Di Lavoro E Non Solo Sguardi Pedagogici (Italian Edition)

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Those writings were translated into Italian the following year and immediately became a classic for anyone interested in or keen on photography. Perhaps the secret of the book's success and fame lies, among other things, in its hybrid nature. In its six essays, Susan Sontag works through flashes of inspiration and continuous, fascinating references to cinema, literature, and art, fuelling them through a constant contextualisation of the vicissitudes of photography in politics, history, culture, and communication.

The late s had been a remarkably lively period for German photography. In it was included as a subject taught in the Bauhaus school of design for the first time. Its pages retrace the fundamental steps of the story of photography with references to technical evolution, its relationship to painting, and its socio-anthropological effects, with a sharpness of reflection that cuts through its original historical context, rendering this text essential reading even today for understanding the role that photography has taken on in our culture.

Introduction by Ermanno Cavazzoni. In Angelo Guglielmi, the former director of TV channel Rai3, asked writer Gianni Celati to shoot a film on the Po Delta, a work halfway between a travel journal and a reportage, in the area that was the background of one of his last book, Verso la foce Towards the river mouth. Celati then invited all his Ferrara relatives and friends on a bus and led them on a journey through the Po Valley, la Bassa , to the Delta of the river.

The bus was followed by a car with the crew and Luigi Ghirri, who had been appointed set photographer. Celati is the director and the guide embarking his friends and ourselves on a trip to the places he loves, while composing little stories made of images and words. Fishermen, peasants, women and men are captured during their daily tasks, with great attention for their environment.

The work sheds a new light on Italian cinema in the s, anticipating some stylistic features of Neo-realism and of the entire vision of the Ferrara filmmaker. The film started in and was completed in after the war-lenght interruption. Captured over the course of an eventful year in 23 countries including Afghanistan, Bangladesh, France, Greece, Germany, Iraq, Israel, Italy, Kenya, Mexico, and Turkey, the film is a witness to its subjects and their desperate search for safety, shelter and justice.

From teeming refugee camps to perilous ocean crossings to barbed-wire borders, people face dislocation and disillusionment with courage, endurance and adaptation, from the haunting lure of lives left behind to the unknown potential of the future. This visceral work of cinema is a testament to the unassailable human spirit and poses one of the questions that will define this century: Will our global society emerge from fear, isolation, and self-interest and choose a path of openness, freedom, and respect for humanity?

Franciscan friar Father Silvano lives in Havana since , following the Gospel message of the Order of Friars Minor Conventual and carrying on social activities within the local community. Will Cuba, a poor yet fierce and fearless country, resist the lures of consumerism and keep a simple yet dignified profile? In the film the encounters and activities of Father Silvano and the Franciscans in Havana become metaphors questioning the future of Cuba and the hopes and dreams of the younger generations and of little Francesco, a symbol for change and for the choices that have to be made in the name of a future growth in sobriety.

Shore after shore, story after story, the Trieste reporter introduces us to the spirit of the great Italian river and to its best kept secrets. Punctuated by encounters with kayakers, boatmen, writers and fishermen, the film narrates little and big events taking place along the Po, allowing us to re-discover its savage watercourse. If its banks run through four of the most populated regions in Italy, the riverbed conceals an untouched environment, magnificent and unrevealed, a shrine of beauty resisting all the damages provoked by humans.

Paolo Rumiz, a writer who always knows how to interpret the world from new, unexpected perspectives, offers a sharp, penetrating reflection on the relationship between man, nature and history. Paul Graham, was born in England in He lives and works in New York. His visual language is marked by the exploration of the American black and white photographic work of Gary Winogrand, Lee Friedlander and Diane Arbus, who define their work as individual statements on social developments, but also the color photographs of Stephen Shore and William Eggleston whose interest is directed at everyday situations and objects.

At a time when art photography is increasingly staged, manipulated or produced in a studio, or when the world is kept at a distance with a cool conceptualized manner, Grahams work distinguishes itself with its constant observation and questioning on the realities of life. He proves how much photography can still deliver in direct contact with the different realities in our worlds. His photographs have been exhibited extensively — notably participating in the Italian Pavilion of the 49th Venice Biennale , the inaugural exhibition at Switzerland's national Fotomuseum Winterthur , and at the MoMA, New York He was one of the 24 photographers included in the Tate Gallery's landmark "Cruel and Tender" survey exhibition of 20th century photography and had a European mid-career survey exhibition at Museum Folkwang, Essen.

Graham has been a prolific and well published artist. His very first book A1. The Great North Road is a benchmark in the history of documentary photography in Britain. Introduction by Urs Stahel. For a number of reasons, the pharmacy has held a key place in the history of photography. It is where, for decades, countless millions of American and European amateur photographers bought their rolls of film. Buying film, bringing it back, and then collecting prints entailed three separate visits, a routine that pharmacies were eager to capture.

Moreover, many pharmacies became neighborhood hubs, serving food as well as selling pharmaceuticals, household goods, and photographic items. David Campany is a writer, curator and artist, working mainly with photography. He teaches at the University of Westminster, London.

La violenza contro le donne nelle relazioni affettive: This initiative aims to give voice to research in photography by new generations of artists,. We see again and again how little we know about invention, development, production, marketing, and sales of products, how little the images from these fields are diffused. The strides of technological research and financial economy have turned our world into an abstract.

PHOTOGRAPHY GRANT ON INDUSTRY AND WORK

The visualisations of this world become ever more important and central. Only by means of images are we capable of following the paths, the radicalisations in digitisation, the opening up of new spheres, new knowledge, new materials, new financial models. For comprehension of the world is the be-all and end-all of a mature citizen in a free democratic world. Manifesto pays homage to the moving tradition and literary beauty of artist manifestos, ultimately questioning the role of the artist in society today.

The film, originally conceived as a channel video installation and as such exhibited in major contemporary art museums around the world, draws on the writings of Futurists, Dadaists, Fluxus artists, Suprematists, Situationists, Dogme 95 and other artist groups, and the musings of individual artists, architects, dancers and filmmakers.

Often written in youthful rage, they not only express the wish to change the world through art but also reflect the voice of a generation. Exploring the powerful urgency of these historical statements, which were composed with passion and conviction by artists many years ago, Manifesto questions whether the words and sentiments have withstood the passage of time. Can they be applied universally? And how have the dynamics between politics, art and life shifted?

In the early 20th century, Belgian inventor and entrepreneur Ernest Solvay dropped anchor on a small coastal strip in Tuscany, South of Livorno. The abundance of raw material for making sodium carbonate led him to found a big factory that would change forever the history of the region. Solvay wanted to implement an ambitious process, not only on industrial level but also in terms of the architecture and city planning.

His efforts gave rise to an extraordinary company town, a city that was conceived to meet the company needs and at the same time to satisfy the community necessities, i. In the original urban dwelling changed its name in Rosignano Solvay. The film narrates the story of this industrial adventure from an historical, architectural, and social, perspectives, through interviews with experts and with common people who live in the city and worked for the company.

The result is the portrait of a city at a crossroads, marked by a glorious past making the pride of its citizens, an uncertain present experiencing a deep transition, and a future that is yet to be invented. He has written extensively on Dayanita Singh and contributed texts to her books. His research interests lie at the intersection of various fields: His most recent book is Incarnations: India in 50 Lives , which accompanies his part podcast and radio series broadcast on BBC Radio4 in He started out printing posters for art exhibitions, and very soon Joseph Beuys and other artists were among his customers.

Over the years he expanded into literature celebrating some of the most distinctive voices in contemporary literature. In , he started his own photo book program. Today, some of the most renowned photographers and artists across the globe are part of the Steidl catalogue, including Robert Frank, Lewis Baltz, Ed Ruscha, Roni Horn, to name but a few. Steidl and Dayanita Singh have been working together for 15 years. As a rule, he shakes his head and then says yes. From this cooperation many exciting books have emerged, book objects, books as exhibitions, exhibitions as books.

The couple suddenly enters a new, complicated world. Their lives will dramatically change with the birth of their son, Gogol. Four stories of love, freedom, independence intersect in Benares, along the Ganges. Young Deepak falls desperately in love with a girl from a higher caste. Devi, a college student, is troubled by the death of her first lover. Pathak is the victim of police corruption.

Jhonta is a young boy yearning for a family. Torn between the drive toward modernity and the respect for traditions, they all strive for a better future. His Apu trilogy is widely regarded as his masterpiece.

Shot between and and restored by the Cineteca di Bologna, it deals with the life of Apu from childhood to maturity in a country, India, that is bitter and fascinating at the same time. His father Harihar is often far from home looking for work, his mother Sarbojaya tries to do her best to take care of the poor family, his teenage sister Durga must give up any hope of a good marriage. Lured by the promise of a good job, Harihar leaves the village for a long journey.

When he returns home, things have changed for worse. When the latter dies, Sarbojaya decides to go back to the village. Apu, now aged 10, is a good student and thanks to his brilliant scores he obtains a scholarship at the university of Kolkata.

The consequences will be extremely bad. He lives poorly, looking for a job and at the same time trying to publish his writings. He meets Aparna, promised to a man who goes insane short before their marriage.

Five years will pass before he finds new hope for the future. Frieda, a fashion photographer, gathers her closest girlfriends in Goa for an important announcement: Thus begins an impromptu bachelorette celebration that lasts for a full week. Amidst the fun and frenzy, heartbreak and heartache, passion and obsession, secrets tumble out, tensions emerge, bonds are formed and emotions run high. Due to his sexual orientation, he is forced to accept humiliation and persecution and he is eventually sacked from his position by the college authorities.

Awarded with the first prize at the Singapore International Film Festival in and at the Buenos Aires Festival Internacional de Cine Independiente in , Court tells the story of Narayan Kamble, an ageing folk singer accused of performing an inflammatory song which might have incited a sewage worker to commit suicide. As the trial unfolds, the personal lives of the lawyers and the judge involved in the case are observed outside the court.

The work opened the way to a rich production of short films that put the spotlight on ordinary people, fishermen, workers, firefighters, washerwomen, depicting the toil and dignity of their labours. Screening presented by Gianluca Farinelli, director of the Cineteca di Bologna. A journey through late 19th-century France depicted by short films of 50 seconds each.

Hitched to a Truck , France, On his first day of work, his bicycle is stolen; together with his ten-year-old son, Antonio wanders the city in search of the thief. Its director observes the progress of industry from an eccentric viewpoint, allowing him to gather its less evident, but perhaps — partly for this reason — more decisive aspects: His story is a reflection of Italy as it changes, not only in its landscape but above all in its consciousness.

The everyday struggle for survival is seen through the eyes of Daniel, a carpenter with a heart condition who, forced to leave his work after a heart attack, fights for his unemployment payments, and Katie, a poverty-stricken single mother who leaves London to move into a dilapidated council home in Newcastle. Daniel and Katie meet, two castaways in the ocean of bureaucracy, and they attempt to join forces.

Her life seems to go smoothly until her father arrives unexpectedly and asks her: Her intrusive father, always one to play pranks, will do anything to help her find herself again, dreaming up an amusing, eccentric character for himself: They may be the most complex thing known to mankind, but the human brain is still far from perfect. In many ways, it's a victim of its own success. Human intelligence has enabled us to create an advanced and complex society, but our brains are still the same as they were hundreds of thousands of years ago, and often don't know how to deal with the modern world.

Things like motion sickness, sleep disorders, unreliable memories and a desperate need for approval, these and more all show that our brain can often be an idiot, and this affects us in every aspect of life". Dean Burnett is a Doctor of Neuroscience. In he published The Idiot Brain. What Your Head is Really Up To , a celebration of blind spots, blackouts, insomnia and all the other downright laughable things our minds do to us. Starting from this exhibition he will present different projects and strategies in his film and photography production and distribution and discuss his contents.

Armin Linke is a photographer and filmmaker. He lives and works in Berlin. Within the context of early analog video art, video technology presented itself as a quasi-biological life system endowed with particular capacities for sharing the sensations and perceptions of a nature in crisis. In this lecture Blom will discuss how video, as an ecopolitical agent, thus also came to produce alternative understandings of social memory and collective action.

Ina Blom is a professor of art history at the University of Oslo and visiting professor at the University of Chicago. She recently published The Autobiography of Video. The Life and Times of a Memory Technology. How can we take pictures? Could it be enough to use a box with a pinhole?

The light allows us to write, to draw, to fix images of ourselves and of the world that surrounds us. Il che comporta un diverso pensiero della Legge: Free admission, reservation required.

Although they began by taking photographs for magazines and newspapers, their particular approach to conflict soon pushed them into a gallery context. We wanted to make work that critiqued that. In a conceptual reflection on the role and value of the image, over the years their approach, tackling politics, religion, war and history, has combined the clarity of documentary photography with the ambiguity deriving from the presumption of reality with which photography is traditionally associated.

Pieter Hugo, born in Johannesburg, lives and works in Cape Town.

