Alla Pietà de Turchini (Italian Edition)

Leonardo Leo: L'Alidoro

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Cappella Neapolitana is an early music ensemble based in Naples and dedicated to the recovery of Neapolitan musical heritage, primarily from the baroque era. Florio's work in recovering music which has lain unperformed for three centuries often involves reconstructing lost parts, or "discreetly recomposing" missing portions from larger works. The concerts of the Cappella and other artists at the Centro di Musica are now widely acknowledged as a tourist attraction in Naples.

Cappella Neapolitana

The Capella commenced recording with the Symphonia label. Then entered cooperation with the Opus label founded by Yolanta Skura [10] for the production of an ambitious and extensive series of recordings of Neapolitan music, Tesori di Napoli , originally scheduled to contain 50 CDs. From Wikipedia, the free encyclopedia. Discography [ edit ] Symphonia Vespro Solenne Napoli Sabino , Majello , Bartolo. Symphonia 91S04 Cantate Napoletane Vol. I Oh cielo, oh amore. II Cantate, Canzonette e Dialoghi.

Symphonia Cantate Napoletane Vol. La caccia del toro. Florio Opus Tesori di Napoli Vol. Litanie Opus Tesori di Napoli Vol. Opus Tesori di Napoli Vol. Motetti — 4 motets for 2 sopranos. Luigi Dentice , G.

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Ensemble Micrologus and Cappella de' Turchini. Il Giudizio universale Statira, Principessa di Persia. La bella devozione — Pangue lingua.

Majo was appointed organista soprannumerario at the Royal chapel of Naples in May There he flourished, largely due to the favortism given to him by Queen Maria Amalia. In he succeeded Leonardo Leo as maestro di cappella at the Royal chapel. He remained in that post through The church was designed in the early 17th century based on designs by Bartolomeo Picchiatti.

The original name derives from its attachment to the Genoese community in Naples. The interior is a Latin Cross plan with abundant stucco decoration and a cupola. The interior has a Caravaggesque painting of St Anthony resurrects a dead man by Battistello Caracciolo. The third chapel on right has frescoes by Giacomo Cestaro and a painting decpicting St George slays the Dragon by Andrea da Salerno. The altar has a marble relief of Sant'Agostino of the 17th century Tuscan school.

The facade of the church is simple. The alternate name indicates the church was built at the site of the Neapolitan Comm Enrico Baiano Naples, is an Italian harpsichordist and fortepianist, known on the international stage as a virtuoso and strict interpreter of early music. A practical guide for Pianists, Organists and Harpsichordists published by Ut Orpheus and translated into five languages. He has also played with the Neapolitan contemporary music ensemble "Dissonanzen", with Piccolo concerto "Wien" and with the Helsinki Baroque Orchestra.

Pasquale Errichelli also Ericchelli or Enrichelli;[1] — was an Italian composer and organist based in the city of Naples. He was for many years the organist at the Cattedrale di Napoli.

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Operas La serva astuta opera buffa, , Naples; in collaboration with Gioacchino Cocchi Il finto turco opera buffa, libretto by Antonio Palomba, , Naples; in collaboration with Gioacchino Cocchi Issipile opera seria, libretto by Pietro Metastasio, , Naples La finta 'mbreana commedia, libretto by G. Portico The church was built in the 14th century as part of urban project around the Castel Nuovo, the royal palace of Charles II of Anjou. The church was founded in , not as tradition holds, in memory of the coronation of Joanna I of Naples and her second marriage to Louis, Prince of Taranto, but to hold a precious relic, a spine from the thorny crown of Christ, which the queen had requested from Charles V of France, and whose portrait is kept in the entrance.

The edification of the Palace chapel or cappella palatina outside of the Castle, was completed in a difficult moment for the Queen, after the death of her husband in In Ladislaus of Naples ordered the painting of a cycle of Saint Ladislaus' legend in the church finished There the Hungarian king is depicted receiving the royal crown, References Wittkower, Rudolf Pelican History of Art, ed. Art and Architecture Italy, — Artnet biography from Grove encyclopedia or Art.

Dal alla morte avvenuta a Napoli nel fu organista soprannumerario " T. Opera in Dublin, Luigi Mosca — 30 November was Italian composer of operas and sacred music and a noted singing teacher. He composed eighteen operas, most of which were originally for theatres in Naples, but played throughout Italy in their day. Like his elder brother Giuseppe Mosca also an opera composer , he studied composition under Fedele Fenaroli. He became maestro di cappella of the Cathedral of Acquaviva delle Fonti in Apulia.

Francesco Cotticelli, Paologiovanni Maione - -- Page " Facade of the church of the Concezione at Chiatamone Bartolomeo Vecchione is a late 18th century Italian architect of the late-Baroque or Rococo period, active in and around Naples. Little is known about his origins and training; he clearly appears influenced by Ferdinando Sanfelice and Luigi Vanvitelli, two contemporary masters of Southern architecture.

He was the younger brother of the shipyard engineer, Luca Vecchione. Between , in collaboration with Crescenzo Torchese, he designed the structure of the elaborately decorated and remarkable pharmacy attached to the Ospedale degli Incurabili in central Naples. Between and , he was active in the design and construction the church of the Annunciation in Giugliano in Campania and the main of the church of Giugliano. In , in Naples, he helped complete th It has been supposed that he was a pupil of Pitoni and Alessandro Scarlatti, but he could not possibly have studied with either of these composers, although he was undoubtedly influenced by their compositions.

His earliest known work was a sacred drama, L'infedelta abbattuta, performed by his fellow-students in In he produced, at the court theatre, an opera, Pisistrato, which was much admired. He held various posts at the royal chapel, and continued to write for the stage, besides teaching at the conservatory. After adding comic scene In , the architect Angelo Carasale, in order to signal his gratitude to the providence granted by the Virgin, decided to erect this church, initially named Santa Maria delle Grazie.

The church was in the custody of the Mercedarian order until , when it was transferred to the Confraternity of Santi Bernardo e Margherita. Giuseppe Gherardeschi 3 November - 6 August was an Italian organist and composer. He was born and died in Pistoia.

He began to study music with his father Domenico, who was the maestro di cappella at Pistoia Cathedral, and his uncle Filippo Maria Gherardeschi. As a composer he wrote vocal music sacred and secular as well as instrumental music solo, chamber and orchestral. Vaccaro was in his time one of the most successful painters in Naples, a city then under Spanish rule.

Very successful and valued in his lifetime, Vaccaro and his workshop produced many religious works for local patrons as well as for export to Spanish religious orders and noble patrons. His father practiced a legal profession. Vaccaro first applied himself to the study of literature. He then turned to art.

Arrigo di Abbate, ovvero, La Sicilia dal 1296 al 1313

Where it was earlier believed that he apprenticed with the late-Mannerist painter Girolamo Imparato, it is now known that Imparato died in and could thus not have been his teacher. Andrea Vaccaro was at the age of 16 apprenticed to Giovanni Tommaso Passaro, a minor artist. Francesco Provenzale 15 September — 6 September was an Italian Baroque composer and teacher. Notably Provenzale was the teacher of famed castrato 'il cavaliere Nicolo Grimaldi detto Nicolini '.

The year of his entry into history is , the year his opera Teseo was performed in Naples. Before Teseo, he seems to have composed at least two other operas.

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What was remarkable about the opera was that part of the music was by Francesco Cavalli; no other collaborative opera is known of in Venice before this date and Provenzale's Xerse and Artemisia may bot A music school is an educational institution specialized in the study, training, and research of music. Such an institution can also be known as a school of music, music academy, music faculty, college of music, music department of a larger institution , conservatory or conservatoire. Instruction consists of training in the performance of musical instruments, singing, musical composition, conducting, musicianship, as well as academic and research fields such as musicology, music history and music theory.

Music instruction can be provided within the compulsory general education system, or within specialized children's music schools such as the Purcell School. Elementary-school children can access music instruction also in after-school institutions such as music academies or music schools.

In Venezuela El Sistema of youth orchestras provides free after Naples has played an important and vibrant role over the centuries not just in the music of Italy, but in the general history of western European musical traditions. This influence extends from the early music conservatories in the 16th century through the music of Alessandro Scarlatti during the Baroque period and the comic operas of Pergolesi, Piccinni and, eventually, Rossini and Mozart.

