Die kulturpolitische Legitimation der öffentlichen Theaterförderung in Deutschland (German Edition)

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S78 S64 Available. Naturalism and symbolism in European theatre, to []. Cambridge [England] ; New York: A Documentary History, charts the development of theatrical presentation at a time of great cultural and political upheaval and is, for today's theatre practitioner, historian and theoretician, the most inspiring and important period in the evolution of our art. Putting on plays was no longer an end in itself, but the creation of imaginary worlds had to be justified on ethical, sociological, political, as well as aesthetic grounds.

It is also a period that still affects every aspect of play-making today. With few exceptions, the documents from France, Germany, Russia, Scandinavia, Italy and Spain are unavailable to an English-reading public and many are out of print or unpublished in their original language. The volume contains numerous illustrations, the source location for each document and substantial bibliography.

National theatre in northern and eastern Europe, []. Cambridge ; New York: Description Book — xxx, p. Legislation and administration 2. The audience in 3. Acting and stage management 4. Under the ministry of culture Sweden Peter Bilton-- 1. The Gustavian period 2. The Royal monopoly 3. Management and acting at the Royal Theatres 4. The Nya teaternz and change in the Royal Theatre 5. Nationalisation vs private management Norway Peter Bilton-- 1.

Stromberg's theatre in Christiania 2. The new theatre in Christiania 3. The first Bergen venture 4. Pro-Norwegian activity in Christiania 5. The national stage in Bergen 6. Management and enlarging the Christiania theatre Poland Karyna Wierzbicka-Michalska-- 1. The first National Theatre 2. The repertory expands 3. Improvements in administration and acting 4.

The Nostiz and Bouda Theatres 2. The Theatre of the Estates 3. The Cajetan Theatre and the theatre in Ruzova Street 4. Tyl's leadership and its oppostition 5. The move for a national theatre Hungary George Bisztray-- 1. Canvasing for a national theatre 2. Building and managing a national theatre Romania Bogdan Mischiu-- 1. Early Romanian-language performances in Bucharest 2. The Philharmonic Society of Bucharest 3. Establising a state theatre in Bucharest 4. The theatre in Jassy Russia Laurence Senelick-- 1.

Establishment of a post-Napoleonic Russian theatre 2. Gogol' and the call for a new repertoire 4. Staging and management 5. The advent of Ostrovsky 6. Actor training 7. Imperial theatres 8.

Provincial, private and people's theatres 9. Nielsen Book Data This book chronicles the emergence of a national feeling in the theatres of Northern and Eastern Europe from the mid-eighteenth to the late nineteenth centuries. Using original documents and sources, including architects' plans, royal edicts, censors' reports, contemporary journalism, directors' blocking notes, memoirs and letters, this volume provides a chronological exploration of theatrical trends in eight countries.

The documents reveal that in Denmark, Sweden and Norway the gradual development from royal patent houses and municipal theatres led to a genuinely public and Scandinavian institution. In Poland, Hungary, Bohemia and Romania, theatrical records reveal the evolution of distinctly national repertoires and organizations removed from foreign influences. Similar sources demonstrate that Russia pursued native concepts of acting and playwriting after the retreat of Napoleon that culminated in the foundation of the Moscow Art Theatre.

The volume contains numerous illustrations, the source location for each document, and a substantial bibliography. Das Freie Theater im Europa der Gegenwart: Transcript, [] Description Book — pages: Erme, seit sommer. Slowenien They live in search of text zero: Theater als Kunst Theaterschrift: Reflexion und Impulse zum Theater der Postmoderne Szenografie: Performance Theaterlandschaften und neues Theater in Europa: Grossbritannien Theaterkultur als Dienstleistung des Wohlfahrtsstaates: Finnland Kulturelle Modernisierung der Grande Nation: Freies Kindertheater in Europa ist heute Wider die marktwirtschaftliche Vereinnahmung von Kunst und Kultur!

