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My "home stay" was with a lovely family, in a four bedroom three bathroom apartment overlooking the sea. Meals were provided by a beautiful young woman who cooked for us six days a week. Mariaches, church bells, and the waves on the rocks put me to sleep each night! On a personal note; I am 75, went alone and could not have been safer or more cared for!
My experience was wonderful. Sarah was patient and kind and made me feel very comfortable. Her teaching was clear and I learned a lot. My comfort level with speaking Spanish has increased exponentially. The school is situated in a very pleasant Mexican home and was centrally located.
I did not use the local home stays nor attend any of the weekly activities so I cannot comment on them. I would definitely go the school again and would recommend it to others. Excellent instructor, great facility, diverse group of students, and a wonderful learning experience! This was my first Spanish class. I took the standard 3 hours per day.
I was concerned about the Spanish immersion method but I thoroughly enjoyed it. I traveled alone and had a fabulous time. When I got home, I signed up for a Spanish course. When I retired I decided to keep my mind active and become a Spanish student. There are many reasons to learn Spanish; it is a major world language especially in America , knowing Spanish will make trips to Latin countries easier, and most importantly, if you speak Spanish you will be able to learn the customs and cultures of the countries you visit.
I'm glad to have found them. I attended classes at the SEC for three years and I progressed from a beginner to an intermediate student through classes at school. The teachers I had were very professional and most importantly wanted to see their students progress. The facilities were perfect and all the staff were friendly and willing to make my time productive and fun at school. However, due to the size of the school it is impossible to organize classes that are perfectly suited to the level of all students. It is my opinion that a class can not progress as fast as the slowest student in the class.
If a student is not dedicated to the study, or the student is lower than the other students in the class aspirations, then the pace of learning is slower. This was not a problem for me until I became more advanced in my studies. I had specific goals I wanted to achieve when I returned each year to the SEC and as time passed I realized that when the other students in the class were only interested in learning enough Spanish to be able to go to the clubs at night my goals could not be achieved. So without hesitation, I recommend the SEC for any student at the beginner level, but for a more advanced student classes I think one-on-one would be more appropriate, which I can not afford because they are expensive.
The SEC gave me the confidence to try to have conversations in Spanish whenever I can and it made me even more dedicated to learning more. I will always be happy that I attended the classes that I've done at the SEC and I hope facility prospers so this service can be offered to new students in the future. This is because they do not apply to my review. Sarai, mi maestra, es excelente. El equipo esta dedicado a los estudiantes tambien. Hay talleres de comida y recorridos de la cuidad.
I loved my teachers and the reasonable rates at SEC. I hope to come back! I attended at the end of Dec. I did mostly the morning classes and one-on-one for a couple of hours in the afternoon. I really enjoyed the socials that they had at a local restaurant, at no extra cost; that was a great experience, too. Say hi to my teachers if they are still there.
The classes, teachers, workers at facilities, location, even the pickup at the airport was great. I wish I could do it all again. I made a friend from a classmate, and even got the help of a teacher to accompany me to a grocery store to buy a washcloth small towel for washing face. I enjoyed staying for lunch with the school facility and everyone was friendly, open, and trustworthy. The only trouble I had was that I was living so far away from the school and downtown area.
I couldn't communicate with my host family, and trying to get on the correct bus to get to school, I found myself lost somewhere within the city residential area. It was a difficult situation on the first morning of classes, showing up almost 2 hours late. Looking back at the situation now, I find myself thankful to God for the experience to get lost in a foreign city, keep my thoughts positive, and find friendly, compassionate strangers to lead me back to the downtown area.
The host family had a younger son living downstairs that spoke a little English, which allowed me to feel welcome. The home was nice, the people friendly and trusting, I just felt too far away from the school. It was a very funny time in Mexico. I couldn't speak any Spanish but I could improve a lot in only one month. Also we went out and met some local people from Vallarta. It is very important that you meet local people to learn how to communicate in another country - "learning by doing.
To learn a language easier I think it is very important to play some games. It is more fun. The school is perfect for the student learning basic and intermediate Spanish. PV is a great city in which to study and the school's facilities are very good for Mexico. I would appreciate a more formal approach for the more advanced classes. The use of standard books for the B2, C1 and C2 levels would be of great interest to me.
I liked the combination of learning Spanish and experiencing the Mexican culture very much.
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The teachers care a lot for their students and their personal needs concerning their Spanish Level. The nice and friendly atmosphere in the school is a perfect surrounding for learning the language. I was very happy to find a Spanish school near my apartment. Sarai was my teacher and she was very competent. I was happy to learn the Spanish language. Indeed, as I will explore here, counter-victimization uses trauma as a springboard for political action, and its most visible proponent, Javier Sicilia, proposes to reinvigorate the practice of democratic citizenship in Mexico through appeals to shared victimization, a stance that merits further sustained critical attention.
Sidestepping the question of its political efficacy, in part because it still remains to be seen, [5] this discussion aims rather to delineate the principal variants of this powerful moral discourse as it grapples with the vexed question of who, precisely, counts as a victim and who should be held accountable. In this regard it will become clear that counter-victimization constitutes a multi-faceted discourse on the rule of law.
Furthermore, counter-victimization seeks to extend the rule of law to cover new realms of social life, proposing to turn compassion into a civil right and obligation. And yet, as I will touch on in my discussion of Sicilia, it also seems to transcend the rule of law entirely as its sphere of action, appealing to a concept of religious community and a model of compassionate citizenship that finds dignity in suffering.
The fact that cases of extreme violence have become more rampant in Mexico, that the Mexican government has lost control of significant portions of the national territory to criminal drug organizations, and that impunity and government corruption are significant factors contributing to the propagation of violence—these are well-known elements of the situation.
More than terror, [more than war,] what stands out is horror. Mexican victim discourses are motivated by more than horror, however. They are also motivated by the outrage of justice denied.
These refer to how the direct and indirect victims of a crime are treated in a manner lacking dignity and agency by state institutions, in effect subjecting them to another experience of victimization. I believe it is necessary to add yet another word to the new lexicon: This is an extreme case of de-victimization, in which the victims are said to be the perpetrators of crime, and hence utterly expendable. Poet Francisco Segovia has said of this semantic operation whereby the victimhood of the victims is erased: It is the attempt by direct and indirect victims to embody the legal and moral category of the victim without having to suffer further loss of dignity.
Let me repeat that counter-victimization is not anti -victimization, but rather an alternative approach to victimization. Counter-victimization denotes a process, rather than a simple act. We can think about it in terms of a series of counter-victimiz ing steps or stages that lead victims from indignity to dignity as they seek social recognition for their trauma. It also involves a critique of the weakness and corruption of the judicial system, which is incapable of bringing criminals to justice. But how is worth defined and measured?
Although there is consensus that justice is what the victims deserve, the question of who is a victim—that is, who counts among the dignified or worthy—is not a simple one. Contemporary victim discourses in Mexico respond to this question in identifiably distinct ways that co-exist in tension. As will be seen further below, the distinction between these two strands of counter-victimization is useful but limited, because in reality the two frequently mix together and downplay their mutual tensions. This universalist strand derives from discourses of human rights; it holds that all people have dignity, that it is a universal moral value.
To be treated with dignity, in this understanding of the concept, means to be treated with humanity, as a person. Prominent examples of the universalist or human-rights approach to counter-victimization include work by journalist Marcela Turati, especially her book Fuego Cruzado: Universalist counter-victimization discourse can also be found on the website 72migrantes. Turati, Rivera Garza and the writers featured on 72migrantes.
Taken together, their work suggests that at the root of the violence there is a crisis of compassion, a disturbing indifference to the suffering of others. These writers attribute the loss of compassion to several factors. One, the government and mass media collude in rendering this violence abstract through the language of numbers.
Two, the sheer overwhelming repetition of violent acts, compounded by a media overexposure, has a numbing effect on the public. Third, and paradoxically, these writers also suggest that the Mexican public has been horrified into silence, shocked into stone, resulting in the general loss of empathy: It is this image, of the petrified and frozen witness, the statue of stone, that intrigues Cristina Rivera Garza in the essays in Dolerse and that becomes for her a figure for the powerlessness of contemporary Mexicans: How to break free of the stone and become again a speaking person?
With the exception of some entries in 72migrantes. Rather, they employ the stylistic techniques of poetry and fiction, as well as of the literary essay, all to great effect. But her work is essentially literary portraiture, not testimony: The hand belongs to a man who lost his wife and all his children when his truck was fired on by soldiers at a military checkpoint; bored and drugged out, the soldiers mistook him for a drug trafficker. Turati also uses occasional internal monologue—obviously of her own invention—in order to heighten our feeling of proximity to the events.
One chapter tells the story of the rescue worker who, having dragged fifty-five decomposing bodies up from an abandoned mine where they had been dumped after being killed, cannot rid his clothes of their penetrating rotten smell:. Compressed and entirely significant, Turati offers snapshots, not biography, though these share with biography the aim of conjuring forth an individual life, an integral life. Similar principles animate the writing found on the website 72migrantes. Seventy-two different writers contributed seventy-two different stories, one for each of the murdered men and women.
Some of the biographies are real, but others are invented because at the time the website was created, not all of the migrants had been identified; even so, they too have been assigned stories. Cada uno de nosotros tiene en sus manos aunque sea un poco de su sangre. In her narrative, migrant 69 lies to his wife, beats his children and then abandons his family, but he still deserves to be mourned.
In Dolerse, she posits that horror has a reason and a purpose. Horror is a form of silencing and hence of domination.
But it is not infinite; it has another side, and on that side is pain. Pain, in other words, liberates us from the Medusa of horror and returns us to speech and to our critical faculties. Rivera Garza places immense importance on the language of pain as a form of political speech, but it is a poetic language that remains at the margins of coherence. The point for Rivera Garza is not to celebrate senselessness as such, but rather to clear a space for testimonial speech that does not produce heroic agency in the speaker and hence establish preconditions for action as a citizen.
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What sultry weather we're having! I would appreciate a more formal approach for the more advanced classes. His Spanish is improving little by little. Watch out for the sparks that are flying out of the fireplace. He was making his way through the crowd. They endow speech that communicates this facet of the violence with the power to transform the abstract into the singular, numbers into names, the lifeless statue into a feeling, sensing person. That child has a very large head.
Revisar fecha de salida. Apartamento Estudio 2 camas individuales. Muchas gracias por responder. Apartamento de 1 dormitorio con terraza 2 camas individuales. Apartamento desayuno y limpieza 2 camas individuales. Pescado de la Mar Tipo de cocina: Mascotas No se admiten. Aparcamiento No hay parking. Transporte Servicio de traslado Servicio de traslado al aeropuerto de pago Servicio de recogida en el aeropuerto de pago Servicio de traslado de pago Alquiler de bicicletas de pago Traslado aeropuerto.
Servicios de limpieza Servicio diario de camarera de pisos de pago. Tarjetas aceptadas en este alojamiento El Sitges Apartment acepta estas tarjetas y se reserva el derecho de cargar de forma temporal una cantidad antes de la entrada. Ver disponibilidad A tener en cuenta. Las llaves se recogen en el Hotel Led, ubicado en la calle San Pedro, El registro de entrada fuera del horario establecido comporta los siguientes suplementos: