Capriccio Espagnol, Op. 34, I. Alborada

Rimsky-Korsakov: Capriccio Espagnol, Op.34 - 1. Alborada

October 8, Release Date: January 9, Label: Music file metadata contains unique purchase identifier.

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Capriccio Espagnol, Op. 34: Alborada

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Cello Sonata in D Minor, Op. Reviews Most Recent All Reviews. Javascript is required for this feature. Friends of the Symphony. An albarada , a type of morning serenade begins with a brilliant outburst in the full orchestra and ends with quiet arpeggios in the solo violin.

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Capriccio espagnol, Op.34: Alborada -

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Capriccio espagnol, Op. 34, is the common Western title for a five movement orchestral suite, The first movement, Alborada, is a festive and exciting dance, typically from traditional Asturian music to celebrate the rising of the sun. It features. A - Capriccio Espagnol, Op. Alborada (arr. Kennedy). by RIMSKY- KORSAKOV, Nikolai Andreievich () (Composer), KENNEDY, Thomas A.

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Capriccio espagnol, op. 34

These files are part of the Orchestra Parts Project. Arranger Frank Winterbottom — Arranger Aleksandr Schaefer — Illustrated title page by A.

Nikolai Rimsky-Korsakov - Capriccio Espagnol, Op. 34

At the age of twelve, he left home to attend a naval college in St. Petersburg for the next six years. Despite what looked like a career choice in favor of the navy, he had an abiding interest in music, fueled during those years by lessons with various private teachers. A meeting and private lessons with Balakirev further stimulated his interest in composition. In , he embarked on an around-the-world trip on a clipper ship and managed to write his Symphony No.

Finally, inspired by Balakirev, Cui, Mussorgsky, and Borodin, he decided to devote himself to composition as a career.

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Although all were dedicated to the advancement of Russian Nationalism, only Rimsky-Korsakov and Balakirev were professional musicians. The others were physicists, chemists, and civil servants who often had to be forced to finish their compositions.

About the Work

As a young composer, Rimsky-Korsakov used instinct and experiment rather than formal training in technique. In fact, when he was appointed as the first Professor of Composition at the St.

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He had particular genius in orchestration and is widely accepted as an equal to both Berlioz and Richard Strauss. As the principal teacher of Igor Stravinsky, his influence would extend far into the 20th century. Out of gratitude, Rimsky-Korsakov dedicated the work to the orchestra.