Quinze missives (Héritage spirituel) (French Edition)
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Over 20 Hours 2. All Categories 18 results. Le seigneur des anneaux , Book 1 Length: Add to basket failed. Please try again later. Add to Wish List failed. Free with day Trial. Les deux tours Le seigneur des anneaux 2 By: Le seigneur des anneaux , Book 2 Length: Le retour du roi Le seigneur des anneaux 3 By: Le seigneur des anneaux , Book 3 Length: Temps glaciaires Commissaire Adamsberg 9 By: Fred Vargas Narrated by: Quand sort la recluse By: Pars vite et reviens tard Commissaire Adamsberg 3 By: Un lieu incertain Commissaire Adamsberg 7 By: Vendetta [French Version] By: Arnaldur Indridason Narrated by: Le Marchand de sable Joona Linna 4 By: Lars Kepler Narrated by: The term "antiquities" included material remains of the past coins, ruins, manuscripts, pictures, inscriptions, statues, medals, seals and non-material substances such as institutes, offices, customs and titles.
Apart from the new subject area, the erudites and antiquarians developed a new research methodology. Changing the comprehension of historical evidence, they started using new types of original sources, such as archaeological material, and changed the practice of utilization of the written sources.
Changes in historical knowledge in Early Modern Europe turned out to be so deep that in the third quarter of the twentieth century a pleiad of historians didn't hesitate to name these changes a historical revolution5. The special interest in vernacular past, vernacular history was characteristic of the European societies at the time. This interest, being a consequence of both intellectual and social processes, gave birth to new historical genres and revived already existing ones, such as chorographies, genealogies and genealogical histories, etc.
In this intellectual circle a specific genre came into existence — the genre of cabinet. At the same time all the foregoing traits of Early Modern intellectual activities both thematic and methodological manifested themselves in a new phenomenon in the life of Renaissance Europe — the phenomenon of the cabinet of curiosities. A sort of museum emerged. It received different names — cabinet of curiosities, cabinet of antiquities, Kunstkammer — and got an incredible popularity in sixteenth and seventeenth century Europe.
Despite the medium or even little popularity of the genre of cabinet in France in the sixteenth and seventeenth centuries, the titles of these works apart from the literary ones were rather diverse. Though not too popular, it assumed different forms under the pen of different authors. Lyon, ; Le petit cabinet des chansons nouvelles et amoureuses. Simon Niclot, religieux Minime. Besides the likeness of titles, the two works were published almost simultaneously, in the first decade of the seventeenth century. Nevertheless, his sphere of interest characterizes him as an erudite, as well as the French language of his works enables to ascribe him to the French erudite circle despite the official Spanish status of Arras at that time. Gazet published more than a dozen of works.
The Renaissance brought the rise of lively interest not only in monuments of the past but also in pieces of art, wonders of nature which may be characterized as objects relating to natural history and exotic ethnographical items as well. Such encyclopedic collections at the same time demonstrated the high degree of integrity of European knowledge, the forming of a new taste for empiricism and rationalism and a new passion for collecting, but also were illustrative of the interest in antiquities. One of the sixteenth century erudites, Claude Fauchet, wrote in that interest in the antiquity was then so vivid that most of the well-to-do people, " however ignorant they were", wished to represent it as far as possible: He also mentioned the passion of the "grand men" to decorate their cabinets with the material remains of the past7.
Although in the past several decades a multitude of researches has been published in the field of the intellectual history and, in particular, concerning the French erudite movement, little attention has been paid to the different genres in the Renaissance scientific literature, and no research has been found that surveyed the Early modern erudite genre of cabinet. On the other hand, the notion of cabinet has been analyzed in the sense of a special place for keeping collections.
At the beginning of the twenty-first century a special. Avec quatre Lettres sur le mesme sujet, le Journal d'Angleterre du sieur Vernon, et la Liste des erreurs commises par M. Guillet dans son Athenes ancienne et nouvelle. Was there an Historical Revolution? And yet the analysis of the use of the genre in France enables to emphasize certain distinguishing features of the French erudite movement in general, as well as to outline the specific traits of the intellectual life of the French society in the context of the culture of curiosity in Renaissance and Early Modern Europe.
The genre of cabinet seems to have emerged simultaneously with the coming into existence of the phenomenon of the cabinet of curiosities and to have been typologically very close to it.
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The genre didn't gain wide popularity in the French intellectual circles. The works with such titles published in France in the sixteenth and seventeenth centuries may be easily quantified. However, the genre assumed specific forms under the pen of different authors. Before proceeding to the classification and characterization of such works it seems useful to resort to the dictionaries of the epoch for the definition of the term "cabinet".
The widely known dictionary of Furetiere published in at the end of the period in question, after the publication of the most part of the works analyzed in the present article gave seven main meanings of the word "cabinet" in the following sequence:. The dictionary of Furetiere also distinguished a particular case of such use of the word: Paris, ; Schlosser J.
Les Cabinets d'art et de merveilles de la Renaissance tardive. Paris, ; Po-mian K. Collectionneurs, amateurs et curieux.
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Paris, ; Martin P. Neuilly, ; Marcoux C. Clermont-Ferrand, ; Impey O. The origins of museums: New York, ; Gargam A.
Savoirs mondains, savoirs savants: Les Chambres des merveilles. Paris, ; Davenne Ch. Paris, ; Arnold K. Cabinets for the curious: La Haye; Rotterdam, Later dictionaries and encyclopedias omitted several meanings from the above list But the most popular and widespread denotation of the term "cabinet" still seemed to be "a specific place" in landscape architecture, interior and closely related to it meaning of an article of furniture.
Thus, we don't see any mentioning of the use of the word "cabinet" in connection with the writings of any kind. It appears interesting that the word "cabinet" as a literary genre has never been mentioned in the dictionaries of the Modern times. However, in effect the genre of cabinet did exist. They can be divided in four groups according to their subject areas.
The works describing the contents of some real cabinet, often of a politician or a man of letters, but sometimes of some private individual, form the first group of such papers Strictly speaking, not all the works of this group are entitled as "cabinets"; some titles contain such expressions as "the inventory of the cabinet" or "something got from the cabinet of.. There are two types of such works: The examples of the first case are numerous and include "The cabinet of the library of Saint-Genevieve".
The example of the second one is "The Cabinet of Louis XI"13 for official persons and "Reprimand to the newly married.
In the titles of the second large group of works in the genre of cabinet this term is used as a synonym of an anthology or collection. This group is connected with the belles-lettres. Le cabinet de la bibliotheque de Sainte Genevieve. Aix, ; Spon Jacob. Lyon, ; Barnaud Nicolas, Froumenteau Nicolas.
Paris, publication — Paris: L'Homme d'Estat en matieres d'Interests. L'ordre de manier les finances.
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Le discernement des Maltotiers d'avec les Officiers legitime de l'Espargne. The third group consists of the "pure erudite" cabinets which contain virtual collections of different kinds16 — from various problems of navigation17 to the erudite research of the nobility Finally, the last, fourth group, is formed of the so-called "mystical cabinets" — works of moralistic character containing morals and being congeneric with both didactic and religious literature of the epoch Cabinet des saines affections. Par Madame de Rivery. Paris, ; Franeau Jean.
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Poictiers, ; Carneau Etienne. Paris, ; Le cabinet des Muses, ou recueil des plus beaux vers de ce temps. Paris, ; Le nouveau cabinet des muses gaillardes. Lyon, ; Le cabinet des plus belles chansons. Lyon, ; Le petit cabinet des chansons nouvelles et amoureuses.
Recueillies de divers autheurs. Histoire, chronologie, topographie, hydrographie, politique, armes, devises, merveilles et autres choses nobles. Paris, ; Waghenaer Lucas Janszoon. Calais, ; Du Chesne A.
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Paris , ; Assignies Jean d'. Douai, ; Camus Jean-Pierre. Paris, ; Le Comte Florent. Paris, ; Monnier I. Le cabinet mystique; contenant les regles de la conduite des ames religieuses. La conduite des novices. Rennes, ; Blois Louis de.
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Some works unite the traits of two or more groups, being, for example, a collection "cabinet" of poems and at the same time a part of a material cabinet of some person Despite the medium or even little popularity of the genre of cabinet in France in the sixteenth and seventeenth centuries, the titles of these works apart from the literary ones were rather diverse.
However, two papers stand out from the lists of works of the third and fourth groups by their similar titles including the expression "the cabinet of ladies". These are "The Cabinet of ladies containing the spiritual ornament of the Christian wife, girl and widow; and also the Cabinet of the virgin devoted to God by the vow of chastity. With a Historic Calendar of Saint and virtuous ladies. Besides the likeness of titles, the two works were published almost simultaneously, in the first decade of the seventeenth century.
Hence, the comparison of these incarnations of the genre of cabinet is especially interesting. He started his erudite career rather early the first publication dated from Later he got the office of the royal geographer and historiographer, published more than thirty works and left dozens of unpublished papers on various historical and geographical subjects, from genealogical histories and the history of French cardinals to the description of antiquities of the French kingdom.
The investigated subjects as well as the specific methods of research characterize Duchesne as an erudite Guillaume Gazet seems to be a stranger in the modern historiography, not having become a subject of interest to scholars yet. Born in Arras in , he was appointed parish priest of the church of Sainte-Marie-Madeleine in Arras around , and later combined this office with the office of a canon of the collegiate church of Saint-Pierre.
Douay, ; Gazet G. Le Cabinet des dames: