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East Dane Designer Men's Fashion. I no longer photograph sailboats. Nor do I photograph birds, or people. I do take pictures of little waves, patch of fog, rain and clouds. These, too, can be distracting; but their forms are almost always amorphous, transparent, wet. They scarcely have any color of their own, but they take on the color of light cast on them and then reflect that.
Sixty photographs in all: No one photograph is nicer than another. If you start looking at photographs that way, you get lost in aesthetics. I want to photograph wind, light-elements that we know only by their manifestations.
Tessa van der Waals , Softcover mit Schutzumschlag with dustjacket 30,5 x 24 cm, Seiten pages 64 Farbabbildungen color plates edition: Lebt und arbeitet in Uitdam, Niederlande. Lives and works in Uitdam, Netherlands. Die Bunker selbst schreiben sich unscheinbar in die vom rauen Klima gezeichnete Landschaft ein.
The colour photographs were taken over a period of several years — , and with their pared-down colours and contrasts they have also become metaphors for the transience of analogue photographic material. The bunkers themselves meld inconspicuously into the landscape marked by the harsh climate.
Technik wird zum Dialogpartner von Kunst. The artists pointedly address issues relating to our work-oriented society: Lives and works in Uitdam, Netherlands. Facelift is an art project that clearly gives expression to the ambivalence inherent in the medium of photography, an imaging technique that both creates scenarios and therefore illusions, and serves as a realistic, documentary method at the same time. They reveal the traces of identity that remain whenever we leave the intimacy of our living spaces. For connoisseurs and enthusiasts alike the book is also an opportunity to see the Mercedes models and series of the past 40 years, meticulously listed in the captions, in a highly concentrated form and in incongruous everyday situations.
Today they serve mainly as viewing platforms for surfers and tourists or as ideal surfaces for graffiti. Foukauld — La Disparition is the title of both the book and the project as a whole, which is an artistic as much as a scientific work. It can certainly be interpreted as a reference to the great French philosopher Michel Foucault and his thoughts on history and memory.
Or, along with Foucault: Photographic artists Nicole Blaffert and Franz Wamhof lived at the JHQ over a period of two months, photographing the architecture, landscape and people. This is a photographic book with a personal documentary-like view of the dissolution of a relic from the Cold War. Beide leben und arbeiten in Karlsruhe, Deutschland. Both live and work in Karlsruhe, Germany.
In her portraits of people living in Angola, Pakistan, Afghanistan, Israel and Palestine she pursues an image strategy built on dialogue and communication. The people in front of the camera allow themselves to be photographed: I like many others was overwhelmed by the news coming out of Africa and the Middle and Far East this spring, which we have now come to refer to as the Arab Spring.
And reports of unrest from there between March and April We would be living without computers or digital cameras. Christian Wachter , Softcover mit Schutzumschlag with dustjacket 27,8 x 21 cm, 64 Seiten pages 32 Farbabbildungen color plates edition: Originalprint, signiert und nummeriert original print, signed and numbered. Original-Farbprint, signiert und nummeriert original color-print, signed and numbered.
Of her work method, the artist says: Lebt und arbeitet in Berlin und New York. Lives and works in Berlin and New York.
Hier lugt ein Arm hervor, dort steht jemand hinter dem Vorhang. The series is divided into four blocks — each with its own short story written by Marko Zink — and also presented as such. This location with its untold stories was ideally suited for Marko Zink. The result is a compilation of hidden images that encapsulate transience independently of the motif as a result of his special photographic technique. Here we see an arm poking out; over there, someone behind a curtain. The past of a glamorous bygone era briefly flashes before our eyes before dissolving in the sadness of dilapidation and the accumulation of bizarrely whimsical furniture.
Vitality and death were very close to each other in the artistic concept — with reality unpinning the setting with ruthless force. Markus Zahradnik , Hardcover 20 x 25 cm, Seiten pages 40 Farbabbildungen color plates edition: Es entstehen Geschichten, die Vergangenes in die Gegenwart einbetten und verarbeiten individuelle Erinnerungen von Schmerz und Lust.
In her photo book Body Memory young Polish artist Agnes Janich shows in sensual and yet provoking photographs different forms of love and violence.
She examines certain relationships within partnerships, the ideas and expectations of sexuality and reveals hidden thought and perception processes of our post-feminist time. Simultaneously she dares to reference precarious topics: Through the combination of text and image, she manages to replenish the photographs with another narrative level. Basement Arcade ist formal streng und konzeptionell und gleichzeitig poetisch heiter und inspirierend.
Here Koppel uses his own invented technique of fusing traditional black and white analogue photographs with photograming to make a lyrical and witty, personal, yet relevant fantastic voyage. By employing everyday household props, simple window light, only his spouse Will and himself as nude models, and ordinary objects for photograms, Basement Arcade becomes a curious remark on photography and perception as much as it is a journey of imaginative scenarios.
Koppel fuses two processes while he purposely also creates a witty gap between them, making the very unusual and intriguing message of Basement Arcade formal, fantastic and conceptual all at once.
Lebt und arbeitet in Warschau und NewYork. Lives and works in Warsaw and New York. Text von text by Rolf Koppel englisch English Gestaltung graphic design: Dabei entstehen Verdoppelungen von Architekturen, die in der fotografischen Abbildung nahezu real erscheinen.
Gelingt es einigen dieser Scheinarchitekturen bereits in der faktischen Begegnung im Stadtraum, die Unterscheidung zwischen Abbild und konkreter Architektur zu erschweren, so wird der illusionistische Effekt in den Fotografien noch gesteigert. Facelift is an art project that clearly gives expression to the ambivalence inherent in the medium of photography, an imaging technique that both creates scenarios and therefore illusions, and serves as a realistic, documentary method at the same time.
Here, the fundamental choice of motif and the special photo detail point up an analytically artistic posture that reflects the theme of staging onto a meta-level. The artificial construction of a deceptive appearance of real architecture in urban space is not presented in order to unmask, i. Thus, the photos of the Facelift series are less commentary than imagistic information about the realness of diverse realities — in the photographic image, in the urban situation and on the printed tarpaulin.
Landesgalerie Linz Gestaltung graphic design: Sabine Haubitz , Hardcover mit offener Fadenheftung with stiched binding 27,3 x 21 cm, 64 Seiten pages 38 Farbabbildungen color plates edition: Zwei Motive, Original-Farbprints, signiert und nummeriert two motifs, original color-prints, signed and numbered. Live and work in Munich, Germany. Artistic collaboration since In der fotografischen Aneignung und Verfremdung der Studios verschmelzen schlussendlich zwei Pole — der Anfang und das Ende der Geschichte eines Kunstwerks: In he began systematically to photograph studios — first in Linz and Vienna, later in Berlin, Amsterdam, Beijing, Shanghai and Hangzhou.
The technique used allows each studio consisting of many individual digital images to appear as an image space.
Norbert Artner applies this technique to a particular motif: Two states — with the greatest mystery of all remaining the transition from one to the other. Norbert Artner , Hardcover 20,3 x 14 cm, Seiten pages 50 Farbabbildungen color plates edition: Lebt und arbeitet in Linz und Berlin. Lives and works in Linz and Berlin. Bergmueller, a spiritual grandson of Karl Valentin, is the creator of funny machines shown off as interactive photo images: Sometimes the artist himself as an actor appears as iconic figure in these plays.
The Ipad App is paralleled by the printed artist book Studio Stills. The book is a journey through this space in 50 images, of course from time to time meetings with works of the artist are included. Lebt und arbeitet lives and workes in Salzburg Austria.
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