The Gender of Modernity
- Gender and modernity – we cannot assume time is on our side?
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Modernity and Feminism 2. The Prehistoric Woman 3. The Erotics and Aesthetics of consumption 4.
The Gender of Modernity
The Feminization of Writing 5. Love, God, and the Orient: Reading the Popular Sublime 6. Visions of the New: The Art of Perversion: Female Sadists and male Cyborgs Afterword: Rewriting the Mordern Notes Index show more.
In an innovative exploration of the complex relations between women and the modern, Felski challenges conventional male-centered theories of modernity and . In an innovative and invigorating exploration of the complex relations between women and the modern, Rita Felski challenges conventional male-centered.
Review quote Felski immerses herself in the messy ambiguities, symbioses, and contradictions of the modern to a degree that is rare and bravely ambitious. The book addresses an abundance of topics--fin de siecle sociological and psychoanalytic theory, consumer behavior, the aesthetics of decadence and sexual perversion, the rhetoric of first-wave feminism.
Burak rated it it was amazing Dec 03, To see what your friends thought of this book, please sign up. Be the first to ask a question about The Gender of Modernity. This second book, then, by delving more deeply into intellectual antecedents of our assumptions about modern aesthetic genres, gives even more grounding to her earlier study. Without cookies your experience may not be seamless. In the context of the current interest in the 'historicity of textuality and the textuality of history, ' the idea is not as strange as it may initially appear.
While never ungenerous, Felski dismantles some recent favored assumptions. Reading her book, one feels that we are profligate with the words 'subversive,' 'transgressive,' and 'resisting' as terms of approbation. Felski recognizes that assessing the degree and kind of resistance requires deep knowledge of the context in which it occurs.
Felski has a talent for seeing how feminist questions are implicated in other kinds of cultural questions--and can be changed by them Classical, Early, and Medieval Poetry and Poets: Classical, Early, and Medieval Prose and Writers: Classical, Early, and Medieval World History: Civil War American History: Users without a subscription are not able to see the full content.
Print Save Cite Email Share. Why Gender and Empire? Nielsen Book Data Publisher's Summary In an exploration of the complex relations between women and the modernity.
She also calls into question those feminist perspectives that have either demonized the modern as inherently partiarchal, or else assumed a simple opposition between men's and women's experiences of the modern world. Combining cultural history with cultural theory, and focusing on the fin de siecle, Felski examines the gendered meanings of such notions as nostalgia, consumption, feminine writing, the popular sublime, evolution, revolution and perversion.
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Her approach is comparative and interdisciplinary, covering a wide variety of texts from the English, French and German traditions: Male and female writers from Simnel, Zola, Sacher-Masoch and Rachilde to Marie Corelli, Wilde and Olive Schreiner come under Felski's scrutiny as she exposes the varied and often contradictory connections between femininity and modernity. Seen through Felski's eye, the last fin de siecle provides parallels with our own.
