Mad Max – An Australian Cult Classic
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Mad Max is a Australian dystopian action film directed by George Miller, produced by upon its release in April , although it won three AACTA Awards and attracted a cult following, while its critical reputation has grown since. Top 40 Best Australian Cult Films. A Mad Max-esque post apocalyptic world provides the backdrop for a brutal, futuristic game resembling.
When a Native Australian man is accused of murdering a white woman, three white men The Fanatic, The Follower and The Veteran are given the mission of Members of the Grave Diggers Motorcycle Club are being knocked off one by one, and someone needs to find out why! Sandy Harbutts timeless Australian cult film about a bunch of regegades riding Kawasaki s. The seventies hold a special place in time for me. Outlaw Motorcycle clubs were a lot different in Sydney back then, riding motorcycles and drinking beer was our only purpose in life.
Back then only an idiot would ride a Harley and the dream bike was the Kawasaki Z1 that had only just been released. So imagine a film like Stone blasting it's way onto the screen resplendent with custom painted Kawa 's! We were mesmerized, personally I remember seeing it 6 times at the local cinema.
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Watching it today opens the gates to memory lane, those that use the F3 freeway north of Sydney will appreciate the shots of the road in the funeral procession scene; the road was brand new then! And the shots of the lower North Shore and Pittwater are truly a piece of Sydney's history. Note the absence of traffic.
Forget the acting, when you're 18, off your nut on drugs and that Z1 starts up with the baffles removed at the beginning of the movie, it's mind blowing!!! Non bikers can turn off here: O Midnight's black Kawa was my favorite, come to think of it, how many indigenous Aussies had a real part in a movie before this? Not many I'd say I've now been riding bikes for 35 years now and Stone still holds a special place in my heart. Cosmic flash, and there ya go Start your free trial. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet!
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Sandy Harbutt 's timeless Australian cult film about a bunch of renegades riding Kawasaki s. Sandy Harbutt screenplay , Michael Robinson screenplay. IMDb's Guide to Streaming. Related News Stone rewatched: Share this Rating Title: Use the HTML below. You must be a registered user to use the IMDb rating plugin. User Polls Your favorite film that features a motorcycle s? Learn more More Like This. The Dragon Flies The story of the Australian exploitation genre cinema of s and 80s. Dead End Drive-In Hell Comes to Frogtown Once filming was over the car was left at a wrecking yard in Adelaide since it again found no buyers, and was bought and restored by Bob Forsenko.
When the museum closed, the car went to a collection in the Dezer Museum in Miami, Florida.
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The Nightrider's vehicle, another Pursuit Special, was a Holden HQ Monaro LS coupe , also tuned but deliberately damaged to look like it had been involved in crashes. The car driven by the young couple that is vandalised and then finally destroyed by the bikers is a Chevrolet Bel Air Sedan , also modified to look like a hot-rod car with fake fuel injection stacks, fat tires, and a flame red paint job.
Of the motorcycles that appear in the film, 14 were Kawasaki Kz donated by a local Kawasaki dealer. All were modified in appearance by Melbourne business La Parisienne — one as the MFP bike ridden by 'The Goose' and the balance for members of the Toecutter's gang, played in the film by members of a local Victorian motorcycle club, the Vigilantes. By the end of filming, fourteen vehicles had been destroyed in the chase and crash scenes, including the director's personal Mazda Bongo the small, blue van that spins uncontrollably after being struck by the Big Bopper in the film's opening chase.
Originally, filming was scheduled to take ten weeks—six weeks of first unit, and four weeks on stunt and chase sequences. However, four days into shooting, Rosie Bailey, who was originally cast as Max's wife, was injured in a bike accident. Production was halted, and Bailey was replaced by Joanne Samuel, causing a two-week delay. In the end, the shoot took six weeks over November and December , with a further six-week second unit.
The unit reconvened two months later, in May , and spent another two weeks doing second unit shots and re-staging some stunts. Still, as filming progressed the Victoria Police became interested in the production, helping the crew by closing down roads and escorting the vehicles. Shooting took place in and around Melbourne. Many of the car chase scenes for Mad Max were filmed near the town of Little River , northeast of Geelong.
The early town scenes with the Toe Cutter Gang were filmed in the main street of Clunes , north of Ballarat.
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Much of the streetscape remains unchanged. Some scenes were filmed at Tin City at Stockton Beach.
Top 40 Best Australian Cult Films
Mad Max was one of the first Australian films to be shot with a widescreen anamorphic lens, [8] although Peter Weir 's The Cars That Ate Paris was shot in anamorphic four years earlier. The only one which worked properly was a 35mm lens which was employed in the whole of Mad Max. The film's post-production was done at a friend's apartment in North Melbourne, with Wilson and Kennedy editing the film in the small lounge room on a home-built editing machine that Kennedy's father, an engineer, had designed for them. Wilson and Kennedy also performed sound editing there. Tony Patterson edited the film for four months, then had to leave because he was contracted to make Dimboola George Miller took over editing with Cliff Hayes, and they worked on it for three months.
The musical score for Mad Max was composed and conducted by Australian composer Brian May not to be confused with the guitarist of the English rock band Queen. Miller wanted a Gothic, Bernard Herrmann —type score and hired May after hearing his work for Patrick It was later shown in New Zealand in after the success of the sequel, with an 18 certificate. When shown in the United States during , the original Australian dialogue was redubbed by an American crew.
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AIP also altered the operator's duty call on Jim Goose's bike in the beginning of the film it ended with "Come on, Goose, where are you? The only dubbing exceptions were the voice of the singer in the Sugartown Cabaret played by Robina Chaffey , the voice of Charlie played by John Ley through the mechanical voice box, and Officer Jim Goose Steve Bisley , singing as he drives a truck before being ambushed.
Since Mel Gibson was not well known to American audiences at the time, trailers and television spots in the United States emphasised the film's action content. The original Australian dialogue track was finally released in North America in in a limited theatrical reissue by MGM , the film's current rights holders.
Upon its release, the film polarized critics. In a review, the Australian social commentator and film producer Phillip Adams condemned Mad Max , saying that it had "all the emotional uplift of Mein Kampf " and would be "a special favourite of rapists, sadists, child murderers and incipient [Charles] Mansons ". From Wikipedia, the free encyclopedia. For other uses, see Mad Max disambiguation. Australian theatrical release poster. Some of this section's listed sources may not be reliable. Please help this article by looking for better, more reliable sources.
Unreliable citations may be challenged or deleted. February Learn how and when to remove this template message. Mad Max series legacy and influence in popular culture. British Board of Film Classification. Retrieved 28 January Retrieved 15 March The Routledge Encyclopedia of Films. Archived from the original PDF on 15 May Retrieved 15 May Mel Gibson - Man on a Mission. Retrieved 14 May Archived from the original on 10 November Parliament of New South Wales.
Archived from the original on 30 June Archived from the original on 14 May Archived from the original on 23 October Retrieved 3 August The Family Guide to Movies on Video. The Crossroad Publishing Company. Archived from the original on 20 December The New York Times.
Retrieved 17 July Adams has since remained a prominent opponent of screen violence. He has also been consistent in his criticism of Mel Gibson's political and social opinions. Archived from the original on 21 May Archived from the original PDF on 9 February