Attraverso il tuo corpo (I libri di Alberto Bevilacqua) (Italian Edition)

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Three excluded categories of poets have begun to find their way in, namely women poets,38 dialect poets,39 and poet-translators. If we look at their anthologization in eight prin- cipal anthologies of Italian poetry, we may be surprised Table 3, p. So the place and role of narrator-poets is far from sta- narrator-poets: Certainly there are differences here in the reception of Italian narra- tor-poets: Meanwhile, there are more substantial presences in the canon, such as Palazzeschi, Pavese, and Soffici, missing in only one or two anthologies.

And then there are figures who are clearly on the margins, such as Bevilacqua, Bontempelli, Morante, Orengo, and Ottieri, all with only one or two appearances. Yet these are the only anthologised poets in our corpus: Re, De Constructing the Canon: See as well R. Critica femminista e cano- ne letterario negli studi di italianistica, edited by A. Sapegno, Longo, Ravenna , pp. The most recent anthology, edited by Cesare Segre and Carlo Ossola, contains 13 prominent dialect poets.

Blakesley, Modern Italian Poets: Translators of the Impossible, University of Toronto, Toronto , and a related article of mine: Blakesley, Poet-translators in Modern Italy: Aleramo, 53 11 antologia della poesia Bassani, Jacob S. Blakesley italiana, edited by Palazzeschi, L. Anceschi and Papini, Pavese, S. Antonielli, Vallecchi, Soffici Firenze Poesia italiana , 6: Cecchi, 46 13 edited by G. Boine, 45 9 Novecento, edited by Palazzeschi, E. Boine, 50 10 edited by P.

Bacchelli, 76 11 Novecento, edited by Bassani, Morante, P. Boine, Ottieri, 87 7 Novecento, edited by Palazzeschi, E. Bassani, 60 10 novecento, edited by Bevilacqua, M. Cucchi and Morante, Orengo, S. Boine, Primo 59 8 italiana. Novecento, edited Levi, Palazzeschi, by C. Segre and Pavese, Soffici C. Ferroni, Presentazione, in C. Vitiello, Antologia della poesia contemporanea , Tullio Pironti, Napoli , p. Indeed, that anthologies contribute to the estab- lishment of the canon is a widespread idea: They anthologise, as we have seen, six Jacob S.

Yet the hodge-podge nature of their choices has been noted by critics,45 along with the weak rationalisations for their selection. Un puro capriccio o una scelta di valore? Esposito, Poeti italiani o padani? Giovanardi, Introduzione, in Poesia italiana del secondo novecento, cit. The canon formation of Italian narrator-poets: As the French sociologist asserted, A publisher is a person invested with the extraordinary power to ensure Modern Italian publication, to confer upon a text and its author a public existence narrator-poets: Meanwhile, Garzanti and Guanda are now owned by the Gruppo edito- riale Mauri Spagnol dating back to and , respectively , and Scheiwiller has been in the possession of Il gruppo 24 ore since Mondadori, Einaudi, and Garzanti published 89 out of the works in our corpus.

This means that three out of every four books of poetry were published by other publishers, generally niche publishing houses like Scheiwiller 19 books and Guanda 9 books , or larger publishers Rizzoli and Feltrinelli with non-canonical poetry series.

Odd Nugget

Bourdieu, A conservative revolution in publishing, trans. Ferretti, Poeta e di poeti funzionario: Billiani, Renewing a literary culture through translation, in Translation as intervention, edited by J. Munday, Continuum, London , pp. Narrator-poets and their poetry collections published by Mondadori Narrator Title of poetry collection Year G. Borgese Le poesie di G. Aleramo Poesie S. Borgese Poesie G. Soldati Canzonette e viaggio televisivo P. Palazzeschi Cuor mio a new critical category A. La stella del mattino A. Palazzeschi Poesie R. Palazzeschi Via delle cento stelle: Bacchelli Giorni di vita e tempo di poesia G.

Bassani Epitaffio S. Bassani In gran segreto G.

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Bassani In rima e senza G. Testori Ossa mea A. Bevilacqua Vita mia V. Pratolini Il mannello di Natascia e altre cronache in versi e in prosa A. Bevilacqua Il corpo desiderato G. Bonaviri Il re bambino A. Bevilacqua Messaggi segreti G. Bonaviri Il dire celeste e altre poesie A. Bevilacqua Legame di sangue S.

Aleramo Tutte le poesie A. Bevilacqua Tu che mi ascolti: Bevilacqua Le poesie V. Pavese Lavorare stanca C. Pavese Poesie del disamore e altre poesie disperse C. Pavese Poesie edite e inedite G. Morante Il mondo salvato dai ragazzini Jacob S.

First Matter

Quarantotti Gambini Al sole e al vento N. Maraini Donne mie L. Maraini Mangiami pure P. Volponi Poesie e poemetti L. Orengo Canzonette D. Maraini Dimenticato di dimenticare G. Orengo Cartoline di mare P. Volponi Con testo a fronte: Ottieri Vi amo C. Pavese Poesie giovanili C. Gadda Poesie C. Pavese Le poesie N. Orengo Cartoline di mare: Cerami Canti di scena: Orengo Spiaggia, sdraio e solleone L. Romano Poesie P. Ramondino Per un sentiero chiaro B.

Fenoglio Epigrammi A. The exhibition puts together 15 recent artworks, including paintings on canvas and wood, works on paper and sculptors, executed between and , engaging in a conversation about the infinite possibilities through which the power of astral nature interacts with one another. Vibrant, exhilarating hues seem to explode from reassuringly geometric shapes—a visual sampling of longer days and warmer temperatures, reminding us of what power positivity, hope, and faith yield in these uncertain times. The exhibition, curated by Alberto Pasini and Eva Zanardi , will feature 25 recent works by the two artists, engaging in a conversation about the infinite possibilities through which quadrilaterals—fixed on canvas through an exhilarating palette comparable to that of pop art—interact with one another.

The show is not to be missed!

He was photographed March 27 in front of a Ron Agam piece in his office. Both Agam and Casentini are invested in researching and experimenting with hard-edged color field painting and geometry.

The exhibition will feature 25 recent works by the two artists, engaging in a conversation about the infinite possibilities through which quadrilaterals—fixed on canvas through an exhilarating palette comparable to that of pop art—interact with one another. Their modern takes on the style see them also master form, color, and linework while putting their own unique take on the aesthetic. Thursday February 23, 6: Feb 23—April 16, In Europe and South America, it emerged in the early s, and has enjoyed an uninterrupted, if at times understated life since that time.

Чрез твоето тяло

Its ability to have a successful afterlife is due to its ability to produce interference between the physical presence of its surface and the illusory effects its patterns create. Since , the art world has witnessed a deluge of Op-Art and Kinetic-Art centered exhibitions by major international museums and galleries. The markets took notice: Straddling conventional graffiti, typography and abstraction, his work fuses bold elements of graphic design with highly evolved geometric shapes. The viewer perceives oscillation through the illusion of a continuous wave produced by the physiological experience of space and movement.

Meticulously layered stripes in tightly woven structures create a musical rhythm and repose. By using undulated cardboard surfaces painted with acrylic colors, Renko creates tridimensional geometric structures that can be read from several angles, giving the impression of movement. Last week, GR gallery unveiled its fourth exhibition dedicated entirely to Op and Kinetic art.

Interferences , on view at GR gallery until April 16, , features recent works by four innovative artists from Europe and America: An Op art immersion, the exhibition sets the output of these four artists in conversation with one another, sparking a dialogue between their distinct masteries of line and explorations of pure color and form.

Despite this, Op art has maintained a lengthy afterlife, yielding an outsized influence on visual art, architecture, and design. GR gallery, entrusting that this movement would undoubtedly see a revival, has promoted and supported artists of these two often-overlooked movements since its inception in Italy, and thereafter in New York. Without fail, the last few years have seen a deluge of Op and Kinetic art featured in museum and gallery exhibitions around the world.

Optical art is a creative movement that began to take shape in the s. The GR Gallery of New York presents an exhibition that shows how much there is to be explored in the field of visual perception: Contemporary Op and Kinetic Art. The exhibition includes Gilbert Hsiao, Sandi Renko, Nadia Costantini and Felipe Pantone, artists who use the line as a fundamental element in their work. The work of Felipe Pantone is recognized for his approach to graffiti, the colors that remind us of video games or any image of the digital era through abstract creations.

Nadia Costantini, Italian painter and sculptor who works with the positive-negative contrast to create the illusion of movement in her work, presents a series of work with geometric figures that give us the feeling of depth. Because not everything is said in the exploration of optical art, until April 16th GR Gallery will present to us the most outstanding creators so far in this subject. I know that as soon as I arrive, my blue, wintry mood is bound to be uplifted.

Ron Agam approaches, smiling. His expressive hazel eyes are soft-spoken, exuding a radiant aura of positive, serene energy. Talent runs in the family; as the son of world-renowned Israeli kinetic artist Yaacov Agam, Ron only began painting after he turned 52 he is now 59 years old. Following his long and successful career as a fine art photographer, Ron had an epiphany after he turned down one of the largest and most lucrative job opportunities of his career—a photo book for luxury group LVMH.

His use of color is unique; through juxtaposing power-saturated hues, every color reverberates, simultaneously igniting the vibrancy of its counterparts. As a child I witnessed how my father was working. He would use — shades of a color, a mesmerizing process to witness. How do you think the American public will receive your work? Given the present general increase in value of geometric abstrac on, I would say that the American palate has now learned to taste this kind of art; many young people take on this language, interpre ng it di erently; they recover and modulate it using informa on technologies.

How does your work assimilate into this context? The common ground is clearly a sort of shared alphabet that each of us uses and combines di erently, expressing his own personality. Interest stems from the comparability provided by the creators and curators of the exhibi on. Nadia and I somehow belong to the same school. This is an extraordinarily happy me for you.

How do you interpret this period and what would you expect from year ? I believe apprecia on stems mainly from the outcomes of the turn my chroma c researches recently took. Then, I met gallerists who believe in my work enough to include it in their exhibi ons. Allo Spazialismo, che ebbe in Lucio Fontana il suo fondatore e teorico, aderirono pittori come Gino Morandis e Virgilio Guidi, mentre Ennio Finzi, Riccardo Licata e Carmelo Zotti rimasero ufficialmente slegati dalla corrente, ma ufficiosamente molto vicini allo stile adottato.

Quando chiedo al Direttore quale rapporto leghi il pittore partenopeo alle opere degli Spazialisti, la risposta mi soddisfa, e mi rivela anche una scelta di strategia logistica della Galleria: Rune depositarie di memorie antiche? The exhibition runs until 5 February at number in Bowery and is curated by Giovanni Granzotto. It is a tribute to the relationship between the gallery and the art scene in Venice over the last forty years.

Since the Fifties, and for about three decades, Venice has been a real hotbed for creativity, an international catalyser of clever minds and the co-creator of a unique moment in art history, taking its first steps from the Spatialist movement.

Being aware that that was not the place to outline a complete background of the incommensurate events involving post-war Venetian art, the organisers chose six painters as protagonists of this exhibition; they are all Venetian by birth or adoption, and their personal and professional lives are interestingly intertwined in close relationships with the Gallery, in a close cooperation that led to their mutual growth. The artists chosen are the signatories of the manifestoes of Spatialism: Gino Morandis and Virgilio Guidi ; those artists who shared their inspirations and creative impulse with the movement, without ever formally joining it: Ennio Finzi and Riccardo Licata ; the symbolist-surrealist painter Carmelo Zotti , gravitating towards the movement; and the Venetian master Emilio Vedova , front and centre of post-war European formal art.

On display six works by each painter, leading the visitor on an ideal path through different styles spanning from impetuous, informal signs and gestures, to synthetic, minimal perspectives, in a dimension where creativity is made possible by the extraordinary influence. GR gallery is proud to announce a solo exhibition of the American artist David R. Prentice, featuring 25 of his minimalist abstract paintings from the past 5 years.

Switching gears, the artist dove into realistic landscape paintings in the 80s. After a long and successful career with landscapes, he has revisited Minimalism with the colorful yet subtly moving pieces on view at GR gallery. These most recent works invite the viewer to contemplate how the colors move and blend seamlessly to create a dreamlike composition.

GR Gallery hosts yet another spectacular contemporary art exhibit: One that hypnotizes and heals. A re-visitation of work he created almost 50 years ago, 25 of David R. Relaxing colors, reminiscent of early spring or dreamlike environments evoke introspection. Painting should nourish in the same way; it should make you feel better. It is an adjunct to healing. It helps you overcome trauma and sadness. Subtle palettes hereby mesmerize viewers, inspire reflection and soothe. Thursday October 13, , 6: Prentice, featuring 25 of his Minimalist abstract paintings from the past 5 years.

Beginning in the late 50s, David R. After a long and successful career with landscapes, he has revisited the Minimalist ideas with the colorful yet subtly moving pieces on view at GR gallery. These most recent works of his draw the viewer in to contemplate how the colors move and blend seamlessly creating a dreamlike composition. Just in the last period, he decided to recapture abstractminimalist art bringing it towards a new avant-garde. He has exhibited his work in several exhibitions all over the world and he now lives between Manhattan and Ashikawa City in Japan.

Io uso il tessuto delle calze per realizzare opere che prendono origine dalla matematica e dagli algoritmi, una mia grande passione. Ci racconta la sua originale ascesa nel mondo della moda? A un certo punto lei disse: Senza perdere tempo le presentai dei disegni semplici, geometrici, regolari, il cui tema portante erano le righe bianche e nere, o bianche e blu, bianche e rosse, orizzontali e verticali. Se dovesse mettere Firenze e New York a confronto? Se devo essere onesto quando sono a Firenze vorrei trovarmi a New York e viceversa.

Tue - Sunday | 12 to 7pm

Chiudiamo con un consiglio per un giovane artista. Nei Paesi nordici, in Europa, in Russia. Curated by Giovanni Granzotto and Alberto Pasini is a sublime exhibit of twenty-five works by Emilio Cavallini—a designer, weaver, and mathematician, who never leaves his masterpieces to chance. In the manner of Da-Vinci, Emilio sketches, plans, and locks precision into a program prior to launching into a three-dimensional frenzy. Very much like Karl Lagerfield, Cavellini weaves nylon hosiery into sensational fractals, whose every angle-to-space convex enact a precise mathematical formula; Chanel does the same but through tweed.

Rigorously organized grids supply potential momentums with vertigo effects that mesmerize. Erecting bifurcated images on the side, hosiery remained the primary canvas through which his affinity for mathematics flourish. He would only later make his magnificent tapestries accessible to the public. For more information on kinetic and op art, please check http: Want to Read saving…. Want to Read Currently Reading Read. Refresh and try again. Open Preview See a Problem?

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