Literature And Life [with Biographical Introduction]
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Chansky, Ricia Anne, and Emily Hipchen, eds. London and New York: Fuchs, Miriam, and Craig Howes, eds. Teaching Life Writing Texts.
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Modern Language Association of America, Containing over forty-four short articles on teaching specific texts or genres, some with lesson plans, this work is a practical and inspiring teaching resource. Four volumes on methodological approaches within the social sciences in which research foregrounds the individual.
Useful for related fields nursing, criminology, cultural studies. Organized as five parts within four volumes: The Encyclopedia of Life Writing: Autobiographical and Biographical Forms. First and still only encyclopedia in English on life writing and life narrative.
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Two large volumes include entries on important writers, genres, and subgenres. Entries encompass, for example, confession, obituary, and gossip; portraits; surveys of national and regional traditions from all continents and periods; and themes such as shame, adolescence, time, and self. Manchester University Press, Brilliant intellectual and literary history of the ways that life writing from the 18th century to the s has been conceptualized by writers, critics, philosophers, and journalists.
Marcus rejects the idea that there is a stable genre of autobiography, but she proposes that there is, instead, a distinct genre of autobiographical criticism.
In Great Britain the 19th century opened promisingly with an outburst of biographical—autobiographical production, much of which came from prominent figures of the Romantic Movement, including Samuel Taylor Coleridge , Robert Southey , William Hazlitt , and Thomas De Quincey. Middle Ages This was a period of biographical darkness, an age dominated by the priest and the knight. In a memoir , a writer narrates the details of a particular event or situation that occurred in his or her lifetime. Autobiographies were written by authors, such as Charles Dickens who incorporated autobiographical elements in his novels and Anthony Trollope , his Autobiography appeared posthumously, quickly becoming a bestseller in London [8] , philosophers, such as John Stuart Mill , churchmen — John Henry Newman — and entertainers — P. That century and the first half of the 18th presents a busy and sometimes bizarre biographical landscape.
Documents of Life 2: An Invitation to a Critical Humanism. A highly readable guide to life writing and life story as objects and methods of analysis from a sociological but also literary perspective, with a particularly useful section on interviewing. Smith, Sidonie, and Julia Watson. A Guide for Interpreting Life Narratives. University of Minnesota Press, Authoritative, accessible guide to the cultural study of life narrative across genre, period, and place, with good attention to non-Western texts.
Biography in literature
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Literary Biography: An Introduction illustrates and accounts for the literary in life writing, a rapidly growing field of study; Offers a valuable biographical and. Critical and Biographical Introduction by Stephen Leacock (). Warner, et al., comp. The Library of the World's Best Literature. nothing in the first twenty years of O. Henry's life that could have marked him out for eminence. 1.
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Biographies about artists and writers are sometimes some of the most complicated forms of biography. The close relationship between writers and their work relies on ideas that connect human psychology and literature and can be examined through psychoanalytic theory.
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Literary biography tends to have a plethora of autobiographical sources. Elizabeth Longford, a biographer of Wilfrid Blunt , noted, "Writers are articulate and tend to leave eloquent source material which the biographer will be eager to use. Auden said, "Biographies of writers whether written by others or themselves are always superfluous and usually in bad taste His private life is, or should be, of no concern to anybody except himself, his family and his friends.
Biographical criticism is the deliberate use of biographical information to shed light on the difference created by experience between an author and his audience, and so provide insight into how to understand that particular work.
Literary Biography: An Introduction
Biographical fiction is a type of historical fiction that takes a historical individual and recreates elements of his or her life, while telling a fictional narrative, usually in the genres of film or the novel. The relationship between the biographical and the fictional may vary within different pieces of biographical fiction.
It frequently includes selective information and self-censoring of the past. The characters are often real people or based on real people, but the need for "truthful" representation is less strict than in biography. The various philosophies behind biographical fiction lead to different types of content.
Some asserts itself as a factual narrative about the historical individual, like Gore Vidal 's Lincoln. Other biographical fiction creates two parallel strands of narrative, one in the contemporary world and one focusing on the biographical history, such as Malcolm Bradbury 's To the Hermitage and Michael Cunningham 's The Hours. No matter what style of biographical fiction is used, the novelist usually starts the writing process with historical research. Biographical fiction has its roots in late 19th and early 20th-century novels based loosely on the lives of famous people, but without direct reference to them, such as George Meredith 's Diana of the Crossways and Somerset Maugham 's The Moon and Sixpence During the early part of the 20th century this became a distinct genre, with novels that were explicitly about individuals' lives.