Shalimar (FICTION) (French Edition)

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The focus of this novel is extremism. It tells the tale of two Kashmiri villages whose inhabitants gradually get caught up in communal violence. As we know from Yugoslavia, hatred takes on especially horrific manifestations when neighbors turn against each other. The neighbors to whom Rushdie introduces us are memorable and emblematic characters, especially his protagonists, the Hindu dancer Boonyi Kaul and her childhood sweetheart, Shalimar the clown, son of a Muslim family.

Their passion becomes a marriage solemnized by both Hindu and Muslim rites, but as conflict heats up, Boonyi seduces the American ambassador. The resulting transformation of Shalimar into a terrorist is easily the most impressive achievement of the book, and here one must congratulate Rushdie for having made artistic capital out of his own suffering, for the years he spent under police protection, hunted by zealots, have been poured into the novel in ways which ring hideously true.

Bit by bit, Shalimar becomes a figure of supernatural menace. The life of the ambassador, Max Ophuls, is also brilliantly invented. In a series of highly effective set pieces—Nazi-occupied Strasbourg, where he failed to persuade his principled parents to save the books they published, not to mention themselves, from the flames the family was Jewish ; southern France, where his exploits on behalf of the Resistance were so colorful that I would spoil the reader's pleasure if I betrayed them; England, where a glamorous wartime romance led him into his only marriage—the author builds our sympathy for the man who with her connivance ruins Boonyi's life and sets in motion Shalimar's destiny.

Now for the novel's defects: Rushdie's female characters are generally less plausible than the male ones. When he is describing Kashmir's good old days of communal tolerance, he too frequently takes refuge in slapstick.

His depiction of Los Angeles relies so much on references to popular culture that the place becomes a superficial parody of itself. In terms of technique, Rushdie's most irritating tic is the sermonistic parallelism or repetition, but the novel's best passages not to mention his other great work, Shame prove him capable of great style.

Shalimar the Clown

Never mind these flaws. Several flashbacks take the readers to the past, and one learns that Shalimar was once full of affection, love and laughter. He lived in the fictional Kashmiri village of Pachigam. His skill on the tight rope has earned him renown in his village and the nickname Shalimar the clown.

At a young age, he falls in love with a beautiful Kashmiri Pandit girl, named Boonyi. The village elders agree to the marriage and all seems fine, except that Boonyi doesn't want to remain stuck in this small village. Things come to a head when Maximilian comes to the village, sees Boonyi dance, and becomes enamored of her.

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With the help of his assistant, he gets her a flat in Delhi, and an affair blossoms. A scandal erupts when Boonyi gets pregnant and Max is forced to return. The child, India, is brought to England by Maximilian's wife. Shalimar was deeply in love with Boonyi and couldn't bear her betrayal. He devotes the rest of his life to taking revenge on the people that were the cause of his unhappiness.

For this purpose he joins up with various Jihadi organisations and becomes a renowned assassin. Maximilian, the son of Ashkenazi Jews, was raised in France. Following the death of his parents in a Nazi concentration camp, he becomes a hero of the French resistance. A fictionalised account of the Bugatti automobile company plays a role in his escape from the Nazis.

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This appointment eventually leads to his unspecified role in relation to American counter-terrorism. The appointment is more important than his ambassadorship, but his exact role is left vague. Shalimar receives training from insurgent groups in Afghanistan and the Philippines, and leaves for the USA. He murders Max on the day he resigns as his driver.

Shalimar evades the authorities and eventually returns to India's home, with the intention of killing her. The story portrays the paradise that once was Kashmir, and how the politics of the sub-continent ripped apart the lives of those caught in the middle of the battleground. The performance was conducted by Jayce Ogren.

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From Wikipedia, the free encyclopedia. Shalimar the Clown First edition.

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