Goût des mots (Le) (Sciences Humaines) (French Edition)

La figure du hacker : activisme et goût du défi ?

Contents:

  • CRESPPA - UMR - Roueff Olivier
  • Masculin/Féminin
  • La presse et les médias en parlent
  • Customers Also Bought Items By
  • Are You an Author?
  • Le goût des belles choses

    • Concepts et aires culturelles, Paris, Armand Colin, p.

    CRESPPA - UMR - Roueff Olivier

    Etudes rurales, , p. Ville de Tokyo, Prado nous rappelait la permanence. Ashide, Aware Mono No Aware. Chashitsu, Chatei, Charyo, Chakai. Kiyoshi ou Kiyora, Koicha.

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    Masculin/Féminin

    Feel free to give our address: We will be glad to provide it with information about OpenEdition and its subscription offers. Whether sung or sampled, private or alien, composed, amplified, passed down, recorded or imagined, music and sound are operative forces for shaping feelings. It seems that wherever music resounds, feelings or moods are likely to unfold as perhaps vague, but nonetheless intrusive and pervasive atmospheres.

    A recurrent radio-tune, a symphony, a jarring sound, a call for prayer, a soundtrack, a marching band or the hoot of an owl may all evoke, embody, radiate, alter, narrate, intensify, subvert or diffuse a situational atmosphere or Stimmung. In turn, the phenomenal spheres of music and sound have been key to the various philosophical genealogies of Stimmung, mood, or atmosphere theories.

    Despite these fertile intersections of music and atmosphere, music scholarship has often referred to phenomena of atmosphere or collective mood only in passing. This contrasts with contemporary sound studies, in which notions of atmosphere along with ambience and affect have gained currency to investigate music and sound as phenomena of space and place. This panel thus invites papers that advance and challenge existing concepts of atmosphere, Stimmung or mood through music and sound.

    We welcome in particular contributions that go beyond a notion of atmosphere, Stimmung or mood as spatial intensity, and that widen the focus to include performance, process, duration, dynamism, tension, timbre, resonance, or rhythm. Furthermore, this panel seeks to foster dialogue between the burgeoning anglophone scholarship on atmosphere as grounded in affect theory and germanophone notions of atmosphere that bear on New Phenomenology.

    Topics of interest might include, but are not limited to:.

    La presse et les médias en parlent

    The below brief bibliography comprises a selection of works that may be of particular relevance to those with an interest in this topic, or to those seeking to orient themselves therein, but is intended to be neither exhaustive nor prescriptive; there is no obligation to cite any particular work or works, either in abstract submissions or in final papers. Materiality, Culture, and the Texture of the In-Between.

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    This will be a central topic to be discussed. Culture Wars , 19 June , http: Atmosphere, Stimmung, Mood Convener: What do more experimented members believe? No trivia or quizzes yet. Music and the Ineffable.

    Aesthetics of Emotional Spaces. On a Hidden Potential of Literature. Music and the Ineffable.

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    Comparing the Gamelatron and Gamelan. Ineffability, Atmosphere and Asubjectivity in Musical Experience. CFP - Paysages sensoriels: Aesthetics and aesthetical economy 1. Atmosphere as a fundamental concept of a new aesthetics 2.

    Le goût des belles choses

    Kindle Edition. Le Goût des mots (OJ. Corps et Affects (Sciences Humaines) ( French Edition) Une pensée en mouvement (SCIENCE HUM) (French Edition). Édition brochée pleines de vivacité, de renversements, de tête-à-queue, de retours en arrière, de mots d'esprit, . France 3 / Un livre, un jour / Olivier Barrot.

    Atmosphere as an aesthetic concept 3. The art of the stage set as a paradigm for an aesthetics of atmospheres 4. Contribution to the critique of the aesthetic economy Part II.

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    Aesthetics of nature and art 8. Aesthetic knowledge of nature 9. Nature in the age of its technical reproducibility Body, nature and art Nature as a subject Part III. The atmosphere of a CITY Atmosphere as the subject matter of architecture The first crescendo seems to have been generated by two scholars in particular: The impetus given to the study of Verne by the many events of continued through the end of the decade and into the next.

    For example, an early harbinger of things to come, Jules Verne and his Voyages extraordinaires were cited for the first time in and in two academic anthologies of French literary history: Thus, three quarters of a century after his death, Jules Verne finally gained the literary recognition denied him during his own lifetime.

    Although perhap not yet viewed as being of the literary stature of a Baudelaire or a Zola, his place in the history of French literature was. First, Verne is thought of as a writer of adventure novels for children. Second, Verne is thought of as unreservedly pro-science and pro-technology.

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    In a world which has found more relevance in the dystopian vision, Verne simply seems old-fashioned. Third, much English language criticism of Verne contrasts him with the great science fiction writer who preceded him, Edgar Allan Poe, and with the one who followed him, H. True as these statements are, prophetic skill is not. Thus, English language criticism has not passed beyond the sterile and superficial level. There are few provocative overviews, few close analyses of individual works, and the pessimistic dimension to his works are virtually unknown.