Harpsichord Pieces, Book 1, Suite 5, No.14: Les Ondes Rondeau

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Introduction in It-Eng by Pinuccia Carrer. Oblong, 22 x 19 cm, 28 pp. Line-cut of the Paris, c. Musique pour le Piano-Forte, I. Line-cut of the London, edition. A Facsimile of the Paris Edition. Bihler was a German monastic composer; trained in the Minorite monastery in Maihingen, he was a boy soprano at the Benedictine Abbey at Neresheim and in become cathedral organist at Augsburg. Bland edition, London, c. Line-cut of the Berlin, edition. In Telemann began, with Geteuer Music-Meister, a trend in musical editions published by installments that catered to both professional and amateur musicians.

Musikalisches Allerley is the leadingserial and one of the first of such from Berlin, offering the newest works for keyboard instruments and songs with keyboard accompaniment. Two complementary treatises on the early piano. Associazione Clavicembalistica Bolognese, 6. Oblong, 30 x 21 cm, 2 parts, xx, 76 pp. Line-cut of a contemporary ms copy, a wonderful transcription for two harpsichoords from the original string version.

Bodin de, [Suites, harpsichord, op. Descriptive pieces arranged as 4 suites, some of which include several couplets. The first of four publications for clavecin by Boutmy to be published in facsimile. Oblong, 31 x 23 cm, 4, 26 pp. Oblong, 26 x 20 cm, 78 pp. Three complementary treatises on accompanying with the organ and harpsichord. With a Preface by by J.

Oblong, 31 x 23 cm, vi, 26 pp. Line-cut of the London edition. A graded collection of pieces including numbers by Nicracci, Lully, Corelli, Larini, Pescatore, and others, together with some rules on playing by Robert Bremner. Wrappers in marbled paper. Halftone of the autograph score composed in for the baptism of Christine Judermuhle. Special limited edition on laid paper. With an Introduction by Albert Clement. Exempla Musica Zelandica, I. Line-cut of the Amsterdam, c.

Pièces de Clavecin (Couperin, François)

Edited by Oliver Neighbour. It was painstakingly compiled by the Windsor-based scribe John Baldwin, who completed work on it on 11 September By Byrd was mid-way through his career as composer of church music and secular vocal and instrumental music.

The MS provides a snapshot of the keyboard music he had composed by that date and is an exceptionally important source for his music. It contains some of his best-known compositions for keyboard, including variations on the popular tunes 'Sellinger's Round' and 'All in a Garden Green'.

Her family's coat of arms adorns a leaf at the front of the MS. Faksimile-Edition Theoretica, 4 Suttgart, Oblong, 22 x 17 cm, 48; 74 pp. Line-cut of the Augsburg and editions. Ars cantandi—after a brief introduction on fundamentals and solmisation—includes an appendix of keyboard pieces preamboli, intermezzi, versetti, toccate, tastate, variazioni, fughe.

Hardbound in decorative paper. Oblong, 31 x 22 cm, 70 pp. The first two books of harpsichord music to be engraved in France.

Oblong, 31 x 22 cm, 23, 70 pp. Oblong, 27 x 21 cm, 70 pp.

Couperin: The Complete Pièces de clavecin, Vol., 5 / Mark Kroll, harpsichor - HBDirect Genres

Oblong, 31 x 22 cm, 20, 60 pp. Oblong, 27 x 21 cm, 62 pp. Oblong, 32 x 23 cm, 18, 38 pp. Line-cut of the Poggiali edition, Florence, c. The only keyboard sonatas by Cherubini. Oblong, 34 x 24 cm, iv, 77 pp. Line-cut of the Rome, edition. Introduction in It by Laura Alvini. Wrappers in decorative paper. Oblong, 27 x 19 cm, 36 pp. Oblong, 27 x 20 cm, 30 pp. Oblong, 25 x 19 cm, 19 pp. Slightly augmented version of the edition.

Oblong, 28 x 21 cm, 19 pp. Oblong, 31 x 22 cm, 28, 19 pp. This work was produced at various times with plates that were either corrected or added to. Line-cut reproduction of the Paris, edition. Oblong, 29 x 21 cm, 34 pp.

Prototipes contains lessons in questions and answer form, and illustrative sonatas for the vln, fl, and descant viol. Oblong, 27 x 21 cm, 55 pp. Arranged into 4 suites. Includes 4 suites with an explanation of passages to be fingered. Develops a whole code of ethics for playing the instrument. Line-cut of another surviving print of the Paris, edition this print is possibly earlier than no. Laid paper with handsome binding in cloth. Line-cut of the Paris, edition, based on the exemplar formerly owned by Ralph Kirkpatrick.

New York, 23 x 31 cm, v, 14 pp. Introduction de Davitt Moroney. Oblong, 22 x 17 cm, 35, pp. Line-cut of a newly discovered ms containing French harpsichord music. Oblong, 31 x 22 cm, 11 pp. Line-cut of the John Walsh edition, London, [c. Oblong, 35 x 25 cm, 25 pp. Line-cut of the De Grado edition, Naples, Handsome portfolio in cloth.

Oblong, 30 x 22 cm, 24 pp. Line-cut reproduction of the F. Oblong, 31 x 23 cm, ix, 23 pp. Line-cut of the Naples, c. Full-color reproduction of the autograph issued on the occasion of the 20th anniversary of the Archivo Manuel de Falla.

More By Mark Kroll

Limited edition of copies. Oblong, 30 x 21 cm, 20 pp. Introduction by Henri Vanhulst. Line-cut of the Brussel, edition. Oblong, 30 x 22 cm, 18 pp. Schmidt edition, Braunschweig, Oblong, 28 x 21 cm, 67 pp. Line-cut of the second edition, Augsburg, Oblong, 34 x 26 cm, 68 pp.

Line-cut of the Colmar edition, Munich, c. Partite di diverse, arie e corrente, balletti, ciaccone, passaghagli. Preface in It by Laura Alvini. Mainz, Ludwig Bourgeat Oblong, 32 x 20 cm, 28 pp. Halftone of the Amsterdam, edition. Oblong, 29 x 20 cm, 44 pp. Line-cut of the Mainz, edition. Oblong, 29 x 20 cm, ii, 28 pp. Oblong, 25 x 18 cm, 40 pp. Oblong, 28 x 20 cm, ii, 40 pp. Line-cut of the Amsterdam, edition.

Full-color reproduction of a contemporary ms copy, together with a new engraved edition. This ms resurfaced in and was returned to the archives of the Sing-Akademie in Berlin in It was probably prepared from autograph originals by the Hamburg organist Johann Kortkamp, ca. Oblong, 32 x 21 cm, 46 pp. Line-cut of the Angelo Gardano edition, Venice Consists of 9 pieces. Contains 13 works arranged by key. Line-cut of the Venice, edition. Hardbound in marbled paper. Oblong, 23 x 16 cm, 52 pp. Geminiani and Adapted by Himself to that Instrument.

Introduction in It by Gabriella Sartini. Geminiani, and Adapted by Himself to that Instrument. Oblong, 29 x 21 cm, i, 37 pp.

Chamber Music

Line-cut of the John Johnson edition, London, c. Reflects the influence of contemporary Italian composers such as Domenico Scarlatti and Domenico Alberti. Line-cut of the Preston edition, London, c. Performer Pages Angela Yurchenko piano. Javascript is required for this feature. These file s are part of the Werner Icking Music Collection.

Editor First edition 4th impression. Editor First edition 10th impression.

Chez l'Auteur, Le Sr. Boivin , printing. Editor Johannes Brahms Friedrich Chrysander Editor Maurice Cauchie Editor Ernst Pauer

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