Contents:
So Funny and Interesting. Listeners also subscribed to. Links Podcast Website Report a Concern. Explicit Ep 46 - Merry Christmas! The cult explains why prayers aren't answered. Explicit Ep 44 - How to Receive Blessings. Debby talks about the cult's view on receiving bl…. Explicit Ep 43 - Thanksgiving. Debby talks about Thanksgiving in the cult. Explicit Ep 42 - A Mishmash.
Debby talks about many different topics. Explicit Ep 40 - Interview with Debby's mom.
get the hell out of somewhere definition: to leave a place quickly. Learn more. To leave (somewhere) as quickly as possible. Rude when used as an imperative. I could tell there was going to be a fight, so I just got the hell out of there.
This week we talk with Debby's mom. Explicit Ep 39 - Broomsticks. Explicit Ep 38 - "Thou Shall Steal".
Debby continues talking about how the cult follow…. Explicit Ep 37 - "Thou Shall Kill". Debby starts to discuss the cult's version of the…. Explicit Ep 36 - Feast of Tabernacles. Debby talks briefly about the Feast of Tabernac…. Explicit Ep 35 - Debby Crashes a Wedding. Debby talks about how the cult prays. Explicit Ep 34 - Laura Loses a Bet. Debby talks about the laws and also wins a bet.
Explicit Ep 33 - The "Praisin' Raisins". Debby talks about little man's cartoons. Explicit Ep 32 - Servitude - Wtf? Debby talks about servitude in the cult. Explicit Ep 31 - Johnnie Walker Black. Explicit Ep 30 - Fish Don't Fart.
Little man gets a song dedicated to him. Debby talks about the men's holy garments. Explicit Ep 28 - Pope Approved!!!! Did you know that STD's cause global warming? Explicit Ep 27 - Kibbles-n-Bits. We are ALL over the place in this episode. Explicit Ep 25 - Turkey Basters. You'll never look at turkey basters or ice cubes …. Explicit Ep 24 - Kenny's Korner. More ex-members chime in.
Explicit Ep 23 - They Knoooow! Debby drops a bombshell. Debby talks about shady things that went on in th….
Explicit Ep 21 - Oh no! Debby talks about the cult's view on purity and t…. Debby talks about her trip to Israel to look for …. The exhibition begins with Mitchell and de Kooning and traces an attitude of refusal through successive generations of artists with kindred aesthetic gestures and interests. All of the artists in the show employ certain modernist strategies, but for their own means and with their own agendas. In disallowing materials, colors, and strokes from being pinned down, the work manifests a politicized expressionism.
Across the five generations of artists represented here, one can chart when and why certain labels abstraction, expressionism, portraiture; gender, race, sexuality; drip, stain, pour have historically been embraced or rejected. More importantly, however, the work exemplifies that sorting through all of the categories one might use to circumscribe a work of art is a messy and mercurial business.
Each of the works on view remain ambivalent, even prickly, as they make and unmake the capacious boundaries of modernism. Beyond gendered constraints, Joan Mitchell was also skeptical of tethering abstraction. Not only did both paint figuratively, but they rubbed shoulders with the queer subculture of the New York School. Rosemary Mayer was a founder of A.
Coming of age in the 90s, Deborah Anzinger b. Anzinger, who is based in Kingston, Jamaica, uses abstraction to consider the site of her home country and the trope of woman-as-landscape in a Caribbean context. The artist mines the gaps in language and images. Explicit Ep 14 - Forbidden Foods. Vanessa Thill Petro-Queen II, Pigments, inks, coffee, fabric dye, engine degreaser, hair products, cleaning fluid, spices, glue, and epoxy resin on paper 60 x 48 inches. Debby talks about the clothing she had to wear wh…. Debby tells more about her life in the cult and t….
Yet, her interest in fabric was also born from a fascination with Italian Mannerism, specifically the work of Florentine painter Pontormo, whose diary she translated into English for the first time. At the same time, Black artists were dealing with similar criticism from their peers about the political efficacy of abstract art.
In a interview, Al Loving explained the decision to move on from his early hard-edged abstraction: There was no way to work that out so the pictures kept moving at their own rate.
The next generation of artists began their careers at the outset of postmodernism. Here he depicts Miles Davis in his boxing attire. Coming of age in the 90s, Deborah Anzinger b. Anzinger, who is based in Kingston, Jamaica, uses abstraction to consider the site of her home country and the trope of woman-as-landscape in a Caribbean context.
She posits slipperiness as a tool for survival in a postcolonial setting and, in the space of her canvas, allows forms and colors to embody two things at once and contradictions to survive simultaneously. The element of the mirror is not just an addition to her palette, but is used as a means to implicate the viewer. The artist deals in androgyny: In abstraction, the figure and ground begin to flip.