The Runaway Spaceship (The Terrified Nerds of Willowbrook Way Book 1)

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The organization treats violence like an infection and seeks to eradicate the root cause. Charismatic, compassionate and a dedicated risk-taker, Senna was known for his integrity in a sport often fraught with cutthroat politics, and also for the deep religious faith that gave him purpose. Beloved by millions of children, Elmo is a global icon. However, few people know the soft-spoken man behind the furry red monster: This film chronicles a man who is obsessively interested in only one thing: A documentary about the evolution of the depiction of First Nations people in film, from the silent era to today.

Featuring clips from hundreds of films, candid interviews with famous Native and non-Native directors, writers and actors, Reel Injun traces how the image of First Nations people in cinema have influenced the understanding and misunderstanding of their culture and history. A National Search for Human Worth is a documentary about domestic minor sex trafficking and the modern-day abolitionist movement fighting to stop it.

Since September , the crew has traveled to over 30 states and conducted more than 75 interviews with federal agents, victims, politicians, activists, psychologists, porn-stars, among others. Child psychologist Michael Thompson serves as host for this two-hour documentary based on his best-selling book of the same name. The contributing factors may surprise you — could cutbacks in school-sponsored exercise programs be to blame? Their creations include furniture, photography, interiors, multimedia exhibits, games and much more.

After thousands of people around the world joined together to record banal and remarkable everyday events on July 24, , director Kevin MacDonald led a team of editors to condense more than 4, hours of video into this picture of life on Earth. After we went back and forth with their representatives for months, they finally said they were going to allow 16 journalists into the country to cover the Arirang Mass Games in Pyongyang.

But only as tourists. But we went for it. The first leg of the trip was a flight into northern China. At the airport, the North Korean consulate took our passports and all of our money, then brought us to a restaurant. We were sitting there with our tour group, and suddenly all the other diners left and these women came out and started singing North Korean nationalist songs.

Can we just go to bed? So we got drunk and jumped up onstage and sang songs with the girls. The next day we got our visas. Assembling rare Pixar footage and conversations with animators, producers, directors and voice actors, Oscar-nominated filmmaker Leslie Iwerks takes viewers on a fascinating tour of the outfit that forever changed Hollywood animation. In over people led by Rev.

Jim Jones died in the largest mass murder-suicide in history, at Jonestown, Guyana. The story is told by survivors, Temple defectors, relatives, and journalists. Married 54 years, Mike and Mina Block were the picture of if not wedded bliss then at least rock-solid stability — or so thought their son, documentary filmmaker Doug Block. Turning his lens on his own family, he discovers much he never knew about the people who raised him. Enthralling black holes, stars that perish and others that spring to life, and other planets possibly bustling with life are just some of the sights seen along the journey.

The master horseman reveals details of his troubled childhood and his dawning awareness of new ways that humans and horses might work with one another. As Buck learns more about horses, he finds that the ways we communicate with our animal companions offer lessons on how we relate to fellow human beings. With a staggering number of Americans suffering from obesity and other food-related maladies, this film takes a timely and hard-hitting look at how the food we eat is helping or hurting our health, and what we can do to live and eat better.

Nutritionists, naturopaths, scientists, doctors, medical journalists and more weigh in on everything from using food as medicine to the value of organic food and the safety of the food we consume. Blending archival footage with modern animation, this documentary examines the massive protests besetting the Chicago Democratic Convention, and the courtroom trial of several activists and participants in the aftermath. Among those featured are Abbie Hoffman and Jerry Rubin, who were charged with inciting a riot.

In this absorbing documentary, filmmaker Aaron Rose explores the world of a group of underground artists who began influencing areas from fashion and film to music and pop culture in the early s. With outsider art elements such as graffiti, skateboarding and street music, these mavericks redefined creativity. Whenever Iraq War veterans return to the U. As they share their kindness and support through handshakes and hugs, these compassionate greeters strengthen their community, their country and themselves.

August 14, 21, 28, Harvard psychologist and best-selling author Dr. Daniel Gilbert hosts this three-part PBS series that explores the range of human emotions and how we can strive to become more positive in our day-to-day lives. Family, Friends and Lovers looks at the importance of relationships and why they are central to our emotional well-being. What are the cognitive and neurological processes underpinning our everyday lives, and why do some relationships flourish and others fail?

Facing our Fears looks at emotions that are commonly regarded as obstacles to happiness — anger, fear, anxiety and despair. Why do we have these emotions and how can we best manage them? Rethinking Happiness explores happiness. It is critical to well-being, yet remains such an elusive goal for many. What is it, why is it important and how can we attain more of it? Dirt takes center stage in this entertaining yet poignant documentary from Bill Benenson and Gene Rosow, which unearths our cosmic connection to soil and explores how diverse groups of people are uniting to save the natural resource.

The Ecstatic Skin of the Earth , the filmmakers combine lively animations with personal accounts from farmers, scientists, activists and more. This entertaining documentary explores the phenomenon of Jack Rebney, who became an Internet sensation after a grainy, nearly year-old video of him furiously swearing up a storm while filming a Winnebago sales video made the rounds online. Dynamic documentarian Davis Guggenheim An Inconvenient Truth weaves together the stories of students, families, educators and reformers to shed light on the failing public school system and its consequences on the future of the United States.

Confidential church documents, statements by high-ranking church officials and other sources detail 30 years of efforts to turn back gay rights, particularly by the Mormon-sponsored National Organization for Marriage. What they learn about genetically modified seeds, powerful herbicides and the realities of modern farming calls into question government subsidies, the fast-food lifestyle and the quality of what we eat. This perceptive documentary tells the unusual tale of Maynard James Keenan, the hard-rocking, eccentric front man of Tool, A Perfect Circle and Puscifer who abruptly left Los Angeles in the mids to start a world-class vineyard in Arizona.

Aided by wine guru Eric Glomski, Maynard tills the unlikely soil of the Verde Valley despite scoffing from wine snobs and rock fans. Dive into more than a century of decadence with this tantalizing look at the evolution of burlesque. Cabaret star Leslie Zemeckis traces the art form from vaudeville-style variety show through its extinction and contemporary rebirth.

Narrated by actress Tilda Swinton, the film also honors the work of West Virginia citizens struggling against encroaching coal mines, a West African man educating youngsters about global warming and more. Filmmaker Paul Devlin objectively documents the multifaceted story of a country trying to rebuild itself amid a changing political landscape. Accustomed to getting their electricity for free, the residents of Tbilisi, the capital of the former Soviet Republic of Georgia, are suddenly faced with shelling out money for power. From filmmaker Charles Ferguson comes this sobering, Oscar-winning documentary that presents in comprehensive yet cogent detail the pervasive and deep-rooted corruption that led to the global economic meltdown of Through unflinching interviews with key financial insiders, politicos, journalists and academics, Ferguson paints a galling portrait of an unfettered financial system run amok — without accountability.

