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Venetiis, Vincentius Valgrisius, Lugduni, Gulielmus Rouilius, [Exemplares: Faculdade de Medicina, Fac. Toledo, Biblioteca de Castilla-La Mancha, ; ]. Burdigale, ex tipographia Gilberti Vernoy, [Exemplares: Venecia, Francesco Storti, [Exemplares: Lisboa, Faculdade de Medicina, Fac.
Amato Lusitano , do 18 de julho ao 26 de outubro de David de Morais , Eu, Amato Lusitano: Vita beati Aegidii Scallabitani. Biblioteca Universitaria Alessandrina, RM De regis institutione et disciplina libri octo. Olissipone, Ioannes Hispanus, Bruselas, Biblioteca Real, V. Arnoldi Birckmanni, [Exemplares: Coloniae, Officina Birckmannica, [Exemplares: Coloniae Agrippinae, apud haeredes Arnoldi Birckmanni, [Exemplares: Macau, Societas Iesu, In Macaensi portu Sinici regni, in domo Societas Iesu, Coimbra, Biblioteca Geral, R Londres, British Library, C. Teodoro de Matos dirs.
Duarte de Sande, S. Dialogus de impressione metheorologica, et theorologica, et cometa.
Conimbricae, ex officina Nicolai Carvalho, [s. Coimbra, Biblioteca Geral, Universidade, Res. Biblioteca Geral, Joanina, 4 A; Estava encadernado com a obra Deuotissima exposicion sobre el psalmo de Miserere dei deus. Coimbra, Biblioteca Geral, V. Biblioteca da Casa Palmela. Francisco de Moraes ? Um Cavaleiro e um Doutor. Rio de Janeiro, Nacional, 28,5, Geraldo de Ulhoa Cintra: Olyssipone, apud Lodouicum Rotorigiu[m], , aos 12 de janeiro. Rio de Janeiro, Nacional. Um pai e seu filho. Olissipone, Apud Lodovicum Rotorigiu[m]. OR 7 ; or http: Lisboa, Joam de Barreira, , 20 de Agosto [Exemplares: Lisboa, Apenas Livros, Um fidalgo e um escudeiro.
Journal of Iberian Studies , 22 O Evangelho e o Talmud. Lisboa, Biblioteca da E. Tratado da Esfera por Perguntas e Respostas. Francisco de Holanda , pintor. Entre o 18 de fevereiro de e o 18 de outubro de Do tirar polo natural. Bury , Madrid, Ediciones Akal, Raphael Fonseca , Francisco de Holanda: Icabo, Numeo e Zicareo, pastores.
Martim Afonso de Miranda, alferes. Sevilla, Universidad, A Res. Biblioteca Universitaria Alessandrina, RM Thus, the opinions of others matter with respect to both honor que se granjean con estas virtudes. Coimbra, Francisco Correa, Moreover, honor is universal and not only respect for him, an inferior, would have been a show of hubris that the the property of a social class. Moreover, Peribafiez is legally eventual dishonor of his daughter and the tragedy that ensues.
Ferrara, Abraham ben Usque, i. Jean Subirats , Jorge Ferreira de Vasconcelos. Paris, Nationale, Fonds portugais, ms. Roma, Arquivo romano da Companhia de Jesus, Opp. Armando Cardoso , Obras completas.
Lisboa, Francisco Correa, Braga, Antonio de Mariz, Lisboa, Pedro Craesbeeck, Augusta, Christoval Mangio, [Exemplares: Lisboa, Geraldo da Vinha, Acrescentada pelo P. Lisboa, na Oficina Craesbeeckiana, Acrescentada pelo P. Lisboa, Typographia da Casa Catholica, Garcia da Orta ? Carvalho , Garcia da Orta , Lisboa, Um religioso e um peregrino.
Um preso e um amigo dele. Um padre e seu filho. Da tranquilidade da vida. Dos verdadeiros e falsos bens. Nacional, Res P. Lisboa, Nacional, Res P. Lisboa, Typographia Rollandiana, Colloquio de hum relligioso com hum peregrino, onde lhe ensina como e onde ha de achar a Deos. Um religioso e um perigrino. Modo de achar a Deus.
Mandado imprimir por D. Livro chamado Desengano de perdidos. Ricardo Ventura , D. Londres, British Library, c. Diogo do Couto , historiador. George Davison Winius , The black legend of portuguese India. Gaspar Frutuoso , padre e historiador. A Verdade, a Fama. Os seis livros que formam a obra completa de Gaspar Frutuoso foram publicados de forma individualizada: Livro Segundo , ed.
Antiocho doente e Herculano fidalgo. Antiocho doente e Aureliano cavaleiro. Antiocho doente e Sabiniano pregador. Coimbra, Biblioteca Geral, R c. Coimbra, Diogo Gomes Loureiro, [Exemplares: Coimbra, Biblioteca Geral, J.
Pedro de Mariz ? Coimbra, Biblioteca Geral, R; V. Cervantes, Raphael and the Classics; Quixotic Frescoes: A Clash of Civilizations and Literary Genres. He is also secretary of La Perinola, a journal devoted to the study of the work and the figure of Francisco de Quevedo. He has published five books and 95 articles on Early and holds degrees from the University of Granada, the University of Modem Studies, mainly on Calder6n and Cervantes. He has authored or co-authored a number of books and articles on Span- Matthew D.
Lorca and Jose Luis Alonso de Santos. His approach to the literature of the Spanish Golden Age is grounded in the fields of philosophy, religion, Maria M. Carrion is Professor of Spanish and associated faculty in Middle ethics, the history of ideas, and political issues. Eastern Studies and Religion at Emory University.
She specializes in the cultural and literary production of 16th- and 17th-century Spain, with a Christina H. Lee is Associate Research Scholar of Spanish and Portuguese particular focus on dramatic theory and performance, legal writings and Languages and Cultures at Princeton University. Her research focuses on practices, and architectural theory and history.
She is the author of numer- East-West encounters and the perception of ethnicity and class in the ous publications, including Arquitectura y cuerpo en La figura autorial de early modem period. Cervantes, women writers , sexuality and erotic literature, theater and per- fonnance, and animal studies. His areas of as president of the Cervantes Society of America and editor of the Bulletin specialization include humor in Golden Age theater, early modem law ofthe Comediantes.
His primary field of research is early modem Spanish enforcement, and representations of criminality on stage. His research also covers contemporary narrative and drama. He is the author of over publications on early modem Span- visiting professor at many universities around the world North Carolina, ish literature, and is currently at work on a study of Galileo's presence in Duke University, Dartmouth College, Pisa, Toulouse, Oxford, etc.
Her articles and interviews focu's on de Oro , in recent years he has focused on interdisciplinary the Spanish comedia and have appeared in Cervantes, Romance Quarterly, projects such as expeditions to the jungles of Madidi Bolivia. She published books of original poetry such as Vcvir es caminar brevejomada, specializes in the representation of gardens and landscapes in early mod- Canto solo para Llsi, and Los bLues deL cocodrilo.
He is the author of The Novelist as PLaywright: Cervantes and the entremes nuevo and several jour- Figures accompanying the articleofFrederick A de Annas nal articles on Cervantes and early modern drama. Currently he is com- pleting a book on scientific and technological imagery in Don Quijote. Museo del Prado, Madrid, Spain. She has published x em. Correggio , TheAbduction ofGanymed, Oil on Literature, Dramas of Distinction: Kunsthistorisches Museum, Vienna, and the edition of dramas, Women's Acts: PLays by Women Dramatists of Austria.
Courtesy of Arte Historia ; eratur, Spanish School, Christopher CoLumbus Portraitgalerie, Schloss Ambras, Innsbruck, Austria. Jusepe de Ribera , Saint Christopher, 3rd-century Martyr c. Museo del Prado, Madrid. What is needed is a serious, panoramic, state-of-the-art handbook in English to chart a course for future work. This has been the goal for the current volume. Drama, the only major one for the rest of the last century was Melveena McKendrick's magisterial Theatre in Spain, '', published by Cambridge in Since the millennium two relevant books are of particular note: But the first of these, while extremely valuable, necessarily presents the perspective of only a single author; and the second, which includes an astounding 24 essays, is pri- marily pedagogical in focus.
Hence the need for the present work. The first section, 'Origins,' begins with the birth of the early theater in Spain. An essay on closet drama, particularly the Celestina, by Enrique Fernandez highlights both similarities and differences with dramatic works meant to be read versus those that were intended to be performed on stage. Another essay by Robert Baylisslooks at continuities with courtly love songs performed by troubadours, while still another by Frederick de Armas assesses to what degree the classical tradition remained relevant for the 'new' genre of comedias heralded by Lope de Vega in his Arte nuevo de hacer comedias en este tiempo This section is rounded out by J.
Enrique Duarte in an essay on the Spanish sacramental plays and their evolution. The second part, Themes,' explores some commonly-discussed subject areas for comedia research: But it is my fervent hope that of more standard comedias but are often excluded from modem critical the essays presented here will inspire a whole new generation of come- editions.
