Contents:
Little Star 12Var K P La Ronde de Lutins P Vals del Recuerdo P O sole mio P Romeo and Juliet P Maple Leaf Rag P The Ragtime Dance Nos. Au clair de la lune P The Tuileries Gardens P Nel cor piu non mi sento Nos. Song of selling newspapers P Lascia chio pianga Nos. Sonata in A Major Mvt. Torna a Surriento P Dreaming of Home and Mother P Di Spagna sono la bella P Dance of Reed P Farewell of Slavianka P Red Berries in Blossom Nos. Ode An Die Freude Nos. Auf Flugeln Des Gesanges P Red River Valley Nos. The Planets - Jupiter Nos. Flower and Youth P Sonata in G Major K P Peer Gynt Suite Op.
Le Nozze di Figaro Nos. New World Symphony Mvt. Minuet in G Major Nos. The Yellow River in Anger P Invitation to the Dance Nos. Sonata in D Major P Sonata in C Major K P Sonata in C Major Mvt. Sonatina in G Major P Auld Lang Syne P The Blue Danube Nos. Don Juan Paraphrase Part. The Nutcracker Overture P Venetian Boat Song P La Traviata Excerpts Nos. Oh My Beloved Father P Sonatina in F Major Anh. Defend the Yellow River Nos. Flight of the Bumblebee Nos.
Beo dat may troi P Moon In Breezy Night Nos. Johnny Has Gone for a Soldier Nos. Dance of the Little Swans P Birds Worship Phoenix Nos. Little Red Riding Hood P Retrieved from " http: River Flows In You. The Time We Spent Together. Dance of the Marionettes. The man regards me as the king. Wind in a Dream. Bagatelle in C minor WoO Maybe see you after four years.
La donna e mobile. Land of Hope and Glory. The Yellow Rose Of Texas. Joyful In The Risen Day. La Fille aux cheveux de lin. Doctor Gradus ad Parnassum. Mary had A little lamb. The Farmer in the Dell. Witches and strange cat. The Plum Blossom on Snow. Click Go The Shears. Pick Tea and Catch Butterflies. Thunder in the Dry Season. Dance Of The Golden Snake 2. Dolls and Bear Dancing 2. Days in a Green Hill. Queen of the Night. Requiem in D minor. Carmen - Votre Toast. Rage In Joyful C.
Four Seasons - Autumn. Toccatta in D minor. Clouds Chasing The Moon. The Steadfast Palm Grass. Song Of The Stream. Stepping On The Rainy Street. Sitting Next To You. The Truth That You Leave. The Way To Get You. London Bridge Is Falling Down. Evening song of the Fisherman. Voices Of Spring Waltz. Turkey in the Straw. March of the Dwarfs. Toot - toot Song. Spirits Of The Wetlands. The Whisper Of West Wind. Sonata for Two Pianos K Old MacDonald Had a Farm. The More We Get Together.
Retrieved March 13, The Dying Poet P Night of Hunters Deutsche Grammophon ". Amos also released an entirely instrumental version of the album entitled Night of Hunters — Sin Palabras without words available only to download. Finland Albums Chart [43]. Waltz of the Flowers Nos.
Longing for Spring K The day of resurrection. Jesus Christ is risen today. Thine is the Glory. The Last Rose of Summer. Waltz of the Flowers. Happy Chinese New Year. Chinese New Year Theme. Angels we have heard on high. The Herald Angels Sing. Jingle Bells Christmas Edition.
We Wish You a Merry Christmas. Joy to the World. Dolly's Dreaming and Awakening. Little Star 12Var K La Ronde de Lutins. Au clair de la lune. Nel cor piu non mi sento. Song of selling newspapers. Dreaming of Home and Mother. Di Spagna sono la bella. Red Berries in Blossom. Ode An Die Freude. Auf Flugeln Des Gesanges. The Planets - Jupiter. Sonata in G Major K Le Nozze di Figaro. Minuet in G Major. Like her previous releases, it is available in both standard and deluxe CD formats, digital format, as well as limited edition vinyl. Amos also released an entirely instrumental version of the album entitled Night of Hunters — Sin Palabras without words available only to download.
The main promotional single released from the album is " Carry ", a variation on La fille aux cheveux de lin by Debussy. In an interview with Out magazine , Amos revealed that work on Night of Hunters began after Deutsche Grammophon approached her to write a 21st Century song cycle under the condition that it be centered around classical music themes.
She also suggested that her work on the upcoming musical, The Light Princess , sharpened her narrative skills for the project. Alexander Buhr, executive producer for Deutsche Grammophon, with providing her with a wealth of knowledge on the great composers of the last four-hundred years and with recordings of some of their best compositions. Amos pointed out that it was Dr. Buhr who initially approached and offered her the opportunity to headline this project.
During this interview, Amos also cited Schubert 's Winterreise as "a mentor in many ways" [ citation needed ] while composing Night of Hunters. According to Amos, the concept centers on a woman who is left alone on the eve of her relationship's demise in an old Georgian house near the River Bandon , located on the outskirts of Kinsale , County Cork in Ireland.
As dusk turns to night, the woman is confronted by Annabelle, a shapeshifting "childlike creature" who "emerges from nature", played by Amos's daughter. The mythical creature, representing "duality", as well as the ancient forces of "the hunter" and "the hunted", coaxes the woman to follow her into the night, transporting them both approximately three-thousand years into the past to witness a previous incarnation of the woman's relationship. It was a time of great chaos and violence in ancient Ireland as a war of beliefs raged on, and the woman and her lover fought side-by-side as bards , using the ancient tree alphabet as their only weapon.
Once the war was lost, however, the woman and her lover crossed the Atlantic on his sailboat, abandoning her world, the New World , in favor of his world, the Old World. It was during this time that forces, both within and outside of their control, drew the couple apart. After their sojourn into the past, Annabelle inducts the woman in an ancient peyote ritual which is meant to further expand her consciousness through both hallucinogenic and meditative means.
During the ritual, Annabelle helps the woman realize how she abandoned her own fire and inner-strength when she left her world in favor of her lover's. The woman also sees how both she and her former lover interchangeably misused the ancient forces of "the hunter" and "the hunted" against one another throughout the course of their union. This self-destructive dynamic, in turn, also plagued the present-day incarnation of their relationship.
Once the ritual and woman's self-examination are complete, Annabelle reminds her of the perils and benefits found in using and misusing the ancient energies of "the hunter" and "the hunted". The creature also advises the woman that there are "forces" at work that must be dealt with and that she must leave her so that she alone may face the Fire Muse , played by Amos's niece Kelsey Dobyns. In meeting the mythical goddess, the woman is allowed to recapture the fire and inner-strength she had abandoned, both in her past and present incarnations, and is taught about the "light" and "dark" forces of the world at large.
The Fire Muse reminds the woman that more than just her own mortal pains and desires are of concern and, together, as the fiery goddess calls upon the woman to see the world from a higher perspective, they weave a spell to protect the light of the world from the forces of darkness. The woman ends her journey at dawn, renewed and grateful for her place in the world and for all of the people that have inhabited her life, including her former lover. In an interview with Instinct , Amos spoke of relating "to both the male and female in this story," [ citation needed ] while during her interview with The Interview People , she stressed that the themes tackled on the record are dualistic in nature for her, whereby they are somewhat telling of both "intimate conflict[s]" within her own marriage along with the "greater problem[s]" of the world today.
Sheet music download - Tchaikovsky - Piano - The Seasons. 9. September " Hunter`s Song". View entire first page. You need Adobe Acrobat Reader or later. British Hunters is a purchasable stage in Piano Tiles 2. It's a remix of Wilde Jagd and Green Sleeves.
We're still together, knock on wood. And we work together and we play together. And we're trying to be parents together. And it's difficult sometimes when you have to be the grown-ups. And they have to deal with their world. Not just another person in their world, but their relationship to the world itself. Promotion for Night of Hunters kicked off on August 18, , when Amos and Deutsche Grammophon debuted a video for the song Carry along with an audio stream of the song "Shattering Sea" on Facebook.
Amos launched the tour in Europe on September 28, , in Helsinki, finishing in Dublin on November 9, Prior to the tour, Amos has revealed that Shenale was rearranging various songs from her catalogue to accommodate the string quartet. Although some critics took issue with the extensive concept of Night of Hunters , reviews were mostly positive, with many also citing it as Amos's strongest release in nearly a decade.
AllMusic gave the album a glowing review, stating, "[Amos] employs her finest vocal and piano-playing skills [here]," resulting in an album of "sophistication, elegance, and poetry" that "contains the power, dynamics and splendor of her very best material," [1] while the Associated Press observed, "There are clear classical, even operatic influences, from sweeping strings and reedy woodwinds, [to] Amos' gripping piano" on this "beautifully composed album which highlights Amos'[s] classical training and fierce intensity as a musician and songwriter.
