidebar.

Comprehensive analysis of the supposed origin of, and the complex narrative and allegory within, Hogarth's portrait of the Mackinen Children. Interesting online article on the children depicted in Hogarth's works. Examines the six engravings of A Harlot's Progress as if they composed a motion picture's preparatory "story board" or as if they were frames in a black-and-white silent film. Deals with the pair of scissors hanging from Moll Hackabout's belt in A Harlot's Progress , plate 1, and the sexual symbolism of scissors in some other works by Hogarth and in literary contexts.

Paper dealing with the motif of an African boy pointing to the horns of a statue of Actaeon as a punning reference to cuckoldry - a suggestive detail that raises a host of larger issues crucial for Marriage A-la-Mode and for Hogarth's art in general, including adultery, racial stereotypes and miscegenation, art collecting and courtly aesthetics. On "irregular", and problematic, eighteenth-century popular theatrical performances "dumb shews" that curiously form the foundational metaphor of Hogarth's own Analysis of Beauty.

Sees Hogarth as an inventor of "comic strips with serious points to make, and acerbic political cartoons", who "had the ability to simultaneously amuse, shock, and change society" and whose influence can be detected in cartoonists of the nineteenth and twenteenth centuries. Hogarth's satire on Methodists and Connoisseurs".

Text of an article first published in the Art Bulletin , 80 June It compares Hogarth's anti-Methodist print Credulity, Superstition, and Fanaticism with its rather different, unpublished first state, Enthusiasm Delineated The latter is revealed as a polemic on shopworn French academic art theory and on misplaced, even erotically passionate enthusiasm for the old masters. Hogarth and Roger de Piles". Excerpt from the author's study of Hogarth's Enthusiasm Delineated.

This essay suggests that the overriding theme of the engraved version of The Sleeping Congregation is Hogarth's post-Puritan view of the old vice of Acedia indolence or sloth. It is shown that the print ironically updates a long pictorial and literary tradition of sleeping during a sermon; sleep, the characteristic signifier of indolence however combined with lustful thoughts within Hogarth's print. Explains the nationalist implications of the English taste for roast beef and the Francophobe and antipapist sideswipes and puns in Hogarth's The Gate of Calais.

Online version of Georg Christoph Lichtenberg 's famous German commentaries on Hogarth's engravings The Four Stages of Cruelty. Claims that the Cruelty series was influenced by John Locke's notion of sensibility and Lord Shaftesbury's writings about the moral sense. Four Times of the Day. Featured Wikipedia article on Hogarth's four paintings and prints of the Four Times of the Day series. Better than the English and French versions. Ungar, "Take Me to the Southwark Fair: Discusses Hogarth's Southwark Fair as a pictorial account of the social and cultural state of the lower urban class in early eighteenth century England.

Includes some remarks on the provenance of Hogarth's painting of Southwark Fair. States that Sir Charles Raymond gave guineas for the painting. As Raymond was the owner of Valentines, it seems that the picture may have hung in Valentines from the s until it was sold in after the death of Donald Cameron.

Cached version of Jeremy Bell's site on William Hogarth. Bell has always been fascinated with the work of the first truly British artist. He especially enjoys finding the many clues Hogarth left that tell the story in each painting and reading through the many commentaries that bring them to light. Hogarth's The Harlot's Progress, Plate 1. First part of a detailed analysis of the six prints of Hogarth's A Harlot's Progress. Commentary by Susan Ardelie, an eighteenth-century enthusiast.

The Marriage Settlement by William Hogarth. Extensive commentary on the first scene of Marriage A-la-Mode by an art lover named Jonathan The Lady's Death scene 6. On Hogarth and Gainsborough who exemplify the myth of the self-made man and comment on the shifting British social classes. German analysis of oppositional structures characterizing Hogarth's Industry and Idleness series.

Mit der Unterschrift aus I. Online essay which attempts to unravel the intriguing iconography of Hogarth's print Credulity, Superstition, and Fanaticism. The author identifies the characters and events in order to illuminate the beliefs and attitudes toward ghosts and the supernatural in the middle of the eighteenth century.

Credulity, Superstition, and Fanaticism. Short commentary by Thomas Pfau on Hogarth's anti-Methodist print. There are also some remarks by the same author on The Sleeping Congregation. Wellcome Library Item of the month, April Detailed discussion of Hogarth's etching, Cunicularii, or The Wise Men of Godliman in Consultation , which satirises the story of Mary Toft who claimed that she could give birth to rabbits.

Article looking at Hogarth's representations of black people in the eighteenth century. See also BBC History: Lecture held at Gresham College, 8 October Part of the "Visual Impressions of London" lecture series. William Hogarth's Portrait of Francis Dashwood".

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Lecture held at Gresham College, 3 November Brief life, written on the occasion of the th anniversary of Hogarth's death. Web page briefly dealing with the story of A Rake's Progress , inspiriations for the work, the critical reception of the series, and related paintings, etc. Gordon, "A Rake's Progress ". On the origin and content of the eight plates of Hogarth's Rake's Progress series in which Tom Rakewell "represents urban bourgeois innocence, brought to ruin by aristocratic pretension".

Includes, apart from images of the eight Rake paintings, also some modern photographs of specific sites in London. Brief account of Tom Rakewell's life as told by Hogarth in his Rake series. See also this Smarthistory version of the same article. On the sitter; inspirations for, and critical receptions of, the work; related portraits, etc.

Sigismunda mourning over the Heart of Guiscardo. Sigismunda Mourning over the Heart of Guiscardo. On the theme of the painting; inspirations for the work; its critical reception, etc. Interesting remarks by Shaun Wourm on Thornhill's "Grand Manner", Hogarth's moral series and his breaking the codes, particularly his graphic puzzles in the tradition of allegories and emblems, his parodic subversion of the "Grand Manner", and the influence of the stage on him. A Life and a World French article on Hogarth's London as seen in his works, focusing on pictorial space as a signifier of modified social conditions.

The Analysis of Beauty. William Hogarth, The Analysis of Beauty. Another online version of Hogarth's treatise of Online version of the original pages of the first edition of Hogarth's treatise. Hogarth's Analysis of Beauty , Some notes on Hogarth's book including short explanations of some of its ideas and a bibliography. Verlag der Kunst, Online versions of Lessing's reviews of the contemporary German translation of Hogarth's treatise.

Explains central terms of Hogarth's Analysis of Beauty. Also puts Hogarth's treatise within the context of other aesthetic theories of the time Shaftesbury, Addison, Jonathan Richardson. German thoughts on a passage in Lomazzo's treatise on art which, in its inexact English translation by Richard Haydocke , had some influence upon Hogarth and the contemporary Italian and German translations of The Analysis of Beauty.

With a review by Armando Massarenti. English translation of Armando Massarenti's review of C. There is also an Italian version of the same web page. Part of a blog started by Giovanni Mazzaferro on art-historical sources. Using the pictorial tools of analysis offered by Hogarth, the author discusses the relation of blushing to tattooing by comparing Sidney Parkinson's drawings of tattooed Maori heads with Hogarth's diagram of a blush from Plate 2 to his Analysis of Beauty and with Titian's Diana and Actaeon. Partly deals with the aesthetic theory behind the statuary yard depicted in The Analysis of Beauty , Plate 1.

Shows that the serpentine line applies rather easily to many of the waves depicted by Peter Monamy , painter of marine subjects. Online essay primarily dealing with Hogarth's self-portrait of ; the satirical details in Taste in High Life ; and the Old Master pictures within the pictures of the Marriage A-la-Mode series. Characters and Caricaturas Independent article interpreting Hogarth's print as a kind of "Identity Parade".

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