Piano Concerto No. 2 in A Major: Piano Duo/Duet (2 Pianos, 4 Hands): 0 (Kalmus Edition)

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Beethoven wrote one cadenza for this movement. The cadenza Beethoven wrote is at times stormy and ends on a series of trills that calm down to pianissimo.

Nicolas Slonimsky Collection

Many other composers and pianists have written alternative cadenzas. Beethoven subverts the expectation of a return to the tonic at the end of the cadenza by prolonging the final trill and eventually arriving on a dominant seventh. The piano plays a series of arpeggios before the music settles into the home key of C minor. Then the music intensifies before a full tutti occurs, followed by the piano playing descending arpeggios, the ascending scale from the second exposition, and finally a resolute ending on C.

If the movement adhered to traditional form, its key would be E-flat major the relative key or A-flat major the submediant key. The movement opens with the solo piano and the opening is marked with detailed pedalling instructions. The finale is in sonata rondo form. The movement begins in C minor with an agitated theme played only by the piano.

The movement ends with a C major coda marked presto. The score was incomplete at its first performance. Beethoven's Piano Concerto No. The work is in three movements: Mozart took pity on Leitgeb, ass, ox and fool in Vienna on 27 May Mozart - Horn Concerto No. Wilhelm Kempff plays Chopin Impromptu No. Violine Willi Buchner 2. The label and cover date from the earliest after-war DG releases No.

In my transfer I tried to keep the typical superior golden-red monaural High Fidelity of that remarkable period. The String Quartet in F major Op.

The quartet is one of the most popular in the chamber music repertoire. He spent his vacation in the town of Spillville, Iowa , which was home to a Czech immigrant community.

In the American Quartet it finally came together. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. On the whole, specific American influences are doubted: The one confirmed musical reference in the quartet is to the song of the scarlet tanager , an American songbird.

The song appears as a high, interrupting strain in the first violin part in the third movement. The Quartet is scored for the usual complement of two violins , viola , and cello , and comprises four movements: The opening theme of the quartet is purely pentatonic, played by the viola, with a rippling F major chord in the accompanying instruments. This same F major chord continues without harmonic change throughout the first 12 measures of the piece.

The movement then goes into a bridge, developing harmonically, but still with the open, triadic sense of openness and simplicity. The second theme, in A major, is also primarily pentatonic, but ornamented with melismatic elements reminiscent of Gypsy or Czech music. The movement moves to a development section that is much denser harmonically and much more dramatic in tempo and color. The development ends with a fugato section that leads into the recapitulation.

After the first theme is restated in the recapitulation, there is a cello solo that bridges to the second theme. The theme of the second movement is the one that interpreters have most tried to associate with a Negro spiritual or with an American Indian tune. The simple melody, with the pulsing accompaniment in second violin and viola, does indeed recall spirituals or Indian ritual music. It is written using the same pentatonic scale as the first movement, but in the minor D minor rather than the major. The theme is introduced in the first violin, and repeated in the cello.

The third movement is a variant of the traditional scherzo. The song of the scarlet tanager appears high in the first violin. The B section is actually a variation of the main scherzo theme, played in minor, at half tempo, and more lyrical. In its first appearance it is a legato line, while in the second appearance the lyrical theme is played in triplets, giving it a more pulsing character. Again, the main melody is pentatonic. The B section is more lyrical, but continues in the spirit of the first theme.

The first public performance of the quartet was by the Kneisel quartet in Boston in January The Koeckert Quartet was a well-known German string quartet. It was first established in under the name Sudetendeutsches Quartet, later renamed the Prague String Quartet. It consisted of members of the German Philharmonic in Prague , who on the orders of Joseph Goebbels was founded. Since the quartet resided in Munich, and the members were soloists of the Bavarian Radio Symphony Orchestra.

It coined in the s and s, among other ensembles, the musical life of the city of Munich, from where it concert tours to North America, South Africa [2] undertook and all major European cities. The quartet was under the name Koeckert quartet until The Joachim-Koeckert quartet existed until nd.

Allegro ma non tanto 0: Andante scherzoso quasi allegretto 8: Allegro — Prestissimo Encore 4 Please come to London on June 19th of if you want to hear this piece live! The discoverer of the piece, Ludwig Nohl , affirmed that the original autographed manuscript, now lost, was dated 27 April There is a later version, with drastic changes to the accompaniment which was transcribed from a later manuscript by Barry Cooper.

The most notable difference is in the first theme, the left-hand arpeggios are delayed by a 16th note beat. There are a few extra bars in the transitional section into the B section; and finally, the rising A minor arpeggio figure is moved later into the piece.

The tempo marking Poco moto is believed to have been on the manuscript that Ludwig Nohl transcribed now lost. The later version includes the marking Molto grazioso. It is believed that Beethoven intended to add the piece to a cycle of bagatelles. Chiantore suggested that the original signed manuscript, upon which Ludwig Nohl claimed to base his transcription, may never have existed. Babette in let Nohl copy the autograph in her possession. It begins with an A minor theme marked Poco moto little movement , with the left hand playing arpeggios alternating between A minor and E major.

It then moves into a brief section based around C major and G major , before returning to the original theme. It then enters a lighter section in the subdominant key of the relative major of A minor C major , F major. It consists of a similar texture to the A section, where the right hand plays a melody over left hand arpeggios.

It then enters a 32nd note C major figure before returning to the A section. The piece then moves to an agitated theme in D minor [ citation needed ] with an A pedal point, as the right hand plays diminished chords. This section then concludes with an ascending A minor arpeggio before beginning a chromatic descent over two octaves , and then returning to the A section. The piece ends in its starting key of A minor with an authentic cadence.

Despite being called a bagatelle , the piece is in rondo form. The first theme is not technically difficult and is often taught alone as it provides a good basic exercise for piano pedalling technique. However, much greater technique is required for the B section as well as the rapid rising A minor figure in the C section.

Kopitz presents the finding by the German organ scholar Johannes Quack that the letters that spell Elise can be decoded as the first three notes of the piece. Uploaded on Dec 7, Live from Seoul. It is in the key of G-sharp minor. The largest intervals reached by the right hand are fifteenths two octaves and sixteenths two octaves and a second. Sixteenth notes are played between the two notes, and the same note is played two octaves or two octaves and a second higher with no rest.

Little time is provided for the pianist to move the hand, thus forcing the pianist to avoid tension within the muscles. However, the left hand studies about four extremely large intervals, larger than those in the right hand. For example, in bar , the left hand makes a sixteenth-note jump of just a half-step below three octaves. Encore after 3 hours recital. The following performance is by the Skidmore College Orchestra. It is courtesy of Musopen.

Gilels , cello rec: Kogan , Ludwig van Beethoven , M. Allegro moderato [12'36''] The String Quartet No. It dates roughly to the same time as his monumental Death and the Maiden Quartet , emerging around three years after his previous attempt to write for the string quartet genre, the Quartettsatz, D , that he never finished. Starting in , Schubert largely turned away from the composition of songs to concentrate on instrumental chamber music. With the exception of the Grand Duo, all of these works display cyclic elements—that is, two or more movements in each work are deliberately related in some way to enhance the sense of unity.

In the case of the A-minor Quartet, a motive from the third-movement Minuet becomes the most important melodic figure for the following finale Chusid , Schubert dedicated the work to Schuppanzigh , who served as the first violinist of the string quartet appointed by Beethoven. Schuppanzigh himself played in the premiere performance which took place on 14 March The quartet consists of four movements which last around 30 minutes in total.

It is the second movement, however, which has lent the Quartet its nickname, being based on a theme from the incidental music for Rosamunde a similar theme appears in the Impromptu in B-flat written three years later. The opening of this melody recurs in inversion at the beginning of the trio, and is later echoed in the opening of the finale Wollenberg , —, n Tagged art , D.

The Piano Sonata No. The name comes from a claim by his associate Anton Schindler that the sonata was inspired by the Shakespeare play. With all the tragic power of its first movement the D minor Sonata is, like Prospero, almost as far beyond tragedy as it is beyond mere foul weather. It will do you no harm to think of Miranda at bars 31—38 of the slow movement… but people who want to identify Ariel and Caliban and the castaways, good and villainous, may as well confine their attention to the exploits of Scarlet Pimpernel when the Eroica or the C minor Symphony is being played pg.

The piece consists of three movements and takes approximately twenty-five minutes to perform: Each of the movements is in sonata form , though the second lacks a substantial development section. This musical form is unusual among Beethoven sonatas to that date. The development begins with rolled, long chords, quickly ending to the tremolo theme of the exposition.

The second movement in B-flat major is slower and more dignified. Other ideas in this movement mirror the first, for instance, a figure in the eighth measure and parallel passages of the second movement are similar to a figure in the sixth measure of the first. The third movement is a sonata-rondo hybrid in the key of D minor. It is at first flowing with emotion and then reaching a climax, before moving into an extended development section which mainly focuses on the opening figure of the movement, reaching a climax at measures — The recapitulation, which is preceded by an extensive cadenza-like passage of sixteenth notes for the right hand, is followed by another transition and then another statement of the primary theme.

The refrain undergoes phrase expansion to build tension for the climax of the movement at measure , a fortissimo falling chromatic scale. Rehearsal run before recital in Musikverein, Vienna. Tagged 3 , art , Beethoven , Best musical Interpretations: Allegro con brio — Menuetto — Trio — Allegro moderato — Allegro con spirito — Adagio — Allegro spirito — Adagio — Allegro — Andante con moto — Allegretto — Trio — Molto allegro — Allegro assai — Allegro vivace — Andante cantabile — Wiener Philharmoniker Leonard Bernstein. Tagged 29 , 35 , 36 , 38 , 39 , 40 , 41 Bernstein , art , Best musical collections: Mozart - Symphonies No.

Vivace ma non troppo — Adagio espressivo II. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo. Ludwig van Beethoven Claudio Arrau Wolfgang Amadeus Mozart wrote his Symphony No. The two are the only extant minor key symphonies Mozart wrote. The 40th Symphony was completed on 25 July The composition occupied an exceptionally productive period of just a few weeks in , during which time he also completed the 39th and 41st symphonies 26 June and 10 August, respectively. Modern scholarship suggests that these conjectures are not correct.

There is strong circumstantial evidence for other, probably better, performances. Most important is the fact that Mozart revised his symphony the manuscripts of both versions still exist. Mozart even sent a pair of tickets for this series to his friend Michael Puchberg. But it seems impossible to determine whether the concert series was held, or was cancelled for lack of interest. The symphony is scored in its revised version for flute , 2 oboes , 2 clarinets , 2 bassoons , 2 horns , and strings. Notably missing are trumpets and timpani.

Every movement but the third is in sonata form ; the minuet and trio are in the usual ternary form. The first movement begins darkly, not with its first theme but with accompaniment, played by the lower strings with divided violas. The technique of beginning a work with an accompaniment figure was later used by Mozart in his last piano concerto KV.

The first theme is as follows. The contrapuntal opening bars of this movement appear thus in keyboard reduction: The contrasting gentle trio section, in G major, alternates the playing of the string section with that of the winds. The fourth movement opens with a series of rapidly ascending notes outlining the tonic triad illustrating what is commonly referred to as the Mannheim rocket.

The movement is written largely in eight-bar phrases, following the general tendency toward rhythmic squareness in the finales of classical-era symphonies. A remarkable modulating passage in which every tone in the chromatic scale but one is played, strongly destabilizing the key, occurs at the beginning of the development section. The single note left out is in fact a G the tonic. The symphony typically has a duration of about 25 minutes.

This work has elicited varying interpretations from critics. Donald Francis Tovey saw in it the character of opera buffa. Ludwig van Beethoven knew the symphony well, copying out 29 bars from the score in one of his sketchbooks. The following files contain a digital recording of a performance of the 40th Symphony by the Fulda Symphonic Orchestra. The performance took place on March 18, in the Orangerie in Fulda , Germany. Franz Schubert Symphony No. Franz Peter Schubert German pronunciation: Schubert died at 31 but was extremely prolific during his lifetime.

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His output consists of over six hundred secular vocal works mainly Lieder , seven complete symphonies , sacred music, operas , incidental music and a large body of chamber and piano music. Appreciation of his music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death.

Felix Mendelssohn , Robert Schumann , Franz Liszt , Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of the late Classical era and early Romantic era and is one of the most frequently performed composers of the early nineteenth century. His father, Franz Theodor Schubert, the son of a Moravian peasant , was a parish schoolmaster ; his mother, Elisabeth Vietz , was the daughter of a Silesian master locksmith and had been a housemaid for a Viennese family before marriage.

His formal musical education started around the same time. His father taught him basic violin technique, [3] and his brother Ignaz gave him piano lessons. Franz wrote his earliest string quartets for this ensemble.

At the Stadtkonvikt, he was introduced to the overtures and symphonies of Mozart , and the symphonies of Joseph Haydn and his younger brother Michael. In those early days, the financially well-off Spaun furnished the impoverished Schubert with much of his manuscript paper. In the meantime, his genius began to show in his compositions.

At the end of , he left the Stadtkonvikt and returned home for teacher training at the Normalhauptschule. For over two years young Schubert endured such drudgery, dragging himself through it with resounding indifference. He continued to take private lessons in composition from Salieri, who gave Schubert more actual technical training than any of his other teachers, before they parted ways in He composed over 20, bars of music, more than half of which was for orchestra, including nine church works despite being agnostic [19] [20] , a symphony, and about Lieder.

Another friend, Johann Mayrhofer , was introduced to him by Spaun in Significant changes happened in For a time, he attempted to increase the household resources by giving music lessons, but they were soon abandoned, and he devoted himself to composition. Schubert rejoined his father and reluctantly took up teaching duties there.

In early , he was rejected for membership in the prestigious Gesellschaft der Musikfreunde , something that might have furthered his musical career. The pay was relatively good, and his duties teaching piano and singing to the two daughters were relatively light allowing to happily compose alongside. On his return from Zseliz, he took up residence with his friend Mayrhofer. During the early s, Schubert was part of a close-knit circle of artists and students who had social gatherings together that became known as Schubertiaden.

The tight circle of friends with which Schubert surrounded himself was dealt a blow in early Schubert and four of his friends were arrested by the Austrian police, who in the aftermath of the French Revolution and Napoleonic Wars were on their guard against revolutionary activities and suspicious of any gathering of youth or students. The incident may have played a role in a falling-out with Mayrhofer, with whom he was living at the time. The compositions of and show a marked advance in development and maturity of style. Now he began to assume a more prominent position, addressing a wider public.

All in all, he embarked on twenty stage projects, each of them failures which were quickly forgotten. In , Alfonso und Estrella was refused, partly owing to its libretto. Of these works, the two former ones are written on a scale which would make their performances exceedingly difficult Fierabras, for instance, contains over 1, pages of manuscript score , but Die Verschworenen is a bright attractive comedy, and Rosamunde contains some of the most charming music that Schubert ever composed.

In , he made the acquaintance with both Weber and Beethoven , but little came of it in either case. Despite his preoccupation with the stage, and later with his official duties, Schubert found time during these years for a significant amount of composition. He completed the Mass in A-flat major D. The reason he left it unfinished after two movements and sketches some way into a third remains an enigma, and it is also remarkable that he did not mention it to any of his friends even though, as Brian Newbould notes, he must have felt thrilled by what he was achieving.

The event has been debated endlessly without resolution. Also in that year, symptoms of syphilis first appeared. He also wrote the Sonata in A minor for arpeggione and piano D. The setbacks of previous years were compensated by the prosperity and happiness of Publication had been moving more rapidly, the stress of poverty was for a time lightened, and in the summer he had a pleasant holiday in Upper Austria where he was welcomed with enthusiasm.

From to , Schubert resided continuously in Vienna, except for a brief visit to Graz in The history of his life during these three years was comparatively uninteresting, and is little more than a record of his compositions. In , he dedicated a symphony D. Later in the year came the String Quartet No. In , Schubert wrote the song cycle Winterreise D.

Six of these are set to words by Heinrich Heine , whose Buch der Lieder appeared in the autumn. The Symphony in C major D. This was a fairly unusual practice for Schubert, for whom publication, let alone performance, was rarely contemplated for most of his larger-scale works during his lifetime.

