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From oppressing heat to seething rain, the real festival-goer is prepared. Fold-out umbrella, rain coat, various layers, and handy bags to carry everything in are basic essentials. If you check the weather report beforehand, and it turns out that it will be raining, you could even get some cheap umbrellas and sell them on the street. ATM's will be busy, so it's best to get some money beforehand.
A lot of tasty foods and drinks will be available only to those who present the right coin, and a lot of bathrooms will ask for a fee, so small change, especially, is handy to have. The vrijmarkt was literally created to slow down crowds. This year, too, your path is sure to be blocked by amateur merchants, budding child musicians, drunk party crowds and orange menaces.
Do some research on your festival city of choice, and find out which areas are where. Some areas will be known as the foods and drinks quarters, some will be the place for good vrijmarkt buys, and some will house outdoor music festivals. Make sure you know which areas tend to get congested, in case you want to be able to, you know, move. In Amsterdam, for instance, the Dam Square and the Rokin will be extremely busy.
They may seem a bit like festive lemonades, but they are very alcoholic. Sometime during the day, you will need a bathroom.
There will be crowds all around you, and not a toilet in sight. Know now that wherever you go, there will be lines, so be sure to seek out the most convenient bathrooms and get in line as soon as you start feeling the need. Bathroom locations can be found in special portable restroom areas that were placed there for the occasion, but also in bars, the homes of people who decided to offer their facilities in exchange for some change, and, as people get drunker, the canals. If you are celebrating away from your home, you may want to consider finding a place to sleep over for the night.
There soon follow unconfirmed reports that nuclear weapons were used in Wiesbaden and Frankfurt. Meanwhile, in the Persian Gulf , naval warfare erupts, as radio reports tell of ship sinkings on both sides.
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Eventually, the Soviet Army reaches the Rhine. Seeking to prevent Soviet forces from invading France and causing the rest of Western Europe to fall, NATO halts the Soviet advance by airbursting three low-yield tactical nuclear weapons over advancing Soviet troops. Meanwhile, on board the EC Looking Glass aircraft, the order comes in from the President for a full nuclear strike against the Soviet Union.
Almost simultaneously, an Air Force officer receives a report that a massive Soviet nuclear assault against the United States has been launched, further updated with a report that over Soviet intercontinental ballistic missiles ICBMs are inbound. It is deliberately unclear in the film whether the Soviet Union or the United States launches the main nuclear attack first.
The first salvo of the Soviet nuclear attack on the central United States as shown from the point of view of the residents of Central Kansas and western Missouri occurs at 3: Central Daylight Time, when a large-yield nuclear weapon air bursts at high altitude over Kansas City, Missouri. While the story provides no specifics, it strongly suggests that U. The aftermath depicts the central and northwestern United States as a blackened wasteland of burned-out cities filled with burn, blast, and radiation victims.
Russell Oakes lives in the upper-class Brookside neighborhood with his wife and works in a hospital in downtown Kansas City. He is scheduled to teach a hematology class at the University of Kansas KU hospital in nearby Lawrence, Kansas, and is en route when he hears an alarming Emergency Broadcast System alert on his car radio. The sine waves attention signal vibrates and then a woman announces an advisory message.
He exits the crowded freeway and attempts to contact his wife but gives up due to the long line at a phone booth. Oakes attempts to return to his home via the K freeway and is the only eastbound motorist. The nuclear attack begins, and Kansas City is gripped with panic as air raid sirens wail. Oakes' car is permanently disabled by the EMP from the first high altitude detonation, as are all motor vehicles and electricity. His family, many colleagues, and almost all of Kansas City's population are killed. Sam Hachiya and Nurse Nancy Bauer. Also at the university, science Professor Joe Huxley and students use a Geiger counter to monitor the level of nuclear fallout outside.
They build a makeshift radio to maintain contact with Dr. Oakes at the hospital as well as to locate any other broadcasting survivors beyond their area. His crew are among the first to witness the initial missile launches, indicating full-scale nuclear war. After it becomes clear that a Soviet counterstrike is imminent, the airmen panic. Several stubbornly insist that they should stay at their post and take shelter in the silo, while others, including McCoy, point out that it is futile because the silo will not withstand a direct hit.
McCoy abandons the truck and takes shelter inside an overturned semi truck trailer, barely escaping the oncoming nuclear blast. After the attack, McCoy walks towards a town and finds an abandoned store, where he takes candy bars and other provisions, while gunfire is heard in the distance. While standing in line for a drink of water from a well pump, McCoy befriends a man who is mute and shares his provisions. McCoy asks another man along the road about Sedalia, and the man indicates that Sedalia and Windsor no longer exist.
