Medieval Costume and How to Recreate It (Dover Fashion and Costumes)

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Why start with something that you may have to replace later, when that money could be used to add to your kit instead of replacing basics? Why limit your resale pool? If it is a non-cotton period , yes - bad linen. Because if nothing else, not everyone then could enjoy the quality control or supposedly reliable incomes we take for granted today: Yours is the exception that proves the rule: I fully realise that there are import costs and restrictions in The Land Down Under: I was thinking somewhat of the problems that we had the other year, when bad weather wrecked the flax harvests and just about the only linen available was more hole than thread.

The lower classes might get away with linen like that or hemp or nettle fabrics , but the more wealthy would be wearing linens with two and three times that thread count. As most medieval re-enactors play members of households, then the all hole stuff is probably less authentic than the cotton and may not last as well. Does anyone really only buy just enough yardage - thereby not allowing for washing shrinkage, children's growth spurts, unexpected moth or untimely tears etc or is it my old problem and time for rehab again? Seriously , this isn't about profligacy.

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Planning kit requirements ahead and purchasing a little extra when textile X is common and lower-priced to put by for later need is a sensible economy. If you don't use it, then you can always sell it off at times of market dearth. In years gone by you couldn't get linen - now good, easily affordable wool cloth is pressured. As with many things, prices are reverting after many years of unusually low, over-competitive pricing based on the misbegotten principle of everlasting mass consumption.

Personally, I can only raise one mug to my mouth at a time polite version , so 'less is more', as it makes sense to invest in fewer, better quality items how authentic, just like our forebears did Value is comparative and is often calculated as purchase price divided by number of times used equals real cost. Nowadays many established traders also sell online. While I'd recommend many for face-to-face shopping the surest way to purchase cloth - you need to feel the weight and hang: I am sure there are others, but I am out of the loop, being under a strict family interdict to use up m'present hoard.

These illustrations not only show you what apparel appealed to our Victorian ancestors, but give you an idea of the evolutionary nature of fashion as well. You will see bustles come and go, natural forms become the vogue only to be superseded by the constricting hourglass figure.

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Each look is illustrated with a number of different garments. There are gowns for the morning hours, dinner dresses, sporting costumes, traveling clothes and apparel for special occasions: Since no costume was complete without accessories, a full line of hats, fans, parasols, muffs, gloves, handkerchiefs, jewelry, shoes and hair styles is shown as well.

A selection of children's attire is also included.

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An introduction by Stella Blum covers the history of Harper's Bazar and examines the various phases fashion went through between and Day costumes, evening wear, sports clothes, shoes, hats, other accessories in over 1, detailed engravings. Very thorough identification of styles, materials, colors by editor. To see what your friends thought of this book, please sign up.

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Lists with This Book. This book is not yet featured on Listopia. This is not my favorite book. To an expert tailor, to someone who had made a lot of clothes in various sizes and styles, the illustrations would make sense. The text is very good, identifying why one outfit is for a peasant, another for a merchant, and still another for an artisan or pilgrim.

Mar 11, Jaye Sudar rated it really liked it. A very good book that interprets the paintings and brings to life the clothing of the Middle Ages. Shouldn't have had the how to recreate it part I wanted a bit more direction on how to create. Very poor with that aspect.

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Jun 06, Alaina rated it really liked it Recommends it for: Dorothy Hartley's Mediaeval Costume and Life , now renamed by Dover, is a charming and useful book for those wishing to recreate medieval dress. Hartley writes with the fervor of a convert, or perhaps more like a pioneer?

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As one of the first costume historians, we can forgive her imbalances and biases. Her book is aimed squarely at theater costumers, though she mentions in her introduction that costume history can help art historians.

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You submitted the following rating and review. Jack Bates rated it really liked it Nov 20, Dorothy Hartley's Mediaeval Costume and Life , now renamed by Dover, is a charming and useful book for those wishing to recreate medieval dress. Value is comparative and is often calculated as purchase price divided by number of times used equals real cost. How to write a great review.

Although she provides many original images and refers consta Dorothy Hartley's Mediaeval Costume and Life , now renamed by Dover, is a charming and useful book for those wishing to recreate medieval dress. Although she provides many original images and refers constantly to the "MSS," she never does say exactly where she gets her detailed patterns and construction techniques. Are they from original garments? Conjecture from close study of the illustrations?

Her absolute self-assuredness implies the first, but it is unlikely that she had access to such rare items, if they even exist.

Finally, I just want to add that her recreations, photographed on models, are absolutely charming and look excellent. Sep 05, Rebecca Huston rated it it was amazing Shelves: One of the first books I read about making medieval clothing all those years ago when I first joined the SCA. For years I had a xeroxed copy as the book was out of print.