Classical music The San Carlo theater building on right in photo in Naples. In the midth century, the Spanish throne established church-run conservatories in its vice-realm of Naples. These institutions were on the premises of four churches in the city of Naples: At the time, these institutions were called "conservatories" because they "conserved"—t He also painted for the church of Santi Apostoli and the church of the Redenzione dei Cattivi.

Domenici describes these frescoes on the Life of Hercules as poetic conceits, with a brave ideation that leads to great works. He was born in Aversa and died in Naples. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including reducing ornateness of style and the primacy of star singers somewhat. He had one brother, Ignazio, who became a Dominican monk and was of some help to him in his elder years, and three sisters. His father was a prosperous linen merchant, who entrusted him to Canon Muzzillo, the director of the Aversa cathedral choir, for musical instruction.

Three years later he was transferred to th Pasquale Cafaro Pasquale Cafaro or Caffaro, 8 February or — 25 October was an Italian composer who was particularly known for his operas and the significant amount of sacred music he produced, including oratorios, motets, and masses. He was also called Cafariello. He remained in Naples for the rest of his life and taught at the conservatorio from until His most famous pupil was Giacomo Tritto.

Cafaro died in Naples, aged 71 or 72 years. Nicola Sala 7 April — 31 August was an Italian composer and music theorist. He was born in Tocco Caudio and died in Naples. He was chapel-master and professor at Naples, having devoted himself to the collection of the finest models of printed music. He probably wrote his first composition, the opera Vologeso, staged first in Rome, in In he was accepted as successor to Leo in the position of master of the royal chapel.

In the sixties represented some of his works at the Teatro di San Carlo, including the drama Zenobia, composed by his pupil Ambrogio Minoja, was well received. In he became second master of the Pieta Turchini, where he stayed for In he came to Prague and joined the Locatelli ensemble. In the beginnings of his career he devoted himself mainly to the kapellmeister activities, and composed predominantly the cembalo sonatas. Another opera, Semiramide riconosciuta, was dedicated to the "nobility of the Czech Kingdom". He composed there the comic operas, mainly to the librettos of Carlo Goldoni.

He was also the piano teacher of Catherine II, the future Russian empress. The manuscripts of his operas are stored in the Landesbibliothek in Dresden, in the library of the Florence conservatory, an Del Giudice - "Among Italian students, there was a desire to reconnect with their roots and break away from the industrialization of the Signoria, that I eventually met an extremely talented group of university students: Pino De Vittorio, Gianni Castellana, Giuseppe Farinelli 7 May — 12 December was an Italian composer active at the end of the 18th century and the beginning of the 19th century who excelled in writing opera buffas.

Considered the successor and most successful imitator of Domenico Cimarosa, the greatest of his roughly 60 operas include I riti d'Efeso , Venice , La contadina bizzarra , Milan and Ginevra degli Almieri , Venice. With the arrival of Gioachino Rossini his operas became less desirable with the public, and by his operas were no longer performed. His other compositions include 3 piano forte sonatas, 3 oratorios, 11 cantatas, 5 masses, 2 Te Deums, a Stabat mater, a Salve regina, a Tantum ergo, numerous motets, and several other sacred works.

Biography Born Giuseppe Francesco Finco in Este, he assumed the professional name of Farinelli after the famous castrato of that name in gratitude to the singer for his help Brunetti earned a living as a singer in Neapolitan churches until he was hired as the Chapel Master for the Duke of Monte Nero, who brought him to Sicily for 6 months, where he composed a serenata for the arrival of Charles of Bourbon in Messina , as well as at least two comic operas on Pietro Trinchera's librettos.

Napoleon named him to the newly founded Paris Conservatoire. He remained for more than eight years, composing Masses and motets that gained him a sufficient reputation in Italy that he was appointed to direct the city theatre of Genoa. In Paris he supported himself by giving harpsichord and singing lessons and taught musical composition to private pupils, while he gained a reputation through participating in Anne Danican Philidor's Concer The libretto, by Bernardo Saddumene, is written in the Neapolitan language.

Disguised as a man, Belluccia pursues Carlo. She manages to make several local ladies, including Ciomma herself, fall in love with her. When Belluccia's father, the galley captain Federico, arrives, he threatens Carlo For a short time he directed the Paris Opera. He made a distinction between sacred and secular music and was one of the originators of French interest in musicology.

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