Commedia dell'arte in context []. Description Book — xv, pages ; 24 cm Summary Introduction: Popular traditions, carnival, dance Riccardo Drusi-- 3. Notebooks, prologues and scenarios Stefan Hulfeld-- 4. Commedia dell'Arte and Europe: Journeys Siro Ferrone-- 6. France Virginia Scott-- 7. Eighteenth-century Russia Laurence Senelick-- England Robert Henke-- Social and Cultural Conflicts: Commedia dell'arte and the church Bernadette Majorana-- Opera, Music, Dance, Circus and Iconography: Commedia dell'arte in opera and music Anne MacNeil-- From Mozart to Henze Andrea Fabiano-- Commedia dell'Arte in dance Stefano Tomassini-- The circus and the artist as Saltimbanco Sandra Pietrini-- Iconography of the commedia dell'arte Renzo Guardenti-- Part V.

Stanislavsky and Meyerhold Franco Ruffini-- Copeau and the work of the actor Marco Consolini-- Reinhardt, Strehler Erika Fischer-Lichte-- Dario Fo, Commedia dell'arte and political theatre Paolo Puppa-- Commedia dell'arte and experimental theatre Mirella Schino-- Conclusion: Nielsen Book Data The commedia dell'arte, the improvised Italian theatre that dominated the European stage from to , is arguably the most famous theatre tradition to emerge from Europe in the early modern period.

Its celebrated masks have come to symbolize theatre itself and have become part of the European cultural imagination. Over the past twenty years a revolution in commedia dell'arte scholarship has taken place, generated mainly by a number of distinguished Italian scholars. Their work, in which they have radically separated out the myth from the history of the phenomenon remains, however, largely untranslated into English or any other language.

The present volume gathers together these Italian and English-speaking scholars to synthesize for the first time this research for both specialist and non-specialist readers. The book is structured around key topics that span both the early modern period and the twentieth-century reinvention of the commedia dell'arte.

Comedy and the public sphere: Description Book — xvii, p. Summary Introduction Part 1: Comedy, Mask, Laughter 1. The Public and Its Masks: Permanent Hyper-Critique and Hypocritical Performance 2. Ridiculing as Public Weapon Part 2: The Byzantine Spirit and Its Sources 5. Transmitting, Receiving and Nurturing the Byzantine Spirit 6.

The Rise of Theatre in Venice Part 3: The Effect Mechanism of Commedia dell'Arte: Visions and Realities of Commedification 7. Visionary Images of Commedia dell'Arte Part 4: The Rebirth of Commedia dell'Arte as the Avant-garde The Rebirth of Pierrot as Suffering Victim Obsessed with Paris and Public Fame: Richard Wagner, the Mimomaniac Revolutionary Pierrot and Pulcinella in Between Paris and Petersburg: The Avant-Garde of Diaghilev and Meyerhold. Nielsen Book Data The book aims at reframing the discussion on the "public sphere, " usually understood as the place where the public opinion is formed, through rational discussion.

The aim of this book is to give an account of this rationality, and its serious shortcomings, examining the role of the media and the confusing of public roles and personal identity. It focuses in particular on the role of the theatrical and comical in the historical development of the public sphere, and in this manner reformulating definitions of common sense, personal identity, and culture. Il lavoro del dramaturg: History of European drama and theatre []. Summary This major study reconstructs the vast history of European Drama from Greek tragedy through to 20th century theatre, focusing on the subject of identity.

Bertolt Brecht

Throughout history, drama has performed and represented political, religious, national, ethnic, class-related, gendered, and individual concepts of identity. Erika Fischer-Lichte's topics include: Nielsen Book Data Available in paperback for the first time, this comprehensive coursebook surveys the vast history of European drama from Greek tragedy to twentieth century theatre. Erika Fischer-Lichte marshals a wealth of source material, combining readings of important dramatic works, detailed historical background and information on contemporary social and aesthetic developments.

The work's central theme is the different concepts of identity represented by drama throughout the ages, whether political, religious, national, ethnic, class-related, gendered or individual. This will be an invaluable resource for students on History of Theatre and Drama courses.

The medieval European stage, [].

Description Book — lxii, p. I percorsi della scena: Storia del teatro moderno e contemporaneo [ - ].

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Einaudi, c Description Book — v. La nascita del teatro moderno: Il grande teatro borghese: Avanguardie e utopie del teatro. Trame per lo spettatore. Zur Humanisierung des Lebens: Actes Sud diffusion , [] Description Book — p. B47 B46 Available. Die Entdeckung des Zuschauers: Paradigmenwechsel auf dem Theater des A8 F57 Unknown.

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The theatre of yesterday and tomorrow: This text explores this movement within a number of European countries as well as Russia and the United States. Editions du CTHS, Description Book — 3 v. Tramonto del grande attore []. La Casa Usher, c Il teatro degli anni Settanta: Chinese and Western theatre: Description Book — v, leaves.

Declamation; or, an essay on the art of speaking in public [electronic resource]: With a review of the manner, person, and character of actors. Illustrated with notes by the author and translator []. English Riccoboni, Luigi, Independent theatre in contemporary Europe: Freie Theater im Europa der Gegenwart.

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Summary Over the past 20 years European theatre underwent fundamental changes in terms of aesthetic focus, institutional structure and in its position in society. The impetus for these changes was provided by a new generation in the independent theatre scene. This book brings together studies on the state of independent theatre in different European countries, focusing on the fields of dance and performance, children and youth theatre, theatre and migration and post-migrant theatre.

Additionally, it includes essays on experimental musical theatre, and different cultural policies for independent theatre scenes in a range of European countries. One hundred years of futurism: In wide-ranging essays based on fresh research, the contributors to this collection examine both the original context and the cultural legacy of Futurism. Chapters touch on topics such as Futurism and Fascism, the geopolitics of Futurism, the Futurist woman, and translating Futurist texts.

A large portion of the book is devoted to the practical aspects of performing Futurist theatrical ideas in the twenty-first century. De fronteres i arts esceniques []. Punctum, desembre de Le passioni in scena: Colloquio di teatro e arti dello spettacolo 9th: P78 C65 Unknown. Commedia dell'arte e spettacolo in musica tra Sei e Settecento []. Italian opera and European theatre, Description Book — xxiv, p.

The director and the stage: La guerra dei teatri: Performing opposition [electronic resource]: Blackadder, Neil Martin, Westport, Conn. Pelletier, Louise, London ; New York: Description Book — xi, p. Summary Acknowledgements Introduction Part 1: Architecture As an Expressive Language Character theory and the language of architecture Le Camus de Mezieres and the metaphor of the theatre 2. Character Theory at the Theatre Servandoni, the master of special effects The modulation of light and darkness Unity of place and the perfecting of an illusion 3.

Playacting and the Culture of Entertainment: Architecture as Theatre 4. Theatre Architecture and the Role of the Proscenium Rethinking the space of the auditorium The beginning of a new tradition and the relocation of the spectator The theatricality of the marketplace Part 3: Language and Personal Imagination: An Architecture for the Senses 6. Taste, Talent and Genius in Eighteenth-Century Aesthetics Theatre theory and the decadence of taste Genius and the complex relationship between rules and talent Genie and the Encyclopedie 7.

Newtonian Empirical Sciences and the Order of Nature The expression of nature in architectural theory Newtonian empirical science and the role of tradition 8. Empirical Philosophy and the Nature of Sensations Aetienne Bonnot de Condillac and the nature of imagination Edmund Burke and the materiality of light and shadow Denis Diderot and the importance of language Part 4: Plotting an Architectural Program: The Space of Desire 9.

Staging an Architecture in Words The space of seduction The Genius of Architecture and the distribution of a hotel particulier Nielsen Book Data What if the house you are about to enter was built with the confessed purpose of seducing you, of creating various sensations destined to touch your soul and make you reflect on who you are? Could architecture have such power? This was the assumption of generations of architects at the beginning of modernity. Exploring the role of theatre and fiction in defining character in architecture, Louise Pelletier examines how architecture developed to express political and social intent.

Applying this to the modern day, Pelletier considers how architects can learn from these eighteenth century attitudes in order to restore architecture's communicative dimension. Through an in-depth and interdisciplinary analysis of the beginning of modernity, Louise Pelletier encourages today's architects to consider the political and linguistic implications of their tools.

Combining theory, historical studies and research, "Architecture in Words" will provoke thought and enrich the work of any architect. M37 A98 Unknown. Bedingungen, Strategien, Wahrnehmungen []. Pegah Schauspielmusik in der "klassischen" Provinz: Jahrhunderts am Beispiel von Arthur Sullivan: How the world became a stage [electronic resource]: Egginton, William, Albany, NY: State University of New York Press, c Description Book — viii, p. How the world became a stage: Egginton, William, Albany:

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