It opens with a man killing another in a car for seemingly no reason think Albert Camus existential murder tale "The Stranger" , only to then sew it back on, to find the man is appalled but otherwise fine.
The second half of the film involves, people from all over the country being summoned to spend a weekend as part of a "committee", where the man who decapitated his fellow traveler earlier, is also summoned. Everyone wonders, but no one bothers to question the committee, after all it's a free weekend getaway, and they are told they will make very important decisions.
Our hero is lead away from the party which features performances by psychedelic wild man Arthur Brown of The Crazy World Of Arthur Brown, seen on cover here , by an even more enigmatic stranger who proceeds to explain to him, in a 20 minute conversation, the nature of individuality and community, freedom and order, impulse and the nature of the committee.
During the period of the Czechoslovak Federation, the area of defence was in the competence of federal bodies. Demons of the Mind Point of order Appeal Suspend the rules Objection to the consideration of a question Division of a question Consideration by paragraph or seriatim Division of the assembly Motions relating to methods of voting and the polls Motions relating to nominations Request to be excused from a duty Requests and inquiries Parliamentary inquiry , Request for information , Request for permission to withdraw or modify a motion , Request to read papers , Request for any other privilege. The most disappointing aspect of this film is actually the Pink Floyd soundtrack, which is good, but not nearly as good as fans of the original band Syd Barret days will imagine it must be. Archived from the original on
The conversation is really the cornerstone of the film the screen-writer who became an economist after the lack of success with this film, likens it to The Matrix in reverse, and he's not far off. The conversation scene is also parodied in the climax of Grant Morisson's "Animal Man".
Anyway it's a mysterious film for fans of mysterious, philosophically dense movies it's hour time line keeps the movie from treading into boredom. The most disappointing aspect of this film is actually the Pink Floyd soundtrack, which is good, but not nearly as good as fans of the original band Syd Barret days will imagine it must be. A good movie, all but lost to the common man before the days of Netflix. If you like political, psychological, and philosophically challenging films, and "wierd tales", than this is not to be missed.
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IMDb's Guide to Streaming. Related News Bloodfest Fantastique: Afterword - Counter Culture, Underground, s. Share this Rating Title: Interviews were conducted with members of the Florida public school system, survivors of the Johns Committee, a retired police officer who worked with the committee, and former Florida governor and retired U.
Students also interviewed Judith Poucher, Ph. Not all materials collected were included in the resulting new documentary about the Johns Committee. He would assist Dr.
Mills in guiding the students through the various technical and creative facets of the film's post-production and marketing phases. In the spring of , the film began screening in film festivals in Florida and over the next two years it screened in festivals all over the world, winning many competitions, prizes, and awards. Same-sex marriage became legal in Florida in January, On June 1, the film will be released to more than 70 local public television stations via APT.
This was a short-lived endeavor that saw three productions mounted there: The Montgomery Street theater also quietly hosted a new publication in its basement: Ramparts magazine edited by Robert Scheer now of Truthdig. By this time, The Committee was a regular at civil rights and anti-war protests—along with Joan Baez , Norman Mailer , and others. Actors were now taking classes and forming other troupes.
More and more members came in and out of the improv group or the theater troupe as needed. A regular behind the scenes stage manager and performer who later successfully formed his own improvisational theater company in Los Angeles, The Groundlings , was Gary Austin. In the late s, The Committee was again asked to form another company to perform in Los Angeles.