Ensayos Tomo VII (Spanish Edition)
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Customers who bought this item also bought. Page 1 of 1 Start over Page 1 of 1. Psicologia de las Masas y analisis del YO.
Totem Tabu y otros ensayos. Obras completas Tomo V. Psicopatologia de la vida cotidiana. De animales a dioses: Una breve historia de la humanidad Spanish Edition. Product details File Size: March 18, Sold by: Enabled Amazon Best Sellers Rank: Share your thoughts with other customers. Write a customer review. He disagrees with Taine, who had placed Ben Jonson and Shakespeare at the same level, and favours the genius and originality of the Bard of Avon On the whole, he shows a preference for what he considers the Romantic school and praises Milton and Byron enthusiastically too.
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The former is considered a great genius and the latter the greatest modern English poet He also includes those novelists that had been introduced in Spain in the nineteenth century, that is, Scott, Dickens, and Thackeray. Although the focus is on literary authors, he even mentions some prestigious nineteenth-century scientists, historians, economists and critics, such as Darwin, J. Mill, Carlyle, or Macaulay. As a result, one might rush into concluding that the canon presented by Henrich is in consonance with the stage of the reception of English literature in the late nineteenth century.
However, there are some absences and presences that require further consideration.
Henrich ignores or pays little attention to the eighteenth-century poets Thomson, Young, and Ossian. Young and Thomson are just listed in a long enumeration of minor poets who did not stand out for their originality or style Henrich, Given the nature of the work and the place that those authors occupied in the English canon from the nineteenth century onwards, those absences would not be noteworthy.
In fact, Craik and Taine do not pay much attention to them either.
In the nineteenth century, another three translations were produced: El sabio de la soledad o Meditaciones religiosas by Antonio Schawer published in or and reedited in ; Lamento nocturno, o Meditaciones de Young presumably by Francisco Razola published in and reprinted in ; Obras impresas del Dr.
Eduardo Young , which is an apocryphal collection of moral sayings.
Skip to main content. Stokes marked it as to-read Jul 04, Please enable JavaScript on your browser , then try again. The first translations of his novels had been published in the s, but it is from onwards when most of his narrative production was translated. And worthy of the thoughts that breathe are the words that burn.
Even though Ossian was not a passing trend and Montiel On the contrary, Henrich includes authors who were still practically unknown in Spain, but were to play a significant role in the twentieth century. This is the case of Wordsworth and Coleridge, whose presence in Spain in the nineteenth century can be hardly traced.
Obras Completas - Tomo VII Fragmentos de Analisis de Un Caso de Histeria ( Spanish Edition) [Sigmund Freud] on www.farmersmarketmusic.com *FREE* shipping on qualifying. (Obras Completas - Sigmund Freud) (Spanish Edition): Read Kindle Store Back. Psicologia de las Masas y analisis del YO. Obras completas. Tomo VII.
A translation of this poem entitled El antiguo marino by B. Archer was published around He does not specify if that school is called Romanticism, but he must have meant so because in the preceding sentence he mentions the re-importation of Romanticism from Germany.
At this point, he distances from English literary historiography and criticism, and from Craik in particular Oliphant still avoids its use in Literary History of England and refers to different groups or schools, such as the Lake School or the Satanic School, when discussing the poetry of the first decades of the nineteenth century Wellek, Henrich extracts the information on Wordsworth and Coleridge from it, but he does so in an inaccurate and arbitrary way.
He also seems to ignore the fact that the Lyrical Ballads were composed by both Wordsworth and Coleridge, even though it is explained by Craik Consequently, Henrich neither possessed a deep knowledge of their poetry, nor understood the actual importance they had in the evolution of the Romantic movement. However, he deemed them worthy of being included in his work. To a considerable extent, these sources determined the English literary canon he presented.
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His selection of authors differs significantly from the canon that had prevailed during the early stages of the reception of English writers in Spain and offers a wider repertoire which is more in tune with the new phase of this reception in the three last decades of the nineteenth century. Ensayo sobre la literatura inglesa was published at a time of growing knowledge and interest in English literature, when the Spanish translations of English works proliferated and English writers became better appreciated.
First, he disregards authors who, in spite of their popularity in the pre-Romantic and Romantic periods, had been pushed into the background in the following decades. Second, he reaffirms the central position occupied by some of the by-then established canonical figures such as Shakespeare, Milton or Byron, and pays attention to the Victorian writers who were introduced in Spain at that time.
Third, he anticipates the presence of authors like Wordsworth or Coleridge, who had not been known in Spain yet, but were to become influential in the twentieth century.
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Ensayo sobre la literatura inglesa, Madrid, Imprenta de Gaspar y Roig. Wilhelm Meisters Lehrjahre, 4 vols. Shakespeare in the Spanish Theatre: Henrich y Girona, J. Instituto provincial de Huelva Salamanca, Editorial de Ambos Mundos: Critical and Historical Essays: Contributed to the Edinburgh Review, 3 vols. The Plays and Poems of William Shakespeare, 10 vols. Manual del librero hispanoamericano, tomo IX: Mena — Molloy, Barcelona, Palau.
Manual del librero hispanoamericano, tomo XXI: