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About Anna Brownell Jameson.
Anna Brownell Jameson was a British writer. She was born in Dublin.
In response to Marat's dying shout, Simonne Evrard rushed into the room. She was joined by a distributor of his newspaper, who seized Corday. Two neighbors, a military surgeon and a dentist, attempted to revive Marat.
Republican officials arrived to interrogate Corday and to calm a hysterical crowd who appeared ready to lynch her. Charlotte Corday sent the following farewell letter to her father which was intercepted and read during the trial, the letter helping to establish that Marat murder was premeditated:.
Forgive me, my dear father, for having ended my existence without your permission. I avenged many innocent victims, I prevented many other disasters. The people, when they become disillusioned some day, will rejoice to be rid of a tyrant. If I sought to persuade you that I was leaving for England, it's because I hoped to remain incognito, but I have recognized its impossibility. I hope that you will not be tormented. In any case, I believe that you will have defenders in Caen. I took Gustave Doulcet as my defender: Farewell my dear father, I beg you to forget me, or rather to rejoice at my fate, for the cause is beautiful.
I embrace my sister, whom I love with all my heart, as well as my parents. Do not forget Corneille's verse: Corday underwent three separate cross-examinations by senior revolutionary judicial officials, including the President of the Revolutionary Tribunal and the chief prosecutor.
She stressed that she was a republican and had been so even before the Revolution, citing the values of ancient Rome as an ideal model. The focus of the questioning was to establish whether she had been part of a wider Girondist conspiracy.
Corday remained constant in insisting that "I alone conceived the plan and executed it. She credited her fatal knifing of Marat with one blow not to practicing in advance but to luck.
It is believed that Fouquier-Tinville voluntarily delayed the letter [1] , however, it is said that Corday thought that Le Doulcet refused to defend her and sent to him a last letter of reproach just before going to the scaffold. Following her sentencing Corday asked the court if her portrait could be painted, purportedly to record her true self. Hauer's likeness see above was completed shortly before Corday was summoned to the tumbril, after she had viewed it and suggested a few changes. On 17 July , four days after Marat was killed, Corday was executed by the guillotine in the Place de Greve wearing the red overblouse denoting a condemned traitor who had assassinated a representative of the people.
Standing alone in the tumbril amid a large and curious crowd she remained calm, although drenched by a sudden summer rainfall. After Corday's decapitation, a man named Legros lifted her head from the basket and slapped it on the cheek. Charles-Henri Sanson , the executioner, indignantly rejected published reports that Legros was one of his assistants. Sanson stated in his diary that Legros was in fact a carpenter who had been hired to make repairs to the guillotine.
The oft-repeated anecdote has served to suggest that victims of the guillotine may in fact retain consciousness for a short while, including by Albert Camus in his Reflections on the Guillotine. This offense against a woman executed moments before was considered unacceptable and Legros was imprisoned for three months because of his outburst. Jacobin leaders had her body autopsied immediately after her death to see if she was a virgin.
They believed there was a man sharing her bed and the assassination plans. To their dismay, she was found to be virgo intacta a virgin.
The direct consequence of her crime were opposite to what she expected: The assassination did not stop the Jacobins or the Terror, which intensified after the murder. Corday's act transformed the idea of what a woman was capable of, and to those who did not shun her for her act, she was a heroine.
Marie-Anne Charlotte de Corday d'Armont (27 July – 17 July ), known as Charlotte .. Gallery[edit]. Painting of Charlotte Corday by Julian Story (). Descended from a noble family, educated in a convent at Caen, and royalist by sentiment, yet susceptible also to the ideals of the Enlightenment, Corday was.
This highlighted the "masculinity" possessed by Corday during the revolution. Corday's act served as a turning point of views held of women during the revolutionary period. During the revolution women were given a new-found power resulting from the necessity of their being increasingly involved in the revolution.
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