In the early s he spent a two-year residency at Fabrica research centre in Treviso, Italy. After starting his career in photo-journalism, he soon centred his research on personal projects aiming to investigate specific social realities of the African countries, especially of South Africa with its post-colonialist, post-apartheid, and post-mandela issues. His portraits chronicle an essential part of the history of Africa, reflected in the faces of people who were born in the shadows of violence but also on the threshold of change, in a nation whose destiny has been repeatedly re-written over few decades.

He published several photo books. Ingresso gratuito con prenotazione obbligatoria. La storia del gatto spadaccino Pero, condannato a morte dal tribunale dei gatti per il suo buon cuore nei confronti dei topi, si intreccia con quella del povero Pierre, un ragazzino senza famiglia in cerca di fortuna. Hilda, amante della natura e convinta ambientalista, ha creato un museo dedito alla preservazione delle piante rare di tutto il mondo. With his work that emanates a presence of force and elegance, sobriety and intensity, Anish Kapoor gives us a new tool to multiply points of view by exploring unusual and fascinating territories.

Blurring the boundaries between void and mass, ideal and real, spiritual and wordly, at the same time the sculpture brings these opposites closer to one another, in a solution that is a synthesis rather than a division. Monuments for the 21st century , a selection of over 50 architectural models and earth works by the artist, conceived from the s.

Uniting sculpture and architecture, the models demonstrate a variety of architectural forms, such as tower, arch, gate and bridge; natural proto places such as vortex, cavity, hill, crack and tunnel, as well as abstract elementary shapes. The artist reinvents the symbolic of the outdoors exploring the physics and metaphysics of sculpture and its expansion beyond the material.

Some of the projects remain unrealised, some are under construction or have been realised at a monumental scale. The works in this show present spatial propositions that not only push the boundaries between sculpture and architecture, but blur divisions between subject, object and space. Thomas Ruff is the prototype of the artist whose work requires a great deal of preliminary research.

An image demiurge, he sees the camera as more than simply an optical mechanical recording device, but rather as a powerful image machine through which he can transform the elements of reality into a new visual dimension. These works come together in a powerful choir of voices speaking of machines and energies. Cookies, which are usually present in high numbers on users' browsers and may also be stored for long periods of time, are used for different aims: So as to regulate such instruments appropriately, it is necessary to distinguish between them, given that there are no technical characteristics that differentiate them specifically on the basis of the purposes for using them.

Further information on the cookies used by the site. Gli studenti non-frequentanti, oltre a visionare le slide delle lezioni e i materiali usati in aula disponibili on line , devono studiare due dei seguenti testi: What connects Philosophy, Humanities and Social Sciences? Why to study Intercultural Pedagogy to become experts in Human Resources? The course aims to explain the basic issues of the pedagogical debate - with particular attention to the Italian one - on the subject of training; its history and its development.

The analogy between theater and education, studied by Riccardo Massa, also concerns how to stay in organizations. Roles, scripts and rituals make "life" in organizations a mise-en-scene no less complex than everyday life. How to be authentic, as workers, when we know that life is theater and education in organizations demands a theatrical or fiction competence? We also address these issues with a look at implicit and latent - representations, fantasies and desires - related to our speeches and life in organizations.

Methodologically the course will alternate: There will be testimonials from guest speakers in a close dialogue with the teacher. Students who have attended, discuss with the teacher's diary of the lessons , that is an elaborate paper, poster, power-point or other multimedia product Attending students must study, in addition to the slides of the lectures and classroom materials used available online , two of the following texts: Non-attending students, as well as view the slides of the lectures and the materials used in the classroom available online , must study two of the following texts: Fondamenti Pedagogici , Carocci, Roma, Teoria, metodologia, laboratori , Laterza, Roma-Bari, Tracce, pratiche e politiche per l'educazione alla differenza , FrancoAngeli, Milano, Skip to main content.

Quaderni delle Conferenze Permanenti delle Facoltà di Medicina e Chirurgia

Secondo Semestre, 8 CFU. Materiali didattici online, offline I materiali usati a lezione, saranno resi disponibili nell'aula virtuale. Cappa F, Formazione come teatro, Cortina , Milano, Teatro come metodologia trasformativa , Liguari, Napoli, Infine, uno dei manuali scelto tra i seguenti: Durata dei programmi I programmi valgono due anni accademici. Cultori della materia e Tutor Dott. Course title Organization, theater and diversity.

Topics and course structure What is Pedagogy? Intercultural pedagogy shall study and promote the differences; how it is possible a peaceful coexistence between different instances; how organizations can value human capital.

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