Contents:
Religion und Politik in Israel, Munich: Beck together with Michael Brenner. A Quarterly for Research in Jewish History 83 , no. Resting in Peace in No Man's Land: Welcome to Jerusalem, ed. Von Prag nach Jerusalem. Ulrich Baer und Amir Eshel eds. Naharaim 8 , no. Back to the Ivory Tower. The German Language at the Hebrew University, in: A Small Town in Germany.
Ions of convergence and synthesis between disciplines. In the marvelous new venue.
The essays present the works from different research perspectives, thus enabling a broad overview of current trends in a media art based on virtual reality technologies. Berghahn together with Daniel Levy. Sangkyoon Noh Korea , One End. Sharing is the photographic usage of the moment. Etliche auch international erfolgreiche Werke entstehen dabei in der Schweiz. Emanuelle Mothe FR Touring:
Worldwide networking creates new, global aesthetic tendencies: It presents a selection of outstanding key works by international artists of the five continents. Inspired by applied, formal, and aesthetic qualities, the artists deal with the exploration of the opportunities and risks associated with these new resources, which are brought to bear in the various arts presented in this exhibition: The selection includes works in formats such as video sculpture, video art, video performance, video installation, audiovisual installation, interactive installation, and interactive sound installation.
We highlight the relation between the etymologies of both terms and the artistic genres shown: A widely used concept in the field of contemporary art, intervention usually stands for interference, manipulation and interaction between oeuvre and audience. Die Auswahl der Werke umfasst Formate wie Video-Skulptur oder Videokunst, aber auch Videoinstallation, audiovisuelle oder interaktive Installation und Klanginstallation.
TV Bot, Marc Lee. The Project digital art conservation. This could be the ultimate, decisive question in the future when it comes to preserving and making the art of our time accessible for future generations. The book presents the results of the digital art conservation project that was conceived at the ZKM Center for Art and Media Karlsruhe in It includes text contributions by major theorists, restorers, programmers, and artists as well as case studies.
It is designed to foster the international debate on the conservation of digital art. Deutsche Edition Konservierung digitaler Kunst: Das Projekt digital art conservation.
Le Projet digital art conservation. Neckar-Vlg Sammelmappe 24,5 x 32,5 cm, inkl. Meisterwerke der Medienkunst Marc Lee geb.
The gateways catalogue introduces artists whose works deal with the changed conditions of an interconnected world that increasingly is influenced by media. Art and Networked Culture introduces a young generation of artists whose work deals with the changing conditions of a networked world — a world increasingly transmitted through media. The artistic works presented here use various means to tackle the theme of gateways that lead to realms of action and experience in our digitally interconnected culture. Through their use of electronic networks and mobile technologies, the artists encourage the public to participate actively and transport new experiences in perception.
Eingebettet in ein didaktisches Rahmenprogramm werden die Kunstwerke als solche im Mittelpunkt stehen: Artists 10 Herbert W. Soll sie zu Revolutionen anstiften und Menschen dazu bewegen, sich zur Wehr zu setzen? Hildegard Fraueneder, geboren , Kunstwissenschaftlerin und Ausstellungskuratorin. Leiterin der Galerie in Salzburg. Gianni Stiletto, geboren , freier Komponist und Keyboarder. In the publication Owning Online Art — Selling and Collecting Netbased Artworks, art historians discuss the critical positioning of selected works of net art Rachel Mader and approach questions on the relationship between internet art and the art market from the standpoint of the history of media Peter Schneemann.
Using the example of specific works, artists discuss aspects of the materiality of net-based art Markus Schwander and reflect on their experience with curators and collectors, as well as with the issues of the commercialisation and conservation of net art Olia Lialina, Carlo Zanni. Our research partner, the AktiveArchive project contributed its expertise in the areas of documentation, conservation and restoration of electronic art and discussed solutions for the restoration of net-based works Tabea Lurk.
A number of different economies can be applied to the issue of the relationship between net-based art and the art market: The text section closes with the answers of the 17 international artists to the questionnaire sent out by the OOA research project. Publication of the research contributions is available in four formats. The decision towards this variety is linked to the object of investigation of our research project in the field of online culture: We want to test established and new publication formats for their benefits for research publications.