He reaches extraordinary depths in several chillingly dark songs of this period, especially in the larger cycles. Even in large-scale works he was sometimes using increasingly sparse textures; Newbould cites his writing in the fragmentary Symphony in D major D A , probably the work of his very last two months. In the midst of this creative activity, his health deteriorated.

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The cause of his death was officially diagnosed as typhoid fever , though other theories have been proposed, including the tertiary stage of syphilis. He was generally unable to retain solid food and his condition worsened. Schubert died in Vienna, at age 31, on 19 November , at the apartment of his brother Ferdinand. Schubert was remarkably prolific, writing over 1, works in his short career. His compositional style progressed rapidly throughout his short life.

He also composed a considerable number of secular works for two or more voices, namely part songs, choruses and cantatas. He completed eight orchestral overtures and seven complete symphonies, in addition to fragments of six others. While he composed no concertos, he did write three concertante works for violin and orchestra. There is a large body of music for solo piano, including fourteen complete sonatas, numerous miscellaneous works and many short dances. There is also a relatively large set of works for piano duet.

There are over fifty chamber works, including some fragmentary works. His sacred output includes seven masses, one oratorio and one requiem, among other mass movements and numerous smaller compositions. Perhaps most familiarly, his adventurousness manifests itself as a notably original sense of modulation, as in the second movement of the String Quintet D. While he was clearly influenced by the Classical sonata forms of Beethoven and Mozart his early works, among them notably the 5th Symphony , are particularly Mozartean , his formal structures and his developments tend to give the impression more of melodic development than of harmonic drama.

It was in the genre of the Lied , however, that Schubert made his most indelible mark. His last song cycle published in after his death, Schwanengesang , is also an innovative contribution to German lieder literature, as it features poems by different poets, namely Ludwig Rellstab , Heine, and Johann Gabriel Seidl. When Schubert died he had around opus numbers published, mainly songs, chamber music and smaller piano compositions.

An important step towards the recovery of the neglected works was the journey to Vienna which Sir George Grove widely known for the Grove Dictionary of Music and Musicians and Arthur Sullivan made in the autumn of The travellers rescued from oblivion seven symphonies, the Rosamunde incidental music, some of the masses and operas, several chamber works, and a vast quantity of miscellaneous pieces and songs. This was first published in English in Schubert Thematic Catalogue and subsequently revised for a new edition in German in Franz Schubert: Thematic Catalogue of his Works in Chronological Order.

The order usually followed for these late symphonies by English-language sources is: An even broader confusion arose over the numbering of the piano sonatas , with numbering systems ranging from 15 to 23 sonatas. A feeling of regret for the loss of potential masterpieces caused by his early death at age 31 was expressed in the epitaph on his large tombstone written by his friend the poet Franz Grillparzer: The New York Times music critic, Anthony Tommasini , who ranked Schubert as the fourth greatest composer, wrote of him: Austrian 50 Schilling Silver Coin Tagged "Unfinished" , 1.

Allegro Moderato , 2. Ludwig van Beethoven Piano Sonata No. Allegro assai in G major The opening movement begins quietly with a march figure, but quickly moves to a more lyrical melody interspersed with a fanfare in the winds. The music grows abruptly in volume, with the violins taking up the principal melody over the march theme, which is now played by the brass.

This uplifting theme transitions to a brief, quieter interlude distinguished by a sighing motif in the brass. The march returns, eventually transitioning to the entrance of the soloist.

The soloist plays a brief Eingang a type of abbreviated Cadenza before resolving to a trill on the dominant G while the strings play the march in C major. The piano then introduces new material in C major and begins transitioning to the dominant key of G major. Immediately after an orchestral cadence finally announces the arrival of the dominant, the music abruptly shifts to G minor in a passage that is reminiscent of the main theme of the Symphony No. The usual development and recapitulation follow. The famous Andante is in three parts. The opening section is for orchestra only and features muted strings.

The first violins play with a dreamlike melody over an accompaniment consisting of second violins and violas playing repeated-note triplets and the cellos and bass playing pizzicato arpeggios. Programs of Nicolas Slonimsky Performances, Biographical Materials on Composers and Performers, Music Collected by Nicolas Slonimsky, The Nicolas Slonimsky Collection contains materials collected by Slonimsky throughout his lifetime that document his life and work as musicologist, composer, conductor lecturer and author.

His career as a composer and performer together with his lexicographical work, especially in compiling detailed information about the lives and works of musicians- those of the twentieth century in particular- has produced a remarkable archive of music, correspondence, memorabilia, books and related documents. This finding aid is a guide to sections 1 and 2 above. The first category of materials pertains to Slonimsky's life and the lives of members of his family; to his work as a composer, performer, writer, etc. The second part of the collection is an assemblage of his work as a lexicographer, musicologist, and writer and consists primarily of correspondence, musicians' biographical materials, and music.

Some materials, mostly bound books of a general nature, were deaccessioned by the Library. A collection of the title pages of these items is found in box The date span of the biographical materials is equal to that of Slonimsky's life Of special interest are examples of Slonimsky's school work from his youth in Russia as well as some personal and medical papers. Most of the materials in the series are clippings which these date from to They provide a comprehensive overview of the man's personality, activities, and accomplishments.

Included among the writings series are drafts, typescripts, reprints, etc. In addition, there are index cards of errata and corrigenda, typescripts, amendments, corrections of earlier editions, publishers' proofs and other documentary material for several editions of Slonimsky's larger-scale works such as Baker's Biographical Dictionary, Lectionary of Music, Music Since , and Perfect Pitch. Worthy of special mention is an unpublished biography of composer Roy Harris including some Harris holograph materials.

The music composed by Nicolas Slonimsky is divided into two sections: The manuscripts are mostly for solo piano or piano and voice and many of these date from Slonimsky's younger days. The earliest dated manuscripts are from , including a musical examination exercise from the St. Other early manuscripts date from the years to The printed music by Nicolas Slonimsky consists of music published between and , and written, again, mostly for solo piano or voice and piano.

Among these are the Bosphore valse, published in in Constantinople, and the Five Advertising songs, published in , although composed at a prior date and credited by Slonimsky as being some of the earliest singing commercials. Includes complete printed music score on high-quality ivory paper; and a compact disc containing a complete performance of the quintet with Includes a high-quality printed music score for B-flat clarinet; and a compact disc containing a complete ver Boosey and Hawkes Scores and Books.

Arranged by Alfred Schnittke. Piano Solo Intermediate to advanced piano arrangements Livre de partitions pour piano. For Flute, Violin, Viola and Violoncello. And Fragment in G Major K. String Duo and Trios. Published by Baerenreiter-Ausgaben German import Two pianos, four hands Set contains two copies. Published by International Music Co Published by View Video And in B-flat Major, K. Edited by Anja Bensieck. String Duos and Trios. Includes a high-quality printed music score featuring both primo and secondo horn parts; and a compact disc with a complete re Includes a high-quality printed music score and a compact disc containing a complete performance in split-channel stereo, with the soloist For Clarinet in B-flat.

Includes a complete printed music score on high-quality ivory paper; and a compact disc containing a complete performance of t For French Horn in E-flat. Includes complete printed solo part for horn in E-flat on high-quality ivory paper; and a compact disc containing a com Includes a complete printed music score on high-quality ivory paper; and a compact disc containing a complete performance of the quintet Compiled, edited and arranged by Leonard van Camp.

Arranged by Leonard Van Camp. Performed by Ozzy Osbourne, Randy Rhoads. Guitar tablature songbook for guitar and voice.

Published by Cherry Lane Music Performed by Ozzy Osbourne. Hal Leonard Guitar Recorded Versions. Published by Hal L Alto , alto, tenor and baritone saxes. Published by Kendor Music Inc String ensembles with piano. Edited by Wolff, Zacharias Urtext. For 2 piano, 4 hands.

Complete in 1 Volume K. Published by Kevin Mayhew Ltd Published by Laudamus Press Performed by Mark Hanson. Instrumental solo book and examples CD for acoustic guitar. With standard guitar notation, guitar tablature, chord names, gu Edited by Paul Paradise. Arranged by Paul Paradise, Samuel Applebaum. Published by Editio Musica Budapest Grade 4 - Score Only.

Arranged by Stephen Bulla.

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