Actor Matt Damon narrates. Capturing their wonder at things Westerners take for granted, this documentary, an award winner at the Sundance Film Festival, paints an intimate portrait of strangers in a strange land. The result is a sobering examination of the line between personal and corporate responsibility. After Abby sends Nev a remarkable painting based on one of his photos, Nev begins corresponding with her family — including her seductive year-old sister. A gripping tale of intrigue and mystery in the art world, this film traces the history of the Barnes collection of Post-Impressionist paintings, which was worth billions and became the subject of a power struggle after the death of the owner.

But the political wrangling over the collection eventually led to its division. As the group sets out to expose the horrifying truths behind the capture of dolphins for the lucrative tourist industry, they also uncover an environmental catastrophe.

Looking at the world through the lens of a documentary.

Louie Psihoyos directs this riveting, Oscar-winning documentary. Filmmaker Chris Bell points the camera at his brothers and himself — all of them users of steroids — for this thought-provoking examination of sports, competition and the unyielding pressure to succeed. But ultimately, committing to the church will be his decision. In this engaging documentary, a Fifth Avenue family goes green when writer Colin Beavan leads his wife, Michelle Conlin, and their baby daughter on a yearlong crusade to generate no trash and otherwise make no net impact on the environment.

Taking on rampant American consumerism with a focus on Christmas shopping, the Rev. Billy Bill Talen and the Church of Stop Shopping go on a cross-country journey to save citizens from the Shopocalypse in this hilarious documentary produced by Morgan Spurlock. This Oscar winner for Best Documentary explores the preparations that went into the stunt as well as the event and its aftermath. Obsessed with the towers even before they were fully constructed, Petit sneaked into the buildings several times to determine the equipment he needed to accomplish his daring feat.

Davis Guggenheim, creator of the Oscar-winning An Inconvenient Truth, directs this fascinating profile of three contemporary guitarists: Each talks about their creative process, technique and influences as cameras follow them to key locations in their own music history. A jam session featuring all three musicians is woven into their discussions. Renowned nonfiction director Werner Herzog chronicles the tragic and untimely death of outdoorsman Timothy Treadwell, who devoted his life to studying grizzly bears living in the Alaskan wilderness — only to have one of them maul him to death.

This humorous documentary monitors the exploits of a group of jokester liberals who make names for themselves as they mimic members of the World Trade Organization at various venues across the globe. The absurd facade gets started when two members of The Yes Men create a web site that looks quite similar to the WTO site, resulting in the group being invited to high-level meetings and being mistaken for WTO officials. As they begin to look at and record their world through new eyes, the kids awaken to their own talents and sense of worth.

Neel and Meyer capture the drama as padded swords clash, armies advance and a ruler crosses the line, while off the battlefield, participants open up about what keeps them coming back for more. Amid a volatile climate of ever-changing gas prices, this documentary delves into the short life of the GM EV1 electric car — a fuel-efficient auto that was once all the rage in the mids and now has fallen by the roadside.

How could such a green-friendly vehicle fail to transform lives? Through interviews with government officials, former GM employees and concerned celebs, filmmaker Chris Paine seeks to find out. Moore also explores the widespread use of antidepressants and their possible link to violence. In , British filmmaker Michael Apted interviewed a diverse group of 7-year-olds living in England and vowed to track how their lives progressed every seven years.

Will kids who once had ambitious goals end up living their dreams or falling by the wayside? Looking at the world through the lens of a documentary. Minding the Gap Trailer. The Price of Free Trailer. November 26th, Shirkers was a Singapore-made cult classic from teenage friends Sandi Tan, Jasmine Ng and Sophie Siddique—or it would have been, had the 16mm footage not been stolen by their enigmatic American collaborator Georges Cardona. November 18th, The behind-the-scenes story of how the original Dallas Cowboys Cheerleaders became a controversial pop culture phenomenon at the height of the Sexual Revolution.

November 4th, — Second Showing August 11th, — First Showing Decades after Detroit singer-songwriter Rodriguez disappeared following the commercial failure of his two critically praised records in the s, two fans from South Africa, where Rodriguez was a huge hit, try to track down their idol.

October 28th, The screeching strings, the plunging knife, the slow zoom out from a lifeless eyeball: October 21st, Three strangers are reunited by astonishing coincidence after being born identical triplets, separated at birth, and adopted by three different families. Three Identical Strangers Trailer. October 7th, America has the most technologically advanced health care system in the world, yet medical interventions have become the third leading cause of death, and the overwhelming majority of high-risk implanted devices never require a single clinical trial.

The Bleeding Edge Trailer. City of Joy Trailer. Summer In The Forest Trailer. August 12th, March 30, Killing for Love Trailer. August 5th, Recovering addict and amputee John Wood finds himself in a stranger-than-fiction battle to reclaim his mummified leg from Southern entrepreneur Shannon Whisnant, who found it in a grill he bought at an auction and believes it to therefore be his rightful property.

July 22nd, This documentary examines the career, life, artistry and legacy of the late Robin Williams with intimate archival footage and interviews with his closest confidants. J uly 15, Drawing from over hours of never-before-seen footage that has been tucked away in the National Geographic archives for over 50 years, award-winning director Brett Morgen tells the story of JANE, a woman whose chimpanzee research challenged the male-dominated scientific consensus of her time and revolutionized our understanding of the natural world.

June 24th, Documentary directors Rob Epstein and Jeffrey Friedman, already well-established for bringing gay issues to a mainstream film audience, examined the representation of homosexuality in the film industry itself in this absorbing study. The Celluloid Closet Trailer. June 10th, A decade after An Inconvenient Truth brought climate change into the heart of popular culture comes the riveting and rousing follow-up that shows just how close we are to a real energy revolution.

An Inconvenient Sequel Trailer. The Rachel Divide Trailer. May 13th, Mercury 13 is a remarkable story of the women who were tested for spaceflight in before their dreams were dashed in being the first to make the trip beyond Earth. April 29th, I AM EVIDENCE tells the story of four survivors whose rape kits went untested for years, following them as they navigate their way through the criminal justice system and learn that so often, the system is broken. April 15th, Bright Lights: April 1st, One of Us explores the opaque world of Hasidic Judaism through a cadre of fascinating characters.

One of Us Trailer.

March 25th, The film follows Rob with unprecedented access over several years as he challenges deeply held conservative ideals while grappling with some of the most important questions of our time: February 25th, Abacus: Last Men In Aleppo Trailer. January 14th, On the morning of Election Day , Americans of all stripes woke up and went about living their radically different lives. December 17th, Gerald Foos bought a motel in Colorado in the s, furnished the room with louvered vents that allowed him to spy on his guests, and kept a journal of their sexual encounters…among other things.

December 10th, What makes a film score unforgettable? November 19th, KEDi is not a documentary about house cats or the strays you occasionally see in your back yard.

November 5th, The hit documentary from the Sundance Film Festival goes inside the life of Steve Gleason, the former New Orleans Saints defensive back who, at the age of 34, was diagnosed with ALS and given a life expectancy of two to five years. October 29th, Staten Island filmmakers Joshua Zeman and Barbara Brancaccio reveal how an urban legend conjured up to keep kids from exploring abandoned buildings became a horrifying reality when a mysterious drifter began abducting children in their tight-knit urban neighborhood.

October 22nd, In this richly penetrating documentary odyssey, Pulitzer Prize-winning food critic Jonathan Gold shows us a Los Angeles where ethnic cooking is a kaleidoscopic portal to the mysteries of an unwieldy city and the soul of America. City of Gold Trailer.

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October 8th, Daryl Davis has an unusual hobby. September 10th, As the United States continues to build a wall between itself and Mexico, Which Way Home shows the personal side of immigration through the eyes of children who face harrowing dangers with enormous courage and resourcefulness as they endeavor to make it to the United States. Which Way Home Trailer. September 3rd, Humanity is sitting on a time bomb. Breaking a Monster Trailer. August 6th, A fascinating, funny and finally troubling documentary about the prolific, iconoclastic underground cartoonist Robert Crumb.

July 30th, In Lady Valor: July 16th, In , James Baldwin wrote a letter to his literary agent describing his next project, Remember This House. My Scientology Movie Trailer. May 22, After a terrible beating left Mark Hogancamp brain damaged, he began creating models of a fictional town, Marwencol, to process the trauma.

June 25th, This feature film looks at five individuals who made a decisive change later in life-to come out as lesbian, gay, or trans gender, after the age of Paris is Burning Trailer. The Fog of War Trailer. May 21st, After the election, people all over the world woke up to find that Donald J. Get Me R0ger Stone Trailer. May 14th, A humorous, moving, intimate and courageous film following the transformation of an abusive mother and tumultuous mother-daughter relationship to that of acceptance and love as we follow the personal story of the filmmaker.

Look at Us Now, Mother! May 7th, When gang leader Rob Brown is sentenced to prison for a fifth time, he must confront his role in bringing violent drug culture into his beloved American Indian community in northern Minnesota. The Seventh Fire Trailer. April 30th, In a series of interviews spanning four years, leftist social critic Noam Chomsky discusses how the concentration of wealth and power among a small elite has polarized American society and brought about the decline of the middle class.

April 23rd, In , seven young male dancers—6 gay, 1 straight—joined Madonna on her most controversial tour. Strike a Pose Trailer. Fire at Sea Trailer. April 2nd, — 2nd viewing November 30, — 1st viewing In , women are better represented on television, in movies and in the news media than they have ever been in the past. March 19th, Shortly after he turned three, Owen Suskind, the son of journalist Ron Suskind and his wife Cornelia, stopped speaking.

March 12th, The New Black is a documentary that tells the story of how the African-American community is grappling with the gay rights issue in light of the recent gay marriage movement and the fight over civil rights. The New Black Trailer. March 5th, A chronicle of the childhood, adolescence and burgeoning adulthood of a young black man growing up in a rough neighborhood of Miami. The Rise of Black Lives Matter.

Do the Right Thing Trailer. February 12th, Using never-before-heard recordings, rare archival footage and her best-known songs, this is the story of legendary singer and activist Nina Simone. What Happened, Miss Simone? January 29th, From the s thru the s, there was no hipper, no more outrageous comedy in print than The National Lampoon, the groundbreaking humor magazine that pushed the limits of taste and acceptability — and then pushed them even harder. Drunk Stoned Brilliant Dead Trailer. January 15th, Despite just two albums to her name Amy Winehouse is one of the biggest music icons in British history.

January 1st, In the summer of , Alfred and Jakobine were crazy for adventure and each other. December 11th, Chronicling events that unfolded over 93 days in and , this documentary witnesses the formation of a new civil rights movement in Ukraine. Winter on Fire Trailer. November 27th, The documentary delves into the life of Hayao Miyazaki and the productions of the animated films The Wind Rises and The Tale of the Princess Kaguya, including various footage of said productions.

November 20th, The Black Power Mixtape mobilizes a treasure trove of 16mm material shot by Swedish journalists who came to the US drawn by stories of urban unrest and revolution. The Black Power Mixtape Trailer. November 13th, Over seven decades, actor and activist George Takei boldly journeyed from a WWII internment camp, to the helm of the starship Enterprise, to the daily news feeds of five million Facebook fans.

To Be Takei Trailer. October 23rd, Holy Hell is a American documentary film by Will Allen about his experiences as a member of the Buddhafield cult for twenty-two years. October 9th, In two towns on different sides of America, two teenage girls pass out while intoxicated at high school parties and, while unconscious, both are sexually assaulted by boys they call friends. The Last Man on the Moon Trailer. Boom Bust Boom Trailer. August 7th, This Oscar-shortlisted film is the definitive account of the landmark Supreme Court decision that legalized interracial marriage: July 31st, In this follow-up to his film Bigger Stronger Faster, director Chris Bell turns his camera on the abuse of prescription drugs and, ultimately, himself.

July 24th, The West has positioned itself as the protagonist of development, giving rise to a vast multi-billion dollar poverty industry — the business of doing good has never been better. June 26th, The Fear of 13 is a psychological thriller, where Nick, a death row inmate, petitions the court to be executed. The Fear of 13 Trailer. June 19th, In this documentary filmmaker Su Rynard examines the various hazards songbirds face around the world, which has led to a drastic reduction in their population.

June 12th, One year, two friends, four conversations…twenty five years ago, Craig Detweiler and John Marks roomed together at Davidson College. Purple State of Mind Trailer. May 22nd, How did the food industry get us to stop asking the question: May 8th, Filmed over the course of 6 months, this documentary tells the incredible story of 3 young women: April 24th, Who is Vivian Maier? Finding Vivian Maier Trailer http: The Hunting Ground Trailer.

April 3rd, One child. March 20th, With unprecedented access, Cartel Land is a riveting, on-the-ground look at the journeys of two modern-day vigilante groups and their shared enemy — the murderous Mexican drug cartels. February 28, The story of programming prodigy and information activist Aaron Swartz. February 21st, The youngest foot soldiers for the Lord are shown in their native environment in this documentary. February 14th, Kurt Cobain, lead singer, guitarist, and songwriter of Nirvana, remains an icon 20 years after his death.

Montage of Heck Trailer. The Look of Silence Trailer. January 24th, A laugh-out-loud real life romantic comedy about Ravi Patel, an almostyear-old Indian-American who enters a love triangle between the woman of his dreams…and his parents. Meet the Patels Trailer. Our Man in Tehran Trailer. Call Me Lucky Trailer. December 13th, In the summer of , television news changed forever. Best of Enemies Trailer. November 29th, Jewish culture reflects the heart of a vital ethnic history.

November 22nd, Locked away from society in an apartment on the Lower East Side of Manhattan, the Angulo brothers learn about the outside world through the films that they watch. November 1st, What We Do in the Shadows is a documentary about four housemates trying to get by in modern society; from paying rent and doing housework to trying to get invited into nightclubs.

October 25th, Sons of Perdition follows three boys after they leave Colorado City. October 11th, Here, we enter the city of Mecca that has been forbidden to non-Muslims for 14 centuries.

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August 30th, This mouthwateringly entertaining film travels the globe to unravel a captivating culinary mystery. August 16th, This is a story about clothing. The True Cost Trailer. An Honest Liar Trailer. July 19th, You think you know this story? July 12th, Stripped is the ultimate love-letter to comic strips.

June 28th, A personal documentary about family secrets and race. June 14th, Meet the dirtiest cop in NYC history. The Seven Five Trailer. I Am Big Bird Trailer. May 17th, Tucked in the Appalachian mountains of Southern West Virginia, Oceana, is a small, once thriving coal-mining town that has fallen victim to the fast spreading scourge of prescription painkiller Oxycontin. May 3rd, For the past 30 years, everything we thought we knew about food and exercise is dead wrong.

April 19th, Shep Gordon is the consummate Hollywood insider. March 22nd, Paranoia forces small-time scam artist Marty to flee his hometown and hide out in a dangerous Detroit. March 1st, In the astonishingly gripping Let the Fire Burn, director Jason Osder has crafted that rarest of cinematic objects: January 11th, Adopting Haiti is about the struggle of the Maison des Enfants de Dieu orphanage and the children who called it home.

January 4th, Every year hundreds of people — mostly women — are attacked with acid in Pakistan. December 21st, This documentary examines the case of five teenagers, all African-American or Latino, who were convicted of the brutal rape of a white woman in December 14th, Talim is a film that follows three friends on a journey 5, miles around India to track down 12 individuals.

November 30th, This intense documentary goes behind the closed doors of a public hospital struggling to care for a community of largely uninsured patients. November 16th, Millions know their voices, but no one knows their names. November 2nd, This examination of American horror films explores the earliest monster movies of the silent era up to the scariest modern-day masterpieces. October 19th, Faced with their own mortality, a group of mostly HIV-positive young people break the mold in taking on Washington and the medical establishment. October 12th, Using a mix of interviews and sly home movies, Sarah Polley creates an intriguing profile of her family, especially her complicated late mother.

September 7th, This all-access documentary chronicles a year in the life of legendary comedian Joan Rivers while revisiting the dramatic highs and lows of her past. August 17th, Discover the history of Napster, which began as an unassuming bit of computer code in and would eventually change the nature of music sales. August 3rd, The creation of the Higgs boson particle, an elusive key to unlocking secrets of the universe, unfolds on camera in this landmark documentary.

July 13th, Former antinuclear activists and groundbreaking scientists speak out in favor of the much-maligned energy source in this provocative documentary. July 6th, A young couple with no construction experience attempts to build a tiny house in this documentary that contemplates shifting American values. June 29th, A range of views on various world religions is explored as Bill Maher travels to numerous religious destinations including Jerusalem, the Vatican, and Salt Lake City, interviewing believers from a variety of backgrounds and groups.

June 22nd, Survivors of a polygamist breakaway Mormon sect and a fundamentalist Christian community discuss their experiences under the control of cult leaders. June 15th, Four sommeliers embark on an all-consuming course of study for the prestigious and nearly impossible to pass Master Sommelier exam.

June 8th, The Act of Killing is about killers who have won, and the sort of society they have built. June 1st, This comic documentary follows the Mortified movement, a series of stage events where adults share awkward childhood moments in front of strangers. May 4th, About 80, Americans are held in solitary confinement on any given day.

April 20th, This documentary highlights four cases in which whistleblowers exposed government wrongdoing to the media and faced serious repercussions.

April 13th, This documentary follows impoverished 8-year-old Thai girls Stam and Pet, underground Muay Thai fighters who compete for prize money in rural venues. March 30th, Jerry Seinfeld, Jay Leno, Kathy Griffin and other comic greats pay tribute to the legendary stand-up stage founded in by Budd Friedman.

March 23rd, Meet Lou. March 16th, Discussing numerous issues in clear and accessible language, former U. February 23rd, This fascinating documentary examines the life of performing killer whale Tilikum — who has caused the deaths of several people while in captivity — and questions the safety and humaneness of confining these intelligent creatures.

February 16th, This captivating documentary follows several independent game designers as they painstakingly develop their games and hope for breakthrough success. February 9th, Chronicling pre-Wright Brothers human flight, this documentary spotlights the brave souls who risked life and limb to fly before the advent of planes. January 19th, Following the fates of four orphans from around the world, this earnest documentary argues that international adoption laws are deeply flawed. December 1st In a world fraught with hostility and violence, an altruistic group of young men endeavor to understand the true essence of the human spirit by visiting forgotten souls such as homeless New Yorkers, Peruvian orphans and isolated Ghanian lepers.

November 24th, Exploring the contrast between the world of Western-style beauty pageants and Hindu fundamentalism, The World Before Her delivers a provocative portrait of India, the role of women in its society and cultural conflicts during a key transitional era. November 3rd, This documentary reveals how Julian Assange fired a global debate on secrecy when his web site, Wikileaks, published thousands of confidential documents.

October 20, Featuring interviews with disco legends and vintage clips from the glory days of polyester and strobe lights, this documentary theorizes that the maligned musical genre was more than a cultural phenomenon: October 13, Interviews with of J. October 6th, Since , director Michael Apted has documented the fates of a group of Britons, questioning them every seven years about their lives and beliefs. August 25th, Actor Jeremy Irons and director Candida Brady go on a worldwide quest to uncover how the enormous amount of garbage generated by the human race has affected the environment and what efforts are being made to repair the extensive damage.

