It considers arguments in favour and against the claim that the person is identical with body.
It also evaluates whether bodily awareness is a form of self-awareness. Access to the complete content on Oxford Handbooks Online requires a subscription or purchase.
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This chapter argues that the authorial self in autobiographical comics can thus be characterized as tacitly, or sometimes blatantly, plural. The different aspects of pictorial embodiment are also discussed here, with an exploration of the links between body and mind from a philosophical and psychological perspective.
The chapter here addresses several of the key concepts to have emerged from the writings of Drew Leder and apply them to the act of visual self-representation involved in the creation of autobiographical comics. The chapter then draws on psychoanalytical theory in order to understand why mirrors feature so prominently in graphic memoirs, and why aspects of the body are sometimes portrayed as alien and monstrous.
The final section of the chapter deals with sociological approaches to corporeality, and their central argument that embodiment is an active, cultural process of rendering the body meaningful. University Press of Mississippi requires a subscription or purchase to access the full text of books within the service.
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