Contents:
All the World's a Fair. Resilient Downtowns of Small Urban Communities. The Man Behind The Brand: Not in My Neighborhood. In Pursuit of Privilege. Race and Education in New Orleans. Galveston and the Storm. Almanac of American Philanthropy Compact Edition.
Peoples, Places, and Priorities. Montgomery's Civil Heritage Trail.
The Land Was Ours and millions of other books are available for Amazon Kindle. The Land Was Ours: How Black Beaches Became White Wealth in the Coastal South Paperback – August 1, Blending social and environmental history, Andrew W. Kahrl tells the story of African American. How Black Beaches Became White Wealth in the Coastal South. Blending social and environmental history, Andrew W. Kahrl tells the story of African American–owned beaches in the twentieth century. By reconstructing African American life along the coast, Kahrl demonstrates just how.
Freedom on the Border. New Voyages to Carolina. Historic Preservation for Professionals. Mule and Wagon to Automobile.
The New Encyclopedia of Southern Culture. They Will Have Their Game. New City Upon a Hill.
Regional Visionaries and Metropolitan Boosters. A Short History of Richmond. The World of Stephanie St. Sorting Out the New South City. A History of Education in Kentucky.
Kahrl tells the story of African American—owned beaches in the twentieth century. By reconstructing African American life along the coast, Kahrl demonstrates just how important these properties were for African American communities and leisure, as well as for economic empowerment, especially during the era of the Jim Crow South. However, in the wake of the civil rights movement and amid the growing prosperity of the Sunbelt, many African Americans fell victim to effective campaigns to dispossess black landowners of their properties and beaches.
Kahrl makes a signal contribution to our understanding of African American landowners and real-estate developers, as well as the development of coastal capitalism along the southern seaboard, tying the creation of overdeveloped, unsustainable coastlines to the unmaking of black communities and cultures along the shore. The result is a skillful appraisal of the ambiguous legacy of racial progress in the Sunbelt. Flowing text, Original pages. Web, Tablet, Phone, eReader.
It syncs automatically with your account and allows you to read online or offline wherever you are. Please follow the detailed Help center instructions to transfer the files to supported eReaders. This book is the first to tell the story of the controversial protester who gathered a band of determined African American mothers and children and challenged the racist, exclusionary tactics of homeowners in a state synonymous with liberalism.
Midnight in the Garden of Good and Evil. Shots rang out in Savannah's grandest mansion in the misty,early morning hours of May 2, Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. John Berendt's sharply observed, suspenseful, and witty narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction.
Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. In recent decades, more scholars have noted how the quest for both land and leisure shaped African Americans' fight for equality.
Few have done so with as much nuance and detail as Andrew W.
The book opens with the Carr's Beach Historic Music Festival, sponsored by condominium developers on Annapolis Neck to commemorate the influential black musicians who had once played that segregated but largely black-owned site. After segregation Carr's Beach was gobbled up by the very corporations who later celebrated its cultural contributions, allowing Kahrl to pose a framing question. Most users should sign in with their email address.
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