August 4th, Bypassing politics and fingerpointing, this forward-thinking documentary zeroes in on enterprising individuals — from a wind farmer to a solar-panel retrofitter — who are devising business-minded ways to avert the looming climate crisis. July 28th, Setting out to explore whether America still has a sense of community where people help each other through hard times, year-old Joseph Garner spends a month depending on the goodness of Craigslist posters for his survival.

July 21, Exploring the subject of school bullying from a personal angle, this eye-opening documentary tracks the stories of five different families whose children are struggling to defend themselves on a near-daily basis. July 14th, Masters of the trade reveal how they made beaucoup bucks in this provocative documentary about buying and selling drugs. Orders received' after August 15th will begin with the next available issue YES! Issue 1 and 2 will be mailed in October Allow weeks for delivery.

Offer expires August 31, DC Comics, Authorized User. My check or money order U. Make checks payable to DC Comics Inc. If you do not want to cut out coupon, we will accept written orders. Please allow 4 to 6 weeks for delivery. Connery portrays the Russian captain, a role original- ly slated for Never Say Never Again's Klaus- Maria Brandauer who dropped out due to scheduling conflicts.

The Never-Ending Story will continue. Production on the follow-up may begin this month. There's a Halloween 5, of course, shooting for an October release. Donald Pleasance stars, once again in pursuit of the mad masked maniac Michael Myers. Jason Takes Manhattan, which debuts next month. Christopher Lee has joined the cast of Gremlins II. Reiner, of course, won acclaim for a previous King adaptation, Stand By Me. Philip Jose Farmer's Dayworld saga is heading toward the screen. John Raffo is scripting Daybreaker based on the first two entries in the series. The hearty cry of "Hi-yo, Silver!

The masked hero will also be riding onto the silver screen. The TV series is aimed at a fall premiere. The movie is expected for Christmas Either way, it seems like a great many fans will soon be asking, "Who was that masked man? Like most kids living in relative isolation, Luckinbill found his escape at a nearby movie house. But his celluloid dreams were not the images Star Trek's are made of. For me, outer space was Gabby Hayes. After a two-year stint in the State Department as a theater direc- tor, writer and lecturer in Africa and Italy , he returned to the states where he began pil- ing up film and theater appearances.

Returning to the present and Star Trek V, Luckinbill offers that he has had a number of interesting roles over the years but that Sybok proved particularly attractive. Here was a character who was basically putting everything on the line, making a decision that was more important than in- tellect and then using that philosophy to reach a higher level. Just about everything about Sybok was appealing to me. We just went in and did them. And since I never looked at dailies, I don't have any idea how they play and, in a way, I would be very happy if I never knew.

I'm hoping like hell that what comes through is what I dreamed would come through. At the end, I merge with this alien be- ing who Sybok thinks is God. I don't think anybody is really sure whether Sybok is dead or not, so it's conceivable that I might wash up upon some shore in a future Star Trek. I'm not sure what's next, but I'm ready for whatever comes.

William Shatner is not overly fond of doing interviews. That is put- ting it mildly. Shatner prefers the more blunt approach. The Final Frontier in particular. We've talked about new things and I'm being forced to think about my responses a bit longer. But you would be surprised how often, over the years, I've been asked questions that are prefaced by 'I guess you've been asked this before.

But for past Star Trek films, I've done as many as 25 inter- views in a day and they all seem to ask the same questions. By the time I get to the 25th interview, I feel like I could almost mail my answers in. Those are the people I'll turn the tables on and go after just to make things interesting. But the actor, in an introspective mood this day, digs a little deeper. But I have another idea. The answers are new. And the subject is modern-day myth. Un- fortunately, because everything is explained to us in modern-day society, we don't have mythology any more.

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It touches a pulse that we all seem to respond to and that thing is the unexplained idea of going into space and what we will find out there. Star Trek is like a modern Ulysses; a myth that has been passed down over a period of 25 years and through a number of generations. It is my hope that future Star Trek films will address themselves to the fact that the characters are getting older. I don't think future Star Trek films can ignore the aging process, mortality and the possible loss of people who have been with Star Trek from the beginning.

How would the Federation deal with the aging problem? Would that person be retired? Would they be relegated to a wheelchair? This is a problem future Star Trek films will have to face full-on. He's drawn into a search for a scientist who possesses a blocking device for a mood-altering piece of software, the drug of choice on future Earth.

The search leads to a now-technologically and economically superior Mexico, where the action comes hot and heavy. Shatner's writing life was complicated by one minor distraction: That was the easy part of writing this book. Putting it all down on paper was the hard part. Kingdom of the Spiders!

What can I say? Let's talk about Star Trek some more," chuckles Shatner. Shatner is well aware that, for many fans, Star Trek has become serious business. He has jokingly taken that notion to task in his now-famous "Get a Life" skit on Saturday Night Live. But he takes the middle ground in response to the question of whether people take Star Trek too seriously.

For myself, I've always considered that as part of Star Trek, I am part of an entertainment. I don't think of myself as being part of an ongoing myth. I see myself as just making another movie. Who else is playing Kirk? My personality and characteristics are all in the character. I therefore am Kirk and Kirk is me. But that doesn't mean I go around expecting salutes from my kids," the actor chuckles.

Nor does he go around saluting Star Trek: Shatner says he has never seen the syndicated TV series. But Shatner does use the new series as an example of how dispensible even the long-running characters ultimately are. Star Trek without Kirk would definitely be different. The original cast has created something that is uniquely ours. The interplay is ours. We could be replaced, but it wouldn't be the same. It would be easy for Shatner to be smug in the face of his directorial debut get- ting good financial marks.

I do think the films have a built-in audience. And I think that audience will continue to come back. If they do, I don't think they'll be disappointed. Shatner returns briefly to his Star Trek V experience and claims that his often bumpy directorial debut was, to a large degree, of his own making. Without going into detail, I can safely say that the political side of mak- ing The Final Frontier was just as interesting as the technical side. But Leonard Nimoy and the rest of the cast did a wonderful job of holding me up and helping me get through it.

Hitting the Star Trek trail? That's something Shatner isn't looking forward to that much. All I want to do is make them. The idea for the feature, originally known as Robojox, came to the filmmaker during a trip through Toys-R-Us. He was captivated by the Transformer toys. And it occurred to me that, with the special FX available today, this was a fantasy in search of a film. Homer's The Iliad Achilles is the name of the film's protagonist and, while Gordon's frequent writing collaborator Dennis Paoli worked on several drafts of the screenplay, the final shooting script was written by celebrated SF author Joe Haldeman, whose novel The Forever War became a play directed by Gordon in Chicago.