As McCoy and his companion both begin to suffer the effects of radiation sickness , they leave a refugee camp and head to the hospital at Lawrence, where McCoy ultimately succumbs to the radiation sickness. While the family is preparing for the wedding of their elder daughter, Denise, to KU senior Bruce Gallatin, Jim prepares for the impending attack by converting their basement into a makeshift fallout shelter.
As the missiles are launched, he forcefully carries his wife Eve, who refuses to accept the reality of the escalating crisis and continues making wedding preparations, downstairs into the basement. While running to the shelter, the Dahlbergs' son, Danny, inadvertently looks behind him just as a missile detonates in the distance and is instantly blinded and carried back to the shelter by Dahlberg.
KU student Stephen Klein, while hitchhiking home to Joplin, Missouri , stumbles upon the farm and persuades the Dahlbergs to take him in. After several days in the basement, Denise, distraught over the situation and the unknown whereabouts of Bruce, who, unbeknownst to her, was killed in the attack, escapes from the basement and runs about the field that is cluttered with dead animals. She sees a clear blue sky and thinks the worst is over. However, the field is actually covered in radioactive fallout. Klein goes after her, attempting to warn her about the effects of the invisible nuclear radiation that is going through her cells like X-rays , but Denise, ignoring this warning, tries to run from him.
Eventually, Klein is able to chase Denise back to safety in the basement, but not before Denise runs to the stairs to find her wedding dress. During a makeshift church service, while the minister tries to express how lucky they are to have survived, Denise begins to bleed externally from her groin due to radiation sickness from her run through the field. Klein takes Danny and Denise to Lawrence for treatment. Hachiya attempts to treat Danny, and Klein also develops radiation sickness.
Dahlberg, upon returning from an emergency farmers' meeting, confronts a group of silent survivors squatting on his farm and attempts to persuade them to move somewhere else, only to be shot and killed mid-sentence by one of the silent survivors. Ultimately, the situation at the hospital becomes grim. Oakes collapses from exhaustion and, upon awakening several days later, learns that Nurse Bauer has died from meningitis. Oakes, suffering from terminal radiation sickness, decides to return to Kansas City to see his home for the last time, while Dr. Oakes hitches a ride on an Army National Guard truck, where he witnesses US military personnel blindfolding and executing looters.
After somehow managing to locate where his home was, he finds the charred remains of his wife's wristwatch and a family huddled in the ruins. Oakes angrily orders them to leave his home. The family silently offers Oakes food, causing him to collapse in despair, as a member of the family comforts him.
As the scene fades to black, Professor Huxley calls into his makeshift radio: Stoddard asked his executive vice president of television movies and miniseries Stu Samuels to develop a script. Samuels created the title The Day After to emphasize that the story was not about a nuclear war itself, but the aftermath. Samuels suggested several writers and eventually Stoddard commissioned veteran television writer Edward Hume to write the script in ABC, which financed the production, was concerned about the graphic nature of the film and how to appropriately portray the subject on a family-oriented television channel.
Hume undertook a massive amount of research on nuclear war and went through several drafts until finally ABC deemed the plot and characters acceptable. Originally, the film was based more around and in Kansas City, Missouri. Kansas City was not bombed in the original script, although Whiteman Air Force Base was, making Kansas City suffer shock waves and the horde of survivors staggering into town.
There was no Lawrence, Kansas in the story, although there was a small Kansas town called "Hampton". While Hume was writing the script, he and producer Robert Papazian, who had great experience in on-location shooting, took several trips to Kansas City to scout locations and met with officials from the Kansas film commission and from the Kansas tourist offices to search for a suitable location for "Hampton.
Hume and Papazian ended up selecting Lawrence, due to the access to a number of good locations: Lawrence was also agreed upon as being the "geographic center" of the United States. Back in Los Angeles, the idea of making a TV movie showing the true effects of nuclear war on average American citizens was still stirring up controversy. ABC, Hume, and Papazian realized that for the scene depicting the nuclear blast, they would have to use state-of-the-art special effects and they took the first step by hiring some of the best special effects people in the business to draw up some storyboards for the complicated blast scene.
For several months, this group worked on drawing up storyboards and revising the script again and again; then, in early , Butler was forced to leave The Day After because of other contractual commitments. ABC then offered the project to two other directors, who both turned it down. The Wrath of Khan.
Meyer was apprehensive at first and doubted ABC would get away with making a television film on nuclear war without the censors diminishing its effect. However, after reading the script, Meyer agreed to direct The Day After. However, Meyer wanted to make sure he would film the script he was offered.
He did not want the censors to censor the film, nor the film to be a regular Hollywood disaster movie from the start. Meyer figured the more The Day After resembled such a film, the less effective it would be, and preferred to present the facts of nuclear war to viewers. ABC agreed, although they wanted to have one star to help attract European audiences to the film when it would be shown theatrically there.
