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Croce and Gabetti called for art to have an aesthetic value. Certainly, their views on Georg Brandes were similar but expressed very differently from the profane language used by Italo Tavo- lato.
Pubblicato da Kierkegaard nel , il "Diario del seduttore" mette in scena l' astuto ed elegante gioco estetico del seduttore che conquista la sua preda. www.farmersmarketmusic.com - Buy Diario del seduttore (Italian Edition) book online at best prices in india on www.farmersmarketmusic.com Read Diario del seduttore (Italian Edition) book reviews.
If, in fact, I was asked how I thought a history of the poetry of the nineteenth century should be written, I would say this: This can be done by looking at his output as a whole. It is for him that Gabetti became a skilful That is, in this too he was faithful to his tastes.
Starting from , Gabetti was also engaged on another front, working for the Treccani Ency- clopedia and providing the entries on Germanic literature. Many of these regarded Scandinavian writers, but he was also responsible for some of the entries on Copenhagen, Oslo and Stockholm, and sections on Danish, Norwegian and Swedish literature.
This distinctly restricted view is particularly surprising given that, for many years, names such as Kierkegaard and Hamsun have, in a certain sense, put the smaller Nordic nations in a leading position in Europe. Kierkegaard himself, however, is little known here apart from his Diary of a Seducer, while Hamsun is hardly more than a passing acquaintance. Our interest in the figurative arts is limited to Zorn and Munch, not to mention our ignorance of other cultural issues concerning religious, social and political thought, or the gradual processes that shaped them.
We ignore the various evidences of a history that has also had moments of greatness; of the ancient sagas that have touched us only peripherally, even though they constitute, alongside the Nibelungenlied, the greatest poetical expression of the Germanic spirit in the Middle Ages.
Ri- qualche voce vagante, isolata. For a complete list of the entries written, or co-written, sai incompiuta visione: Reprinted in Gabetti , 1: This is perhaps surprising: Like- wise, he was the only academic who, faced with the fact that there was no official chair of Nordic literatures at university level in Italy — although perhaps it was also for this reason — made sure that some of the activities of the newly established Institute involved Scandinavian studies.
Focussing on the study of Scandinavian literature thus became a parallel, and at times, almost predominant, concern for Gabetti. From , the year of his first essay on Jacobsen, to the years just before his death, Gabetti wrote little on German literature, but much on Nordic literatures.
Such a lovely and romantic post, my sweet Daniela! These were his first ever translations from Danish, although the extent of his actual knowledge of the language — and of Nor- dic languages in general — remains uncertain. The knowledge of it was originally acquired through indirect means, the occasional text being translated from a French or a German version, and read without any consideration of the original cultural context. Sylvia 14 febbraio Scusami il ritardissimo mia cara, ma voglio farteli lo stesso i miei auguri a te e al tuo cavaliere Luisa Napolitano 18 febbraio
The translations of Jacobsen and the numerous Treccani entries on Nordic writers demonstrate a strong desire to introduce a hitherto lesser known literature to Italy, and his work in the following years shows that Gabetti wrote increas- ingly more about those Nordic writers he became personally acquainted with through his work as director of the Institute. Furthermore, the large amount of correspondence from the period shows that as director of the Institute, Gabetti also acted as a go-between for other translators with various publishing houses with which he had contacts.
Search Tips Phrase Searching Use quotes to search an exact phrase: Catholic church and world politics. Bookplate of Frederick North, 5th Earl of Guildford, centered on the front pastedown; ex libris stamp of the Cardinal Giuseppe Renato Imperiali on the title page of the diary - wrongly bound at the beginning of the volume, followed by , then , and The diary was written on leaf fascicles, mostly in brown ink.
The leaves are written on both sides. Those of the year are numbered from to , continuing the pagination of the first volume, presumably containing the previous 5 years.
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