Enjoy performed as well as places re-created on the stage for example, the cit- the performance! Finally, this section ends with an essay by Christina Lee on imaginary geographies and exoticized representations of far-off places like Asia. Here we see radical Otherness intrude into the consciousness of both dramatists and audiences in early modem Spain, much as the Spaniards themselves intruded into the countries they tried to conquer and evangelize.
Finally, Part IV, 'Intersections,' finds points of contact between the comedia and other genres and fields of inquiry, such as the picaresque, emblems, science, medicine, and psychoanalysis. Here Ed Friedman astutely analyzes what he terms a shared picaresqe "sensibility," while Ignacio Arellano rehearses an immense repertoire of emblems appearing on stage.
Diálogo de la verdadera honra militar (Spanish Edition) eBook: Jerónimo Jiménez de Urrea: www.farmersmarketmusic.com: Kindle Store. Dialogo de la verdadera honra militar. by Jerónimo Language Spanish. Google-id Worldcat (source edition) Year
Cory Reed traces new developments in science and technology during this period as those were reflected in different plays written and performed at the court and in the corrales. In a metacritical tum, Teresa Scott Soufas takes the opportunity to reflect upon current debates over periodization as she uses the motif of melancholy to claim for Spain its rightful place in the broader European transition to modernity. As the vol- ume draws to a close, Henry Sullivan gets to have the last word on the topic of Jacques Lacan and the tragic drama, an under-studied phenomenon in a field perhaps wrongfully labeled "comedia studies.
It will serve as a port of entry for scholars and advanced graduate students who wish to survey recent developments in this field. The sheer star power of the lineup of contribu- tors is compelling, and makes the book worthy of the honor of inclusion in the new Renaissance Society of America's Texts and Studies Series. Across the board, the contributors also completed their essays in record time.
Robert Lauer Dedicated to Hilaire The term honor, from the Greek time and the Latin honiis or honoris, is an ambiguous term. In Greek, time may mean honor, esteem, worth, value, price, dignity, power, prerogative, estimate, compensation, and reward. In Latin, honiis denotes, when referring to persons, honor, repute, esteem, reputation, praise, and dis- tinction; when associated with things, honor, esteem, and value. Likewise, it signifies preferment, public honor including that offered in funeral rites , official dignity, and an office or post, as in the case of a magistrate.
Additionally, it stands for ambition and glory, especially military. It may indicate a mark of honor, respect for a person or a deity, reverence, a sacrifice, an honorary gift, a prize, a reward, an acknowledgment, a rec- ompense, and a fee. The term may also be used in reference to an orna- ment and a decoration, and it may be employed to denote grace, charm, and beauty. In this sense, honor suggests the idea of a fee, gift or recompense.
Moreover, in UKEnglish, honor at times implies an allegiance of an individual to moral principles, as in the phrase "to be obliged in honor. Hamilton, A Greek-English Lexicon, 2 vols. London, , p. Glas- gow, , 1: J2 How- Sebastian de Covarrubias Orozco indicates in his Tesoro de la lengua ever, only honor, similar to the UK term honour, may be used to mean castellana 0 espanola: Vale 10 mismo que honra. Covarrubias equates three concepts under this term: This kind of honor is partly innate and partly ing the synonymy of both terms, although it assuages the third element acquired.
On account of the robust effort demanded in the pursuit of this found in Covarrubias: Reverencia, acatamiento y veneracion mark of distinction, physical health and strength are deemed essential. Physically; these men realengos," as one finds in the Poemade mio Cid.
It stands "lote, suerte" Berceo, MiLagros, 94d and "alta posicion" Berceo, Mila- to reason that the original knights or defenders were mountain hunters, gros, d. In addition, honestum, also who prayed, and laborers, who cultivated the land. These men must also deriving from honos, denotes honesty, integrity, virtue, and beauty. Orlando Furioso de M. Lodouico Ariosto by Lodovico Ariosto Book 4 editions published between and in Spanish and held by 4 WorldCat member libraries worldwide.
Orlando furioso by Lodovico Ariosto Book 1 edition published in in Spanish and held by 3 WorldCat member libraries worldwide Follia guerra viaggio amore. Dialogo del vero honore militare nel quale si diffiniscono tutte le querele che possono occorrere fra l'uno e l'altr'uomo Corregido segunda vez por el mismo by Lodovico Ariosto Book 1 edition published in in Spanish and held by 2 WorldCat member libraries worldwide. Project Page Feedback Known Problems.