The world is basically broken down into two superpowers: The Market, which is like the Common Market except that Japan and the United States are part of it, and the Confederation, which is everybody else. Earth has vowed no war will ever take place again, so international disputes are settled by single combat bet- ween pilots of huge robots. I wanted to create these robots as a reality and make it believable for an audience, and I knew Joe Haldeman could do that because of his expertise in futuristic weaponry — he's part of an Air Force think tank now.

When Achilles' robot, for example, changes its configuration into a rocket to blast into space, the cockpit inside becomes an ac- celeration couch to enable the pilot to with- stand the G-forces. Cobb was also asked to design robotic parts made of heavy-duty plastic with metal armatures underneath which special FX supervisor David Allen could reshape, using different models for different shots during the film's major transformation sequences. Director Stuart Gordon gives his Robot Jox some last-minute instructions. Along with some stop-motion FX added later, Allen and his crew shot on location in the Mojave Desert utilizing large models for these mechanical effects; others were used for pyrotechnic explosions, while some doubled as "stunt robots" for shots in which they couldn't destroy their carefully detailed models.

When they came back, they all looked like Lawrence of Arabia. For hand-to-hand combat, there are saws, drills and a magnesium flare which can suddenly blind an opponent. But, says Gordon, "the human story must be the center of it all. No matter how great your FX are, if the audience doesn't care about the people, then there's no movie. That's why I was drawn to the story of Achilles, the warrior who doesn't want to fight anymore but is forced back into it because of his lover's death.

That's the center of ours as well, though we've put it into science-fiction terms. Kids feel intimidated in an adult world because they're smaller, but if you're inside a robot, suddenly you're King Kong. That's how the jocks control them; they're not sitting there pushing buttons. The pilots are well-versed in all kinds of martial arts and, in the final battle, after the long-range weapons have been shut down, it becomes hand-to-hand combat be- tween the two opposing monster robots.

Fifty years after the last atomic war, these giant robots are the only permissible war machines. The losers are scrap metal. Johnson "was hilarious to work with," Gordon smiles. The striking, svelte actress "is about 6 feet tall and she would be walking around Italy [during filming], stopping traffic and turn- ing heads. She would go into Italian restaurants and, by the meal's end, she would be in the kitchen showing them how to make a hot fudge sundae.

On his resume, Gary listed his height as 6'1", and Anne- Marie listed hers as 5' 11 "; on the first day of shooting, I got them face to face in a two- Some combatants don't know when it's over. Achilles Gary Graham pursues his enemy even after both robotic alter-egos are destroyed.

Despite his usual screen persona, Koslo is actually "a very warm and sweet guy although occa- sionally, there would be times we would be in the middle of something and you could see something was rubbing him the wrong way, and it was like waiting for a volcano to blow. But he's such a mild-mannered per- son, I think he knows that, if he ever does blow his top," Gordon chuckles, "some- one's gonna die.

As a child, he started with H. Wells and then continued reading everything else in the genre. And, after all those years, he's thrilled to have made his first SF film. It was great because the thing about science fiction is you end up creating an entire world. For example, there are large posters of pregnant women all over the place in the background, the idea being that, in this post-nuclear world, they're try- ing to encourage people to repopulate the Earth, so we had a number of extras walk- ing around, padded up to look pregnant.

And there's a scene where Achilles visits his brother and the house is full of screaming kids, and the wife's pregnant again. She says, 'Well, I'm just doing my part. Besides, with six kids, you get three bedrooms,' im- plying that, as in the old Maoist China, if you had more kids, you were rewarded with more [living space]. Although his brother is a professional reader, Achilles is an illiterate. However, the filmmaker sees Robot Jox as depicting the opposite of a bleak, depress- ing future world. It's like a gigan- tic jigsaw puzzle, and shot by shot, you're waiting to put the right FX piece in the right place.

I did screenings to get people's reac- tions and every other shot would be a slug saying, 'Shot Missing,' so that became the movie's subtitle," he jokes. Bond becomes so obsessed with punishing the culprit, Sanchez, that he is dismissed from Her Majesty's Secret Service by "M, " and his license to kill is revoked. At 41, Dalton who discussed 00? This is one actor who takes his job very seriously. Let's talk about Bond as he ap- pears in this film; it seems he reveals a private side that he hasn't shown before.

You sur- prise me. How does this happen? Well, maybe we've seen the public Bond before — the man on a mis- sion — without dwelling on his inner motiva- tion and the private pain. I think the story is based on something personal. I mean, he's still the same man, of course, and I would like to think that you saw quite a few glimpses of the man himself in the last film, for exam- ple, because I believe that's important.

I wouldn't say the private Bond. It's still the same man, only here he's driven less objec- tively and professionally than he might be if he was working on a mission or a job. It comes from a personal source, but of course he's still Bond. What was the special challenge for you doing the character in this particular film, given the plot and motivation?

Almost every scene you do is difficult; every scene you do has a challenge, which is find- ing all the right bits of the jigsaw so that when you finish the movie, they will fit together and you'll have a proper picture of the man that fits with the film. It's a different kind of film — more straightforward in its motive. Daylights operated on quite a few levels of deception and intrigue, which I don't think we've got in this story.

There's a fundamen- tal course for aggression here and lots of blocks to the fulfillment of that. License to Kill is about vengeance, retribution, setting a wrong — a personal grievance — right, but it broadens and expands and takes on a larger perspective. Ultimately, as in all good Bond films, good does triumph over evil on a bet- ter basis than just one of personal revenge. I mean, one's own scope, one's own awareness of how he's behaving is enlarged and is brought back to something that is much more calculating and striving for a good end. It's very difficult for me to talk about it, because when you're in the beginning of the film, it's one thing to have broad strokes and outlines in your head, but day by day, through the process of work with your col- leagues, influences change, colors change, textures change.

It's difficult to judge until it's finished. Is he still as monogamous as in The Living Daylights! Yeah, I would pretty much say so. It usually starts with a woman giving him some trouble or problem or he's getting tangled with some woman he perhaps doesn't want to be tangled up with, but through the story, getting to know her better and perhaps either endangering himself in order to protect her or finding that she sometimes protects him and through their [eventual] mutual knowledge of each other, coming much closer, which I think is classic Bond.

In this call of the relationship? Would you say Bond has more of a partnership with her than with the females in the previous movies? I wouldn't say there's more of a partnership, no! Certainly, you could say in The Living Daylights, although the girl wasn't innocent, they developed into being — however haphazardly — partners; she certainly helped him.

I don't want to give the story away; there are complexities to it that shouldn't be revealed. How did you get along with Carey Lowell? Carey is a lovely person. She's extremely bright, responsive, very believable, and very good to work with. I think she has all the potential to be right up there in the forefront of the Bond leading ladies.

She's not a bad girl, just a tangl- ed girl, very attractive, very nice, something of a victim caught up in this affair. What kind of an opponent is Sanchez, as played by Robert Davi? What kind of a Bond villain is he? Before I speak about Davi, I would like to mention that this movie will be a harder, grittier, darker, and perhaps more realistic film than we've seen before. Alec "We both end up together going for this man Sanchez," says Dalton. His relationship with Lowell's character starts out stormy and then grows hotter.

Mills, who's lighting it, and the very texture of the story, both guarantee that. It's cer- tainly much together. And Davi as a villain is not among the "pantomime villains. Much of the film looks very moody and strong and dirty, which I like. One of my three favorite villains anyway was Gert Frobe in Goldfinger. I thought his performance was magnificent in a very wonderful film. Davi, too, is moving towards something fairly unique in the Bond films, and I hope it works. He's a worthy opponent? Oh hell, yes — and it goes beyond the nature of the character or the ac- tor playing the character.

I don't want to give the impression that one is moving away from tradition. He is still quite a monster and a villain in a world scale — his operation is global and destructive [Laughs heartily. Well, sometimes one would prefer to be playing the villain! Since fans have responded favorably to your portrayal of Bond, do you feel a greater ease playing him? I was gratified that so many people did enjoy The Living Daylights, but the responsive has not been percent, because everybody has their preconceptions of how James Bond should be.

But overall, there has been an overwhelming sense of pleasure at the direction the last movie took and how it was received by the audience. But it doesn't give one greater ease at all! You don't see Bond as an old friend you can just slip on? Not really, because it's not quite as simple as that. One has to make it work again and again every day. I have to shoot new scenes and new plotlines and make every moment feel right. That's the prob- lem. It has nothing to do with whether you feel happy, content and relaxed.

It has to do with what your imagination is telling you, what your responses are telling you. However good your previous work has been, the new one is always the new one — it has its own demands. Perhaps you face a bigger challenge than the previous Bonds, because they set the mold for themselves and then stayed with it. But you can't expect every story to be the same. When people talk to me about Roger Moore and Sean Connery, you can't compare the two; you can only say which films you prefer.

But they stayed as themselves within the movies that they made; there was no dramatic evolution. I know, but the movies themselves had the evolution. You could see the evolution between Dr. You could see development, but they were still within a similar area.

They were two different entities and therefore perhaps required dif- ferent kinds of performances. The more the films developed into technological ex- travaganzas and light-hearted comedy spoofs, the more removed they became from the early Bonds. In License to Kill, too, I hope you see a different Bond. Do you feel you're taking a risk that way? But it would be boring to be the same all the time, to have the same story. I don't wish to abuse the word, but there is a. A demon amongst men. A bane to all that is evil. The Official Fan Club Magazine.

By joining now you will receive an exclusive membership including an 8x10 cast photo, an embroidered patch and a full-color membership card in addition to your 6, bi-monthly Official Fan Club Magazines! It's the logical thing to do! Their exhibit runs until June and features merchandise from the '30s to the present with an emphasis on the '60s. The museum is located at N. For more info, contact Margie Doherty at It's not a bird, it's not a plane— it's definitely not Super- man — but a dark, audacious shape is hover- ing over America's greatest cities.

From coast to coast, the emblem of the Dark Knight has become a Batsignal, announcing theCaped Crusader's arrival on film, causing a mer- chandising wave that just may overtake the original Bat-hysteria surrounding the Adam West TV series of the '60s which Fox TV hopes to remarket this fall. Already, there's a Bat-line of clothes from T-shirts, shorts and denim jackets to caps, sleepwear and sportswear.

For the kids of all ages , Toy Biz has its line of action figures and playsets. Strategists can compete with pewter and wood chess and checker sets from Saratoga Mint. Car owners can transform their own vehicles into private Batmobiles with Plasticolor Molded Products' mats and mud guards. Canadian Thermos Products will provide the Dark Knight lunch boxes and shoulder totes to carry Unicorn Fantasies' Bat chocolate and hard candy.

And for the serious collector, Topps has made available only to the direct comic market the entry set of s Batman trading cards. Both Ballantine Books and Bantam will be publishing Batman coffee table books. The Chinese calendar may say is the year of the snake, but one need only look around and at the Batman movie calen- dar from Landmark to realize that a year- old Bat has taken over. OK OKon '89 P. Box Tulsa, OK Guests: Box Aberdeen, MD Guest: Louis, MO Archon 13 P. Box Clayton, MO Guests: Box Milpitas, CA Guest: Box 60 Harrogate, UK or P. Box Springvale, Victoria, Australia Guest: Box Baltimore, MD until 9: Box Anatoly I.

Petrenko Questions about cons listed? Please send a self-addressed, stamped envelope to the address list- ed for the con. South, NY, NY We can offer these scarce cups at this low price for a limited time only. Satisfaction guaranteed or your money back. Make checks or money orders payable in U. Rick Moranis has two new movies: Honey, I Shrunk the Kids, in which he plays a goofy scientist whose miniaturization machine inadvertently does what many parents would like to do to their own kids with a frying pan, and Ghostbusters II, in which Moranis reprises the role of Louis the accountant, who has since gone to night school and become a lawyer and organizer for the team that wants to de-slime the Big Apple.

Still, even funny guys have bad days. The expostulation is caused by a spilled can of soda on his end of the line; the spirit of the interview remains dampened long after the soda has dried. Moranis says this with dripping sar- casm. He must be kidding, because there are plenty of ques- tions that he really hates. And that gets us into the movie. Transportation includes a giant bee and a friendly ant made of latex foam core covered with horse hair, requiring up to a dozen operators. This is something that people are doing more and more of, and it's something that you must concentrate on.

It's just another style of act- ing. It's not any harder or easier than anything else. In Ghostbusters, I have a scene where I'm being chased by a dog that isn't there.

As I'm talking, I'm leaving holes for something to be added later. But in the finished movie, there are tiny children swimming for their lives amidst Cheerios the size of Saturn's rings. The Cheerios are played by textured inner tubes; the 16, gallons of milk is chlorinated water, pigment and a food product thickener. Was it hard to be funny on an empty set, looking down into a bowl of breakfast cereal?

