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The externality of the spectacle in relation to the active man appears in the fact that his own gestures are no longer his but those of another who represents them to him. This is why the spectator feels at home nowhere, because the spectacle is everywhere.
Being a star means specializing in the seemingly lived; the star is the object of identification with the shallow seeming life that has to compensate for the fragmented productive specializations which are actually lived. The growth of their real historical power goes together with a popularization of the possession of myth and illusion. The Second Decade, Image at Getty Images: Levin Dismantling the Spectacle: The Society of the Spectacle.
Crowd manipulation Managing the news Media manipulation.
Anonymity Concentration of media ownership Freedom of speech Media bias Privacy. Retrieved from " https: Articles containing French-language text Webarchive template wayback links.
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