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Key should be G Harmonic Minor.
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Rowan 30th Nov Bravei 26th Nov BradoSanz 16th Sep Sorus 7th Sep LRAD 18th Aug JonasDj 14th Aug JonasDj 7th Aug FrozR 29th May FrozR 25th May Also a good one is drop the clap on the 2 and 4 beat or at least filter it down a lot or make it super short. The typical clap in my experience can interrupt the "rolling" feeling.
Also with your high hats and synths you want to emphasize every 16th so the track has a constant ba ba ba ba ba ba ba ba ba almost pystrance type feel. Rather than a groovey track which has a more ba bum de de boom boom ba ba hopefully you get what i mean. One thing that helps me is to start with a cavernous 4x4 kick. From there, it kind of sets the vibe and I can feel that half of the "dark" part of the track is there and the rest starts to come more easily. Sometimes there's no need even for a separate bass channel since the kick can fill much of that space already.
The difficult part at least for me is to get that cavernous kick sounding right.
So, samples are a good start, then maybe add some good amount of distortion Camel Crush has some nice presets and reverb. Try different reverb plugins since there are some that come with some weird nice functionalities. Yea, after this thread I was actually able to make a kick that I like and I feel it fits to what I want to do, it sounds even better with the drum ride! However I'm now stuck with stuff to put in there, as now I feel anything that I had fits with those kicks. The above two posts should get you started sound design wise, but the musicality aspect is gonna be up to you.
First you have to stop "programing" your production. Stop comparing your work with huge producers who counts with profesional mastering services.
When you are not happy with your armonics is time to start playing those notes, and give more soul or humanize your track. Try with a cheap midi 2octaves usb piano if you dont have one already Try midi effects like velocity, arp and randomize for that bass line!
Maybe you have her confused with Paula Temple or somebody else? Actually I honestly thought it was Dark Techno.
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But listening again you're right, it's way different from the other artists I listed. It is different but electro is closely related to techno.
A lot of artists who make techno also make electo. Sound artist Robert Henke creates the tools that define his sound. This is a great list you put together. Surround Panner is a free Max for Live device that makes mixing for performances, installations and theaters using multi-channel speaker setups possible in Live. View All Labels A-Z. With over freely patchable modules and dozens of pre-patched synths and effects, OSCiLLOT brings the near-infinite creative possibilities of modular synthesis to Ableton Live.
A lot of artists who make techno also make electo. Boris Bunnik is Versalife but he is also Conforce.
What releases do you reckon should check out? There is also Holly Herndon. She makes avant garde computer based stuff. I could easily see how they could be confused with both of their names being an alliteration of HH. Holly Herndon, Helena Hauff. Stan Lee should make a comic where they are a techno duo. Holly runs the digital side and Helena holds down the analog.
Together they battle shit music everywhere. Anyways, Helena Hauff you could start with this record. Use of this site constitutes acceptance of our User Agreement and Privacy Policy. Log in or sign up in seconds. TechnoProduction subscribe unsubscribe 10, readers 46 users here now Rules: Posting personal blogs that include links to paid software or commercially distributed music. Posting links to Self-Promotional content like youtube or soundcloud.