Rachel Mader University of Berne , Prof. Peter Schneemann University of Berne , Dr. Die Entscheidung zu dieser Vielfalt hat mit dem Untersuchungsgegenstand unseres Forschungsprojekts im Bereich der Online-Kultur zu tun: They can act as artists, curators and producers. Visitors to the exhibition are central as users, as emancipated consumers.
YOU are the content in this exhibition! YOU are a part of the universe: YOU are the user of the world and part of the world, and with that a participant in the world. Whoever is a part of the world also bears some responsibility for the world, of which they are a part. Through their participation, the YOU, the user, has the chance to change the world. In the most technologically advanced environments and installations, the most recent state of the art of participation, pARTicipation, is being shown. That reinforces that tendency, which becomes established in the spirit of the enlightenment for democracy, for untrammelled access to education for all and for the creativity of all.
In the global context of the information and communication society, the Biacs3 will make a new map of Global Art, World Art, addressing the specific aspect of media, environment and technology. Under the title youniverse, the Biennial of Seville will show how contemporary art worldwide has changed through the influence of media, technology, science and architecture by fostering one main goal: The creations of the selected artists approximately works will revolve around mobility, individualisation through technologies, quantum physics, nanotechnology, hydraulic engineering, architecture and the environment.
One aspect will be to show that technology as man-made nature can help to solve our problems with natural environments. The other aspect will be the democratization of art. The audience, rather than the artists, is the star. Spain , Immaterial museum.
Andrei Ujica Rumania , Out of the Present, Antonio Barrese Italia , Zeus playing, Italia , No-Stop-City, Bas Princen Holland , Birdwatchers, Bose Krishnamachari India , Ghost: Catherine Ikam France , Yoona 1, Claude Parent France , Oblique Potentialism. Spain , Media-Tic Building, Coop Himmelb l au Austria , Villa Rosa, France , Ex — lles, Italia , Animal Pharm, Emergent Architecture Tom Wiscombe.
France , Chair model, Gianni Pettena Italia , Wearable Chairs, Gregor Eichinger Austria , Urbar, installation. Gonzalo Puch Spain , Sin titulo, Hiraki Sawa Japan , Eight Minutes, Holland , Cell Phone Disco, France , Maison H, Portrait to Smile Once a Year, Jones Partners Architecture Wes Jones. Juan Carlos Robles Spain , Volker, Germany , Metropol Parasol, USA , Inversabrane, Manolo Bautista Spain , Diamond Motel. Martin Walde Austria , Production Limits.
Masaki Fujihata Japan , Beyond Pages, USA , Beast, Spain , Plaza de las Libertades. Michael Sailstorfer Germany , Sternschnuppe, Holland , Pavillon H2O, Oh Yong-Seok Korea , Drama, Oliver van der Berg Germany , Kameras, Holland , Portals, Madrid, Spain , Civil Registry Office, A Light Rain, Holland , Luma2solator, Caja de sombras 2.
Rosalie Germany , Helios, France , Dusty relief, Bangkok, France , Akousmaflore, USA , Spoorg, Shilpa Gupta India , Untitled, Stephan von Huene EE. SunMyoung Choi Korea , Evidence of the invisible 1. Tim Macmillan Germany , Ferment. Tom Kovac Australia , Visualising the virtual concourse, Wolfgang Munch Germany , Bubbles, If you put up a poster on the inside of the stone external structure, the latter is a Mauer.
If against a wooden, interior structure, a Wand. By clicking "Post Your Answer", you acknowledge that you have read our updated terms of service , privacy policy and cookie policy , and that your continued use of the website is subject to these policies. Home Questions Tags Users Unanswered. Wand, Mauer Ask Question. I have translated wall into German.
There are two translations: Wand Mauer My hypothesis: If you put on poster on a wall, you put it on Wand or also can I use Mauer? What is the difference? I never noticed that Wand and Mauer both translate as wall. Ich denke die Bilder helfen niemandem weiter.
Big holes are for doors and windows. In english this is not " wall ". If its the outside wall of a building, in my experience people say mostly "Hauswand" not "Mauer".