So, in certain instances, a performer is really not that in touch with what the final product is going to be, especially in an effects situation. Ad Libs Not knowing how funny "funny" is go- ing to be when it winds up on the screen seems to cause Moranis less anxiety than not knowing how funny "funny" is going to be when it winds up in print. After giving numerous "funny" interviews, when he was "younger and greener and more glib," Moranis has turned over a new leaf. No more playful sparring with reporters.

All right, he does say something funny, but he does it so reluctantly, he makes it sound like something out of an historical compendium of late 20th-century humor. Although he doesn't only play nerds— "I do As a scientist, Moranis doesn't mind shrinking kids, but as an actor, he takes offense to shortening movie titles like Honey, I Shrunk the Kids. It's sort of unavoidable for me.

When I did Dark Helmet in Spaceballs, the note for the character said he wore this gigantic helmet. He was Napoleonic, he was fascist. And the press came out and said I was playing the nerdy leader. Does that also apply to Moranis? I feel very uncomfortable trying to come up with an answer for that question. He hated doing Streets of Fire, mostly because he was not allowed to improvise, and he disliked the finished product. I really separate the experience of doing a movie from the final product.

I real- ly put a tremendous value on the experience of doing it, which determines to a great ex- tent how I choose my projects. But Moranis wouldn't do a sequel just for the sake of doing a se- quel. Being down there was pretty frightening. It is absolutely the most polluted place you can imagine. There were days I woke up in my hotel room, and I swore I was sleeping in a garage. The air in my room felt like a car was idling there over- night. The Mexican people are wonderful. They're just in this unfortunate time and place, living in this overpopulated, terribly polluted valley with an inversion layer that has 40 million diesel engines pumping terri- ble fumes into it.

You saw all the knots, the hardwood, the heads of the nails, and all the idiosyncracies of a wood floor Janine Annie Potts and Louis Moranis do their bit to promote the Ghostbusters' return. Also, there were these huge, foot tall blades of grass, and soil and ants. He told me about this movie and about the kind of film he wanted to do. I read the script and looked at my kids— well, at that time I had one kid— and thought, 'What the heck. Moranis also has a movie script of his own, a comedy "God, I hope so" that he isn't ready to discuss.

It's a story of people coping with being a parent and a child in to- day's culture. Somebody's got- ta do the books. It's very col- laborative and fairly improvisational in terms of looking for jokes and action. A river of slime is roil- ing beneath Manhattan, and it all has to do with a museum painting of Vigo the Car- pathian, a baddie who is gradually coming to life.

Moranis speaks often about the impor- tance of collaboration among writers, actors and technicians on movies. But will he ever again have the creative freedom he once had with his Canadian confreres in SCTV1 "That was a unique situation," he observes. When you're young and hungry and green and you're in Edmon- ton and you're on at As soon as the network realizes, 'Hey, this is good, let's put this on in prime time,' it's over. Because now you have peo- ple flying up to Edmonton telling you, Wo, no, no, no, this should be a close-up, don't do that.

There is some debate over just how awful the past hour has been. Rick Moranis, much friendlier by now, in- sists it hasn't been all that bad. After hear- ing some evidence to the contrary, he ad- mits, "In other words, then, this was like a bad date. There, as the final test in the training process of would-be robot controllers, Athena has to climb to the top of a jungle gymlike ap- paratus, the bars of which shake so violently they can throw people off. Certain bars can also heat up enough to burn a person, or produce electric shocks.

It was a very time-consuming and difficult sequence to shoot. But I enjoy FX movies; there's fun in creating something that doesn't exist and making it believable. And in this film, it was the robots, making the audience believe they're real and weigh 3, tons. Gordon's robots have had an extended birthing process. While the scope and com- plexity of the special FX alone would have guaranteed a two-year shoot, production was held up an additional year due to Em- pire Pictures' financial woes, which resulted in their shutting the film down twice, pulling David Allen's crew out of the desert.

Later, Trans World Entertainment stepped in, viewed existing footage and decided to finish the movie. The subsequent unpredictable weather patterns on the Mojave sands stretched the rest of the filming out several more months. Metal Aftermath An early professional brush with the genre came when Gordon produced Warp, a science-fiction trilogy inspired by Marvel comics, on stage for the Organic Theatre Company.

During that time, he became friends with comic artists Berni Wrightson and Neal Adams. Drawing an analogy be- tween his love for comics and his new film, Gordon notes that "one thing they do well in comics is to create a sense of power with enormous characters or creatures of size, so I think comics were helpful in that regard. Comics are storyboards, really, and as a matter of fact, many comic book artists are doing storyboards and conceptual work. While the producers of Poltergeist and Gordon have been developing a Warp film, no firm plans have yet been made.

Peter O'Toole stars as Torquemada, the Grand Inquisitor of Spain, the real-life expert on torture responsible for thousands of deaths, all in a religious fervor. You have to find new ways to strike fear in- to their hearts. In a bit of swashbuckling, he gets to battle 25 guards while attempting an escape. And Sherilyn The Wraith Fenn plays a suspected witch, who Torquemada tortures while, at the same time, falling in love with her.

This will be much truer to the spirit of Poe than the [] Roger Corman film was, although I'm a fan of the Corman movie. I don't want to put it down in any way. They went as far as they could when that film was made, and we'll do the same for today. Their still-in-development Shadow Over Inns- mouth is about "a town in New England where all the inhabitants are turning into fish; pretty wild stuff.

He does, though, have a story credit on Honey, I Shrunk the Kids, which began as his own directorial project, The Teenie Weenies see page Stuart Gordon admits he would like to do an all-out comedy one day, noting ironical- ly, "It's amusing to me that, when I, directed theater in Chicago, what I mainly did was comedy but, since Re-Animator, it has been horror and, now, science fiction. But I still love them; I wouldn't want to leave the genre. It would have been nice to get our sub- marine sequence [another transformation] in, but if there's a sequel, we can put it in there.

For the most part, I think things turn- ed out far better than I had ever hoped they would. This is some of the best work I've ever done. War of the Worlds. Outer Limits Episode Guide. Inside Rob- by the Robot. Fenwick and his terrified nerd roommates live in their sleepy little frat house on Willowbrook Way. His latest work, "Nicola's Palace," is an action-adventure novel about three American teenagers who accidently kill a soldier in a Southeast Asian drug lord's private army, and are sold into slavery.

I lived and went to school in Thailand, so I was able to make this work very realistic.

Are you an author? Help us improve our Author Pages by updating your bibliography and submitting a new or current image and biography. Learn more at Author Central. All Formats Kindle Edition Sort by: Popularity Popularity Featured Price: Low to High Price: High to Low Avg. Nicola's Palace Aug 04,

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