Club praised Amos for "[getting] back to the basics", calling the record a "sprawling [ Doubters need only listen to her ever-masterful piano playing intertwined with orchestral movements [here] and her as-distinctive-as- Stevie Nicks ' voice to confirm that", declaring the album "a rare musical vision you'd be foolish to pass up. The Daily Express also hailed the album, calling it "complex, accomplished and [Amos's] finest work in a decade," [14] while the Daily Mail declared it antithetical to "easy-listening", raving, "[Amos] is a real talent.
Her virtuoso piano work [here] is augmented by stunning orchestration. The Guardian criticized the album for its "overthought concept" and focus on "resolution rather than build-up", but praised Amos for her craftmanship as a musician, stating, "[The fact] that Amos can weave her own songs so deftly into variations on classical pieces is testament to her talent, and the piano, string and woodwind arrangements frequently sound as lovely as her earlier orchestral experiments.
The Harvard Crimson praised Amos for "composing an album that effectively uses chamber music as a tool relevant to the times," declaring it "the work of an accomplished musical architect" and describing it as "an inimitable blend of vocal arrangements, orchestral scoring, and a spiritual homage to nature" with "moments of impeccable instrumentation" that "play more like the score of a dramatic film than the work of a singer-songwriter," all of it culminating in "an intricate, swirling triumph.
The Los Angeles Times called the album "a beautiful kaleidoscope of remembering and letting go", comparing it to the works of Kate Bush and stating, "[Amos'] voice is a crystal bell with only the ivory [of her piano] guiding her" as we witness "an artist maturing and growing with her music, [and] making sense of her past in a wholly original, intelligent way. The London Evening Standard praised Amos for handling the classical proceedings "triumphantly", stating, "From the reassuringly bleak opening to the breathy piano and scratched strings of the [album's centerpiece], these graceful, imaginative, all-acoustic songs threaten to give classical crossover a good name.
Amos, meanwhile, deserves a reappraisal. Metromix called the record "one of the most gorgeous and challenging albums of Amos' career," pointing out her "stunning acoustic piano skills," and labeling it, finally, "a master class in Amos' artistic power. The Digital Fix gave the album a positive review, distinguishing it for its "rich sonic tapestry, with strings and woodwinds swelling underneath [Amos'] always virtuoso piano performances," [32] and NPR declared it "the album [Amos] was destined, by early apprenticeship and spiritual affinity, to record.
The Observer , in turn, criticized the album for its "florid excesses", stating, "it plays out like an intermittently absorbing, if overly demanding, night at the theatre [ PopMatters criticized the album for its "elliptical" narrative but noted, "Nevertheless, the album does contain its share of gripping drama, undeniable poignancy, and iridescent beauty" and "it is hard not to applaud, even marvel at its intense focus, meticulous craftsmanship, and bravura performances, not to mention its sheer artistic ambition.
The Salt Lake Tribune commended Amos for "[skipping] the gimmicks that have marred her later works and [returning] to the raw emotion and power of her earlier songs," [36] while The Scotsman hailed the album, also comparing it to the works of Kate Bush and calling it "piano rich", "intensely personal", "bonkers, mesmeric and charged with a pristine eroticism," declaring, finally, "This is a real record by a real artist, a rare thing in this age of disposable culture.
The Scottish magazine, The Skinny , praised the album for its "focus on delicate symphonies and baroque drama," comparing it to "the stark and candid nature of Under the Pink ," and citing it as both "a breathtaking return" and Amos's "strongest album in over a decade," [21] while Slant criticized the album for its uniform sound and tempo, but noted, "The more direct songs are genuinely beautiful and transcend the trappings of the album's rigid construct," also stating, "every [string and] woodwind instrument rings with the purest of tones in support of Amos' typically stunning piano work" resulting in a "beautiful, smart record.
Spin praised Amos for creating "a wildly imaginative ride full of orchestral fireworks and fairy-tale melodrama," [20] while Uncut Magazine declared, "If the aim was to out-bonkers Joanna Newsom and Kate Bush while creating a compelling album, Amos has more than succeeded. The UK-based women in music compendium, Wears The Trousers Magazine , continued with the praise, also crediting the album with being Amos's "most cohesive and consistent" in nearly a decade, lauding her for "[building] on the work of past masters to develop an utterly distinctive vision of her own," resulting in "a rich, immersive record of beauty, danger and grace.
Adapted from the Decca Records official website.