I nostri eroi (Italian Edition)
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It features extra tracks not on the first pressing That wonderful score is now back on vinyl for the first time A stunning crime-jazz soundtrack blended with exotica flavours, composed by Armando Trovajoli, one of the main legends of Italian film music.
This is an outstanding, still undiscovered score, previously unreleased on any format. Only the amazing main theme, sung by Lyda Maestro Bacalov composed a symphonic score of moving tones, a nod to the classical music of the 19th and 20th century. This CD was assembled using the stereo master tapes of the Two ultra funky scores composed by the eclectic Maestro Ubaldo Continiello with a particular inspiration for the dance floor.
Two movies that see the wonderful Laura Gemser and Ilona Staller just in Voglia di donna in two late 70s comedies with a sexy flavour. The score to 'L'UOMO DI RAME' is not just sacred music, but portrays a great array of emotions and feelings, where the solo harmonica performed by Franco De Gemini who passed away at the age of 84 after a long illness imbues the proceedings with great humanity.
The sixth release in the series dedicated to the wonderful movie scores from the late Maestro Piero Piccioni comes as a double-CD. The first ever CD-release of this score, featuring both rock and synthesizer music.
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The liner notes are in English and Italian. On CD, this is a collection of wonderful collaborative recordings from the highly rergarded film composer Francesco De Masi and harmonica legend Franco De Gemini. One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. Buddah and ABC pressings from the 70's are a good example of this.
May have some slight marks from aging of the paper sleeve on the vinyl. Possible minor surface noise when played. Should still shine under a light, but one or two marks may show up when tilted. Can have a few small marks that may show up easily, but which do not affect play at all.
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Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail. This is the kind of record that will play "near mint", but which will have some signs of use although not major ones. May have slight surface noise when played.
Are you a business user? Kindle Cloud Reader Read instantly in your browser. In fact, the Frizzi heard here is even more in the spotlight than ever before — still using the Skip to content Skip to search. This album has been carefully mastered using the original mono master tapes. Full Cast and Crew. Other Authors Moser, Mario.
Very Good Vinyl can have some dirt, but nothing major. May not shine under light, but should still be pretty clean, and not too dirty.
May have a number of marks 5 to 10 at most , and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail. May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
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This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new. Very Good - minus Vinyl may be dirty, and can lack a fair amount of luster. Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper. This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise. May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout. Good A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips. In most cases, a poor quality copy of a very difficult to find record. Fair This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above.
Poor Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum.
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A slinky score from Armando Trovajoli — done for a film that was also titled The Bishop's Bedroom — a place where some of the slinky action in the film must have taken place! There's an occasional period vibe to the music — a few older jazz touches here and there — but most The grooves here are right up there with the best that Italy has to offer from the time — full, jazzy Armando Trovajoli Dramma Della Gelosia plus bonus tracks.
A beautiful score to this lesser-known Marcello Mastroianni film from — sublime sounds from the great Armando Trovajoli — done in a beautiful mix of electric keyboards, wordless vocals, and dreamy orchestrations! The set's got this warmly stepping groove that's really tremendous A great early soundtrack from Italian maestro Gianni Ferrio — one of his westerns from the 60s, done in a nice mix of bold themes and a few more contemplative moments!
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There's a good balance of elements going on in the mix — and while you definitely get some of the more familiar fast-mo A recent live performance by Italian soundtrack legend Fabio Frizzi — recorded in America as part of a tour designed to support Frizzi's surprising return to the spotlight in recent years! In fact, the Frizzi heard here is even more in the spotlight than ever before — still using the An obscure late 50s soundtrack from the glory days of the Italian toga film — composed by Giovanni Fusco, and conducted by Carlo Savina with this great blend of sentimental and more striking modes!
There's still strong ties here to a Hollywood mode of scoring — but there are also Teo Usuelli La Rivoluzione Sessuale with bonus tracks. A sensual soundtrack for the sensual revolution — presented here with a nice balance between dreamy numbers and groovier tunes! Some of the music here actually uses woodwinds in almost a chamber-style mode, while others bring in more of the 60s electric elements you'd expect — but Italy meets Australia — in a lovely set of grooves written by Piero Piccioni for this little-seen Alberto Sordi film from !
The sound is as sunny as you'd expect — with the Piccioni bossa groove used to set the scene for postwar Australia — sometimes coming across with