La Honra del Ministerio (Spanish Edition)
Contents:
Sin necesidad, de caer en la bajeza de maltratar verbalmente. No se puede vender y no se puede maltratar. El Destructor genera muerte, locura y maltrata a personas y grupos. Denunciar a cualquier persona que te maltrate o abuse sexualmente de ti. Fue maltratada brutalmente y abandonada en la calle con apenas tres meses.
No, el no maltrata a las mujeres ni las denigra. Maltratados, humillados, golpeados, cansados, rodaron la piedra.
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Porque ya estuvo suave que los maltraten tanto, sin bases. No se tiene que maltratar a las personas. Las que maltratan a los trabajadores, tienen problemas.
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Y maltrata a los trabajadores, es alguien o algo de terror. Pero tampoco voy a dejar maltratar la honra del Ministro de Agricultura. Porque si es muy maltratado de chico, pierde seguridad. Nadie puede estimar el ministerio si no estima a Dios.
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Si alguien no aprecia el ministerio es porque nunca ha valorado a Dios. El que subestima el llamamiento es porque menosprecia o desconoce al que llama. Kindle Edition , pages. To see what your friends thought of this book, please sign up.
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Lists with This Book. This book is not yet featured on Listopia. Rene Gonzalez rated it it was amazing Apr 23, Yokany T rated it really liked it Nov 25, Marcelo Samaniego rated it it was amazing Jul 11, David Martinez Salek rated it it was amazing Feb 24, Angel Lo rated it it was amazing May 03, Gladys morales rated it really liked it Dec 25, Esther Contreras Lee rated it it was amazing Mar 08, JuanK rated it really liked it Dec 08, Arturo Wanderley Javalera rated it it was amazing Mar 20, Jorge rated it it was amazing Feb 15, Antony Bandres rated it it was amazing Jan 06, The 17th century were the years when Lope's literary output reached its peak.
From he was also employed as a secretary, but not without various additional duties, by the Duke of Sessa. Once that decade was over, however, his personal situation took a turn for the worse. His writing in the early s also assumed heavier religious influences and, in , he joined the priesthood. The most notable and lasting of Lope's relationships was with Marta de Nevares, who met him in and would remain with him until her death in Further tragedies followed in with the loss of Lope, his son by Micaela and a worthy poet in his own right, in a shipwreck off the coast of Venezuela , and the abduction and subsequent abandonment of his beloved youngest daughter Antonia.
Lope de Vega took to his bed and died of scarlet fever , in Madrid, on 27 August of that year. Lope's nondramatic works were collected and published in Spain in the eighteenth century under the title Obras Sueltas Madrid, 21 vols. The more important elements of this collection include the following:.
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His poems of moorish and pastoral themes were extremely popular in the s and s, and in these he portrayed elements of his own love affairs appearing as a moor called Zaide or a shepherd called Belardo. In , his religious sonnets appeared in a book entitled Rimas sacras , which was another bestseller. Lope was the playwright who established in Spanish drama the three act comedia as the definitive form, ignoring the precepts of the prevailing school of his contemporaries. In Arte nuevo de hacer comedias en este tiempo , which was his artistic manifesto and the justification of his style which broke the neoclassical three unities of place, time and action, he showed that he knew the established rules of poetry but refused to follow them on the grounds that the "vulgar" Spaniard cared nothing about them: Lope boasted that he was a Spaniard pur sang pure-blooded , maintaining that a writer's business is to write so as to make himself understood, and took the position of a defender of the language of ordinary life.
La Honra del Ministerio (Spanish Edition) - Kindle edition by Juan Radhamés Fernández, Arturo Rojas, Maritza Mateo. Download it once and read it on your. La Honra Del Ministerio: El Llamamiento Según Dios (Spanish) Hardcover – del Reino Publicaciones (); Language: Spanish; ISBN
Lope's literary influence was chiefly Latin-Italian and, while he defended the tradition of the nation and the simplicity of the old Castilian , [4] he emphasized his university education and the difference between those educated in the classics and the layman. The majority of his works were written in haste and to order.
Lope confessed that "more than a hundred of my comedies have taken only twenty-four hours to pass from the Muses to the boards of the theatre. In spite of some discrepancies in the figures, Lope's own records indicate that by he had composed three-act plays comedias. The figure had risen to by , to by , to by , and to by Of these, plays are known by their titles, but only about are extant.
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Many of these pieces were printed during Lope's lifetime, mostly by the playwright himself in the shape of twelve-play volumes, but also by booksellers who surreptitiously bought manuscripts from the actors who performed them. The classification of this large mass of dramatic literature is a task of great difficulty.
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The terms traditionally employed — comedy, tragedy, and the like — are difficult to apply to Lope's oeuvre and another approach to categorization has been suggested. Lope's work essentially belongs to the drama of intrigue, the plot determining everything else. Lope used history, especially Spanish history, as his main source of subject matter. There were few national and patriotic subjects, from the reign of King Pelayo to the history of his own age, he did not put upon the stage. Nevertheless, Lope's most celebrated plays belong to the class called capa y espada " cloak and dagger " , where the plots are chiefly love intrigues along with affairs of honor, most commonly involving the petty nobility of medieval Spain.
In some of these, Lope strives to set forth some moral maxim and to illustrate its abuse with a living example. On the theme that poverty is no crime, in the play Las Flores de Don Juan , he uses the history of two brothers to illustrate the triumph of virtuous poverty over opulent vice, while indirectly attacking the institution of primogeniture , which often places in the hands of an unworthy person the honor and substance of a family when younger members would be better qualified for the trust.
However, such morality pieces are rare in Lope's repertory; generally, his aim is to amuse and stir with his focus being on the plot, not concerning himself with instruction. Lope encountered a poorly organized dramatic tradition; plays were sometimes composed in four acts, sometimes in three, and though they were written in verse, the structure of the versification was left to the individual writer. Because the Spanish public liked it, he adopted the style of drama then in vogue.