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The tragedy occurred in Portland, Oregon in the US, a country that, like Australia, has experienced its share of racial tension. Only now, we have so many more media and online outlets through which to demonstrate hate, express power and create divides if we so choose.
But something in me burst when I read about what happened; two women innocently targeted, two men lost. I felt overwhelming emotion, the same kind I feel whenever I read about unjust events. But in a sense, what we see on social media is an amplified, hyper-realised version of life in the real world. Once again, I felt the need to remind myself not to slump into the fear and disgust I so often see defining the lives of others. And yet it speaks not to love of all; many of us lack care for ourselves, so to expect an outpouring of unity might be a stretch.
Why we mustn't let the Manchester and Bataclan attacks stop us going to gigs Your first gig is a milestone event. Will deadly attacks like the Manchester Arena bombing mean that young people forgo this rite of passage out of fear of terrorism?
Because the damage here runs deep. A flood of responses on social media — more widely the internet and its media — is what typically follows an act of terror.
Few write that a white supremacist terrorist committed murder. Though, some thrust the focus on the bravery of the men who lost their lives, marking them as heroes. White man kills two people defending Muslim women from hate. If you're throwing around racial slurs and then murder two people, you're just as much of a terrorist as ISIS. Racism is not just ideas, it can be action and it can kill. Portland stabbing is one of those examples. The tragedy of Portland proves once again that the most dangerous thing is the anger and bigotry of white men.
It ultimately matters little in the short-term. This gripe about how we selectively describe violence as terror, as well-founded as it is, speaks more to the imbalance in media coverage, where terrorism is often described as something unique to ethnic minorities, Muslim communities in particular.
And so it has bled into a wider issue: However, while reactions, fierce or emotional, have a tribal essence to them — particularly in the age of hashtags — acts of violence draw out from us a personal reaction. Could that have been me or someone I loved? Coco Douglas, 8, leaves a handmade sign and rocks she painted at a memorial in Portland for two bystanders stabbed to death following an anti-Muslim attack.
She was always holding my hand and hugging like, like Ugandans do. Because the damage here runs deep. Toggle Sliding Bar Area. The tragedy of Portland proves once again that the most dangerous thing is the anger and bigotry of white men. I saw a married couple in a market and on NYE a journalist out at a bar.
Manson was "very anxious for his music to be heard". According to the album's original sleeve notes, Lie: These 2 songs appeared on a privately pressed 45 rpm single and credited to "Silverhawk". When Phil Kaufman was mastering the Lie LP, he had to take these 2 tracks from a copy of the 45, as the master tapes were already lost. It was distributed on the West Coast, by Trademark of Quality, the bootlegging group who released the first notable bootleg album, Great White Wonder , a collection of pirated Bob Dylan tapes.
Each of the original 2, copies came with a poster that was put out by "A Joint Venture" and that bore signatures of many prisoners and inmates, all supporting Manson and the Family. During the Ron Reagan Jr. My music is not on tape. Manson was not given co-writing credit.
The Beach Boys ' version includes such significant changes as the inclusion of a bridge that was not part of Manson's version, and the change of the line "Cease to exist" to "Cease to resist", which alters the meaning of the song. Portions of the album have been sampled or covered by many other artists, such as Front Line Assembly.
The Lemonheads recorded two other songs from the album, a version of "Home Is Where You're Happy" appeared on the album Creator and Evan Dando reappropriated some of the lyrics and melody of "Big Iron Door" into his song "Left for Dead", which appears on the group's album Lovey. Frontman Anton Newcombe frequenctly cites Manson as an influence, even claiming to have recorded with Manson.
An acoustic version of the song "Sick City" was recorded by Marilyn Manson , but this has never been officially released. All proceeds from one reissue of the album, released by Awareness Records , were donated to a California fund for victims of violent crime, as California law prohibited Manson himself from collecting any money or royalties for his work. In , the album was reissued by the revived ESP-Disk label. A label employee confirmed that all artist royalties would go to the family of Wojciech Frykowski , whom the Manson Family was convicted of having murdered.
From Wikipedia, the free encyclopedia. June September 11, August 8—9, Straight Arrow Publishers, Inc. Retrieved June 28, Archived from the original on October 27, Retrieved April 24, Retrieved July 13, Myth and Reality of an Outlaw Shaman updated ed. Retrieved 20 November The counterfeit releases are all listed in the book.
Charles Manson and the Manson Family. Marina Elizabeth Habe Ronald Hughes. Helter Skelter The Dead Circus