Spirit Me Away
When production started, Miyazaki realized it would be more than three hours long if he made it according to his plot. He had to delete many scenes from the story, and tried to reduce the "eye-candy" in the film because he wanted it to be simple. Miyazaki did not want to make the hero a "pretty girl. Isn't there something we can do?
He often visited the museum for inspiration while working on the film. Miyazaki had always been interested in the Pseudo-Western style buildings from the Meiji period that were available there. The film score of Spirited Away was composed and conducted by Miyazaki's regular collaborator Joe Hisaishi , and performed by the New Japan Philharmonic.
A Miyazaki fan, Lasseter would sit with his staff and watch Miyazaki's work when encountering story problems, and at one point they did so with Spirited Away , which impressed Lasseter.
Lasseter agreed to be the executive producer for English adaptation. Soon, several others began to join the project: Ernst joined Lasseter as director and producer of Spirited Away respectively. Hewitt penned the English language dialogue, which they wrote to match the characters' original Japanese language lip movements. Advertising was limited, and Spirited Away was only mentioned in a small scrolling section of their film page on Disney's official website. Disney had sidelined their official website for Spirited Away , [31] and given the film a comparatively small promotional budget.
Spirit Me Away
The themes of the film are heavily influenced by Japanese Shinto-Buddhist folklore. The central location of the film is a Japanese bathhouse where a great variety of Japanese folklore creatures, including kami , come to bathe. Miyazaki cites the solstice rituals when villagers call forth their local kami and invite them into their baths. Chihiro also encounters kami of animals and plants. Miyazaki says of this: My generation does not believe this, but I like the idea that we should all treasure everything because spirits might exist there, and we should treasure everything because there is a kind of life to everything.
The film has been compared to Lewis Carroll 's Alice's Adventures in Wonderland as the stories have some elements in common such being set in a fantasy world, the plots including a disturbance in logic and stability, and there being motifs such as food having transformational qualities; though developments and themes are not shared. The major themes of Spirited Away center on the protagonist Chihiro and her liminal journey through the realm of spirits.
The archetypal entrance into another world demarcates Chihiro's status as one somewhere between child and adult. Chihiro also stands outside societal boundaries in the supernatural setting. The use of the word kamikakushi literally "hidden by gods" within the Japanese title, and its associated folklore, reinforces this liminal passage: Yubaba has many similarities to The Coachman from Pinocchio , in the sense that she transforms humans into pigs in a similar way that the boys of Pleasure Island were transformed into donkeys.
Upon gaining employment at the bathhouse, Yubaba's seizure of Chihiro's true name symbolically kills the child, [37] who must then assume adulthood.
Spirit away
She then undergoes a rite of passage according to the monomyth format; to recover continuity with her past, Chihiro must create a new identity. Along with its function within the ostensible coming of age theme, Yubaba's act of taking Chihiro's name and replacing it with Sen an alternate reading of "chi", the first character in Chihiro's name - lit.
The Meiji design of the abandoned theme park is the setting for Chihiro's parents' transformation - the family arrives in an imported Audi car and the father wears a European style polo shirt, reassuring Chihiro that he has "credit cards and cash", before their morphing into literal consumerist pigs. Spirited Away contains critical commentary on modern Japanese society concerning generational conflicts and environmental issues.
At the very moment Chihiro says there is something odd about this town, her parents turn into pigs. Just as Chihiro seeks her past identity, Japan, in its anxiety over the economic downturn occurring during the release of the film in , sought to reconnect to past values. However, the bathhouse of the spirits cannot be seen as a place free of ambiguity and darkness. There are two major instances of allusions to environmental issues within the movie.
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The first is seen when Chihiro is dealing with the "stink spirit. It only became clean again when Chihiro pulled out a huge amount of trash, including car tires, garbage, and a bicycle. This alludes to human pollution of the environment, and how people can carelessly toss away things without thinking of the consequences and of where the trash will go.
When you die you simply leave your worn-out body behind, and your spirit takes off.• I thought you'd spirited Pete off somewhere.• He would spirit me away, to a. Spirit Me Away by Echo Tail, released 25 July Close all the doors that led you here Forget whatever you left behind No one knows you Do.
The second allusion is seen in Haku himself. Haku does not remember his name and lost his past, which is why he is stuck at the bathhouse. Eventually, Chihiro remembers that he used to be the spirit of the Kohaku River, which was destroyed and replaced with apartments. Because of humans' need for development, they destroyed a part of nature, causing Haku to lose his home and identity.
This can be compared to deforestation and desertification; humans tear down nature, cause imbalance in the ecosystem, and demolish animals' homes to satisfy their want for more space housing, malls, stores, etc. Additional themes are expressed through the No-Face, who reflects the characters which surround him, learning by example and taking the traits of whomever he consumes.
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This nature results in No-Face's monstrous rampage through the bath house. After Chihiro saves No-Face with the emetic dumpling, he becomes timid once more. At the end of the film, Zeniba decides to take care of No-Face so he can develop without the negative influence of the bathhouse. The dubbed version premiered at the Toronto International Film Festival on 7 September [48] and was later released in North America on 20 September Spirited Away had very little marketing, less than Disney's other B-films, with at most, theaters showing the film in Spirited Away received universal critical acclaim.
Roger Ebert of the Chicago Sun-Times gave the film a full four stars, praising the film and Miyazaki's direction.
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Ebert also said that Spirited Away was one of "the year's best films. Mitchell also drew a favorable comparison to Lewis Carroll's Through the Looking-Glass and also said that his movies are about "moodiness as mood" and the characters "heightens the [film's] tension. Turan also praised Miyazaki's direction. In , Rotten Tomatoes ranked Spirited Away as the 13th-best animated film on the site, [70] and later in as the 17th. In his book Otaku , Hiroki Azuma observed: From Wikipedia, the free encyclopedia. Spirited Away Japanese theatrical release poster.
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Archived from the original on 20 April Archived from the original on 9 October Archived from the original on 14 August Spirited Away and Alice's Adventures in Wonderland. Archived PDF from the original on 30 January Retrieved 7 July Retrieved 24 April Archived from the original on 2 August Retrieved 1 August Archived from the original on 3 March Retrieved 1 March Archived from the original PDF on 5 November Retrieved 12 August Retrieved 27 June Allen 3 February Here, they're either remade, held hostage or released with little fanfare".
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Retrieved 14 August The releases can range from heavy progressive riffs to smooth blues guitar solos. Echo Tail tries to experiment as much as possible with every album release. You can find us on iTunes, Spotify etc. Streaming and Download help. If you like Echo Tail, you may also like:. Boss Keloid break the boundaries of stoner sludge by fully unleashing the mighty and mesmerizing prog vibe that was already playing an important part in their sound, paired with soaring but uber-powerful vocals.
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The result is an album that comes across diverse but also monolithic; profound yet trippy; potent but also subtle; crushing but also intelligent and full of surprising twists. A wondrous, genre-defying and unique achievement. The Pleiades by musicformessier.
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This has quickly become one of my go-to albums. Beautiful ambience with melodic guitar lines that are woven in perfectly. II by Arcade Messiah. At the Edge by City of the Lost. Only Ghosts by Red Fang. Fist In The Air by Cherubs.