Later, while flying to visit his parents in New York City , Meyer happened to be on the same plane with Jason Robards and asked him to join the cast. Meyer plunged into several months of nuclear research, which made him quite pessimistic about the future, to point of becoming ill each evening when he came home from work. Meyer and Papazian also made trips to the ABC censors, and to the United States Department of Defense during their research phase, and experienced conflicts with both.
Meyer had many heated arguments over elements in the script, that the network censors wanted cut out of the film. The Department of Defense said they would cooperate with ABC if the script made clear that the Soviet Union launched their missiles first—something Meyer and Papazian took pains not to do. In any case, Meyer, Papazian, Hume, and several casting directors spent most of July taking numerous trips to Kansas City. In between casting in Los Angeles , where they relied mostly on unknowns, they would fly to the Kansas City area to interview local actors and scenery. They were hoping to find some real Midwesterners for smaller roles.
Hollywood casting directors strolled through shopping malls in Kansas City, looking for local people to fill small and supporting roles, while the daily newspaper in Lawrence ran an advertisement calling for local residents of all ages to sign up for jobs as a large number of extras in the film and a professor of theater and film at the University of Kansas was hired to head up the local casting of the movie.
Out of the eighty or so speaking parts, only fifteen were cast in Los Angeles. The remaining roles were filled in Kansas City and Lawrence. When asked what their plans for surviving nuclear war were, a FEMA official replied that they were experimenting with putting evacuation instructions in telephone books in New England.
The town boasted a "socio-cultural mix," sat near the exact geographic center of the continental U. Lawrence had some great locations, and the people there were more supportive of the project. Suddenly, less emphasis was put on Kansas City, the decision was made to have the city completely annihilated in the script, and Lawrence was made the primary location in the film. Production began on Monday, August 16, , at a farm just west of Lawrence.
Sunshine was needed but it turned out to be an overcast day. The set required a floodlight. The crew set fire to the farm's red barn for one scene during the blast sequence, though this shot was eventually cut. The owner of the farm was not paid, but ABC did compensate him by building a new barn. A set in rural Lawrence, depicting a schoolhouse, was made in six days from fiberglass "skins.
A local man and his infant son came to the market, apparently unaware that ABC was filming a movie. The man reportedly saw the chaos and ran back into his car in fear. They were requested not to bathe or shower until filming was completed. In a small Lawrence park, ABC set up a grimy shantytown to serve as home to survivors.
It was known as "Tent City.
The next day, Jason Robards , the best-known "star" of the film, arrived and production moved to Lawrence Memorial Hospital. Many local individuals and businesses profited.
On September 6, in downtown Lawrence, the filmmakers repainted signs, changing the names of stores, staining the facades with soot. The large windows were shattered into sharp teeth, bricks were scattered and junked cars were painted with clouds of black spray. Two industrial-sized yellow fans bolted to a flatbed trailer blew clouds of white flakes into the air.
This fallout-matter was actually Cornflakes painted white. On September 7, students poured into Allen Fieldhouse , the basketball arena, the only place on campus big enough to accommodate so many wounded. A scene was filmed with thousands of radiation victims stretched out on the court floor. On September 8, a four-mile stretch on K between the Edgerton Road exit and the DeSoto interchange at former K now Lexington Avenue was closed for shooting highway scenes representing a mass exodus on Interstate On September 10, Robards' character was filmed returning to what is left of Kansas City to find his home.
ABC used the demolition site of the former St. The network paid the city to halt demolition for a month so it could film scenes of destruction there. However, when the crew arrived, more demolition had apparently taken place. Meyer was angry, but then realized he could populate the area with fake corpses and junked cars "and then I got real happy. The makeup took three hours to apply.
Passers-by strained for a closer look as Robards lifted the arm of a body stuck under fallen debris--just the arm, severed at the shoulder. It was at this site that the moving final scene where Dr. Oakes confronts a family of squatters was filmed. There were more problems on September Meyer had desperately wanted the Liberty Memorial , a tall war memorial in Penn Valley Park overlooking downtown Kansas City, for two scenes: However, one director of the local parks department was opposed to letting it be used for commercial purposes and expressed concern that ABC would damage the Memorial.
A resolution was reached. By using fiberglass, the filmmakers made it look as if the Memorial had been reduced to rubble.
Robards stumbled through debris once again. That evening, the cast and crew flew to Los Angeles. Many scientific advisors from various fields were on set to ensure the accuracy of the explosion, its effects and its victims. The government, nervous of how it would be portrayed, insisted that the Soviets be the instigators of the attack, and disagreeing with the producers who wanted it to be confused and unclear about who was responsible for launching first, did not allow the production to use stock footage of nuclear explosions in the film, so ABC hired special effects creators.