Artificial Hells: Participatory Art and the Politics of Spectatorship

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  • Artificial Hells: Participatory Art and the Politics of Spectatorship by Claire Bishop
  • Artificial Hells: Participatory Art and the Politics of Spectatorship
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    • As history shows, the artistic gesture all too frequently stands in for the lack of democracy in society at large.

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    What Bishop suggests, however, in the clearest possible terms, is that we abandon facile critical approval of such actions and refocus on aesthetic criteria, not merely the social goals, of such artistic work. Only through this lens can we understand what the best of such experiments offer, such as those by such artists as Tania Bruguera, Paul Chan, Pawel Althamer, and Thomas Hirschhorn. If you would like to authenticate using a different subscribed institution that supports Shibboleth authentication or have your own login and password to Project MUSE, click 'Authenticate'.

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    Artificial Hells: Participatory Art and the Politics of Spectatorship by Claire Bishop

    Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves. Built on the Johns Hopkins University Campus. This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless. One person found this helpful. Claire Bishop convincingly raises questions about "social practice" art by providing a detailed historical overview along with a thorough examination of contemporary work in the field.

    Kindle Edition Verified Purchase. I can't read this book on my mac. I've chatted with tech support and they know its a problem but they can't fix it. I can't even select the book on Kindle for Mac or the whole thing freezes up.

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    I've read bits of the book on my iPhone, and it seems like a great book, but I don't have any other way to publicly complain about this problem. Get your act together!!!

    Artificial Hells: Participatory Art and the Politics of Spectatorship

    Unquestionably informative and chronologically coherent, Bishop's book is great for the advanced scholar or connoisseur of performance and socially engaged art. That said, there's a lot of information with tendrils across centuries as well as mediums, and the language is very forthright in presenting Bishop's opinions; so, it's potentially a bit daunting for those new to the subject.

    Artificial Hells Participatory Art and the Politics of Spectatorship

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    “Claire Bishop has articulated an important historical overview of the global emergence of participatory art Her controversial and thought-provoking conclusions. ARTIFICIAL HELLS. Participatory Art and the Politics of Spectatorship. CLAIRE BISHOP. h_Artificial www.farmersmarketmusic.com iii. 18/05/

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