Der Kurator im Zeitalter der neuen Medienkunst (German Edition)
Contents:
Im Zentrum steht dabei immer der Betrachter, der sich direkt, und nicht durch einen Rahmen abgetrennt, mit dem Gezeigten auseinandersetzt. From creati ve subversion of technology to explicit political signifiers — Stephan Schwingeler Interview: Conversations with Artists — Hyejin Park. New strategies in gaming are based on artistic research in the growing fields of audio-visual media. Computer games reflect and analyze the function and structure of our societies. The exhibition New Gameplay is comprised of six sections, presenting works of game art ranging from art that has computer games as its subject to computer games designed by artists.
Classic media art and video games will also be a part of this engaging dialogue. Chinese artist Feng Mengbo is represented by his work Long March: One area of focus is dedicated to independent and serious games, which have distinguished themselves by their particularly innovative game ideas, interesting experimental claims, and unique consciousness of their own means and forms of expression. Exhibition Expanded Media, Kunstbezirk Stuttgart Artistic works from the competitions Media in Space and Network Culture are on display, which includes cross-border formats such as performance, installation, Expanded Cinema and Net Art like interactive web or social web projects or interventions at public and virtual spaces.
Cinnamon Colomboscope is a contemporary and multidisciplinary arts festival that takes place in Colombo, Sri Lanka. The festival has always had a legacy of challenging how we view art, by presenting works in venues that are not traditional exhibition or performance spaces. The idea of using art to draw audiences into different parts of the city is the trademark of the Colomboscope festival.
Artists reacted to this new development in two main ways: This new undertaking also forced the artist to make an ideological choice: In practice of course, this pas de deux was not as straightforward and, over time, many different exchanges and interweavings saw flourishing. This book aims to provide an overview of the most relevant authors, exhibitions, events and places.
In addition, it provides insights into the new data world — whose existence has been finally brought home to the general public, through the NSA affair. Today, people live in a globally interconnected world in which the biosphere and the infosphere are interfused and interdependent. The Earth is surrounded by a layer of gases which we call the atmosphere. It is the product of photosynthesis, of algae working for millions of years, converting light energy from the sun into air. Thus the atmosphere is essential for most living organisms, including people.
For around years now, we have been surrounded by an infosphere, as well. With this neologism the technical network is meant, consisting of telegraphy, telephony, television, radio, radar, satellites, and the Internet, which covers the globe and enables global exchange of data as well as the organization of transport for people and goods.
Without the global traffic in data, goods, and passengers it would be impossible to meet the biological and social needs and aspirations of over seven billion people. In the nineteenth century, new transport routes and paths of communication were developed through machines operating on land, sea, and in the air. In the years to , Heinrich Hertz conducted experiments proving the existence of electromagnetic waves and demonstrating that light consists of these electromagnetic waves.
With this discovery, the age of wireless communication began, which enabled message and messenger to be separated: Henceforth data could travel through space without the body of a messenger. In the twentieth century, this resulted in a densely interconnected communication and information network of mobile media: Using artificial, technical organs human beings can, for the first time, use electromagnetic waves for the wireless transmission of words, images, and other data — waves for which humans do not actually possess a sensorium.
The social media, which have changed our daily lives, are a part of these technological networks.
Now that the alphabetic code has been supplemented by the numeric code, algorithms constitute a fundamental element of our social order — from stock exchanges to airports. Against this backdrop, contemporary art operating in the thematic field of big data is especially significant.
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Description Knowledge is power. And power is possessed especially by whoever controls the flow of information. This applies particularly in digital culture, where all the information in the World Wide Web can be manipulated, uncontrolled. For a long time, a hope for new forms of democratic participation arose from the use of these digital instruments, but recently they have been misused as the ideal door opener for the surveillance of billions of people.
Besides mass analysis of communications metadata and massive access to personal data, there is increasingly open or clandestine censorship through manipulation or shutting down. Where the fear of this threat has no effect, the secrecy of important information is enforced, with methods ranging from hindering publication to kidnapping and assassinating journalists. Being at the mercy of overwhelmingly powerful authorities of control and censorship has become the conditio humana of our time. Today a large part of the public has already resigned in the face of a ubiquitous state and commercial surveillance.
Sandra Kuberski
This exhibition is based on the collaboration with a network of scientists, journalists, activists, and artists in some twenty countries around the world, and in cooperation with expert organizations such as the German PEN Center, the Chaos Computer Club, Reporters Without Borders, and such platforms as netzpolitik. Poetics and Politics of Data reflects life in a world increasingly controlled by data and presents artistic positions that aim to make continuous streams of data visible — whether using Internet-based installations or graphic data visualizations.
The participating artists question the relevance and place of the individual in a technologically connected society in which every day, each of us generates a nearly incomprehensible amount of data: Our every move on the Internet leaves behind a digital trace. This is a solid publication that goes beyond its simple role of being an art catalogue.
MenschSein mit Algorithmen | Being Human with Algorithms
The Japan Media Arts Festival is a comprehensive festival of Media Arts Media Geijutsu that honors outstanding works from a diverse range of media — from animation and comics to media art and games. The festival gives awards in each of its four divisions: Art, Entertainment, Animation, and Manga. It also provides a platform for appreciation of the award-winning and other notable works. The exhibition presents the Award-winning Works from the four divisions of Art, Entertainment, Animation and Manga, chosen by the jury from among a record number of 3, entries from 71 countries and regions.
The winners of Special Achievement Awards will also be shown. The Award-winning Works, selected after a rigorous judging process, reflect the most recent trends in their respective fields. Sie sehen, wie in nanotechnologischen Fabriken aus dem Feind CO2 der Freund gemacht wird, indem das Oxygen vom Kohlenstoff abgespalten und zur Erzeugung synthetischer Brennstoffe verwendet wird.
Jahrhunderts — erschaffen von einer neuen Allianz zwischen Kunst und Wissenschaft, der Renaissance 2. Birth of a Museum: Documenting the Construction of MMCA, Seoul MMCA presents five special exhibitions on the occasion of her inauguration that anticipate the vision and direction of the new museum, introducing artworks by approximately artists in seven disciplines.
The exhibition represents a fresh inquiry into the ways in which our individual values and ideas may erupt into the world, igniting communication and forcing us to reassess the value of art in any given era or society.
Ions of convergence and synthesis between disciplines. In the marvelous new venue. Worldwide networking creates new, global aesthetic tendencies: It presents a selection of outstanding key works by international artists of the five continents. Inspired by applied, formal, and aesthetic qualities, the artists deal with the exploration of the opportunities and risks associated with these new resources, which are brought to bear in the various arts presented in this exhibition: The selection includes works in formats such as video sculpture, video art, video performance, video installation, audiovisual installation, interactive installation, and interactive sound installation.
We highlight the relation between the etymologies of both terms and the artistic genres shown: A widely used concept in the field of contemporary art, intervention usually stands for interference, manipulation and interaction between oeuvre and audience. Die Auswahl der Werke umfasst Formate wie Video-Skulptur oder Videokunst, aber auch Videoinstallation, audiovisuelle oder interaktive Installation und Klanginstallation.
TV Bot, Marc Lee. The Project digital art conservation. This could be the ultimate, decisive question in the future when it comes to preserving and making the art of our time accessible for future generations. The book presents the results of the digital art conservation project that was conceived at the ZKM Center for Art and Media Karlsruhe in It includes text contributions by major theorists, restorers, programmers, and artists as well as case studies.
It is designed to foster the international debate on the conservation of digital art. Deutsche Edition Konservierung digitaler Kunst: Das Projekt digital art conservation. Le Projet digital art conservation. Neckar-Vlg Sammelmappe 24,5 x 32,5 cm, inkl. Meisterwerke der Medienkunst Marc Lee geb. The gateways catalogue introduces artists whose works deal with the changed conditions of an interconnected world that increasingly is influenced by media.
Art and Networked Culture introduces a young generation of artists whose work deals with the changing conditions of a networked world — a world increasingly transmitted through media. The artistic works presented here use various means to tackle the theme of gateways that lead to realms of action and experience in our digitally interconnected culture. Through their use of electronic networks and mobile technologies, the artists encourage the public to participate actively and transport new experiences in perception.
Eingebettet in ein didaktisches Rahmenprogramm werden die Kunstwerke als solche im Mittelpunkt stehen: Artists 10 Herbert W. Soll sie zu Revolutionen anstiften und Menschen dazu bewegen, sich zur Wehr zu setzen? Hildegard Fraueneder, geboren , Kunstwissenschaftlerin und Ausstellungskuratorin. Leiterin der Galerie in Salzburg. Gianni Stiletto, geboren , freier Komponist und Keyboarder. In the publication Owning Online Art — Selling and Collecting Netbased Artworks, art historians discuss the critical positioning of selected works of net art Rachel Mader and approach questions on the relationship between internet art and the art market from the standpoint of the history of media Peter Schneemann.
Using the example of specific works, artists discuss aspects of the materiality of net-based art Markus Schwander and reflect on their experience with curators and collectors, as well as with the issues of the commercialisation and conservation of net art Olia Lialina, Carlo Zanni. Our research partner, the AktiveArchive project contributed its expertise in the areas of documentation, conservation and restoration of electronic art and discussed solutions for the restoration of net-based works Tabea Lurk.
A number of different economies can be applied to the issue of the relationship between net-based art and the art market: The text section closes with the answers of the 17 international artists to the questionnaire sent out by the OOA research project.
Schweizer Medienkünstler Marc Lee stellt in Seoul aus
Publication of the research contributions is available in four formats. The decision towards this variety is linked to the object of investigation of our research project in the field of online culture: We want to test established and new publication formats for their benefits for research publications. Rachel Mader University of Berne , Prof. Peter Schneemann University of Berne , Dr. Die Entscheidung zu dieser Vielfalt hat mit dem Untersuchungsgegenstand unseres Forschungsprojekts im Bereich der Online-Kultur zu tun: They can act as artists, curators and producers.
Visitors to the exhibition are central as users, as emancipated consumers. YOU are the content in this exhibition! YOU are a part of the universe: YOU are the user of the world and part of the world, and with that a participant in the world.
Bas Princen Holland , Birdwatchers, Spain , Media-Tic Building, In practice of course, this pas de deux was not as straightforward and, over time, many different exchanges and interweavings saw flourishing. Today a large part of the public has already resigned in the face of a ubiquitous state and commercial surveillance. The scientific world view is since then kind of musically influenced.
Today we are in the epoch of mobile communication, wireless lan, bluetooth, RFID, where we are surrounded by digital media technology, which becomes more and more smaller and invisible. The important point is that they are still ubiquitous due to wireless telecommunication technology, which became a main part of our everyday life. This means that our everyday life is traversed by invisible electro magnetic waves and oscillations. Oscillations, which can be made audible. Thereby we arrived during our quest for mobility at a state of inaudible cacophonia of electromagnetic dissonances.
Sonntag, who won the prize of german soundart Deutscher Klangkunst-Preis will present his works and ideas.
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