The Ring of the Niblung

The Ring of the Niblung – Richard Wagner / Arthur Rackham (1939)

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Siegfried and The Twilight of the Gods: The Ring of the Niblung II. Works of Richard Wagner. My Life Volume I. The Ring of the Niblung I: The Rhinegold and The Valkyrie.

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The Ring of the Niblung index

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Continue shopping Checkout Continue shopping. Chi ama i libri sceglie Kobo e inMondadori. If such a bell is not to be used, then a contrabassoon should be employed. All four parts have a very similar instrumentation. The core ensemble of instruments are one piccolo , three flutes third doubling second piccolo , three oboes , cor anglais doubling fourth oboe , three soprano clarinets , one bass clarinet , three bassoons ; eight horns fifth through eight doubling Wagner tubas , three trumpets , one bass trumpet, three tenor trombones , one contrabass trombone doubling bass trombone , one contrabass tuba ; a percussion section with 4 timpani requiring two players , triangle , cymbals , glockenspiel ; six harps and a string section consisting of 16 first and second violins , 12 violas , 12 violoncellos , and 8 double basses.

Das Rheingold requires one bass drum , one tam-tam , one onstage harp and 18 onstage anvils. Siegfried requires one onstage cor anglais and one onstage horn. Much of the Ring , especially from Siegfried act 3 onwards, cannot be said to be in traditional, clearly defined keys for long stretches, but rather in 'key regions', each of which flows smoothly into the following.

Catalog Record: The ring of the Niblung : a trilogy with a prelude | Hathi Trust Digital Library

This fluidity avoided the musical equivalent of clearly defined musical paragraphs, and assisted Wagner in building the work's huge structures. Tonal indeterminacy was heightened by the increased freedom with which he used dissonance and chromaticism. Chromatically altered chords are used very liberally in the Ring , and this feature, which is also prominent in Tristan und Isolde , is often cited as a milestone on the way to Arnold Schoenberg 's revolutionary break with the traditional concept of key and his dissolution of consonance as the basis of an organising principle in music.

In summer Wagner wrote The Nibelung Myth as Sketch for a Drama , combining the medieval sources previously mentioned into a single narrative, very similar to the plot of the eventual Ring cycle, but nevertheless with substantial differences. Later that year he began writing a libretto entitled Siegfrieds Tod "Siegfried's Death". Siegfrieds Tod dealt with the death of Siegfried, the central heroic figure of the Nibelungenlied.

Fanny wrote 'The hunt with Siegfried's death provides a splendid finale to the second act'. By , Wagner had completed a musical sketch which he abandoned for Siegfrieds Tod. In November , Wagner began the composition draft of Das Rheingold. Unlike the verses, which were written as it were in reverse order, the music would be composed in the same order as the narrative. Composition proceeded until , when the final score up to the end of act 2 of Siegfried was completed.

He returned to Siegfried , and, remarkably, was able to pick up where he left off. In October, he completed the final work in the cycle.

In the completed work the gods are destroyed in accordance with the new pessimistic thrust of the cycle, not redeemed as in the more optimistic originally planned ending. These changes resulted in some discrepancies in the cycle, but these do not diminish the value of the work. Wagner subsequently delayed announcing his completion of Siegfried to prevent this work also being premiered against his wishes. Wagner had long desired to have a special festival opera house, designed by himself, for the performance of the Ring. In , he decided on a location in the Bavarian town of Bayreuth.

In , he moved to Bayreuth, and the foundation stone was laid. Wagner would spend the next two years attempting to raise capital for the construction, with scant success; King Ludwig finally rescued the project in by donating the needed funds.

The Bayreuth Festspielhaus opened in with the first complete performance of the Ring , which took place from 13 to 17 August. The first production of the Ring in Italy was in Venice the place where Wagner died , just two months after his death, at La Fenice. The Ring is a major undertaking for any opera company: Early productions of the Ring cycle stayed close to Wagner's original Bayreuth staging.

Trends set at Bayreuth have continued to be influential. Following the closure of the Festspielhaus during the Second World War , the s saw productions by Wagner's grandsons Wieland and Wolfgang Wagner known as the 'New Bayreuth' style , which emphasised the human aspects of the drama in a more abstract setting. This drew heavily on the reading of the Ring as a revolutionary drama and critique of the modern world, famously expounded by George Bernard Shaw in The Perfect Wagnerite.

The Ring Of the Niblung

Early performances were booed but the audience of gave it a minute ovation in its final year; [16] [17] the production is now generally regarded as revolutionary and a classic. Although many Ring productions try to remain close to Wagner's original stage design and direction, others seek to re-interpret the Ring for modern audiences, often including decor and action that Wagner himself did not envisage. The production by Peter Hall , conducted by Georg Solti at Bayreuth in is an example of the former, while the production by Richard Jones at the Royal Opera House Covent Garden in —, conducted by Bernard Haitink , is an example of the latter.

In the first production of the cycle in Russia in modern times was conducted by Valery Gergiev at the Mariinsky Opera , Saint Petersburg, designed by George Tsypin.

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The production drew parallels with Ossetian mythology. Each part of the cycle had a different director. The production uses imagery from various eras of American history and has a feminist and environmentalist viewpoint. Recent performances of this production took place at the John F. The staging of Das Rheingold by Robert Lepage involved 24 identical wedges able to rotate independently on a horizontal axis across the stage, providing level, sloping, angled or moving surfaces facing the audience.

Bubbles, falling stones and fire are projected on to these surfaces, linked by computer with the music and movement of the characters. Classical Voice America heralded the production as "one of the best Rings anywhere in a long time.

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It is possible to perform The Ring with fewer resources than usual. In , the City of Birmingham Touring Opera now Birmingham Opera Company , presented a two-evening adaptation by Jonathan Dove for a limited number of solo singers, each doubling several roles, and 18 orchestral players. From Wikipedia, the free encyclopedia. This article possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed. Limited search only v. Full-text searching is available within public or private collections , and within individual items.

Search Tips Phrase Searching Use quotes to search an exact phrase: Publisher's advertisement facing title page lists 5 books illustrated by Rackham. The two volumes are divided into four parts: The Rhinegold; First day of the trilogy: The Valkyrie; Second day of the trilogy: Siegfried; Third day of the trilogy:

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