A little bit of BLACK MAGIC

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Critics noted references of witch-themed films and television shows such as The Craft , Charmed and Sabrina, the Teenage Witch , [40] as well as the music video for " Too Much " by the Spice Girls.

However, the music video also received some negative reviews. Mace Entertainment criticized the message of the video saying that "the general message that we get from the video is that if you want people to like you, shorten the length of your clothes, plump up your hair, wear more makeup, and embarrass other people".

Credits adapted from CD single. From Wikipedia, the free encyclopedia. Electric Matt Rad add.

We wanted to change the game a bit, and 'Black Magic' is very pop. A second sample of "Black Magic", where Little Mix sing the first part of the chorus of the song.

We're acting this time, there's no dancing whatsoever and we all play different characters. Retrieved 24 July Retrieved 31 July Retrieved 3 June Retrieved 4 July Retrieved 4 December Retrieved 5 December Our third album is finished and has a 'whole new sound ' ". Retrieved 20 May Retrieved 26 February Retrieved 26 May Retrieved 28 May Retrieved 21 April Retrieved 19 May Retrieved 25 May Little Mix, Example, Avicii".

Retrieved May 25, Retrieved July 11, Retrieved 27 June Archived from the original on 3 March Retrieved 13 July Retrieved 17 July Retrieved 25 July Retrieved August 18, Little Mix tease Black Magic video". Retrieved 12 May Retrieved 22 May Retrieved 29 May Little Mix as you've never seen them before in Black Magic video". Retrieved July 20, Archived from the original on 22 July Retrieved 5 June Retrieved 14 June Little Mix — Black Magic".

Retrieved 22 June Little Mix slay with their performance of Black Magic". Retrieved 3 July Retrieved 5 July Retrieved 16 July Retrieved 19 July While not the most innovative item in this list, Blackmagic RAW offers the same flexibility as some of the biggest RAW codecs by allowing simultaneous recording at multiple compression ratios.

In addition to options for compression ratios, Blackmagic has developed an option for prioritizing file size or image quality. While dedicated players and RAW viewers have become the norm for most RAW codecs, Blackmagic claims to offer a little more with theirs. The Blackmagic RAW Player ensures that you see every pixel as you recorded it, regardless of how beefy your machine is. This means a new level of easy-to-understand clip information for all your RAW footage.

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Blackmagic has employed an open-standard, cross-platform, license-free approach to their new RAW codec. This means rapid integration into your editing program, external recorder, camera, and so on — regardless of whether you use Apple, Windows, or Linux.

Blackmagic RAW is currently in beta and is completely free to download and try — as long as you have the Ursa Mini Pro 4. No doubt, Blackmagic is buying time for third-party vendors to implement support for the codec. When the official release comes, expect a slew of supported devices, programs, and plugins. This open model means more tools in the hands of filmmakers right out of the gate. What a concept — developing solutions for the end user over complex licensing schemes designed to maximize profits.

Beyond the fancy new tech, Blackmagic touts best-in-class performance over the competition for an array of modern imaging and playback requirements: High-resolution recording and playback.

Black Magic

High frame rate recording and playback. HDR recording and playback. Codec flexibility for various cameras and sensors. The harmonica player Junior Wells was another one who decided to get a bit of James Brown into his act, not always with great results. What listeners have here, on the other hand, is frankly delicious, the results of the surplus of talent Magic Sam possessed, a triple threat as a guitarist, singer, and songwriter.

Yet with all this talent, the label should also get some credit. This period of the Delmark discography set a high standard for blues recordings, the sound quality and tight interplay among the musicians every bit the equal of the classic jazz recordings on labels such as Blue Note and Prestige. There is nothing fancy about the production, and no gimmicks. It is just a great band, allowed to play the music exactly the way it wanted to.

The musicians have obviously worked together a great deal and either had these arrangements down cold from live gigs or had plenty of time to get things tight. This doesn't mean that the music doesn't breathe, as there are plenty of little touches such as drum fills and turnarounds that show the presence of musicians thinking on their feet. The passage of time also increases the musical value of this music, as the eventual popularity of commercial projects such as the Blues Brothers only served to dilute the power of urban blues.

Labels big and small have forsaken this type of honest and straightforward production, preferring to try concocting a higher level of funkiness through extravagent over-production, boring superstar guest appearances, and insipid studio practices such as prerecorded rhythm tracks and dipstick guitar solos punched in a note at the time. Forget all this jive and check out a track such as "You Belong to Me," where the guitarist cuts loose with a restrained solo that sometimes dances ahead of the beat like a country fiddler while the band pumps away on a superb riff.

The players here, including the fine guitarist Mighty Joe Young , pianist Lafayette Leake , and a muscular rhythm section, are the best of the best.

No information is provided on the songwriting, so the assumption is that these tunes are all originals by Magic Sam.

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