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One could wring, methinks, a flood from a damp clout!
Eventually, Welch says, he enrolled Shakespeare in a night school class on Shakespeare's plays—taught, as it happens, by Robertson. At this point, Robertson begins to become genuinely worried. He recalls a bald man with an unusual accent, and starts to doubt whether Welch's story was all alcoholic fantasy. Timidly, he asks Welch what happened, and the physicist explodes with anger. Shakespeare had been humiliated, he says, and Welch had to send him back to Asimov comments that he wrote the story to get back at English teachers. Additionally he says, that the story is really about himself.
Not being able to answer most of the questions he's posed on his works, he realizes he would probably flunk a test on himself. From Wikipedia, the free encyclopedia. This article is about the short story. For the English playwright and poet, see William Shakespeare. Authority control MusicBrainz work: Retrieved from " https: Articles with short description Pages using deprecated image syntax Wikipedia articles with MusicBrainz work identifiers.
Views Read Edit View history. The necessary but difficult dialogue between past and present, the beloved and the unreachable, the grounded and winged, the real and unreal, the dead and living, the impossible and possible—all these are conjured with great delicacy and intelligence in this sophisticated, richly metaphoric novel. Samantha Hunt is audacious in her use of divergent genres—historical fiction, fantasy, sci-fi, urban realism—just as she is utterly convincing in her invention of one of the world's great inventors.
When Hunt's Tesla concludes, 'There is only one world. The dream is real. The ordinary is wonderful. The wonderful is ordinary,' we are compelled to believe. Time Out New York called her "a writer to watch," and Dave Eggers described her as having "one of the most distinctive and unforgettable voices I have read in years.
The Village Voice called "Hunt's fascination with language. Visit her on the web at www. Last Last Chance is the story of Lucy Clark, a drug addict with a highly dysfunctional family who navigates the American landscape in the wake of a lethal plague spread by terrorists. Sentence for sentence, scene for scene, Maazel is one of the most gifted prose stylists to emerge in recent years, her work reminding us at times of Kathy Acker or the late David Foster Wallace, but with a voice all her own.
The world according to Lucy Clark—drug-addict, seeker, survivor—is populated with an astonishing array of characters, from her grandmother Agneth who believes in reincarnation, to her despairing boyfriend Stanley who is haunted by his dead wife.
But it is Lucy, finally, we care about most. Maazel is the former managing editor of the Paris Review and the recipient of a Lannan Literary Fellowship.
She graduated from Williams College and received an M. He will be writer in residence at Bard College for the spring semester, where he will continue his writing, meet informally with students, and give a public reading. The Bard Fiction Prize committee writes, "Sal Plascencia's debut novel, The People of Paper, is a novel of exceptional inventiveness and beauty, in which formal innovation lives side by side with extraordinary storytelling, enhancing rather than replacing emotional intensity.
The categories of magic realism, postmodernism, or urban fabulism, while applicable, are utterly inadequate to describe this metafictional marvel, which takes us from Vatican City to Hollywood to Guadalajara and yet transcends time and place. From a uniquely porous species of paper, Plascencia creates, between Mexico and California, a membrane that is permeable and almost otherworldly. His novel is sensual, millennial, and mythological, and its imagination abounds with empathy.
Part memoir, part lies, The People of Paper is about loving a woman made of paper and the wounds inflicted by first love and sharp objects.
There, with the aid of a local street gang and the prophetic powers of a baby Nostradamus, they engage in an epic battle to find a cure for sadness. Mechanical tortoises, disillusioned saints hiding in wrestling rings, a woman made of paper, and Rita Hayworth are a few of the players whose destinies intertwine in this story of war and lost love. The novel's unique layout features columns of text running in different directions across the page, blacked-out sections, and a name that has literally been cut out of the book.
By using this site, you agree to the Terms of Use and Privacy Policy. February 4, ISBN: Shakespeare, according to Welch, was flexible enough to understand human beings of every era, and he adjusted to the modern world much more easily. For the English playwright and poet, see William Shakespeare. Most of the most familiar of them were transmitted from Germanic folklore by the Brothers Grimm, others, like "Perrault", from the French court, more again from English folk traditions.
Salvador Plascencia received a B. The People of Paper has been translated into over half a dozen languages. The Bard Fiction Prize committee was impressed by Orner's evocation of an American sensibility coming to terms with Namibia and its proud, eloquent people in his novel, The Second Coming of Mavala Shikongo.
His narrative vision allows the reader to reside concurrently in suggestive and declarative realms, which tell the story of intimacy among the humiliations of social and racial inequities. A primary concern of Orner's is "how place influences character.
Orner's novel explores the life and people of Goas, a semidesert area. His title character is a beautiful veteran of its war of independence against South Africa who returns to the Catholic all-boys school where her brother-in-law is the principal with her illegitimate son. Mavala Shikongo becomes the object of all her colleague's desires, including the American teacher who is the narrator of the story. Dave Eggers notes in the Guardian that this book "has the same sort of episodic structure, lyrical prose and completely hypnotic effect as the novels of Michael Ondaatje.
It's a gorgeously written book, very funny, and bursting with soul.
Brooding, mysterious, ineffable, beautiful. She will be writer in residence at Bard College for the spring semester, where she will continue her writing, hold weekly colloquia with students, and give a public reading. Her prose demonstrates visible warmth for humanity, in all its breadth and narrowness, even as she takes on the difficult task of bringing to life an repellent character: Emile Poulquet, a fugitive French collaborator who singlehandedly sent thousands of Jews to their deaths during the Nazi occupation.
In one final attempt to evade justice, Poulquet has returned to his hometown to deliver his last will and testament to the woman who never returned his love. The novel received the following awards and prizes: He will be writer-in-residence at Bard College for the spring semester, where he will continue his writing and will hold weekly colloquia with Bard students and give a public reading.
Bard Fiction Prize judges Mary Caponegro, Robert Kelly, and Bradford Morrow describe La Farge's Haussmann, or the Distinction , as "a structurally elegant narrative, lighthandedly wise and wittily profound, where characters of a folkloric simplicity interweave with urgent sophisticates in nineteenth-century Paris, or rather in that shimmering zone between history and its shadow: Paul La Farge is the author of two novels: He received a Guggenheim Fellowship in and is currently working on his third novel, which is about airplanes. Truong, whose first novel The Book of Salt was published in by Houghton Mifflin, was writer-in-residence at Bard College for the spring semester.
Toklas], and inserting another foreigner into their employ: Monique Truong was born in Saigon in and came to the United States at age 6. She graduated from Yale University and the Columbia University School of Law, going on to specialize in intellectual property law. Truong co-edited the anthology Watermark: